Scripts
The Secret Life of Walter Mitty poster

Screenplay data

The Secret Life of Walter Mitty script

Walter Mitty, a quiet man working at Life Magazine, frequently daydreams to escape his unfulfilled life. Tasked with finding a missing photograph for the final issue's cover, Walter embarks on a global adventure, transforming into a man of action. He eventually finds photographer Sean O'Connell, who reveals the missing photo is a tribute to Walter's mother, honoring unsung heroes. Walter returns, confronts management, and the photograph is published as the final cover, celebrating everyday dignity and his newfound courage.

Writer
Steve Conrad
IMDb ID (imdb_id)
tt0359950
Script date
3/16/11
119Scenes
12Characters
88Pages
8Dialogue samples

Save the Cat beat sheet

The Secret Life of Walter Mitty Save the Cat analysis

Walter Mitty is a daydreaming photo editor who embarks on a globe-trotting quest to recover a lost negative for Life magazine.

Open full beat sheet
78

Key characters

Walter Mitty

Walter Mitty is listed as Practical Asset Manager. A quiet, unassuming man in his 30s who works at Life Magazine and frequently daydreams. In the parsed data, Walter Mitty is connected to 115 scenes, 310 dialogue lines, 320 text mentions, first appearing around scene 4.

115 scenes / 310 dialogue lines

Cheryl Mellhoff

Cheryl Mellhoff is listed as Colleague. A pretty woman in her 30s who works with Walter. In the parsed data, Cheryl Mellhoff is connected to 10 scenes, 33 dialogue lines, 33 text mentions, first appearing around scene 12.

10 scenes / 33 dialogue lines

Ted Hendricks

Ted Hendricks is listed as Vice President of Acquisitions. The new supervisor overseeing the acquisition of Life Magazine. In the parsed data, Ted Hendricks is connected to 8 scenes, 57 dialogue lines, 59 text mentions, first appearing around scene 7.

8 scenes / 57 dialogue lines

Odessa Mitty

Odessa Mitty is listed as Walter's Sister. Walter's sister, described as flighty. In the parsed data, Odessa Mitty is connected to 8 scenes, 21 dialogue lines, 21 text mentions, first appearing around scene 76.

8 scenes / 21 dialogue lines

Rich

Rich is listed as Cheryl's Son. Cheryl's 9-year-old son. In the parsed data, Rich is connected to 8 scenes, 5 dialogue lines, 11 text mentions, first appearing around scene 18.

8 scenes / 5 dialogue lines

Edna Mitty

Edna Mitty is listed as Walter's Mother. Walter's 76-year-old mother. In the parsed data, Edna Mitty is connected to 7 scenes, 35 dialogue lines, 35 text mentions, first appearing around scene 29.

7 scenes / 35 dialogue lines

Todd Mahar

Todd Mahar is listed as eHarmony Counselor. Walter's eHarmony support contact. In the parsed data, Todd Mahar is connected to 5 scenes, 33 dialogue lines, 34 text mentions, first appearing around scene 4.

5 scenes / 33 dialogue lines

Sean O'Connell

Sean O'Connell is listed as Photographer. A rugged, adventurous photographer for Life Magazine. In the parsed data, Sean O'Connell is connected to 5 scenes, 23 dialogue lines, 30 text mentions, first appearing around scene 13.

5 scenes / 23 dialogue lines

Tim Naughton

Tim Naughton is listed as Co-worker. A co-worker at Life Magazine. In the parsed data, Tim Naughton is connected to 5 scenes, 14 dialogue lines, 15 text mentions, first appearing around scene 6.

5 scenes / 14 dialogue lines

Gary Mannheim

Gary Mannheim is listed as Vice President of Acquisitions. A colleague at Life Magazine. In the parsed data, Gary Mannheim is connected to 4 scenes, 11 dialogue lines, 13 text mentions, first appearing around scene 7.

4 scenes / 11 dialogue lines

Hernando

Hernando is listed as Co-worker. A co-worker in the storage room at Life Magazine. In the parsed data, Hernando is connected to 3 scenes, 10 dialogue lines, 11 text mentions, first appearing around scene 10.

3 scenes / 10 dialogue lines

Mark Chatham

Mark Chatham is listed as Owner of The Timms Company. The executive who owns the conglomerate that acquired Life Magazine. In the parsed data, Mark Chatham is connected to 1 scene, 3 dialogue lines, 4 text mentions, first appearing around scene 112.

1 scenes / 3 dialogue lines

Scene outline

  1. 1. INT. WALTER'S APARTMENT, BROOKLYN - MORNING

    Walter Mitty sits at his kitchen table balancing his checkbook, reviewing recent expenses.

