Scripts
The Shawshank Redemption poster

1946

The Shawshank Redemption script

Banker Andy Dufresne is wrongly convicted of murder in 1946 and sentenced to two life sentences at Shawshank Prison, where he endures brutality and befriends fellow inmate Red. Andy uses his financial skills to manage the prison's finances and launder money for Warden Norton, while secretly digging an escape tunnel for nearly two decades. After Norton murders an inmate who could prove Andy's innocence, Andy escapes through his tunnel, exposes Norton's corruption, and flees to Mexico. Red is eventually paroled and, following Andy's instructions, travels to Zihuatanejo, Mexico, where the two friends are joyfully reunited on the beach.

Writer
Frank Darabont
IMDb ID (imdb_id)
tt0111161
Script date
1946-1967
151Scenes
8Characters
86Pages
8Dialogue samples

Save the Cat beat sheet

The Shawshank Redemption Save the Cat analysis

The Shawshank Redemption follows banker Andy Dufresne’s wrongful imprisonment and gradual adaptation to prison life, his friendship with Red, and his ultimate escape.

Open full beat sheet
90

Key characters

Ellis Boyd 'Red' Redding

Ellis Boyd 'Red' Redding is listed as Narrator/Friend. Long-term inmate, known for being able to procure contraband. In the parsed data, Ellis Boyd 'Red' Redding is connected to 72 scenes, 73 dialogue lines, 73 text mentions, first appearing around scene 9.

72 scenes / 73 dialogue lines

Andy Dufresne

Andy Dufresne is listed as Protagonist. Mid-20's, wire rim glasses, three-piece suit, former vice-president of a large Portland bank. In the parsed data, Andy Dufresne is connected to 68 scenes, 73 dialogue lines, 77 text mentions, first appearing around scene 4.

68 scenes / 73 dialogue lines

Samuel Norton

Samuel Norton is listed as Antagonist. Warden of Shawshank, colorless man in a gray suit, believes in discipline and the Bible. In the parsed data, Samuel Norton is connected to 16 scenes, 17 dialogue lines, 17 text mentions, first appearing around scene 14.

16 scenes / 17 dialogue lines

Tommy Williams

Tommy Williams is listed as Supporting. Young inmate, cocky, later becomes Andy's student. In the parsed data, Tommy Williams is connected to 15 scenes, 21 dialogue lines, 21 text mentions, first appearing around scene 49.

15 scenes / 21 dialogue lines

Heywood

Heywood is listed as Supporting. Inmate, member of Red's group. In the parsed data, Heywood is connected to 14 scenes, 4 dialogue lines, 8 text mentions, first appearing around scene 32.

14 scenes / 4 dialogue lines

Byron Hadley

Byron Hadley is listed as Antagonist. Captain of the guard, brutal and corrupt. In the parsed data, Byron Hadley is connected to 10 scenes, 11 dialogue lines, 12 text mentions, first appearing around scene 11.

10 scenes / 11 dialogue lines

Brooks Hatlen

Brooks Hatlen is listed as Supporting. Senior inmate, prison librarian for 37 years. In the parsed data, Brooks Hatlen is connected to 6 scenes, 6 dialogue lines, 8 text mentions, first appearing around scene 32.

6 scenes / 6 dialogue lines

Bogs Diamond

Bogs Diamond is listed as Antagonist. Leader of 'The Sisters', a group of predatory inmates. In the parsed data, Bogs Diamond is connected to 5 scenes, 5 dialogue lines, 5 text mentions, first appearing around scene 34.

5 scenes / 5 dialogue lines

Scene outline

  1. 1. INT. CABIN - NIGHT (1946)

    A man and woman engage in a passionate sexual encounter in a cabin.

  2. 2. EXT. CABIN - NIGHT (1946)

    The camera moves from the cabin into the woods, revealing a parked car.

  3. 3. INT. PLYMOUTH - NIGHT (1946)

    Andy Dufresne sits in his car, drunk and watching the cabin, preparing a revolver.

    Andy Dufresne
  4. 4. EXT. PLYMOUTH - NIGHT (1946)

    Andy walks toward the cabin, devastated by the sounds of the lovers.

    Andy Dufresne
  5. 5. INT. COURTROOM - DAY (1946)

    Andy testifies about the night of the murders.

    Andy Dufresne
  6. 6. INT. COURTROOM - DAY (1946)

    The D.A. delivers his closing argument to the jury.

    Andy Dufresne
  7. 7. INT. JURY ROOM - DAY (1946)

    The jury deliberates and decides on a verdict.

  8. 8. INT. COURTROOM - DAY (1946)

    The judge sentences Andy to two life sentences.

