Scripts
THE TOURIST poster

2008

THE TOURIST script

Cara Mason, a former police cadet and associate of the elusive Alexander Pearce, travels to Paris and then Venice, where she attempts to frame an unsuspecting American tourist, Frank Taylor, as Pearce. Interpol Chief Inspector John Ackerman, determined to capture Pearce, monitors Cara's movements while Russian oligarch Ivan Demidov, seeking revenge against Pearce, arrives in Venice and pays corrupt Interpol liaison Quinn for information. Frank, having discovered Pearce's name engraved on a watch Cara gave him, is attacked by Demidov's men and subsequently interrogated by Italian police and Interpol, who reveal Cara's past and their belief that Frank is not Pearce. Cara and Frank, now working together, prepare for a meeting at Pearce's villa, where Frank saves Cara from Demidov's men, kills Demidov, and reveals himself to be the true Alexander Pearce, before escaping with Cara and the Englishman as Ackerman arrests Quinn.

Writer
Julian Fellows
IMDb ID (imdb_id)
tt1243957
Script date
June 9 2008
49Scenes
9Characters
66Pages
8Dialogue samples

Save the Cat beat sheet

THE TOURIST Save the Cat analysis

A mysterious woman, Cara Mason, boards the Orient Express in Paris and quickly entangles unsuspecting tourist Frank in an international manhunt.

Open full beat sheet
75

Key characters

Frank Taylor

Frank Taylor is listed as Protagonist. 30s, amiable American tourist, high school math teacher, later revealed to be Alexander Pearce. In the parsed data, Frank Taylor is connected to 29 scenes, 88 dialogue lines, 88 text mentions, first appearing around scene 4.

29 scenes / 88 dialogue lines

Cara Mason

Cara Mason is listed as Protagonist. Stunning, 30, intelligent, former police cadet, deeply involved with Alexander Pearce. In the parsed data, Cara Mason is connected to 26 scenes, 43 dialogue lines, 45 text mentions, first appearing around scene 3.

26 scenes / 43 dialogue lines

John Ackerman

John Ackerman is listed as Antagonist/Interpol Chief Inspector. British Interpol chief inspector, determined to catch Alexander Pearce. In the parsed data, John Ackerman is connected to 17 scenes, 47 dialogue lines, 47 text mentions, first appearing around scene 7.

17 scenes / 47 dialogue lines

Ivan Demidov

Ivan Demidov is listed as Antagonist. Russian oligarch, ruthless, seeking revenge against Pearce. In the parsed data, Ivan Demidov is connected to 11 scenes, 18 dialogue lines, 18 text mentions, first appearing around scene 11.

11 scenes / 18 dialogue lines

Goyal

Goyal is listed as Supporting. Ackerman's deputy. In the parsed data, Goyal is connected to 11 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 9.

11 scenes / 2 dialogue lines

Melissa Jones

Melissa Jones is listed as Supporting. American Interpol counterpart. In the parsed data, Melissa Jones is connected to 8 scenes, 4 dialogue lines, 4 text mentions, first appearing around scene 22.

8 scenes / 4 dialogue lines

Jean Luc

Jean Luc is listed as Supporting. French Interpol liaison. In the parsed data, Jean Luc is connected to 6 scenes, 1 dialogue line, 1 text mention, first appearing around scene 34.

6 scenes / 1 dialogue lines

Domenico

Domenico is listed as Supporting. Italian police officer, friendly, helps Frank. In the parsed data, Domenico is connected to 5 scenes, 32 dialogue lines, 32 text mentions, first appearing around scene 16.

5 scenes / 32 dialogue lines

Quinn

Quinn is listed as Supporting/Antagonist. Swiss Interpol liaison, secretly corrupt. In the parsed data, Quinn is connected to 5 scenes, 3 dialogue lines, 5 text mentions, first appearing around scene 11.

5 scenes / 3 dialogue lines

Scene outline

  1. 1. EXT. Paris - DAY

    A taxi arrives in Paris and a woman, Cara Mason, exits.

    Cara Mason
  2. 2. INT. Gare de l'Est, Paris - DAY

    Cara walks through the station.

    Cara Mason
  3. 3. INT. Brasserie, Gare de l'Est - DAY

    Cara receives a letter from a messenger and burns it.

    Cara Mason
  4. 4. INT. Gare de l'Est Station - MOMENTS LATER

    Cara searches for a man to frame on the train.

    Cara Mason, Frank Taylor
  5. 5. INT. Orient Express - AFTERNOON

    Cara flirts with Frank and asks for help with her zipper.

