Scripts
SIGNS poster

2002

SIGNS script

Grieving the loss of his wife, former reverend Graham Hess lives on a farm with his brother and children, where they discover a mysterious crop circle, signaling an impending alien invasion. As global reports confirm the extraterrestrial threat, the family barricades themselves indoors, enduring escalating attacks while Morgan suffers a severe asthma attack. A creature breaches their home, but Merrill, recalling his sister-in-law's dying words and Bo's aversion to water, uses a baseball bat and water to defeat the alien, saving Morgan from its poisonous gas. The family emerges, their faith restored, as the water-vulnerable aliens retreat from Earth, revealing Colleen's final message was a prophetic sign.

Writer
M. Night Shyamalan
IMDb ID (imdb_id)
tt0286106
Script date
2002
66Scenes
7Characters
74Pages
8Dialogue samples

Save the Cat beat sheet

SIGNS Save the Cat analysis

SIGNS follows a grieving family as unexplained screams and crop circles introduce an alien threat.

Open full beat sheet
85

Key characters

Graham Hess

Graham Hess is listed as Protagonist. Former reverend, father of Morgan and Bo, brother of Merrill. In the parsed data, Graham Hess is connected to 53 scenes, 135 dialogue lines, 135 text mentions, first appearing around scene 21.

53 scenes / 135 dialogue lines

Merrill Hess

Merrill Hess is listed as Supporting. Graham's younger brother, former minor league baseball player. In the parsed data, Merrill Hess is connected to 39 scenes, 60 dialogue lines, 60 text mentions, first appearing around scene 7.

39 scenes / 60 dialogue lines

Bo Hess

Bo Hess is listed as Supporting. Graham's four-year-old daughter. In the parsed data, Bo Hess is connected to 32 scenes, 14 dialogue lines, 14 text mentions, first appearing around scene 8.

32 scenes / 14 dialogue lines

Morgan Hess

Morgan Hess is listed as Supporting. Graham's ten-year-old son, suffers from asthma. In the parsed data, Morgan Hess is connected to 31 scenes, 46 dialogue lines, 46 text mentions, first appearing around scene 7.

31 scenes / 46 dialogue lines

Officer Edgar Paski

Officer Edgar Paski is listed as Supporting. Local police officer. In the parsed data, Officer Edgar Paski is connected to 6 scenes, 9 dialogue lines, 9 text mentions, first appearing around scene 21.

6 scenes / 9 dialogue lines

Colleen Hess

Colleen Hess is listed as Deceased. Graham's late wife. In the parsed data, Colleen Hess is connected to 2 scenes, 11 dialogue lines, 11 text mentions, first appearing around scene 61.

2 scenes / 11 dialogue lines

Ray Reddy

Ray Reddy is listed as Supporting. Local man who accidentally killed Graham's wife. In the parsed data, Ray Reddy is connected to 1 scene, 6 dialogue lines, 7 text mentions, first appearing around scene 37.

1 scenes / 6 dialogue lines

Scene outline

  1. 1. INT. WINDOW - MORNING

    A view of the backyard and cornfield, followed by a distant scream.

  2. 2. INT. BEDROOM - MORNING

    Graham wakes up and investigates the house.

    Graham Hess
  3. 3. INT. HALL LANDING - MORNING

    Graham checks on the children's room.

    Graham Hess
  4. 4. INT. BATHROOM - MORNING

    Graham hears another scream while brushing his teeth.

    Graham Hess
  5. 5. INT. CHILDREN'S BEDROOM - MORNING

    Graham finds the children's room empty.

    Graham Hess
  6. 6. INT. GARAGE BEDROOM - MORNING

    Merrill wakes up to the children's screams.

    Merrill Hess
  7. 7. EXT. BACKYARD - MORNING

    Graham and Merrill search for the children.

    Graham Hess, Merrill Hess
  8. 8. EXT. CROPS - MORNING

    Graham and Merrill find Bo and Morgan in the cornfield.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  9. 9. EXT. BACKYARD - LUNCHTIME

    Graham talks to Lee on the phone and meets Officer Paski.

    Graham Hess, Morgan Hess, Bo Hess, Officer Edgar Paski
  10. 10. EXT. BACKYARD JUNGLE GYM - LUNCHTIME

    The children and the dog have a dangerous encounter.

    Morgan Hess, Bo Hess
  11. 11. EXT. CROPS - LUNCHTIME

    Graham and Officer Paski inspect the crop circle.

    Graham Hess, Officer Edgar Paski
  12. 12. EXT. BACKYARD - LUNCHTIME

    Graham finds the dog dead and comforts his children.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess, Officer Edgar Paski
  13. 13. INT. BEDROOM - LATE EVENING

    Graham talks to his deceased wife.

    Graham Hess
  14. 14. EXT. HOUSE - NIGHT

    The crickets stop, signaling something is wrong.

