Scripts
PAUL poster

2007

PAUL script

British comic book writers Graham and Clive embark on an American road trip to UFO sites, where they encounter Paul, an escaped alien pursued by Special Agent Zoil. They pick up Ruth, a religious woman whose beliefs are challenged by Paul's existence, as he reveals he has been on Earth since 1947, inspiring culture but now hunted for dissection. The chase escalates to Devil's Tower, where Paul is wounded, and he uses his healing powers to resurrect Ruth after she is accidentally shot by her fundamentalist father, Moses. Paul's spaceship arrives, crushing the mysterious 'Big Guy' who ordered his capture, allowing Paul to depart Earth with Tara Walton, while Graham and Clive become successful authors of their adventure.

Writer
Simon Pegg & Nick Frost
IMDb ID (imdb_id)
tt1092026
Script date
2007
74Scenes
10Characters
89Pages
8Dialogue samples

Save the Cat beat sheet

PAUL Save the Cat analysis

Two British sci-fi geeks embark on a road trip across America only to discover a wise-cracking alien stowaway named Paul.

Open full beat sheet
60

Key characters

Graham Willy

Graham Willy is listed as Protagonist / Comic Book Writer. Thin, wears clothes too small, long greasy hair, buck teeth, thick glasses. In the parsed data, Graham Willy is connected to 57 scenes, 91 dialogue lines, 91 text mentions, first appearing around scene 24.

57 scenes / 91 dialogue lines

Clive Gollings

Clive Gollings is listed as Protagonist / Comic Book Writer. Bigger build, long black leather coat, curly pyramid-shaped hair. In the parsed data, Clive Gollings is connected to 53 scenes, 99 dialogue lines, 99 text mentions, first appearing around scene 3.

53 scenes / 99 dialogue lines

Paul

Paul is listed as Protagonist / Alien. A 3-foot tall alien with black almond-shaped eyes, long fingers, and a sarcastic personality. In the parsed data, Paul is connected to 33 scenes, 138 dialogue lines, 162 text mentions, first appearing around scene 23.

33 scenes / 138 dialogue lines

Ruth Behe

Ruth Behe is listed as Supporting / Religious Convert. Young woman, wears glasses with one blacked-out lens, initially devoutly religious. In the parsed data, Ruth Behe is connected to 24 scenes, 97 dialogue lines, 98 text mentions, first appearing around scene 34.

24 scenes / 97 dialogue lines

Moses Behe

Moses Behe is listed as Supporting / Antagonist. Ruth's father, towering, wide, menacing. In the parsed data, Moses Behe is connected to 13 scenes, 26 dialogue lines, 26 text mentions, first appearing around scene 35.

13 scenes / 26 dialogue lines

Special Agent Zoil

Special Agent Zoil is listed as Antagonist / Government Agent. Chiselled, focused, confident government agent. In the parsed data, Special Agent Zoil is connected to 12 scenes, 22 dialogue lines, 22 text mentions, first appearing around scene 25.

12 scenes / 22 dialogue lines

Agent Haggard

Agent Haggard is listed as Antagonist / Government Agent. Government agent working under Zoil. In the parsed data, Agent Haggard is connected to 9 scenes, 9 dialogue lines, 11 text mentions, first appearing around scene 27.

9 scenes / 9 dialogue lines

Agent O'Reilly

Agent O'Reilly is listed as Antagonist / Government Agent. Government agent working under Zoil. In the parsed data, Agent O'Reilly is connected to 9 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 41.

9 scenes / 2 dialogue lines

Tara Walton

Tara Walton is listed as Supporting. Older woman, grey, dishevelled, had a childhood encounter with Paul. In the parsed data, Tara Walton is connected to 4 scenes, 3 dialogue lines, 3 text mentions, first appearing around scene 1.

4 scenes / 3 dialogue lines

The Voice

The Voice is listed as Antagonist. Zoil's superior, aggressive and impatient. In the parsed data, The Voice is connected to 3 scenes, 1 dialogue line, 1 text mention, first appearing around scene 70.

3 scenes / 1 dialogue lines

Scene outline

  1. 1. EXT. FARMHOUSE - NIGHT

    A young girl lets her dog Paul out at night; the dog senses something and whimpers as an orange glow appears.

    Tara Walton
  2. 2. EXT. SAN DIEGO STREET - DAY

    Graham and Clive walk through San Diego during Comic-Con.

    Graham Willy, Clive Gollings
  3. 3. INT. CONVENTION CENTRE - CONVENTION FLOOR - LATER

    Graham and Clive browse fantasy weapons.

    Graham Willy, Clive Gollings
  4. 4. INT. CONVENTION CENTRE - SIGNING PAVILLION - DAY

    Graham and Clive meet Michael Biehn.

