Scripts
The Talented Mr Ripley poster

1999

The Talented Mr Ripley script

Tom Ripley, sent to Italy to retrieve playboy Dickie Greenleaf, becomes obsessed with his luxurious life and murders him when rejected, assuming his identity. Ripley continues his deception, even murdering Dickie's suspicious friend Freddie Miles, and narrowly evades police by fabricating a suicide note from Dickie. Confronted by a private investigator, Ripley accepts a deal to inherit Dickie's trust fund by continuing the charade, befriending Peter Smith-Kingsley in Venice. However, fearing exposure from a past romance, Ripley strangles Peter to death on a ship, leaving him alone and forever trapped by his lies and murders.

Writer
Anthony Minghella
IMDb ID (imdb_id)
tt0134119
Script date
1st November 1999
103Scenes
10Characters
71Pages
8Dialogue samples

Save the Cat beat sheet

The Talented Mr Ripley Save the Cat analysis

Tom Ripley, a charming con man, is hired to retrieve wealthy Herbert Greenleaf’s son from Italy.

Open full beat sheet
80

Key characters

Tom Ripley

Tom Ripley is listed as Protagonist. A talented, manipulative, and insecure young man who assumes the identity of Dickie Greenleaf. In the parsed data, Tom Ripley is connected to 101 scenes, 103 dialogue lines, 107 text mentions, first appearing around scene 1.

101 scenes / 103 dialogue lines

Marge Sherwood

Marge Sherwood is listed as Dickie's girlfriend. An American writer living in Mongibello, deeply in love with Dickie. In the parsed data, Marge Sherwood is connected to 27 scenes, 31 dialogue lines, 32 text mentions, first appearing around scene 10.

27 scenes / 31 dialogue lines

Dickie Greenleaf

Dickie Greenleaf is listed as Wealthy expatriate. A privileged, charismatic, and aimless young man living in Italy. In the parsed data, Dickie Greenleaf is connected to 24 scenes, 8 dialogue lines, 12 text mentions, first appearing around scene 14.

24 scenes / 8 dialogue lines

Peter Smith-Kingsley

Peter Smith-Kingsley is listed as Friend. A musician and friend of Dickie and Marge. In the parsed data, Peter Smith-Kingsley is connected to 18 scenes, 27 dialogue lines, 29 text mentions, first appearing around scene 91.

18 scenes / 27 dialogue lines

Meredith Logue

Meredith Logue is listed as Acquaintance. A wealthy American woman who meets Ripley while he is posing as Dickie. In the parsed data, Meredith Logue is connected to 12 scenes, 12 dialogue lines, 13 text mentions, first appearing around scene 49.

12 scenes / 12 dialogue lines

Freddie Miles

Freddie Miles is listed as Dickie's friend. A boisterous, wealthy, and arrogant American acquaintance of Dickie. In the parsed data, Freddie Miles is connected to 9 scenes, 3 dialogue lines, 5 text mentions, first appearing around scene 20.

9 scenes / 3 dialogue lines

Herbert Greenleaf

Herbert Greenleaf is listed as Dickie's father. A wealthy, distinguished shipping magnate. In the parsed data, Herbert Greenleaf is connected to 7 scenes, 8 dialogue lines, 9 text mentions, first appearing around scene 2.

7 scenes / 8 dialogue lines

Inspector Roverini

Inspector Roverini is listed as Police Inspector. An Italian police officer investigating the disappearance of Dickie Greenleaf. In the parsed data, Inspector Roverini is connected to 5 scenes, 27 dialogue lines, 28 text mentions, first appearing around scene 67.

5 scenes / 27 dialogue lines

Alvin MacCarron

Alvin MacCarron is listed as Private Investigator. A pragmatic American investigator hired by Herbert Greenleaf. In the parsed data, Alvin MacCarron is connected to 3 scenes, 10 dialogue lines, 11 text mentions, first appearing around scene 96.

3 scenes / 10 dialogue lines

Silvana

Silvana is listed as Local resident. A young Italian woman in Mongibello involved with Dickie. In the parsed data, Silvana is connected to 3 scenes, 2 dialogue lines, 5 text mentions, first appearing around scene 10.