    Cara Mason, Frank Taylor
  6. 6. INT. Dining Car - EVENING

    Frank and Cara have dinner and discuss their lives.

    Cara Mason, Frank Taylor
  7. 7. INT. Interpol Central Briefing Room - EVENING

    Ackerman briefs the team on Alexander Pearce.

    John Ackerman, Quinn, Melissa Jones, Goyal, Jean Luc
  8. 8. INT. DOGE'S SUITE - DAY

    Frank receives his luggage and prepares to leave the suite with Cara.

    Cara Mason, Frank Taylor
  9. 9. INT. INTERPOL FIELD HQ, VENICE - DAY

    Ackerman coordinates surveillance on Cara and Frank while Quinn secretly departs.

    John Ackerman, Quinn, Goyal
  10. 10. EXT. PRIVATE LANDING STRIP, VENICE - DAY

    Ivan Demidov arrives in Venice via private jet.

    Ivan Demidov
  11. 11. INT. DEMIDOV'S HOTEL ROOM - DAY

    Demidov pays Quinn for information on Cara and Pearce.

    Ivan Demidov, Quinn
  12. 12. EXT. THE LIDO, VENICE - DAY

    Cara and Frank walk on the beach and discuss their backgrounds.

    Cara Mason, Frank Taylor
  13. 13. EXT. BISTRO - AFTERNOON

    Cara gives Frank her watch, which is engraved with Alexander Pearce's name.

    Cara Mason, Frank Taylor
  14. 14. INT. DOGE'S SUITE - NIGHT

    Frank and Cara return to the suite; Cara tells Frank he should leave.

    Cara Mason, Frank Taylor
  15. 15. INT. BATHROOM - NIGHT

    Frank discovers the name 'Alexander Pearce' engraved on the watch.

    Frank Taylor
  16. 16. INT. DOGE'S SUITE - MORNING

    Frank wakes up to find Cara gone and Demidov's men attacking.

    Frank Taylor, Ivan Demidov
  17. 17. INT. POLIZIA QUESTURA - DAY

    Frank is questioned by Domenico after his escape.

    Frank Taylor, Domenico
  18. 18. INT. HOSPITAL SCANNING ROOM - EVENING

    Frank undergoes an MRI scan.

    Frank Taylor
  19. 19. INT. DOGE'S SUITE - EVENING

    Domenico investigates the suite and finds a bullet casing.

    Ivan Demidov, Domenico
  20. 20. INT. Doge's Suite, Danieli - EVENING

    Domenico investigates the suite, finds a bullet casing, and leaves while Demidov watches.

    Ivan Demidov, Domenico
  21. 21. INT. Hospital Room, Padua - NIGHT

    Frank watches television while recovering in the hospital.

    Frank Taylor
  22. 22. INT. Interpol Field HQ, Venice - NIGHT

    Ackerman and his team discuss Frank Taylor and the Russian hit men.

    John Ackerman, Melissa Jones, Goyal
  23. 23. INT. Hospital Room / Terrace Flat, Padua - NIGHT

    Frank and Domenico speak on the phone about the hotel incident.

    Frank Taylor, Domenico
  24. 24. INT. Demidov's Room - DAY

    Demidov prepares for his day, recounts a violent childhood memory to his bodyguards, and then brutally assaults one of them for perceived incompetence.

    Ivan Demidov
  25. 25. EXT. Cipriani Hotel - DAY

    Cara arrives at the Cipriani Hotel while being watched by Interpol.

    Cara Mason
  26. 26. INT. Cipriani Hotel Suite - DAY

    The Englishman watches Cara from his suite.

    Frank Taylor
  27. 27. INT. Transporto - DAY

    Ackerman and his team monitor Cara from a boat.

    John Ackerman, Goyal
  28. 28. EXT. Cipriani Hotel, Poolside Restaurant - DAY

    Frank approaches Cara at the restaurant, causing frustration for the watching Interpol team.

    Cara Mason, Frank Taylor, John Ackerman
  29. 29. EXT. Palazzo Vendramin - DAY

    Frank chases Cara, but is apprehended by Interpol agents.

    Cara Mason, Frank Taylor
  30. 30. INT. Interrogation Room - DAY

    Ackerman interrogates Frank and reveals he knows Frank is not Pearce.

    Frank Taylor, John Ackerman
  31. 31. INT. Interpol Field HQ - DAY

    Ackerman shows Frank evidence of Cara's past as a police cadet.

    Cara Mason, Frank Taylor, John Ackerman, Melissa Jones, Goyal
  32. 32. EXT. Interpol Field HQ Balcony - DAY

    Ackerman and Frank discuss Cara's history with Pearce.