    Walter Mitty
  2. 2. EXT. CORNER 5TH AVENUE, 43RD STREET, NYC - DAY

    Walter waits in a crowd during the morning rush hour before experiencing a daydream.

    Walter Mitty
  3. 3. INT. SKYSCRAPER, NYC - SAME

    Surreal objects and figures from Walter's mind float past office windows.

  4. 4. INT. STARBUCKS, MIDTOWN NYC - MOMENTS LATER

    Walter speaks with his eHarmony counselor, Todd, about his profile and lack of life experiences.

    Walter Mitty, Todd Mahar
  5. 5. EXT. 6TH AVE, NYC - LATER

    Walter watches a black and white jazz funeral procession pass by.

    Walter Mitty
  6. 6. INT. TIME-LIFE BUILDING, LOBBY - MOMENTS LATER

    Walter learns from Roy that the company has been acquired.

    Walter Mitty, Tim Naughton
  7. 7. INT. ELEVATOR, TIME-LIFE BUILDING - MOMENTS LATER

    Walter meets Gary Mannheim and Ted Hendricks in the elevator.

    Walter Mitty, Ted Hendricks, Gary Mannheim
  8. 8. INT. HALLWAY - CONTINUOUS

    Walter walks past large Life Magazine photographs.

    Walter Mitty
  9. 9. INT. WALTER'S DIVISION FLOOR, LIFE - LATER

    Walter finds a gift from Sean O'Connell on his desk.

    Walter Mitty
  10. 10. INT. RECEIVING ROOM, LIFE MAGAZINE - LATER

    Walter discovers that negative 12 is missing from Sean O'Connell's roll.

    Walter Mitty, Hernando
  11. 11. INT. LIFE MAGAZINE CAFETERIA - LATER

    Walter talks to Tim Naughton about the missing negative and overhears executives discussing his evaluation.

    Walter Mitty, Tim Naughton
  12. 12. EXT. TIME-LIFE BUILDING, 6TH AVE, NY - LATER

    Walter and Cheryl discuss the missing negative and the future of the magazine.

    Walter Mitty, Cheryl Mellhoff
  13. 13. INT. LOBBY, TIME-LIFE BUILDING - SAME

    Walter daydreams he is in Yemen with Sean O'Connell.

    Walter Mitty, Sean O'Connell
  14. 14. EXT. Sana'a, Yemen - DAY

    Walter and Sean run through an anti-American rally while being pelted with shoes.

    Walter Mitty, Sean O'Connell
  15. 15. INT. 104 Bus, NYC - DAY

    Walter wakes from his daydream on a bus and tries to use eHarmony.

    Walter Mitty
  16. 16. INT. 104 Bus, Moving, NYC - DAY

    Walter calls eHarmony support to discuss his profile issues.

    Walter Mitty, Todd Mahar
  17. 17. EXT. Battery Park, NYC - DAY

    Walter finds a piano in the park and meets Cheryl and Rich.

    Walter Mitty, Cheryl Mellhoff, Rich
  18. 18. EXT. Bridge Street - DAY

    Walter, Cheryl, and Rich move the piano down the street.

    Walter Mitty, Cheryl Mellhoff, Rich
  19. 19. EXT. Bridge Street - NIGHT

    Walter secures the piano and says goodbye to Cheryl and Rich.

    Walter Mitty, Cheryl Mellhoff, Rich
  20. 20. EXT. Corner, Bridge and State NYC - NIGHT

    Walter practices skateboarding.

    Walter Mitty
  21. 21. INT. Film Processing Room, Time-Life Bldg - DAY

    Walter discovers a clue in a photograph.

    Walter Mitty
  22. 22. INT. Break Room, Life Magazine - DAY

    Walter and Tim discuss the ship and accomplishments.

    Walter Mitty, Tim Naughton
  23. 23. EXT. Chopped Salad Restaurant - DAY

    Walter finishes lunch.

    Walter Mitty
  24. 24. EXT. State Street - DAY

    Walter runs to the subway.

    Walter Mitty
  25. 25. INT. Subway - DAY

    Walter is congratulated by a Frenchman.

    Walter Mitty
  26. 26. EXT. 6th Ave, NYC - DAY

    Walter is mobbed by Frenchmen.

    Walter Mitty
  27. 27. INT. Lobby, Time-Life Building - DAY

    The French mob carries Walter through the lobby.

    Walter Mitty
  28. 28. INT. Elevator - DAY

    The celebration continues in the elevator.

    Walter Mitty
  29. 29. INT. Fortieth Floor, Elevator Lobby - DAY

    Walter arrives at his floor and meets his mother.

    Walter Mitty, Edna Mitty
  30. 30. INT. Division Floor - DAY

    Ted Hendricks announces the end of Life Magazine.