3 scenes / 2 dialogue lines

Scene outline

  1. 1. INT. Ripley's Cabin - EVENING

    Ripley sits alone in a ship's cabin, reflecting on his past and his desire to undo his actions.

    Tom Ripley
  2. 2. EXT. Central Park West Terrace - EARLY EVENING

    Ripley performs at a cocktail party where he meets Herbert and Emily Greenleaf.

    Tom Ripley, Herbert Greenleaf
  3. 3. INT. Elevator/Lobby - EARLY EVENING

    The Greenleafs and Ripley discuss Dickie's interest in jazz.

    Tom Ripley, Herbert Greenleaf
  4. 4. EXT. Central Park West - EARLY EVENING

    Ripley says goodbye to Fran and prepares to leave.

    Tom Ripley
  5. 5. EXT. Greenleaf Shipyards, Brooklyn - DAY

    Herbert Greenleaf hires Ripley to go to Italy to bring Dickie home.

    Tom Ripley, Herbert Greenleaf
  6. 6. INT. Ripley's Apartment - DAY

    Ripley prepares for his trip by studying jazz records and packing.

    Tom Ripley
  7. 7. INT. Naples Harbor, Customs & Immigration Hall - DAY

    Ripley arrives in Italy and meets Meredith Logue.

    Tom Ripley, Meredith Logue
  8. 8. EXT. Mongibello - DAY

    Ripley arrives in Mongibello and spots Dickie and Marge.

    Tom Ripley, Dickie Greenleaf, Marge Sherwood
  9. 9. INT. Dickie's House - AFTERNOON

    Ripley visits Dickie and Marge, demonstrating his talent for impressions.

    Tom Ripley, Dickie Greenleaf, Marge Sherwood
  10. 10. EXT. MONGIBELLO - LATE DAY

    Marge and Ripley go shopping and discuss how Marge and Dickie met.

    Marge Sherwood, Tom Ripley, Silvana
  11. 11. EXT. MONGIBELLO SQUARE - LATE DAY

    Ripley and Marge pass Dickie playing bocce.

    Tom Ripley, Marge Sherwood, Dickie Greenleaf
  12. 12. EXT. MARGE'S HOUSE - EARLY EVENING

    Dickie and Ripley leave Marge's house, fooling around.

    Dickie Greenleaf, Tom Ripley, Marge Sherwood
  13. 13. EXT. MONGIBELLO SQUARE - EARLY EVENING

    Dickie briefly speaks with Silvana.

    Dickie Greenleaf, Tom Ripley, Silvana
  14. 14. EXT. COASTAL ROAD TO NAPLES - EVENING

    Dickie and Ripley ride a Vespa to Naples.

    Dickie Greenleaf, Tom Ripley
  15. 15. INT. JAZZ CLUB, NAPLES - NIGHT

    Ripley and Dickie perform jazz together.

    Tom Ripley, Dickie Greenleaf
  16. 16. INT. DICKIE'S HOUSE - NIGHT

    Ripley and Dickie discuss New York and handwriting.

    Dickie Greenleaf, Tom Ripley
  17. 17. INT. DICKIE'S BATHROOM - NIGHT

    Ripley and Dickie play chess while Dickie is in the bath.

    Dickie Greenleaf, Tom Ripley
  18. 18. INT/EXT. AMERICAN EXPRESS OFFICE, NAPLES - DAY

    Dickie collects his allowance.

    Dickie Greenleaf, Tom Ripley
  19. 19. INT. TRAIN TO ROME - DAY

    Ripley reads a letter from Herbert Greenleaf.

    Tom Ripley, Dickie Greenleaf
  20. 20. EXT. ARCARI'S CAFE, ROME - DAY

    Ripley and Dickie meet Freddie Miles.

    Tom Ripley, Dickie Greenleaf, Freddie Miles
  21. 21. INT. JAZZ RECORD STORE - LATE AFTERNOON

    Ripley is left behind while Dickie and Freddie listen to music.

    Tom Ripley, Dickie Greenleaf, Freddie Miles
  22. 22. EXT. THE CAPITOL - LATE AFTERNOON

    Ripley explores Rome alone.

    Tom Ripley
  23. 23. INT. ROME RAILWAY STATION - NIGHT

    Ripley waits for Dickie, who does not show up.

