Scripts
WAR OF THE WORLDS poster

Screenplay data

WAR OF THE WORLDS script

Ray Ferrier, a dock worker with a strained family life, witnesses an alien invasion begin as massive machines emerge from the ground after an unnatural lightning storm. He escapes with his children, Robbie and Rachel, navigating destroyed cities and panicked crowds, enduring a ferry attack and Robbie's separation to join the army. Ray and Rachel are captured by a robot but escape, observing the dying alien machines as they assist soldiers in a final attack. Ray reunites with Mary Ann and Robbie, learning that Earth's bacteria ultimately defeated the invaders.

Writer
Josh Friedman & David Koepp
IMDb ID (imdb_id)
tt0407304
Script date
FINAL MOVIE SCRIPT
35Scenes
12Characters
53Pages
8Dialogue samples

Save the Cat beat sheet

WAR OF THE WORLDS Save the Cat analysis

Ray Ferrier’s ordinary life as a divorced father is upended when alien tripods emerge and strike his suburban town.

Open full beat sheet
80

Key characters

Ray Ferrier

Ray Ferrier is listed as Protagonist. In his 30s, short hair, rough groomed, wears a New York baseball cap, raggedly dressed, dock worker. In the parsed data, Ray Ferrier is connected to 34 scenes, 165 dialogue lines, 166 text mentions, first appearing around scene 1.

34 scenes / 165 dialogue lines

Rachel Ferrier

Rachel Ferrier is listed as Ray's daughter. 10, dressed in Barbie color scheme clothing, long unkempt hair in pigtails. In the parsed data, Rachel Ferrier is connected to 28 scenes, 60 dialogue lines, 60 text mentions, first appearing around scene 6.

28 scenes / 60 dialogue lines

Robbie Ferrier

Robbie Ferrier is listed as Ray's son. 15, ragged, tough look, long hair, hip side pack. In the parsed data, Robbie Ferrier is connected to 18 scenes, 35 dialogue lines, 35 text mentions, first appearing around scene 5.

18 scenes / 35 dialogue lines

Sheryl

Sheryl is listed as Survivor. Acquaintance of Ray. In the parsed data, Sheryl is connected to 4 scenes, 18 dialogue lines, 23 text mentions, first appearing around scene 18.

4 scenes / 18 dialogue lines

Mary Ann

Mary Ann is listed as Ray's ex-wife. In her 30s, pregnant, maternity clothes, hair hanging loose. In the parsed data, Mary Ann is connected to 4 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 3.

4 scenes / 2 dialogue lines

Harland Ogilvy

Harland Ogilvy is listed as Survivor. Mentally unstable, former ambulance driver. In the parsed data, Harland Ogilvy is connected to 3 scenes, 43 dialogue lines, 44 text mentions, first appearing around scene 28.

3 scenes / 43 dialogue lines

Tim

Tim is listed as Mary Ann's partner. In his 30s, expensive clothes, slicked sharp hair, well groomed, rich. In the parsed data, Tim is connected to 3 scenes, first appearing around scene 2.

3 scenes / 0 dialogue lines

char_14

char_14 is identified from the parsed character and dialogue data. In the parsed data, char_14 is connected to 2 scenes, 3 dialogue lines, 3 text mentions, first appearing around scene 32.

2 scenes / 3 dialogue lines

Manny

Manny is listed as Auto mechanic. Owns the local auto shop. In the parsed data, Manny is connected to 2 scenes, 1 text mention, first appearing around scene 9.

2 scenes / 0 dialogue lines

char_16

char_16 is identified from the parsed character and dialogue data. In the parsed data, char_16 is connected to 1 scene, 5 dialogue lines, 5 text mentions, first appearing around scene 33.

1 scenes / 5 dialogue lines

Narrator

Narrator is listed as Voiceover. Provides historical and thematic context. In the parsed data, Narrator is connected to 1 scene, 1 dialogue line, 1 text mention, first appearing around scene 35.

1 scenes / 1 dialogue lines

Sal

Sal is listed as Ray's boss. Dock supervisor. In the parsed data, Sal is connected to 1 scene, 1 dialogue line, 1 text mention, first appearing around scene 1.

1 scenes / 1 dialogue lines

Scene outline

  1. 1. EXT. DOCK - CARGO BAY - DAWN

    Ray argues with his boss Sal about working hours and union regulations.

