Opening Image
Scene 1 / Page 1 / 1% target
Viago waking up at 6 PM introduces the vampires’ reversed daily routine and tone.
So, it's PM in the night-time, which is when I wake up.
WHAT WE DO IN THE SHADOWS script analysis
The screenplay introduces a quirky vampire household in modern Wellington, establishing their mundane routines and supernatural conflicts. A human friend Nick is turned into a vampire, sparking tension that escalates through a messy trial, a deadly werewolf encounter, and the death of a flatmate. After hitting rock bottom, the group rallies when Stu returns as a werewolf, leading to a new harmony between vampires and werewolves. The film closes with a playful fourth-wall break, showing the characters fully settled in their bizarre coexistence.
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Scene 1 / Page 1 / 1% target
Viago waking up at 6 PM introduces the vampires’ reversed daily routine and tone.
So, it's PM in the night-time, which is when I wake up.
Scene 5 / Page 1 / 5% target
Discussion about chores underscores themes of responsibility within their immortal lives.
Vampires don't do dishes.
Scenes 2-4 / Pages 1-2 / 10% target
Viago wakes each flatmate in turn, establishing characters and their daily rituals.
Scene 7 / Page 2 / 12% target
Nick’s attempt to escape after the spaghetti trick disrupts the status quo.
Look, ah, these freaks... ah, spike my spaghetti, make my cock turn into a snake. This is not...
Scene 8 / Page 2 / 20% target
Nick returns as a vampire and struggles to adjust to his new identity.
Hi, my name is Nick. Hey guys. What are you up to? I've been a vampire for two...
Scene 9 / Page 3 / 25% target
Meeting Stu marks the vampires embracing new relationships in their world.
Scene 11 / Page 4 / 30% target
Introduction of the werewolves subplot provides a secondary conflict.
Look out, guys. Don't catch fleas.
Scene 10 / Page 3 / 40% target
The nightclub sequence showcases the vampires’ nightlife and supernatural humor.
Scene 17 / Page 6 / 50% target
Petyr’s death by sunlight is a dramatic reversal and raises the stakes.
Petyr! Get water! Petyr, get out of the sunlight.
Scene 18 / Page 6 / 65% target
The group discovers Nick’s mistake leading to Petyr’s death, increasing internal pressure.
I saw him the other night in town... told him I was a vampire.
Scene 27 / Page 9 / 75% target
Deacon’s line about watching everyone die marks the emotional low point.
But this is what happens when you're a vampire. You have to watch everyone die.
Scene 28 / Page 9 / 80% target
Arrival of police and ambulance underscores the aftermath and despair.
Scene 29 / Page 9 / 85% target
Stu’s return as a werewolf provides hope and a path forward.
Ah, they didn't kill me.
Scene 30 / Page 10 / 95% target
Vampires and werewolves bonding resolves major conflicts and celebrates unity.
It's, ah, is that the moon or...?
Scene 37 / Page 12 / 99% target
Deacon’s address to the audience closes the film with comedic fourth-wall break.
You will not remember the last hour and a half of what you have just see. You will...