    Tom Ripley
  24. 24. INT. DICKIE'S BEDROOM - NIGHT

    Dickie catches Ripley wearing his clothes.

    Tom Ripley, Dickie Greenleaf
  25. 25. EXT. DICKIE'S TERRACE - DAY

    Breakfast with Marge, Dickie, and Freddie.

    Tom Ripley, Marge Sherwood, Dickie Greenleaf, Freddie Miles
  26. 26. EXT. THE OCEAN, ABOARD THE BIRD - DAY

    Marge talks to Ripley about Dickie's nature.

    Marge Sherwood, Tom Ripley, Dickie Greenleaf, Freddie Miles
  27. 27. EXT. OCEAN, ABOARD THE BIRD - DUSK

    Ripley watches Marge and Dickie in the cabin.

    Tom Ripley, Dickie Greenleaf, Marge Sherwood, Freddie Miles
  28. 28. EXT. MONGIBELLO SLIPWAY - LATE DAY

    The Festival of the Madonna is interrupted by the discovery of Silvana's body.

    Tom Ripley, Dickie Greenleaf, Marge Sherwood, Silvana
  29. 29. EXT. DICKIE'S TERRACE - LATE DAY

    Dickie reacts violently to the news of Silvana's death.

    Tom Ripley, Marge Sherwood, Dickie Greenleaf
  30. 30. INT. DICKIE'S HOUSE - LATE AFTERNOON

    Ripley offers to keep Dickie's secret regarding Silvana.

    Tom Ripley, Dickie Greenleaf
  31. 31. EXT. AMERICAN EXPRESS, NAPLES - DAY

    Ripley reads a letter from Herbert Greenleaf ending his employment.

    Tom Ripley, Dickie Greenleaf
  32. 32. INT. TRAIN TO SAN REMO - AFTERNOON

    Ripley and Dickie travel to San Remo.

    Tom Ripley, Dickie Greenleaf
  33. 33. EXT. HOTEL TERRACE RESTAURANT, SAN REMO - NIGHT

    Ripley and Dickie have dinner.

    Dickie Greenleaf, Tom Ripley
  34. 34. EXT. MID OCEAN - DAY

    Dickie and Ripley argue on a boat.

    Dickie Greenleaf, Tom Ripley
  35. 35. EXT. A COVE NEAR SAN REMO - AFTERNOON

    Ripley watches the boat containing Dickie's body sink after the struggle.

    Tom Ripley
  36. 36. EXT. SAN REMO - DUSK

    Ripley walks back to the hotel wearing Dickie's jacket.

    Tom Ripley
  37. 37. INT. HOTEL LOBBY - EARLY EVENING

    Ripley asks for his key at the hotel desk.

    Tom Ripley
  38. 38. EXT. ROAD BETWEEN NAPLES AND MONGIBELLO - DAY

    Ripley rides a bus toward Mongibello.

    Tom Ripley
  39. 39. EXT. MONGIBELLO, FISHERMAN'S WHARF - DAY

    Ripley arrives in Mongibello.

    Tom Ripley
  40. 40. INT. DICKIE'S LIVING ROOM, MONGIBELLO - DAY

    Ripley enters the living room and avoids the saxophone.

    Tom Ripley
  41. 41. INT. DICKIE'S LIVING ROOM - DAY

    Ripley forges letters using Dickie's typewriter and signature.

    Tom Ripley
  42. 42. EXT. MARGE'S GARDEN, MONGIBELLO - DAY

    Ripley visits Marge to deliver perfume and news of Dickie.

    Tom Ripley, Marge Sherwood
  43. 43. EXT. MONGIBELLO, BEACH - EARLY MORNING

    Marge walks alone on the beach.

    Marge Sherwood
  44. 44. INT. OFF FROM DICKIE'S LIVING ROOM - MORNING

    Marge confronts Ripley about a letter from Dickie.

    Tom Ripley, Marge Sherwood
  45. 45. INT. ALBERGO GOLDONI, ROME - DAY

    Ripley arrives at a small hotel in Rome.

    Tom Ripley
  46. 46. INT. HOTEL GRAND - DAY

    Ripley checks into the Hotel Grand as Dickie Greenleaf.