  15. 15. INT. BEDROOM - NIGHT

    Bo wakes Graham up.

    Graham Hess, Bo Hess
  16. 16. INT. CHILDREN'S BEDROOM - NIGHT

    Graham sees a figure on the roof.

    Graham Hess, Bo Hess
  17. 17. INT. FAMILY ROOM - NIGHT

    Graham wakes Merrill to confront the intruder.

    Graham Hess, Merrill Hess
  18. 18. EXT. FRONT DOOR - NIGHT

    Graham and Merrill plan to confront the intruder.

    Graham Hess, Merrill Hess
  19. 19. EXT. SIDE OF HOUSE - NIGHT

    Graham and Merrill chase the intruder.

    Graham Hess, Merrill Hess
  20. 20. EXT. PORCH - DAY

    Officer Paski returns to interview them.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess, Officer Edgar Paski
  21. 21. EXT. Hess Driveway - DAY

    Officer Paski talks to Graham about the hoaxes and advises him to take his family into town to get their minds off recent tragedies.

    Graham Hess, Officer Edgar Paski
  22. 22. EXT. Station Wagon - AFTERNOON

    The Hess family drives through the countryside; Graham turns off the radio to avoid news reports.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  23. 23. EXT. Main Street - AFTERNOON

    The family arrives in town; Graham gives Morgan money for a book and they split up.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  24. 24. INT. Nathan's Bookstore - AFTERNOON

    Morgan and Bo visit a bookstore to find a book on extraterrestrials.

    Morgan Hess, Bo Hess
  25. 25. INT. Pharmacy - AFTERNOON

    Graham picks up medicine for Morgan and is asked by the pharmacist to hear her confession.

    Graham Hess
  26. 26. INT. Army Recruiting Office - AFTERNOON

    Merrill visits an army recruiting office and discusses baseball records.

    Merrill Hess
  27. 27. EXT. Station Wagon - AFTERNOON

    The family sees the man who killed Graham's wife.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  28. 28. EXT. Hess Home - AFTERNOON

    The family uses a baby monitor to listen to strange signals.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  29. 29. EXT. Backyard - EVENING

    Graham investigates the cornfield and encounters something.

    Graham Hess
  30. 30. INT. Family Room - EVENING

    The family watches news reports about lights over Mexico City.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  31. 31. INT. Family Room / Closet - DAY

    Graham finds Merrill in the closet with the TV; they discuss the disappearance of the lights.

    Graham Hess, Merrill Hess
  32. 32. INT. Hess Family Room - DAY

    Merrill and Graham discuss the alien situation and the crop circles while watching news footage of birds hitting an invisible barrier.

    Graham Hess, Merrill Hess
  33. 33. INT. Master Bedroom - DAY

    Graham prepares for the day and observes his children whispering in the next room.

    Graham Hess
  34. 34. INT. Children's Bedroom - DAY

    Graham talks to Morgan and Bo, who are wearing tin foil hats to protect their minds from aliens.

    Graham Hess, Morgan Hess, Bo Hess
  35. 35. INT. Front Hall - DAY

    Graham tells Merrill he is going to Ray Reddy's house.

    Graham Hess, Merrill Hess
  36. 36. INT. Children's Bedroom - DAY

    Morgan and Bo discuss their fears while looking through a telescope.

    Morgan Hess, Bo Hess
  37. 37. EXT. Reddy House - DAY

    Graham visits Ray Reddy, who is sitting in his truck, traumatized.

    Graham Hess, Ray Reddy
  38. 38. INT. Closet - DAY

    Merrill watches news footage of an alien creature in Brazil.

    Merrill Hess
  39. 39. INT. Kitchen - DAY

    Graham investigates the pantry at Ray Reddy's house and encounters an alien.

    Graham Hess
  40. 40. EXT. Station Wagon - DAY

    Graham finds a dead bird on the road and realizes the danger.

    Graham Hess
  41. 41. INT. Hess Family Room - DAY

    Graham returns home and discusses the situation with his family.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  42. 42. EXT. Hess House - AFTERNOON

    Merrill practices his baseball swing while the family prepares to board up the house.

    Merrill Hess
  43. 43. INT. Closet - LATE AFTERNOON

    The family watches news reports of alien lights appearing globally.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  44. 44. INT. Hallway - LATE AFTERNOON

    Merrill stands alone in the hall, processing the situation.

    Merrill Hess
  45. 45. INT. Closet - LATE AFTERNOON

    Morgan turns off the television.

    Morgan Hess, Bo Hess
  46. 46. INT. Family Room - LATE AFTERNOON

    Graham sits by the window, thinking.

    Graham Hess
  47. 47. INT. Upstairs Landing - EVENING

    The family plans their final preparations and meal.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  48. 48. INT. Kitchen - EVENING

    The kitchen is boarded up.