    Walter Mitty, Ted Hendricks, Edna Mitty, Tim Naughton
  31. 31. INT. Storage Room, Practical Assets - DAY

    Walter realizes the negative is missing.

    Walter Mitty, Edna Mitty, Hernando
  32. 32. EXT. Ted Hendrick's Office - DAY

    Walter overhears Ted on the phone.

    Walter Mitty, Ted Hendricks
  33. 33. INT. Storage Room, Practical Assets - DAY

    Walter decides to go to Greenland.

    Walter Mitty, Hernando
  34. 34. INT. Walter's Division Floor - DAY

    Walter leaves the office.

    Walter Mitty
  35. 35. EXT. 6th Ave, NYC - DAY

    Walter walks with purpose.

    Walter Mitty
  36. 36. INT. Air Greenland 747 - DAY

    Walter flies to Greenland.

    Walter Mitty
  37. 37. INT. Air Greenland 747 - DAY

    Walter examines the photo.

    Walter Mitty
  38. 38. EXT. Greenland Capital Nuuk - DAY

    Walter arrives in Nuuk.

    Walter Mitty
  39. 39. INT. Pub, Nuuk, Greenland - EVENING

    Walter participates in a local dance.

    Walter Mitty
  40. 40. EXT. Pub, Nuuk - EVENING

    Walter shows his photo to local teens.

    Walter Mitty
  41. 41. EXT. PUB, NUUK - LATER

    Walter attempts to show a photograph to local teens in Nuuk.

    Walter Mitty
  42. 42. INT. COFFEE SHOP, NUUK - MORNING

    Walter waits for a cab in a coffee shop.

    Walter Mitty
  43. 43. INT. CAB, MOVING - LATER

    Walter rides in a cab with a driver who claims to be the Queen of Greenland.

    Walter Mitty
  44. 44. INT. CAB, MOVING, OUTSKIRTS, NUUK - LATER

    Walter and the cab driver discuss his job and see the Musk Ox migration.

    Walter Mitty
  45. 45. EXT. WHARF, NUUK - LATER

    Walter asks a boat captain about the photograph.

    Walter Mitty
  46. 46. INT. POST OFFICE, NUUK - LATER

    Walter checks airmail records at the post office.

    Walter Mitty
  47. 47. INT. PUB, NUUK - EVENING

    Walter notices a man at the bar with a thumb matching his photograph.

    Walter Mitty
  48. 48. EXT. PUB, NUUK - LATER

    Walter talks to the pilot about Sean O'Connell.

    Walter Mitty
  49. 49. INT. PUB, NUUK - LATER

    Walter watches the pilot through the window.

    Walter Mitty
  50. 50. EXT. FIELD BESIDE THE PUB - LATER

    Walter runs to catch the helicopter.

    Walter Mitty
  51. 51. INT. HELICOPTER, FLYING - LATER

    Walter and the pilot fly over a fjord.

    Walter Mitty
  52. 52. EXT. VIEW DOWN ON ATLANTIC - LATER

    A view of the shipping vessel in rough weather.

  53. 53. INT. HELICOPTER, GREENLAND, SKY, MOVING - LATER

    The pilot tells Walter he must jump into a life raft.

    Walter Mitty
  54. 54. INT. HELICOPTER - LATER

    Walter prepares to jump.

    Walter Mitty
  55. 55. EXT. ATLANTIC OCEAN - SAME

    Walter jumps from the helicopter into the ocean.

    Walter Mitty
  56. 56. EXT. ATLANTIC OCEAN - LATER

    Walter encounters a fin in the water.

    Walter Mitty
  57. 57. INT. CAPTAIN'S QUARTERS - LATER

    Walter learns Sean has already left the ship.

    Walter Mitty
  58. 58. EXT. INTERNATIONAL SHIPPING FREIGHTER THE DOLORES - LATER

    Walter is shown where Sean slept.

    Walter Mitty
  59. 59. INT. SUBARU OUTBACK - SAME

    Walter finds an itinerary in the car.

    Walter Mitty
  60. 60. EXT. SHIP CROW'S NEST - LATER

    Walter learns the location is a volcano in Iceland.

    Walter Mitty
  61. 61. EXT. INTERNATIONAL SHIPPING VESSEL - LATER

    Walter receives a call from Todd Mahar.

    Walter Mitty, Todd Mahar
  62. 62. INT. UNKNOWN - DAY

    Walter talks to his eHarmony counselor about his life and recent travels.

    Walter Mitty, Todd Mahar
  63. 63. EXT. INTERNATIONAL SHIPPING FREIGHTER - DAY

    Walter prepares to leave the freighter for Iceland.

