Opening Image
Scene 1 / Page 1 / 1% target
The film opens with a primal pair emerging from the sea, immediately establishing the rudimentary world and hunger theme.
YEAR ONE script analysis
Two clueless primitives are exiled from their tribe and embark on a ridiculous journey through biblical legend, encountering famous figures, royal debauchery, and near–deaths before ultimately saving their friends and overthrowing a corrupt priesthood. Along the way, they learn about choice, friendship, and destiny.
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Scene 1 / Page 1 / 1% target
The film opens with a primal pair emerging from the sea, immediately establishing the rudimentary world and hunger theme.
Scene 2 / Page 1 / 5% target
The line about forbidden fruit and disobedience hints that questioning taboos and choices drive the story.
Because that's the fruit we don't eat! It's forbidden.
Scenes 3-6 / Pages 1-10 / 10% target
We see village rituals, Zed’s illness, Maya’s relationship and tribal hierarchy, establishing characters and stakes.
Scene 7 / Pages 10-12 / 12% target
The Shaman banishes Zed, triggering the journey away from home.
You're cursed, man, and if you stay here then we'll all be cursed. You have to leave.
Scenes 8-9 / Pages 12-15 / 20% target
Zed and Oh debate loyalty and purpose as they flee hunters and question their path.
I guess I'm with you.
Scene 14 / Pages 20-22 / 25% target
Their encounter with Cain and Abel plunges them into the wider biblical world, leaving their simple tribe behind.
Yeah, well-- we're hunters.
Scene 18 / Pages 22-23 / 30% target
Zed’s conversation with Lilith introduces the romantic subplot that parallels the main quest.
You're kidding! Whoa! That's amazing!
Scenes 25-30 / Pages 30-40 / 40% target
A series of comedic trials: slave market antics, escape, desert struggle, spying on soldiers.
I'm not sure yet, but I'm starting to believe that everything happens for a reason. Like, why did...
Scene 33 / Pages 45-47 / 50% target
They interrupt Abraham’s sacrifice of Isaac – the stakes go from survival to moral intervention and divine tests.
No, I was going to sacrifice him. There's a difference.
Scenes 38-42 / Pages 48-55 / 65% target
Captured in Sodom and forced to serve, their freedom and friends are at risk under corrupt authorities.
You know, you guys are lucky that sergeant is a friend of mine. I let him sodomize me...
Scene 61 / Pages 70-72 / 75% target
Sentenced to death by stoning, their story seems over until Zed’s impromptu sermon.
I entered the Holy of Holies and, lo, I did not die! Why? Because I am chosen by...
Scene 64 / Pages 75-77 / 80% target
Separated and enslaved in the brick yard, they despair over lost friendships and purpose.
Don't tell me you're still mad about Maya. That's so over. I have a thing going with the...
Scene 74 / Pages 80-82 / 85% target
The ziggurat collapse is interpreted as divine proof, galvanizing them to act and save the innocents.
A sign! It's a sign! The Chosen One comes!
Scene 76 / Pages 85-88 / 95% target
Zed confronts the High Priest at the altar, triggering revolt and freeing the captives.
I said, 'I don't think so!'
Scene 81 / Page 100 / 99% target
At the city gates survivors depart, forming new bonds and suggesting future journeys together.