  49. 49. INT. Dining Room - EVENING

    The family shares a final meal together.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  50. 50. INT. Upstairs Hall - EVENING

    Merrill and Graham board up the bedroom doors.

    Graham Hess, Merrill Hess
  51. 51. INT. Hallway - EVENING

    Graham discovers the emergency broadcast on the TV and informs Merrill and the children that the invasion is happening.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  52. 52. INT. Upstairs Hall - EVENING

    Merrill and Graham board up the bedroom doors.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  53. 53. INT. Graham's Bedroom - EVENING

    Graham watches creatures trampling through the cornfield from his window.

    Graham Hess, Merrill Hess
  54. 54. INT. Upstairs Hall - EVENING

    Graham tells Bo and Morgan stories about their births while finishing the barricade.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  55. 55. INT. Front Hall - EVENING

    The family hears the dog Isabelle stop barking and realizes the creatures are at the door.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  56. 56. INT. Upstairs Hall - EVENING

    Graham and Merrill struggle to keep the attic trapdoor closed.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  57. 57. INT. Kitchen - EVENING

    The family barricades the kitchen and prepares to move to the basement.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  58. 58. INT. Basement - EVENING

    The family hides in the basement, and Morgan suffers an asthma attack.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  59. 59. INT. Basement - MORNING

    The family learns via radio that the creatures are withdrawing.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  60. 60. INT. Family Room - MORNING

    A creature confronts the family in the family room.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  61. 61. EXT. Street - NIGHT

    Flashback to the night of Colleen's accident.

    Graham Hess, Officer Edgar Paski, Colleen Hess
  62. 62. EXT. Roadside - DAY

    Graham finds his dying wife Colleen pinned by a truck.

    Graham Hess, Colleen Hess
  63. 63. INT. Family Room - MORNING

    Merrill fights the creature using a baseball bat and water.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess
  64. 64. INT. Kitchen - MORNING

    Graham carries Morgan out of the house.

    Graham Hess, Morgan Hess
  65. 65. INT. Family Room - MORNING

    Merrill finishes off the creature.

    Merrill Hess, Bo Hess
  66. 66. EXT. Backyard - MORNING

    Morgan wakes up, and the family reunites.

    Graham Hess, Merrill Hess, Morgan Hess, Bo Hess

Dialogue examples

There are all different ways you can tell that there's someone really there watching out for us. You see signs. Sometimes they're little ones. You think of someone. The phone rings. They're on the phone... Sometimes they're big, like fourteen lights hovering over Mexico City. Sure, there are a lot of people watching this who think this could be a bad thing. But there are a lot of people watching this, who think it's a miracle. A sign of God's existence. It's all in how you look at things Merrill. What you have to decide is what kind of person you are? Are you the type who believes in miracles and looks for signs or are you the kind who believes, things just happen by chance?

Graham Hess / Scene 30

I worked so long that night. I ain't never fallen asleep driving before. And never since. Most of the ride home, there wasn't a car insight in either direction. If I'd fallen asleep then, I'd a ended up in a ditch with a head ache. It had to happen at that right moment. That certain ten-fifteen seconds when I passed her walking. It was like it was meant to be.

Ray Reddy / Scene 37

You know about signs Morgan? Not like the ones people write on. It's like if you poured a glass of milk and you dropped the glass by mistake and broke it before you could drink it. Then you looked at the milk carton and saw that the milk was spoiled. They're things that happen by chance or luck, but make you feel that someone's watching out for you.

Merrill Hess / Scene 43

She won't be saved. At this point she's alive, because the truck is holding her together. She doesn't feel much, and she's talking almost like normal. We didn't pull the truck out, cause we wanted you to come down here to be with her, as long as she's awake. That won't be very long. Father, you understand what I've told you?

Officer Edgar Paski / Scene 61

Yes. They would invade us using only ground tactics. Hand to hand combat. They wouldn't use their technology or fight an airborne battle, because they would know we would eventually use nuclear weapons and the planet would be useless to them.

Morgan Hess / Scene 41

It says they're probably very small -- like my height -- because, as their brains developed, there was no use for physical development. It says they're probably vegetarians, because they would have realized the benefits of such a diet.

Morgan Hess / Scene 34

We can choose to believe it and pack up and leave. Or we can stay here. Board up this house. Hide inside our home and wait it out. Either way, at least we'll be together. All those in favor of the lake, raise your hand.

Graham Hess / Scene 41

I wrote your number down to call you. It's been sitting next to the phone for six months. When I knew it was inside the house, I couldn't think of any other number to call. I panicked. Thank you for coming Father.

Ray Reddy / Scene 37

Use this structured screenplay data

SlugDB turns parsed screenplays into scene, character, dialogue, trivia, semantic search, Save the Cat, and API-ready analysis.

Use SlugDB when you need screenplay API data, movie dialogue search, character evidence, scene context, or MCP tools without building a scraper first.

Browse scripts API reference MCP setup Free API key