    Ray Ferrier, Sal
  2. 2. EXT. RAY'S CAR - DRIVEWAY - DAWN

    Ray meets Mary Ann and Tim to drop off his children, Robbie and Rachel.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier, Mary Ann, Tim
  3. 3. INT. RAY'S HOUSE - KITCHEN - DAWN

    Mary Ann inspects the kitchen while Ray tries to get her to leave.

    Ray Ferrier, Rachel Ferrier, Mary Ann, Tim
  4. 4. INT. RAY'S HOUSE - RACHEL AND ROBBIE'S ROOM - DAWN

    Mary Ann gives instructions to Robbie about his school report.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier, Mary Ann
  5. 5. EXT. RAY'S HOUSE - BACKYARD - DAWN

    Ray and Robbie play catch, leading to an argument and a broken window.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier
  6. 6. INT. RAY'S HOUSE - LIVING ROOM - DAY

    Ray and Rachel talk while Ray discovers Robbie has taken his car.

    Ray Ferrier, Rachel Ferrier
  7. 7. EXT. RAY'S HOUSE - BACK YARD - DAY

    An unnatural storm begins with strange lightning strikes.

    Ray Ferrier, Rachel Ferrier
  8. 8. INT. RAY'S HOUSE - KITCHEN - DAY

    Ray and Rachel hide under the table as lightning strikes repeatedly.

    Ray Ferrier, Rachel Ferrier
  9. 9. EXT. RAY'S HOUSE - FRONT STREET - EVENING

    Ray finds Robbie and discovers all electronics have failed.

    Ray Ferrier, Robbie Ferrier, Manny
  10. 10. EXT. STREET - LIGHTNING SITE - EVENING

    A giant machine emerges from the ground, causing destruction.

    Ray Ferrier
  11. 11. EXT. RAY'S HOUSE - PORCH - EVENING

    Ray returns home covered in human ash, causing distress to his children.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier
  12. 12. INT. RAY'S HOUSE - RAY'S ROOM - EVENING

    Ray retrieves a handgun from a metal box.

    Ray Ferrier
  13. 13. EXT. STREET SIDEWALK - EVENING

    Ray steals a car to escape with his children, encountering Manny.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier, Manny
  14. 14. INT. CAR - DUSK

    Ray drives his children away while the city is destroyed.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier
  15. 15. EXT. MARY ANN'S HOUSE - DUSK

    Ray and his children arrive at Mary Ann's house to find it empty.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier
  16. 16. INT. MARY ANN'S HOUSE - BASEMENT - NIGHT

    The family hides in the basement during an attack.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier
  17. 17. EXT. MARY ANN'S HOUSE - YARD - DAWN

    Ray encounters survivors from a crashed plane.

    Ray Ferrier, Sheryl
  18. 18. INT. NEWS CAR - DAWN

    Ray watches news footage of alien tripods destroying cities and learns how they arrive.

    Ray Ferrier, Sheryl
  19. 19. INT. MARY ANN'S HOUSE - BASEMENT - DAWN

    Ray instructs Rachel to keep her eyes closed as they prepare to leave the house.

    Ray Ferrier, Rachel Ferrier
  20. 20. INT/EXT. MARY ANN'S HOUSE - DEBRIS FIELD - DAWN

    Ray, Rachel, and Robbie evacuate the house wreckage.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier
  21. 21. EXT. VAN - DAY

    Ray and his children travel through back roads; tensions rise between Ray and Robbie.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier
  22. 22. INT. VAN - DUSK

    The van is swarmed by a desperate crowd; Ray and his family are pulled out.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier
  23. 23. INT. DINER - DUSK

    Ray, Robbie, and Rachel take shelter in a diner.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier
  24. 24. EXT. FERRY DOCK - DUSK

    Ray and his children attempt to board a ferry; they encounter Sheryl.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier, Sheryl
  25. 25. EXT. DOCK - DUSK

    Ray, Robbie, and Rachel attempt to board a ship as the ramp is being raised. Robbie helps others board while Ray watches in pride. The ship is attacked by a robot, capsizes, and the family is thrown into the water.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier, Sheryl
  26. 26. EXT. BEACH - DARK

    The family reaches the shore, exhausted. They witness robots attacking people on the hillside and in the water.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier
  27. 27. EXT. PASTURE FENCE LINE - DARK

    Robbie runs toward the army fighting the robots. Ray tries to stop him and keep the family together.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier
  28. 28. INT. HARLAND'S HOUSE - BASEMENT - DUSK

    Ray and Rachel take refuge in Harland Ogilvy's basement. Harland reveals his unstable nature and obsession with fighting the robots.

