Jons
Jons is listed as Squire. The Knight's cynical, pragmatic, and witty squire. In the parsed data, Jons is connected to 11 scenes, 5 dialogue lines, 5 text mentions, first appearing around scene 2.
11 scenes / 5 dialogue lines
1957
A disillusioned knight, Antonius Block, returning from the Crusades, encounters Death on a desolate beach and challenges him to a game of chess to prolong his life. As Block and his cynical squire, Jons, travel through a plague-ridden land, they encounter a traveling troupe of actors, including the visionary Jof and his wife Mia, and witness a procession of flagellants. Block seeks answers about God and the meaning of life, confessing his doubts to Death disguised as a priest, while Jons exposes the hypocrisy of a former theologian, Raval, who is now a thief. The knight shares a peaceful meal with Jof and Mia, finding a moment of solace, before continuing his chess game with Death and encountering a young woman accused of witchcraft.
Save the Cat beat sheet
A medieval knight, Antonius Block, returns from the Crusades to a plague-stricken land and confronts Death in a chess game to postpone his fate.
Open full beat sheetJons is listed as Squire. The Knight's cynical, pragmatic, and witty squire. In the parsed data, Jons is connected to 11 scenes, 5 dialogue lines, 5 text mentions, first appearing around scene 2.
11 scenes / 5 dialogue linesAntonius Block is listed as Protagonist. A weary, disillusioned knight returning from the Crusades. In the parsed data, Antonius Block is connected to 11 scenes, 3 dialogue lines, 4 text mentions, first appearing around scene 1.
11 scenes / 3 dialogue linesJof is listed as Supporting. A visionary juggler who sees holy figures. In the parsed data, Jof is connected to 9 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 3.
9 scenes / 2 dialogue linesMia is listed as Supporting. Jof's wife, a gentle and grounded woman. In the parsed data, Mia is connected to 8 scenes, 3 text mentions, first appearing around scene 3.
8 scenes / 0 dialogue linesPlog is listed as Supporting. A jealous and emotional blacksmith. In the parsed data, Plog is connected to 7 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 9.
7 scenes / 2 dialogue linesDeath is listed as Antagonist. A pale, cloaked figure who comes to claim the Knight. In the parsed data, Death is connected to 5 scenes, 5 dialogue lines, 7 text mentions, first appearing around scene 1.
5 scenes / 5 dialogue linesTyan is listed as Supporting. A young girl accused of witchcraft. In the parsed data, Tyan is connected to 5 scenes, 1 dialogue line, 1 text mention, first appearing around scene 13.
5 scenes / 1 dialogue linesJonas Skat is listed as Supporting. An actor and director of the traveling troupe. In the parsed data, Jonas Skat is connected to 4 scenes, first appearing around scene 3.
4 scenes / 0 dialogue linesRaval is listed as Supporting. A thief and former theologian who convinced the Knight to join the Crusade. In the parsed data, Raval is connected to 3 scenes, 1 dialogue line, 2 text mentions, first appearing around scene 16.
3 scenes / 1 dialogue linesKarin is listed as Supporting. The Knight's wife who waits for him at the castle. In the parsed data, Karin is connected to 1 scene, 1 dialogue line, 1 text mention, first appearing around scene 18.
1 scenes / 1 dialogue linesThe Knight encounters Death on the beach and challenges him to a game of chess to delay his demise.
Antonius Block, Jons, DeathThe Knight and Jons travel across a heath, encountering a corpse and discussing the plague.
Antonius Block, JonsJof has a vision of the Virgin Mary and discusses it with his wife Mia and Skat.
Jof, Mia, Jonas SkatThe Knight and Jons visit a church where a painter is working on a fresco of the Dance of Death.
Antonius Block, Jons, TyanJons encounters Raval looting a dead woman's body.
Jons, RavalThe troupe performs a play while a religious procession passes by.
Antonius Block, Jons, Jof, Mia, Jonas SkatA procession of flagellant penitents and monks passes the inn, followed by a sermon on the coming of the Black Death.
DeathJons and the Knight observe the procession; Plog the smith searches for his wife.
Antonius Block, Jons, PlogPatrons discuss the plague and judgment day; Plog confronts Jof.
Jof, Plog, RavalThe Knight shares a meal of strawberries and milk with Jof and Mia.
Antonius Block, Jof, MiaThe Knight continues his chess game with Death.
Antonius Block, DeathJons and Plog bond over drinks and cynical views on love.
Jons, PlogThe company encounters a cart carrying a witch to her execution.
Antonius Block, Jons, Jof, Mia, Plog, TyanPlog and Jons encounter Skat and Lisa in the forest, leading to a mock duel and Skat's staged suicide.
Jons, Plog, Jonas Skat, Jof, Mia, TyanDeath finds Skat in the tree and cuts it down, ending Skat's life.
Jonas Skat, DeathThe travelers rest while Raval dies of the plague nearby.
Antonius Block, Jons, Jof, Mia, Plog, RavalThe Knight plays chess with Death while Jof and Mia escape.
Antonius Block, Death, Jof, MiaThe Knight and his companions arrive at the castle and face their end.
Antonius Block, Karin, Jons, Plog, TyanJof and Mia watch the dance of death from afar.
Jof, MiaI shall remember this moment. The silence, the twilight, the bowls of strawberries and milk, your faces in the evening light.
And when the Lamb broke the seventh seal, there was silence in heaven for about the space of half an hour.
Love is the blackest of all plagues, and if one could die of it, there would be some pleasure in love.
Mia, wake up. Wake up! Mia, I've just seen something. I've got to tell you about it!
God has sentenced us to punishment. We shall all perish in the black death.
I see them, Mia! I see them! Over there against the dark, stormy sky.
Are you going to escort the juggler and his wife through the forest?
I want knowledge, not faith, not suppositions, but knowledge.
SlugDB turns parsed screenplays into scene, character, dialogue, trivia, semantic search, Save the Cat, and API-ready analysis.
Use SlugDB when you need screenplay API data, movie dialogue search, character evidence, scene context, or MCP tools without building a scraper first.