    Andy Dufresne
  9. 9. INT. SHAWSHANK HEARINGS ROOM - DAY (1947)

    Red appears before the parole board and is rejected.

    Ellis Boyd 'Red' Redding
  10. 10. EXT. EXERCISE YARD - SHAWSHANK PRISON - DUSK (1947)

    Red observes the arrival of new inmates.

    Ellis Boyd 'Red' Redding, Heywood
  11. 11. INT. PRISON BUS - DUSK (1947)

    Andy arrives at Shawshank Prison.

    Andy Dufresne, Byron Hadley
  12. 12. EXT. BLEACHERS - DUSK (1947)

    Red and the other inmates bet on the new arrivals.

    Ellis Boyd 'Red' Redding, Heywood
  13. 13. INT. ADMITTING AREA - DUSK (1947)

    Warden Norton addresses the new inmates.

    Samuel Norton, Byron Hadley
  14. 14. INT. INFIRMARY - NIGHT (1947)

    The new inmates undergo a medical examination.

    Andy Dufresne
  15. 15. INT. PRISON CHAPEL - NIGHT (1947)

    The new inmates attend a Bible reading.

  16. 16. INT. CELLBLOCK FIVE - NIGHT (1947)

    The new inmates are locked in their cells.

    Andy Dufresne, Ellis Boyd 'Red' Redding
  17. 17. INT. ANDY'S CELL - NIGHT (1947)

    Andy settles into his cell.

    Andy Dufresne
  18. 18. EXT. SHAWSHANK PRISON - NIGHT (1947)

    Exterior shot of the prison at night.

  19. 19. INT. RED'S CELL - NIGHT (1947)

    Red listens to the sounds of the prison.

    Ellis Boyd 'Red' Redding
  20. 20. INT. CELLBLOCK FIVE - NIGHT (1947)

    Lights out in the cellblock.

    Ellis Boyd 'Red' Redding
  21. 21. INT. VARIOUS CELLS - NIGHT (1947)

    The inmates taunt the new fish.

    Heywood
  22. 22. INT. RED'S CELL - NIGHT (1947)

    Red watches the cellblock.

    Ellis Boyd 'Red' Redding
  23. 23. INT. FAT-ASS' CELL - NIGHT (1947)

    Fat-Ass breaks down.

    Heywood
  24. 24. INT. HEYWOOD'S CELL - NIGHT (1947)

    Heywood celebrates winning the bet.

    Heywood
  25. 25. INT. CELLBLOCK - NIGHT (1947)

    Hadley beats Fat-Ass.

    Byron Hadley
  26. 26. INT. RED'S CELL - NIGHT (1947)

    Red reflects on the night's events.

    Ellis Boyd 'Red' Redding
  27. 27. INT. CELLBLOCK FIVE - MORNING (1947)

    Morning count.

    Andy Dufresne, Ellis Boyd 'Red' Redding
  28. 28. INT. MESS HALL - MORNING (1947)

    Breakfast in the mess hall.

    Andy Dufresne, Ellis Boyd 'Red' Redding, Brooks Hatlen, Heywood
  29. 29. INT. PRISON LAUNDRY - DAY (1947)

    Andy works in the laundry.

    Andy Dufresne
  30. 30. INT. SHOWERS - DAY (1947)

    Bogs and the Sisters confront Andy.

    Andy Dufresne, Bogs Diamond
  31. 31. INT. ANDY'S CELL - NIGHT (1947)

    Andy lies awake.

    Andy Dufresne
  32. 32. EXT. EXERCISE YARD - DAY (1947)

    Andy approaches Red to ask for a rock-hammer.

    Andy Dufresne, Ellis Boyd 'Red' Redding, Heywood
  33. 33. INT. MESS HALL - DAY (1947)

    Andy gives Red money for the rock-hammer.

    Andy Dufresne, Ellis Boyd 'Red' Redding
  34. 34. INT. RED'S CELL - NIGHT (1947)

    Red receives the money.

    Ellis Boyd 'Red' Redding
  35. 35. EXT. LOADING DOCK - DAY (1947)

    Contraband is smuggled into the prison.

    Ellis Boyd 'Red' Redding
  36. 36. INT. PRISON LAUNDRY - DAY (1947)

    Leonard hides the package.

  37. 37. INT. PRISON LAUNDRY EXCHANGE - DAY (1947)

    Red receives the package.

    Ellis Boyd 'Red' Redding
  38. 38. INT. RED'S CELL - DAY (1947)

    Red inspects the rock-hammer.

    Ellis Boyd 'Red' Redding
  39. 39. INT. CELLBLOCK FIVE - 2ND TIER - NIGHT (1947)

    Red passes the rock-hammer to Andy.

