Opening Image
Scene 1 / Page 1 / 1% target
The film opens in an orphanage where Michael Quinn is punished, establishing early injustice and intrigue.
THE SAINT script analysis
A mysterious orphan flashback introduces a formative injustice before cutting to master thief Simon Templar’s high-stakes infiltration of corporate espionage. He meets Jillian, forming an emotional B-story against a backdrop of political intrigue in Russia. When Jillian is kidnapped, Templar’s fun façade gives way to desperate rescue, culminating in a daring infiltration of a nuclear facility. The film ends with Templar’s clever expose and the downfall of the real villains.
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Scene 1 / Page 1 / 1% target
The film opens in an orphanage where Michael Quinn is punished, establishing early injustice and intrigue.
Scene 2 / Page 1 / 5% target
Father Yin’s lecture on inequality hints at themes of justice and moral ambiguity.
Why one child is born into a good home and another into poverty - that is but part...
Scenes 3-5 / Pages 1-10 / 10% target
We see Quinn’s resourcefulness picking locks and transition to Simon Templar stealing a micro-chip, establishing his skills and world.
Scene 5 / Pages 10-12 / 12% target
Templar’s successful chip theft draws the attention of Inspector MacDuff and sets the chase in motion.
Scenes 6-7 / Pages 12-20 / 20% target
Under interrogation and meeting Tretiak, Templar weighs the risks of the new, more dangerous nuclear job.
A nuclear fusion generator. We have a man on the inside.
Scene 7 / Page 20 / 25% target
Accepting Tretiak’s offer marks Templar’s entry into Act Two and the nuclear fusion plot.
Scenes 8-9 / Pages 20-30 / 30% target
Templar meets Jillian at the supermarket and flirts en route to his mansion, setting up the emotional subplot.
Try this. Sorry, I overheard. The real thing. No chemicals, no preservatives.
Scenes 8-14 / Pages 20-50 / 40% target
A series of playful cat-and-mouse dinners and romantic moments deepen their bond while Templar gathers intel.
Scene 21 / Pages 50-55 / 50% target
Jillian’s kidnapping raises the stakes dramatically—no more fun, this is now personal rescue.
Scenes 30-36 / Pages 60-80 / 65% target
Templar pursues Jillian through protests, assassins, and chases, but each rescue attempt is thwarted as Tretiak tightens his grip.
Who are you. Tell me who you are and what the hell is going on.
Scene 37 / Page 80 / 75% target
Jillian escapes on a water taxi and vanishes, leaving Templar momentarily defeated.
Scene 41 / Pages 90-95 / 80% target
Arguing on the train, Jillian calls Templar a liar, and he questions his mission and identity.
My name is Simon Templar. I don't have an address because I live in hotels. I'm a professional...
Scene 47 / Pages 100-105 / 85% target
Templar decides to infiltrate the nuclear facility with Ilya, forming a concrete plan to expose Tretiak.
We've got sixty seconds. Move.
Scenes 49-52 / Pages 105-130 / 95% target
Using radon gas to trick the detector and transmitting the tape, Templar orchestrates Tretiak’s downfall.
Radon isn't plutonium but you don't know that...
Scene 52 / Page 130 / 99% target
Tretiak’s death and the implicit foundation reveal show Templar’s triumph and moral victory.