Opening Image
Scene 1 / Page 1 / 1% target
Introduces Ashburn’s aggressive leadership style during a raid.
This-- means go left. Read the manual sometime.
UNTITLED FEMALE BUDDY COP MOVIE script analysis
FBI agent Ashburn’s solo, aggressive style clashes with Brooklyn cop Mullins when they’re forced to partner on a drug trafficking case. Their mismatched personalities drive early conflict and comedic banter as they chase their informant across city streets and onto a cargo ship. Stranded at sea marks the midpoint reversal, triggering a fallout that threatens both the case and their partnership. Reunited by personal stakes, they embrace teamwork to confront the villain in a final showdown, proving their unlikely alliance.
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Scene 1 / Page 1 / 1% target
Introduces Ashburn’s aggressive leadership style during a raid.
This-- means go left. Read the manual sometime.
Scene 5 / Page 1 / 5% target
Hale questions Ashburn’s ability to work as part of a team.
Look, I won’t beat around the bush. You’re being considered. But there’s a feeling you’re not a team...
Scenes 1-4 / Pages 1-4 / 10% target
Establishes Ashburn’s methods, finds hidden cocaine, and introduces the case.
Scene 9 / Page 4 / 12% target
Ashburn and Mullins clash over custody of Rojas, forcing them into partnership.
Why is this empty? What did I say about going near my prisoners?
Scenes 10-12 / Pages 4-6 / 20% target
They argue over Rojas and share personal backstories, questioning if they can cooperate.
Scene 13 / Page 6 / 25% target
They commit to the joint case, waiting at the airport for Sokolovskii.
Where they hell are they?
Scene 20 / Page 10 / 30% target
Aboard the flight home, their relationship deepens through personal conflict.
Scenes 13-17 / Pages 6-9 / 40% target
They track leads from the airport to the port, infiltrate a cargo ship and hide together.
Scene 17 / Page 9 / 50% target
They realize they’re trapped at sea, raising stakes and personal jeopardy.
Oh no. We’re at sea. No. No. No.
Scene 21 / Page 11 / 65% target
Hale removes Ashburn from the case and Rojas goes missing, increasing external pressure.
You’re off the case, Ashburn. By the way, your informant, Terrell Rojas, is missing.
Scene 22 / Page 11 / 75% target
Ashburn learns Mullins was attacked, signaling their worst low point.
Scene 23 / Page 11 / 80% target
At the hospital, Ashburn sees Mullins wounded and vows to finish the case together.
We have to take him down.
Scene 25 / Page 12 / 85% target
Levy’s new lead on Rojas galvanizes them to take decisive action.
Scenes 26-27 / Pages 12-13 / 95% target
They confront and are captured by Sokolovskii’s men, then fight back to secure victory.
Scene 29 / Page 14 / 99% target
Ashburn and Mullins chat in the new office, showcasing their now-solid partnership.
Oh the accused Red Falls Killer I arrested.