    Tom Ripley
  47. 47. INT. RIPLEY'S SUITE, GRAND - DAY

    Ripley settles into the suite and makes phone calls to establish his cover.

    Tom Ripley
  48. 48. INT. RIPLEY'S HOTEL ROOM, GOLDONI - DAY

    Ripley leaves a message for himself.

    Tom Ripley
  49. 49. INT. GUCCI STORE, ROME - DAY

    Ripley shops at Gucci and runs into Meredith Logue.

    Tom Ripley, Meredith Logue
  50. 50. EXT. ACROSS PIAZZA NAVONA TO ARCARI'S CAFE - DAY

    Ripley and Meredith walk and discuss Freddie Miles.

    Tom Ripley, Meredith Logue
  51. 51. EXT. AMERICAN EXPRESS OFFICE, ROME - DAY

    Ripley and Meredith visit the American Express office.

    Tom Ripley, Meredith Logue
  52. 52. INT. RIPLEY'S SUITE, GRAND - DAY

    Ripley has a fitting with a tailor while Meredith watches.

    Tom Ripley, Meredith Logue
  53. 53. INT. THE OPERA HOUSE, ROME - NIGHT

    Ripley attends the opera with Meredith.

    Tom Ripley, Meredith Logue
  54. 54. INT. OUTSIDE THE BOXES, OPERA HOUSE, ROME - NIGHT

    Ripley meets Meredith's aunt and uncle.

    Tom Ripley, Meredith Logue
  55. 55. INT. OPERA HOUSE, FOYER - NIGHT

    Ripley runs into Marge and Peter Smith-Kingsley.

    Tom Ripley, Marge Sherwood, Peter Smith-Kingsley
  56. 56. INT. BOX, OPERA HOUSE - NIGHT

    Ripley leaves the opera with Meredith to avoid Marge.

    Tom Ripley, Meredith Logue
  57. 57. EXT. CAROZZA, ROME - NIGHT

    Ripley confesses his 'love' for Marge to Meredith.

    Tom Ripley, Meredith Logue
  58. 58. EXT. MEREDITH'S APARTMENT, ROME - NIGHT

    Ripley and Meredith part ways.

    Tom Ripley, Meredith Logue
  59. 59. EXT. DINELLI'S CAFE, PIAZZA DI SPAGNA - MORNING

    Ripley watches Meredith meet Marge and Peter.

    Tom Ripley, Marge Sherwood, Peter Smith-Kingsley, Meredith Logue
  60. 60. INT. APARTMENT, PALAZZA GIOIA - DAY

    Ripley views an apartment for rent.

    Tom Ripley
  61. 61. INT. RIPLEY'S APARTMENT - AFTERNOON

    Ripley enjoys his new apartment.

    Tom Ripley
  62. 62. INT. RIPLEY'S APARTMENT - LATE AFTERNOON

    Freddie Miles arrives at Ripley's apartment.

    Tom Ripley, Freddie Miles
  63. 63. INT. LANDING AND STAIRS, RIPLEY'S BUILDING - LATE DAY

    Freddie talks to the landlady.

    Freddie Miles
  64. 64. INT. RIPLEY'S APARTMENT, ROME - LATE DAY

    Ripley kills Freddie Miles.

    Tom Ripley, Freddie Miles
  65. 65. EXT. PALAZZO GIOIA - NIGHT

    Ripley moves Freddie's body to the car.

    Tom Ripley, Freddie Miles
  66. 66. EXT. VIA APPIA ANTICA - NIGHT

    Ripley drives to dispose of the body.

    Tom Ripley
  67. 67. INT. RIPLEY'S APARTMENT, ROME - EVENING

    Police arrive to question Ripley about Freddie.

    Tom Ripley, Inspector Roverini
  68. 68. INT. RIPLEY'S APARTMENT - EVENING

    Inspector Roverini and Baggio question Ripley about Freddie Miles' death.

    Tom Ripley, Inspector Roverini
  69. 69. EXT. NARROW STREET, THE GHETTO, ROME - MORNING

    Ripley crashes his scooter after hallucinating Dickie in a reflection.

    Tom Ripley
  70. 70. EXT. AMERICAN EXPRESS, PIAZZA DI SPAGNA - DAY

    Marge confronts Ripley about Freddie's death and his own injuries.