    Frank Taylor, John Ackerman, Goyal
  33. 33. EXT. Grand Salone - DAY

    Cara and Ackerman speak on the phone.

    Cara Mason, John Ackerman
  34. 34. INT. Interpol Field HQ - DAY

    Ackerman briefs the team on the next meet at Pearce's villa.

    Frank Taylor, John Ackerman, Quinn, Melissa Jones, Goyal, Jean Luc
  35. 35. INT. Cipriani Hotel - DAY

    Frank helps Cara prepare for the mission.

    Cara Mason, Frank Taylor
  36. 36. EXT. Alexander's Villa - NIGHT

    Interpol sets up surveillance around the villa.

    John Ackerman
  37. 37. INT. Church - NIGHT

    Ackerman's team monitors the villa from the church.

    Frank Taylor, John Ackerman
  38. 38. EXT. Waterway - NIGHT

    An intruder approaches the villa by boat.

  39. 39. INT. Alexander's Villa - NIGHT

    Cara enters the villa while an intruder is spotted on surveillance.

    Cara Mason, Frank Taylor, John Ackerman
  40. 40. INT. Alexander's Villa / Video Monitors - CONTINUOUS

    Cara enters the villa while Interpol monitors her progress from the Church.

    Cara Mason, John Ackerman, Melissa Jones, Goyal, Jean Luc
  41. 41. INT. Church - CONTINUOUS

    Frank and the Interpol team watch as the surveillance feed is systematically cut.

    Frank Taylor, John Ackerman, Melissa Jones, Goyal, Jean Luc
  42. 42. INT. Alexander's Villa, Penthouse - NIGHT

    Cara is confronted by Demidov and his men.

    Cara Mason, Ivan Demidov
  43. 43. INT. Church - NIGHT

    Interpol team listens to the audio feed from the villa.

    Cara Mason, John Ackerman, Ivan Demidov, Melissa Jones, Goyal, Jean Luc
  44. 44. EXT. Rooftop - NIGHT

    Sniper reports on the situation at the window.

    Cara Mason, Ivan Demidov
  45. 45. INT. Alexander's Villa, Penthouse - NIGHT

    Frank arrives to save Cara; Demidov prepares to execute him.

    Cara Mason, Frank Taylor, Ivan Demidov
  46. 46. INT. Alexander's Villa, Penthouse - NIGHT

    The shootout occurs; Frank kills Demidov.

    Cara Mason, Frank Taylor, Ivan Demidov
  47. 47. INT. Alexander's Villa, Penthouse - NIGHT

    Frank reveals his true identity to Cara.

    Cara Mason, Frank Taylor
  48. 48. INT. Alexander's Villa - NIGHT

    Ackerman and team arrive; Quinn is arrested.

    Cara Mason, Frank Taylor, John Ackerman, Quinn, Melissa Jones, Goyal
  49. 49. EXT. Water Taxi - NIGHT

    Frank and Cara escape with the Englishman.

    Cara Mason, Frank Taylor

Dialogue examples

He had a way of dancing around a question so eloquently that you never noticed until later that he'd completely avoided the truth. His entire life was wrapped up in deception. He told so many lies, I wouldn't believe him even if he finally did tell the truth.

Cara Mason / Scene 13

I was twelve years old when Gregor asked me if I was ready for a man's job. He was the top chelovek in our housing block. So I said yes. He gave me a crowbar and told me to go bash in the skull of another boy who had stolen something from him.

Ivan Demidov / Scene 24

When I first saw the name I got scared: "Alexander Pearce." He even sounds like some super cool master criminal with Russian enemies and the beautiful girlfriend... he probably works out. He might own a pizza shop on the side for all I know.

Frank Taylor / Scene 28

Since the internet came about, hardly anybody uses old school methods like that to communicate anymore. Except Alexander Pearce. No lines to tap. No signals to intercept. He's a very clever man, your double.

John Ackerman / Scene 37

Mr. Demidov... if I may ask you a question... Why do you care so much about Alexander Pearce? I mean, you've come here yourself... as if it were personal.

Quinn / Scene 11

Now it just so happened this boy was a friend of mine. I did not want to do this terrible thing. But when you come from the streets, you have no choice.

Ivan Demidov / Scene 24

Ackerman asked me to stay with the surveillance team in case the thugs who came after me at the Danieli show up. I'm the only one who can identify them.

Frank Taylor / Scene 35

You hide out poolside and send your girlfriend and a total stranger to face the murderers who are after you? Not much of a tough guy, are you?

Frank Taylor / Scene 28

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