    Andy Dufresne, Ellis Boyd 'Red' Redding, Brooks Hatlen
  40. 40. INT. RED'S CELL - NIGHT (1947)

    Red receives a thank you note.

    Ellis Boyd 'Red' Redding
  41. 41. INT. PRISON LAUNDRY - DAY (1947)

    Andy works in the laundry.

    Andy Dufresne
  42. 42. INT. BACK ROOMS/STOCK AREA - DAY (1947)

    Bogs and the Sisters attack Andy.

    Andy Dufresne, Bogs Diamond
  43. 43. INT. PRISON LAUNDRY - DAY

    Andy is cornered by Bogs and the Sisters, who beat him and force a rag into his mouth.

    Andy Dufresne, Bogs Diamond
  44. 46. EXT. PRISON YARD BLEACHERS - DUSK (1954)

    Andy confronts Brooks about his knife, leading to a breakdown and the revelation that Brooks' parole has been granted.

    Andy Dufresne, Ellis Boyd 'Red' Redding, Brooks Hatlen, Heywood
  45. 47. INT. BROOKS' ROOM - DAY (1954)

    Brooks struggles with life on the outside and eventually hangs himself.

    Brooks Hatlen
  46. 48. INT. GUARD STATION - DAY (1955)

    Andy plays Mozart over the prison PA system, causing the prison to stop in its tracks.

    Andy Dufresne, Byron Hadley
  47. 49. INT. LIBRARY - DAY

    Andy and Tommy discuss poetry and reading progress.

    Andy Dufresne, Tommy Williams
  48. 50. INT. LIBRARY - DAY

    Tommy struggles with reading.

    Andy Dufresne, Tommy Williams
  49. 51. INT. SOLITARY CONFINEMENT - NIGHT

    Andy sits in solitary confinement after a fight.

    Andy Dufresne
  50. 51. INT. LIBRARY - DAY

    Andy teaches Tommy the alphabet.

    Andy Dufresne, Tommy Williams
  51. 52. INT. MESS HALL - DAY

    Andy and Tommy discuss a book.

    Andy Dufresne, Tommy Williams
  52. 53. EXT. EXERCISE YARD BLEACHERS - DAY

    Tommy practices reading.

    Tommy Williams
  53. 54. INT. WOOD SHOP - DAY

    Red urges Tommy to work faster.

    Ellis Boyd 'Red' Redding, Tommy Williams
  54. 55. INT. LIBRARY - DAY

    Andy helps Tommy with writing.

    Andy Dufresne, Tommy Williams
  55. 56. INT. ANDY'S CELL - NIGHT

    Andy polishes chess pieces and looks at his wall.

    Andy Dufresne
  56. 57. INT. LIBRARY - DAY

    Tommy takes his exam.

    Andy Dufresne, Tommy Williams
  57. 58. EXT. LICENSE PLATE FACTORY ROOF - DAY

    Andy approaches Captain Hadley to offer financial advice regarding his inheritance.

    Andy Dufresne, Byron Hadley, Heywood
  58. 58. INT. WOOD SHOP - DAY

    Red tells Tommy about Andy's past.

    Ellis Boyd 'Red' Redding, Tommy Williams
  59. 59. INT. LIBRARY - DAY

    Tommy tells Andy and Red about Elmo Blatch.

    Andy Dufresne, Ellis Boyd 'Red' Redding, Tommy Williams
  60. 60. INT. NORTON'S OFFICE - DAY

    Andy confronts Norton about the new information.

    Andy Dufresne, Samuel Norton
  61. 61. EXT. PRISON YARD - DAY

    Mail call for Tommy.

    Ellis Boyd 'Red' Redding, Tommy Williams, Heywood
  62. 62. INT. VISITOR'S ROOM - DAY

    Tommy shows his wife his diploma.

    Tommy Williams
  63. 63. INT. SOLITARY WING - NIGHT

    A guard tells Andy that Tommy passed his exam.

    Andy Dufresne
  64. 64. INT. PRISON CORRIDOR - NIGHT

    Tommy is called to see the Warden.

    Tommy Williams
  65. 65. EXT. PRISON - NIGHT

    Norton has Tommy killed.

    Samuel Norton, Byron Hadley, Tommy Williams
  66. 66. INT. SOLITARY WING - DAY

    Andy is released from solitary.

    Andy Dufresne
  67. 67. INT. NORTON'S OFFICE - DAY

    Norton threatens Andy.

    Andy Dufresne, Samuel Norton
  68. 68. EXT. PRISON YARD - DAY

    Andy and Red talk about the future.

    Andy Dufresne, Ellis Boyd 'Red' Redding
  69. 69. INT. MESS HALL - DAY

    The inmates worry about Andy.