    Tom Ripley, Marge Sherwood
  71. 71. EXT. SQUARE OF THE PALAZZO GIOIA - DAY

    Ripley and Marge encounter police at the Palazzo Gioia.

    Tom Ripley, Marge Sherwood, Inspector Roverini
  72. 72. EXT. ROME STREET, BY THE RIVER - DAY

    Ripley tells Marge he won't incriminate Dickie.

    Tom Ripley, Marge Sherwood
  73. 73. EXT. SQUARE OF THE PALAZZO GIOIA - AFTERNOON

    Ripley is swarmed by journalists and enters the building.

    Tom Ripley
  74. 74. INT. ENTRANCE AND STAIRS, PALAZZO GIOIA - CONTINUOUS

    Ripley encounters Roverini on the stairs.

    Tom Ripley, Inspector Roverini
  75. 75. INT. RIPLEY'S APARTMENT - AFTERNOON

    Roverini questions Ripley about his connection to Tom Ripley.

    Tom Ripley, Inspector Roverini
  76. 76. INT. RIPLEY'S APARTMENT, PALAZZO GIOIA - NIGHT

    Ripley writes a suicide note as Dickie.

    Tom Ripley
  77. 77. INT. BASEMENT, PALAZZO GIOIA - NIGHT

    Ripley hides Dickie's belongings in the basement.

    Tom Ripley
  78. 78. EXT. BY THE PALAZZO GIOIA, ROME - NIGHT

    Ripley flees the building.

    Tom Ripley
  79. 79. EXT. PIAZZALE ROMA, VENICE - DAWN

    Ripley arrives in Venice and meets Peter.

    Tom Ripley, Peter Smith-Kingsley
  80. 80. EXT. PIAZZA SAN MARCO, VENICE - EARLY MORNING

    Ripley and Peter discuss rumors.

    Tom Ripley, Peter Smith-Kingsley

Dialogue examples

The scent you're wearing. I bought it for you, not Dickie. The thing about Dickie. So many things. The day he was late back from Rome - I tried to tell you this - he was with another girl. I'm not talking about Meredith, another girl we met in a bar. He couldn't be faithful for five minutes. So when he makes a promise it doesn't mean what it means when you make a promise. Or I do. He has so many realities, Dickie, and he believes them all. He lies. He lies, that's his... half the time he doesn't even realize.

Tom Ripley / Scene 93

No. Here is a pattern. Two days ago Freddie Miles is dead - he leaves your apartment and is murdered. Yesterday a little boat is found in San Remo full of rocks, and the owner tells the Police it was stolen on November 7th. We look at hotel records and we see oh! Dickie Greenleaf is staying in San Remo and then our boatman remembers two Americans taking a boat.

Inspector Roverini / Scene 75

Oh I hated New York - that Park Avenue crowd - so I fled to Paris to work on my book, and I was always going to this cafe with Jean-Jacques, and Dickie used to play his saxophone outside and I would see him and he would see me, and he would play My Funny Valentine. It was only later that I realised he only knows about six songs.

Marge Sherwood / Scene 10

Mr Greenleaf also feels there was a silent promise in Dickie's letter to you which he intends to honor. He intends to transfer a good part of Dickie's income from his trust into your name. He doesn't intend to give the Italian police any information about Dickie's past. He's rather hoping you'll feel the same.

Alvin MacCarron / Scene 97

I want this job of yours, Tommy. I was just saying - You live in Italy, sleep in Dickie's house, eat Dickie's food, wear his clothes, and his father picks up the tab. If you get bored, let me know, I'll do it!

Freddie Miles / Scene 25

I know. I'm lost, too. I'm going to be stuck in the basement, aren't I, that's my, that's my - terrible and alone and dark - and I've lied about who I am, and where I am, and so nobody can ever find me.

Tom Ripley / Scene 102

No, well go if you want to, but don't talk to the Police about my face - they find out he hit me - he's got a temper - he could've hit Freddie. Good luck, Marge. I'll catch up with you later.

Tom Ripley / Scene 72

My face! There was an argument. I said some things I shouldn't have. About you. About the appalling way he's treating you, all of us. And the next thing I know he's launched himself at me.

Tom Ripley / Scene 70

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