    Walter Mitty
  64. 64. EXT. ATLANTIC OCEAN - LATER

    Walter kayaks while daydreaming about Cheryl and her son.

    Walter Mitty, Cheryl Mellhoff, Rich
  65. 65. INT. ICELANDIC CAB - DAY

    Walter receives a call from his mother while in Reykjavik.

    Walter Mitty, Edna Mitty
  66. 66. EXT. REYKJAVIK - LATER

    Walter texts Odessa about the piano.

    Walter Mitty, Odessa Mitty
  67. 67. INT. AIRPLANE - LATER

    Walter leaves Iceland.

    Walter Mitty
  68. 68. INT. AIRPLANE - NIGHT

    Walter attempts to use eHarmony again.

    Walter Mitty
  69. 69. INT. JFK AIRPORT - LATER

    Walter arrives back in New York.

    Walter Mitty
  70. 70. EXT. PORT AUTHORITY CAR IMPOUND LOT - LATER

    Walter arrives at the impound lot.

    Walter Mitty
  71. 71. INT. OFFICE, PORT AUTHORITY CAR IMPOUND LOT - LATER

    Walter deals with the impound officer.

    Walter Mitty
  72. 72. EXT. PORT AUTHORITY CAR IMPOUND LOT - LATER

    Walter lifts the piano himself.

    Walter Mitty
  73. 73. EXT. NEW JERSEY TURNPIKE - LATER

    Walter carries the piano down the turnpike.

    Walter Mitty
  74. 74. EXT. SUBWAY STATION - LATER

    Walter waits for the train with the piano.

    Walter Mitty
  75. 75. INT. SUBWAY - LATER

    The piano disappears on the subway.

    Walter Mitty
  76. 76. INT. APARTMENT - DAY

    Walter and Odessa discuss his finances and eHarmony.

    Walter Mitty, Odessa Mitty
  77. 77. INT. APARTMENT - LATER

    Walter and Odessa discuss the piano placement.

    Walter Mitty, Odessa Mitty
  78. 78. INT. APARTMENT - LATER

    Administrator discusses moving the piano to a Villa apartment.

    Walter Mitty, Odessa Mitty
  79. 79. INT. ELEVATOR - LATER

    Walter and Odessa discuss the itinerary.

    Walter Mitty, Odessa Mitty
  80. 80. EXT. BATTERY PARK - LATER

    Odessa gives Walter birthday gifts.

    Walter Mitty, Odessa Mitty

Dialogue examples

Yes, sir. It's gone very smoothly. The last issue's underway. The cover? Yeah. It's amazing. It's so quintessence. It encapsulates majesty. Totally. It has some splendor, in it, too, probably. Also, I'm pretty sure it's illustrious and just really awesome. It took my breath away. And I haven't even seen it yet. We're getting it processed from practical assets now. Yes, sir. We're going to retain eleven employees. I'm going to be evaluating them over the next week.

Ted Hendricks / Scene 32

My son and I went on a bike ride in Lake Valhalla. Jersey. We brought lunch. Had lunch in an actual field, of grass. We went swimming. My friend Marny lives on the lake. ...This is going to be the last issue. Life's going to be strictly online after this merger. No new photographs. We're just going to be an internet photo storehouse. That's what I'm hearing. They're going to let most of us go.

Cheryl Mellhoff / Scene 12

I didn't Helmut Newton anyone. I was saying I haven't misplaced a negative in nine years. I've handled every negative in our library and prepared them for our archive. I've overseen their digitization, catalogued each photographer's period-specific film and photo equipment. And I've managed the preservation of the original vision of each photograph. I've never mishandled a single nega-

Walter Mitty / Scene 83

You know, I wonder sometimes... you had to start work so early. Orange Julius. Then all through college. At Avis. Then Pizza delivery. That shitty pizza. Then at this company. I wish maybe you had the chance, a greater chance to pursue your dreams.

Edna Mitty / Scene 100

Well, you know, you just left your application so empty. Share something about yourself. It doesn't have to be major league. Life's full of small accomplishments. What do you strive to do everyday, that you take pride in? Can I ask you that?

Todd Mahar / Scene 62

No, then we can know that we picked each other out, you know, from the whole planet. Not just the cafeteria. ... We're friends. I'd like there to be more. I was hoping this web site (that they won't let me be on) would show her more.

Walter Mitty / Scene 76

That was the gift. The picture. The wallet was just someplace to keep the picture. I put it in the little picture slot in the wallet. The little picture holder. I thought that would be cute. I said "look inside." In the note.

Sean O'Connell / Scene 107

Not that we can determine. Through our models. You're just lacking distinguishing features as our system sees it. Based on our really extensive evaluation, you seem, to us, a little too indistinguishable from everybody else.

Todd Mahar / Scene 16

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