    Graham Willy, Clive Gollings
  5. 5. INT. CONVENTION CENTRE - SIGNING PAVILLION - LATER

    Graham and Clive sit at their book signing table.

    Graham Willy, Clive Gollings
  6. 6. INT. CONVENTION CENTRE - SIGNING PAVILLION - LATER

    The signing session ends with poor results.

    Graham Willy, Clive Gollings
  7. 7. INT. HOTEL - BAR - NIGHT

    Graham and Clive drink at a bar.

    Graham Willy, Clive Gollings
  8. 8. INT. HOTEL - BEDROOM - NIGHT

    Graham and Clive prepare for their trip to Area 51.

    Graham Willy, Clive Gollings
  9. 9. INT. HOTEL - RECEPTION - MORNING

    Graham and Clive check out of the hotel.

    Graham Willy, Clive Gollings
  10. 10. EXT. HOTEL - MORNING

    Graham and Clive get their RV.

    Graham Willy, Clive Gollings
  11. 11. INT. RV - MORNING

    Graham and Clive start their road trip.

    Graham Willy, Clive Gollings
  12. 12. INT. DINER - DAY

    Graham and Clive eat lunch.

    Graham Willy, Clive Gollings
  13. 13. INT/EXT. RV - DAY

    They drive through the landscape.

    Graham Willy, Clive Gollings
  14. 14. INT. THE LITTLE A'LE'INN - BAR - EVENING

    Graham and Clive stop at a bar.

    Graham Willy, Clive Gollings
  15. 15. INT. THE LITTLE A'LE'INN - TOILET - EVENING

    Clive uses the toilet.

    Clive Gollings
  16. 16. INT. THE LITTLE A'LE'INN - BAR - EVENING

    Clive returns to the bar and encounters two men.

    Graham Willy, Clive Gollings
  17. 17. INT/EXT. RV - EVENING

    Graham and Clive leave the bar.

    Graham Willy, Clive Gollings
  18. 18. EXT. THE LITTLE A'LE'INN - EVENING

    The RV drives off.

    Graham Willy, Clive Gollings
  19. 19. INT/EXT. RV - NIGHT

    Graham and Clive drive toward the Black Mailbox.

    Graham Willy, Clive Gollings
  20. 20. EXT. THE EXTRA TERRESTRIAL HIGHWAY - NIGHT

    Graham and Clive arrive at the Black Mailbox.

    Graham Willy, Clive Gollings
  21. 21. INT. RV - NIGHT

    Graham and Clive flee from a car.

    Graham Willy, Clive Gollings
  22. 22. EXT. THE EXTRA TERRESTRIAL HIGHWAY - NIGHT

    The car following them crashes.

    Graham Willy, Clive Gollings
  23. 23. EXT. THE EXTRA TERRESTRIAL HIGHWAY - NIGHT

    Graham and Clive encounter Paul.

    Paul, Graham Willy, Clive Gollings
  24. 24. INT/EXT. RV - NIGHT

    Graham and Paul discuss their route while driving, and Paul asks for a map.

    Paul, Graham Willy
  25. 25. EXT. The Extra Terrestrial Highway - NIGHT

    Special Agent Zoil arrives at the crash site and realizes the alien has escaped.

    Special Agent Zoil, Agent Haggard, Agent O'Reilly, The Voice
  26. 26. EXT/INT. RV - NIGHT

    Clive wakes up and confronts Graham about the alien in their RV.

    Paul, Graham Willy, Clive Gollings
  27. 27. EXT. Desert Road - NIGHT

    Graham and Clive are stopped by government agents.

    Paul, Graham Willy, Clive Gollings, Agent Haggard, Agent O'Reilly
  28. 28. INT. RV - NIGHT

    Paul reappears after the agents leave.

    Paul, Graham Willy, Clive Gollings
  29. 29. INT. RV - DAYBREAK

    Paul makes coffee and explains his history to Clive.

    Paul, Graham Willy, Clive Gollings
  30. 30. EXT. Gas Station - MORNING

    The group stops at a gas station and encounters a state trooper.

    Paul, Graham Willy, Clive Gollings
  31. 31. INT. RV - EVENING

    Graham and Clive discuss their travel plans while Paul tries to interact with them.

    Paul, Graham Willy, Clive Gollings
  32. 32. INT. RV - EVENING

    Paul questions Clive about his sexual preferences and discusses human nature.

    Paul, Graham Willy, Clive Gollings
  33. 33. INT. RV - EVENING

    The RV arrives at an RV park; Paul disappears when a stranger approaches.

    Paul, Graham Willy, Clive Gollings
  34. 34. EXT. RV PARK - EVENING

    Ruth Behe greets Graham and Clive at the RV park gate.

