Opening Image
Scene 1 / Page 1 / 1% target
Fisher and Moore’s exhausted, bloodied drive sets the tone and visual motif for the story’s cycle of violence and guilt.
VERY BAD THINGS script analysis
A tight-knit group of friends embarks on a bachelor party trip that goes horrifically wrong when a stripper dies accidentally. Faced with moral collapse, they cover up the crime, only to see their lives unravel through paranoia, betrayal, and murder. Ultimately, Fisher must confront his friend Boyd in a deadly climax before returning home changed. The final image mirrors the opening but underscores the stakes of their choices.
Save the Cat is referenced as a story-analysis framework. SlugDB is not affiliated with Save the Cat or its rights holders.
Scene 1 / Page 1 / 1% target
Fisher and Moore’s exhausted, bloodied drive sets the tone and visual motif for the story’s cycle of violence and guilt.
Scene 2 / Page 2 / 5% target
Liz and Fisher argue about wedding logistics, hinting at commitment, responsibility, and the costs of self-interest.
Government cutbacks.
Scenes 1-5 / Pages 1-5 / 10% target
Introduces Fisher’s job stresses, his relationship with Liz, and the group dynamic headed to the bachelor party.
Scene 13 / Page 13 / 12% target
The accidental death in the bathroom shocks the group and launches the central conflict of covering up a homicide.
Don't touch her. Call 911.
Scenes 14-15 / Pages 14-15 / 20% target
The friends argue over disposing of bodies, wrestling with fear, guilt, and the legal consequences.
Scene 14 / Page 14 / 25% target
Boyd convinces the group to proceed with body disposal, committing them to their dark course.
How do we get her out of here?
Scene 22 / Page 22 / 30% target
Fisher and Liz meet the judge, reinforcing Fisher’s personal stakes and the strain on their relationship.
Darli...ing you, ewe ewe ewe, send me, Darli...ing you, ewe ewe ewe, mend me.
Scenes 16-20 / Pages 16-20 / 40% target
A grim montage of cleaning, dismembering, and burying bodies provides the “dark fun” of crime going (relatively) smoothly.
Scene 24 / Page 24 / 50% target
The group sees a newspaper exposing Tina, panic spreads as they realize the authorities are closing in.
Fucking Boyd. That fucking idiot. They're on to us.
Scenes 29-31 / Pages 29-31 / 65% target
Adam’s paranoia and his eventual death heighten suspicion and fear among the friends.
I can't fucking breathe. I'm sorry.
Scene 32 / Page 32 / 75% target
Adam dies in the hospital, smashing any illusion of control and deepening group guilt.
Scene 33 / Page 33 / 80% target
Michael breaks down in Denny’s, reflecting on how far they’ve fallen and the moral abyss they occupy.
The need to know is clear. What did Adam tell Lois? That's the name of the game. What...
Scene 47 / Page 47 / 85% target
Fisher confesses the truth to Liz, galvanizing himself to confront Boyd and resolve the conflict.
Oh Liz. We. God. We, in Vegas. Michael crushed her skull. She was dead. There was nothing else...
Scenes 49-56 / Pages 49-56 / 95% target
Fisher and Boyd’s violent showdown in the church basement and the subsequent body reburial resolve the characters’ arcs and guilt.
Scene 58 / Page 58 / 99% target
Liz supervising family at home mirrors the opening drive but with Fisher irrevocably changed by their crimes.
Let's see the salutes!