I
I is listed as Protagonist. An unemployed, neurotic actor living in a squalid flat in London. In the parsed data, I is connected to 29 scenes, 60 dialogue lines, 60 text mentions, first appearing around scene 1.
29 scenes / 60 dialogue lines
1987
In 1969 London, two unemployed, alcoholic actors, Withnail and 'I', live in squalor and despair, constantly arguing about their lack of money, wine, and prospects. Desperate for a change, they convince Withnail's wealthy, effeminate Uncle Monty to lend them his remote country cottage for a holiday, lying to him that 'I' is gay and interested in him. Their rural retreat quickly devolves into a series of misadventures as they struggle with the harsh conditions, local farmers, and their own incompetence, culminating in Monty's unexpected arrival and his advances towards 'I'. After 'I' confronts Withnail about his deception and announces his departure for a new acting role, they return to London, only to find their flat occupied by their drug dealer, Danny, and his associate.
Save the Cat beat sheet
Two struggling actors, Withnail and I, endure creative stagnation and squalor in their dilapidated London flat before impulsively escaping to a remote cottage offered by Uncle Monty.
Open full beat sheetI is listed as Protagonist. An unemployed, neurotic actor living in a squalid flat in London. In the parsed data, I is connected to 29 scenes, 60 dialogue lines, 60 text mentions, first appearing around scene 1.
29 scenes / 60 dialogue linesWithnail is listed as Protagonist. An alcoholic, unemployed actor, friend of 'I'. In the parsed data, Withnail is connected to 28 scenes, 53 dialogue lines, 67 text mentions, first appearing around scene 1.
28 scenes / 53 dialogue linesMonty is listed as Supporting. Withnail's wealthy, effeminate, middle-aged uncle. In the parsed data, Monty is connected to 3 scenes, 7 dialogue lines, 13 text mentions, first appearing around scene 10.
3 scenes / 7 dialogue linesDanny is listed as Supporting. A drug dealer and purveyor of rare herbs. In the parsed data, Danny is connected to 3 scenes, 1 dialogue line, 3 text mentions, first appearing around scene 9.
3 scenes / 1 dialogue linesParkin is listed as Supporting. A local farmer near the cottage. In the parsed data, Parkin is connected to 3 scenes, first appearing around scene 15.
3 scenes / 0 dialogue linesPresuming Ed is listed as Supporting. Danny's associate. In the parsed data, Presuming Ed is connected to 2 scenes, first appearing around scene 27.
2 scenes / 0 dialogue linesJake is listed as Supporting. A local poacher. In the parsed data, Jake is connected to 1 scene, first appearing around scene 20.
1 scenes / 0 dialogue linesRaymond is listed as Supporting. Landlord of the Crow and Crown pub. In the parsed data, Raymond is connected to 1 scene, first appearing around scene 20.
1 scenes / 0 dialogue linesI tries to wake Withnail for tea, then leaves the flat.
I, WithnailI eats at a cafe and contemplates his inability to cope with Withnail.
IWithnail and I argue about their lack of wine, the state of the flat, and their health.
I, WithnailWithnail and I discuss their failed acting careers and the need to get away.
I, WithnailWithnail drinks lighter fluid in a desperate attempt to get drunk.
I, WithnailThey walk toward the pub.
I, WithnailA confrontation occurs at the pub with a large man.
I, WithnailI shaves while Withnail brings food and mentions Danny is visiting.
I, WithnailDanny visits and tries to sell them drugs.
I, Withnail, DannyThey visit Uncle Monty to ask for the cottage.
I, Withnail, MontyThey drive to the countryside.
I, WithnailThey arrive at the cold, spartan cottage.
I, WithnailI wakes up and goes to the farm to find food.
II returns and they argue about the lack of fuel.
I, WithnailThey confront the farmer, Parkin.
I, Withnail, ParkinWithnail and I ask Parkin for fuel and food; Parkin agrees to bring logs and a chicken.
I, Withnail, ParkinWithnail and I struggle with the live chicken and cooking.
I, WithnailWithnail makes a frustrating phone call to his agent.
I, WithnailWithnail and I encounter a bull while crossing a field.
I, Withnail, ParkinWithnail and I drink at the pub and meet Jake the poacher.
I, Withnail, Jake, RaymondUncle Monty arrives at the cottage.
I, Withnail, MontyI confronts Withnail about his lies to Monty and announces his departure for London.
I, WithnailI and Withnail find a note from Monty and receive a telegram regarding a job.
I, WithnailWithnail drives in heavy rain while I struggles to see.
I, WithnailWithnail drives recklessly, gets pulled over by police, and is arrested.
I, WithnailWithnail is caught using a fake urine device.
WithnailWithnail and I return to find Danny and Presuming Ed occupying their flat.
I, Withnail, Danny, Presuming EdDanny rolls a massive joint while discussing politics and the end of the decade.
I, Withnail, Danny, Presuming EdI prepares to leave for the train station.
I, WithnailI and Withnail part ways; Withnail recites Hamlet to the wolves.
I, WithnailI have of late, but wherefore I know not, lost all my mirth and indeed it goes so heavily with my disposition that this goodly frame the earth seems to me a sterile promotory; this most excellent canopy the air, look you, this mighty o'rehanging firmament, this majestical roof fretted with golden fire; why, it appeareth nothing to me but a foul and pestilent congregation of vapours. What a piece of work is a man, how noble in reason, how infinite in faculties, how like an angel in aprehension, how like a God! The beauty of the world, paragon of animals; and yet to me, what is this quintessence of dusk. Man delights not me, no, nor women neither, nor women neither.
Monty you must listen! We're in an affair, we have been for years. But he's estranged, he won't allow himself to admit it. That's why he's rejecting me while you're here. On my life Monty, this is the first time in six years we havn't slept together. I couldn't cheat on him, it would kill him.
Yes you are! Of course you are. You're only saying that to deny your relationship with him. It's not his fault that he can't love you any more that it's mine that I adore you. Can't we allow ourselves this one moment of indiscretion? He need never know.
You're looking very beautiful man. Have you been away? St. Peter preached the epistles to the apostles looking like that. Have you got any food.
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