Opening Image
Scene 1 / Page 1 / 1% target
Introduces a rural, eerie tone with a girl releasing her dog as an orange glow hints at extraterrestrial presence.
Go on now Paul, don't be long.
PAUL script analysis
Two British sci-fi geeks embark on a road trip across America only to discover a wise-cracking alien stowaway named Paul. Along the way they pick up a reluctant believer, face down government agents, and learn about friendship, faith, and acceptance. The stakes rise until a desperate climax in the desert forces them to trust Paul’s miraculous powers. Finally, they return to Comic-Con transformed by their adventure.
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Scene 1 / Page 1 / 1% target
Introduces a rural, eerie tone with a girl releasing her dog as an orange glow hints at extraterrestrial presence.
Go on now Paul, don't be long.
Scene 4 / Page 4 / 5% target
Michael Biehn’s conversation about storytelling and struggle hints at the film’s themes of belief and validation.
Do you feel that the killing of Hicks and Newt in Alien 3, invalidates Ripley's struggle at the...
Scenes 2-7 / Pages 2-7 / 10% target
We meet Graham and Clive at Comic-Con where their friendship and authorial struggles are established.
Scene 23 / Page 23 / 12% target
They first encounter Paul on the Extraterrestrial Highway, upending their trip.
Put - the phone - down.
Scene 26 / Page 26 / 20% target
Clive reacts with disbelief and questions Graham’s sanity over having an alien in the RV.
I'm feeling like I've gone MENTAL MAD, Graham.
Scene 28 / Page 28 / 25% target
Paul reappears invisibly, confirming he’s joining them and cementing the new “upside-down” world.
It's not invisibility per so. It's more like what a chameleon does with a little light blending thrown...
Scene 34 / Page 34 / 30% target
Meeting Ruth Behe introduces the romantic subplot and believers vs. skeptics dynamic.
Good evening, I'm Ruth Behe.
Scenes 31-33 / Pages 31-33 / 40% target
A series of comedic and character-building road trip vignettes showcasing cultural clashes and Paul's antics.
Best case, I'd like a cold flannel on my neck and an honest meal.
Scene 43 / Page 43 / 50% target
Graham persuades Ruth to fully join the quest, marking a point of no return.
Ruth, please stop, I've got shin splints.
Scenes 53-55 / Pages 53-55 / 65% target
Agent Zoil and Secret Service intensify pursuit, and a bar fight endangers Ruth.
Agent Zoil, Secret Service. Listen very carefully. You're in great danger.
Scene 71 / Page 71 / 75% target
Ruth is accidentally shot and it seems Paul cannot save her, reaching a dark low point.
I...I never meant to shoot her. I was aiming for the goblin.
Scene 69 / Page 69 / 80% target
Paul and Ruth discuss faith’s role in filling life’s gaps, reflecting their internal struggles.
Faith is a night-light. It illuminates the scary corners, fills the gaps, makes the universe easier to comprehend.
Scene 72 / Page 72 / 85% target
A spaceship lands and crushes the Voice, galvanizing hope and the plan to move forward.
Scene 73 / Page 73 / 95% target
Paul says heartfelt goodbyes and departs with Tara, resolving relationship arcs.
Lorenzo Zoil, you're a good man. Say bye to Karen for me.
Scene 74 / Page 74 / 99% target
Back at Comic-Con, Graham and Clive have become successful, mirroring the opening but transformed.