    Graham Willy, Clive Gollings, Ruth Behe
  35. 35. INT. BEHE RESIDENCE - NIGHT

    Ruth returns home to her father, Moses Behe.

    Ruth Behe, Moses Behe
  36. 36. INT. RV - NIGHT

    Paul, Graham, and Clive have dinner inside the RV.

    Paul, Graham Willy, Clive Gollings
  37. 37. INT. RV - MORNING

    Ruth visits the RV and debates religion and science with Paul, Graham, and Clive.

    Paul, Graham Willy, Clive Gollings, Ruth Behe
  38. 38. INT. BEHE RESIDENCE - DAY

    Paul retrieves Clive's passport and encounters Moses Behe.

    Paul, Moses Behe
  39. 39. EXT. RV PARK - DAY

    Paul escapes Moses Behe and the RV speeds away.

    Paul, Graham Willy, Moses Behe
  40. 40. INT. RV - DAY

    Paul shares his knowledge with Ruth, Graham, and Clive.

    Paul, Graham Willy, Clive Gollings, Ruth Behe
  41. 41. INT. BEHE RESIDENCE - DAY

    Agent Zoil and his team interview Moses Behe.

    Special Agent Zoil, Moses Behe, Agent Haggard, Agent O'Reilly
  42. 42. INT. RV - DAY

    The group enjoys the view in Wyoming; Ruth leaves the RV.

    Paul, Graham Willy, Clive Gollings, Ruth Behe
  43. 43. EXT. HIGHWAY - DAY

    Graham convinces Ruth to join them on their journey.

    Graham Willy, Ruth Behe
  44. 44. INT. RV - DAY

    Graham and Ruth return to the RV; Graham tries to comfort Ruth about her hair.

    Graham Willy, Ruth Behe, Paul
  45. 45. EXT/INT. RV - DAY

    The group drives across the countryside with rotating drivers.

    Graham Willy, Clive Gollings, Ruth Behe, Paul
  46. 46. EXT/INT. Zoil's/Haggard's/O'Reilly's Cars - DAY

    Zoil's convoy tracks the RV; O'Reilly falls asleep at the wheel.

    Special Agent Zoil, Agent Haggard, Agent O'Reilly
  47. 47. EXT. Desert Highway - DAY

    The RV stops at the Utah/Mountain time zone border; Paul plays with the time change.

    Paul, Graham Willy, Clive Gollings, Ruth Behe
  48. 48. EXT. Highway / Arby's - DAY

    Zoil's convoy stops at an Arby's; Moses Behe's truck passes by.

    Special Agent Zoil, Agent Haggard, Agent O'Reilly, Moses Behe
  49. 49. INT. RV - NIGHT

    Ruth considers calling her father; Paul spits on the floor.

    Graham Willy, Clive Gollings, Ruth Behe, Paul
  50. 50. EXT. Bar Parking Lot - NIGHT

    The group arrives at a bar.

    Graham Willy, Clive Gollings, Ruth Behe
  51. 51. INT. Bar - NIGHT

    Ruth goes to a pay phone; Moses Behe enters the bar.

    Graham Willy, Clive Gollings, Ruth Behe, Moses Behe
  52. 52. INT. Bar Pay Phone - NIGHT

    Ruth calls home and is intercepted by Agent Zoil.

    Ruth Behe, Special Agent Zoil
  53. 53. INT. Highway Roadside - NIGHT

    Zoil talks to Ruth on a satellite phone while Haggard and O'Reilly listen.

    Special Agent Zoil, Agent Haggard, Agent O'Reilly, Ruth Behe
  54. 54. INT. Bar Pay Phone - NIGHT

    Ruth panics after Haggard reveals they found her; she fights off two men.

    Ruth Behe
  55. 55. INT. Bar - NIGHT

    A fight breaks out in the bar; Ruth encounters her father.

    Graham Willy, Clive Gollings, Ruth Behe, Moses Behe
  56. 56. EXT. Bar Parking Lot - NIGHT

    The group escapes in the RV; Paul scares off the meatheads.

    Paul, Graham Willy, Clive Gollings, Ruth Behe, Moses Behe
  57. 57. INT. RV - NIGHT

    The group rests in a lay-by; Ruth is shaken.

    Paul, Graham Willy, Clive Gollings, Ruth Behe
  58. 58. EXT. Deserted Town - NIGHT

    Graham and Paul look at a cowboy outfit in a shop window.

    Paul, Graham Willy
  59. 59. EXT. Woods - NIGHT

    The group camps; Paul explains his name and history.

    Paul, Graham Willy, Clive Gollings
  60. 60. EXT. Woods - MORNING

    The group wakes up and realizes the town is busy.

    Paul, Graham Willy, Clive Gollings
  61. 61. EXT. Town - DAY

    The group walks through town; Paul is disguised as a cowboy.