    Ray Ferrier, Rachel Ferrier, Harland Ogilvy
  29. 29. INT. HARLAND'S HOUSE - BASEMENT - DAY

    Tensions rise between Ray and Harland as the robots investigate the house. Harland loses his sanity, forcing Ray to take drastic action.

    Ray Ferrier, Rachel Ferrier, Harland Ogilvy
  30. 30. INT. Harland's House - Basement - DUSK

    Ray and Harland argue about the resistance; Ray eventually fights Harland to protect Rachel.

    Ray Ferrier, Rachel Ferrier, Harland Ogilvy
  31. 31. INT. Harland's House - Basement - DUSK

    A robot camera discovers Ray and Rachel; Ray destroys it and they flee.

    Ray Ferrier, Rachel Ferrier
  32. 32. EXT. Field / Robot Attack Site - DAY

    Ray and Rachel are captured by a robot; Ray uses grenades to escape.

    Ray Ferrier, Rachel Ferrier, char_11
  33. 33. EXT. Boston City Limits - Freeway - DAY

    Ray and Rachel observe the dying alien machines and assist soldiers in the final attack.

    Ray Ferrier, Rachel Ferrier, char_12, char_13, char_14, char_15
  34. 34. EXT. Boston - Mary Ann's Mother's House - DAY

    Ray reunites with Mary Ann and Robbie.

    Ray Ferrier, Robbie Ferrier, Rachel Ferrier, Mary Ann, Tim
  35. 35. EXT. Narrative Conclusion - DAY

    The narrator explains the defeat of the invaders by bacteria.

    Narrator

Dialogue examples

From the moment the invaders arrived, breathed our air, ate and drank, they were doomed. They were undone, destroyed, after all of man's weapons and devices had failed, by the tiniest creatures that God and his wisdom, put upon this earth. At the toll of a billion deaths, man had earned his immunity, is right to survive among this planet's infinite organisms. And that right is ours against all challenges, for men do not live nor die in vein.

Narrator / Scene 35

I been around death plenty. Drive an ambulance in the city. Well, drove and ambulance in the city. That's all over now, huh? .... You know the people who make it Ray? The ones that don't flatline before the hospital? It's the ones who keep their eyes open, keep looking at you, keep thinking. .... There the ones who survive... .... We can' t loose our heads Ray. .... Running, that's what'll kill you. ...... I'm dead set on livin'.

Harland Ogilvy / Scene 28

Mom? She's in Boston. Waiting. And I know she's not sleeping 'cause she is so worried about you. ... And she's in grandma's kitchen, and she's making that awful tea that she makes. And they're all just... ... ...there all just counting the minutes until they see you again.

Ray Ferrier / Scene 28

YOU WANNA COME OFF ALL WISE AND SHIT!! YOU ONLY CHOSE BOSTON BECAUSE YOU HOPE MOM IS THERE AND IF SHE'S THERE, YOU CAN DUMP US ON HER!!! YOU CAN DUMP US ON HER THEN YOU'LL ONLY HAVE TO CARE ABOUT YOURSELF!!! WITCH IS EXACTLY THE WAY YOU LIKE IT!!!

Robbie Ferrier / Scene 21

No, you didn't see it like this. Those machines come up from under the ground, right? That means they must have been buried there a long time ago. So who's driving the god damn things? Watch the lightning. Watch it..... Watch the lighting.....

Sheryl / Scene 18

Because I don't want everybody to see we've got a working car. We'll stay along the Hudson until we find an open bridge or ferry, then we're gonna cross the Hudson. Then take the back roads across Connecticut all the way to Boston.

Ray Ferrier / Scene 21

Those machines, those tripods they got... They buried them... right under our feet. Since before there were even people here. They've been planning this for a million years. We're beat to shit.

Harland Ogilvy / Scene 28

To fight 'em together, Ray. .... Now we'll be the ones coming up from underground. When the time is right, we'll take 'em by supries, the way they took us. We'll take 'em by surprise.

Harland Ogilvy / Scene 28

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