    Ellis Boyd 'Red' Redding, Heywood
  70. 70. EXT. PRISON YARD - DUSK

    Inmates report for evening count.

    Ellis Boyd 'Red' Redding, Heywood
  71. 71. INT. NORTON'S OFFICE - NIGHT

    Andy works for Norton.

    Andy Dufresne, Samuel Norton
  72. 72. INT. NORTON'S OFFICE - NIGHT

    Andy shines Norton's shoes.

    Andy Dufresne
  73. 73. INT. PRISON CORRIDOR - NIGHT

    Andy walks to his cell.

    Andy Dufresne
  74. 74. INT. CELLBLOCK FIVE - NIGHT

    Andy enters his cell.

    Andy Dufresne
  75. 75. INT. RED'S CELL - NIGHT

    Red watches Andy.

    Andy Dufresne, Ellis Boyd 'Red' Redding
  76. 76. INT. ANDY'S CELL - NIGHT

    Andy prepares for his escape.

    Andy Dufresne
  77. 77. INT. RED'S CELL - NIGHT

    Red waits in the dark.

    Ellis Boyd 'Red' Redding
  78. 78. INT. CELLBLOCK FIVE - MORNING

    Andy is missing.

    Ellis Boyd 'Red' Redding
  79. 79. INT. NORTON'S OFFICE - MORNING

    Norton discovers Andy's shoes.

    Samuel Norton
  80. 80. EXT. PRISON - DAY

    Norton and Hadley search for Andy.

    Samuel Norton, Byron Hadley

Dialogue examples

I heard you. Rehabilitated. Let's see now. You know, come to think of it, I have no idea what that means. I know what you think it means. Me, I think it's a made-up word, a politician's word. A word so young fellas like you can wear a suit and tie and have a job. What do you really want to know? Am I sorry for what I did? Not a day goes by I don't feel regret, and not because I'm in here or because you think I should. I look back on myself the way I was...stupid kid who did that terrible crime...wish I could talk sense to him. Tell him how things are. But I can't. That kid's long gone, this old man is all that's left, and I have to live with that. Rehabilitated? That's a bullshit word, so you just go on ahead and stamp that form there, sonny, and stop wasting my damn time. Truth is, I don't give a shit.

Ellis Boyd 'Red' Redding / Scene 130

'Bout four years ago, I was in Thomaston on a 2 to 3 stretch. Stole a car. Dumbfuck thing to do. Few months left to go, I get a new cellmate in. Elmo Blatch. Big twitchy fucker. Crazy eyes. Kind of roomie you pray you don't get, know what I'm sayin'? 6 to 12 for armed burglary. Said he done hundreds of jobs. Hard to believe, high-strung as he was. Cut a loud fart, he'd go three feet in the air. Talked all the time, too, that's the other thing. Never shut up. Places he'd been, jobs he pulled, women he fucked. Even people he killed. People that gave him shit, that's how he put it. One night, like a joke, I say: "Yeah? Who'd you kill?" So he says...

Tommy Williams / Scene 59

One in particular. Got a long rock wall with a big oak at the north end. Like something out of a Robert Frost poem. It's where I asked my wife to marry me. We'd gone for a picnic. We made love under that tree. I asked and she said yes. Promise me, Red. If you ever get out, find that spot. In the base of that wall you'll find a rock that has no earthly business in a Maine hayfield. A piece of black volcanic glass. You'll find something buried under it I want you to have.

Andy Dufresne / Scene 68

Nothing stops! NOTHING! Or you will do the hardest time there is. No more protection from the guards. I'll pull you out of that one-bunk Hilton and put you in with the biggest bull queer I can find. You'll think you got fucked by a train! And the library? Gone! Sealed off brick by brick! We'll have us a little book-barbecue in the yard! They'll see the flames for miles! We'll dance around it like wild Indians! Do you understand me? Are you catching my drift?

Samuel Norton / Scene 67

Get this tub of shit down to the infirmary. If I hear so much as a mouse fart in here the rest of the night, by God and Sonny Jesus, you'll all visit the infirmary. Every last motherfucker here.

Byron Hadley / Scene 29

Man's been here fifty years. This place is all he knows. In here, he's an important man, an educated man. A librarian. Out there, he's nothing but a used-up old con with arthritis in both hands.

Ellis Boyd 'Red' Redding / Scene 46

My wife used to say I'm a hard man to know. Like a closed book. Complained about it all the time. She was beautiful. I loved her. But I guess I couldn't show it enough. I killed her, Red.

Andy Dufresne / Scene 68

Fair enough. A rock-hammer is about eight or nine inches long. Looks like a miniature pickaxe, with a small sharp pick on one end, and a blunt hammerhead on the other. It's for rocks.

Andy Dufresne / Scene 36

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