    Paul, Graham Willy, Clive Gollings
  62. 62. INT. Comic Shop - DAY

    Clive buys a sword; Paul meets a child named Keith Nash.

    Paul, Graham Willy, Clive Gollings
  63. 63. INT/EXT. RV - DAY

    Agent Zoil questions Ruth.

    Ruth Behe, Special Agent Zoil
  64. 64. EXT. Comic Shop - DAY

    Haggard and O'Reilly question Keith Nash.

    Agent Haggard, Agent O'Reilly
  65. 65. INT. STREET - DAY

    Haggard and O'Reilly interrogate Keith Nash about the alien's location.

    Agent Haggard, Agent O'Reilly
  66. 66. EXT. WOODS - DAY

    Moses Behe finds Ruth's bloody handkerchief and pursues the RV.

    Moses Behe
  67. 67. EXT. STREET - DAY

    Zoil confronts Haggard and O'Reilly about their unauthorized departure.

    Special Agent Zoil, Agent Haggard, Agent O'Reilly
  68. 68. INT. MOSES'S PICK UP - DAY

    Moses listens to the police scanner and mocks Zoil.

    Moses Behe
  69. 69. INT. RV - DAYBREAK

    Paul and Ruth discuss religion and the universe.

    Paul, Ruth Behe
  70. 70. EXT. CLEARING - NIGHT

    Zoil arrives to save Paul from soldiers and the Voice, leading to a confrontation where the group fights back and Paul is wounded.

    Paul, Graham Willy, Clive Gollings, Ruth Behe, Special Agent Zoil, Tara Walton
  71. 71. EXT. CLEARING - NIGHT

    Ruth is accidentally shot by her father, Moses, and Paul uses his powers to resurrect her.

    Paul, Graham Willy, Clive Gollings, Ruth Behe, Tara Walton, Moses Behe
  72. 72. EXT. CLEARING - NIGHT

    The Voice is crushed by a landing spaceship.

    Paul, Graham Willy, Clive Gollings, The Voice
  73. 73. EXT. DEVIL'S TOWER CLEARING - NIGHT

    Paul says his goodbyes to the group and leaves with Tara.

    Paul, Graham Willy, Clive Gollings, Ruth Behe, Special Agent Zoil, Tara Walton
  74. 74. INT. CONVENTION CENTRE - DAY

    Graham and Clive are successful authors at Comic-Con, with Zoil working security.

    Graham Willy, Clive Gollings, Ruth Behe, Special Agent Zoil

Dialogue examples

Okay, that's great. I just wondered. I'm cool with it. Everyone's 'bi' where I'm from. It's all about the pleasure thing, you know? We've evolved beyond paranoid notions of gender identity. I mean, procreation is only the functional aspect of sexual congress right? The human race is fairly advanced but most males still act like a cornered tiger if you imply the like 'smoking the bone' and let's face it they probably do. Look at single sex, empirical institutions, boarding schools, prisons, pirate ships, places where the choice has been removed, everyone's banging everyone else and there isn't a whiff of socio-cultural angst. Get out into the real world and guys are getting smacked in the chops for wearing pink socks. You think you're so sophisticated because you can distinguish yourself from your own reflection but ultimately you're part of a deeply neurotic species and you'd all be a lot better off if you stopped worrying and learned to love the bum.

Paul / Scene 32

They eye is comprised of three interacting parts. Remove any one of them and it ceases to exist. It has the precision and delicacy of a pocket watch and, when the good Lord permits, it works in perfect harmony with its environment. Something as functionally perfect as that doesn't just occur without the intervention of a guiding hand.

Ruth Behe / Scene 37

So am I, but it passes, sort of. Ruth, we're on an amazing adventure and I think you should come with us. I know you feel confused and lost but if you get back on board that RV, you might just find the very thing you're looking for.

Graham Willy / Scene 43

Did you know that the universe has been dated as being 13.5 billion years old an that the release of neutral hydrogen at the moment of the big bang has enabled scientists to do this with categorical accuracy?

Clive Gollings / Scene 37

Uh-huh. They'll have to get off the 191 after Flaming Gorge if they ain't using the interstate, there's been a rig spill just South of Dutch John.

Moses Behe / Scene 41

That's right. Her Mama died when she was born. I good as brought her up by myself. Wasn't easy either. Two mouths to feed and this place to run.

Moses Behe / Scene 41

Look, I know you think you're doing the right thing but I promise you, I'm only thinking about you. And Paul. You care about Paul, don't you?

Special Agent Zoil / Scene 53

Steve Miller Band. I love that song. Speaking of midnight tokers, I got a littler herbal refreshment in my pants. Do you guys partake?

Paul / Scene 58

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