Scripts
THE PROPOSAL poster

2006

THE PROPOSAL script

Margaret Mills, a high-powered Canadian editor-in-chief in New York City, faces deportation when her visa expires, leading her to coerce her assistant, Richard Paxton, into a fake engagement. Richard agrees to the ruse, but only if Margaret travels with him to his family's home in Sitka, Alaska, for his grandmother's ninetieth birthday, where they must convince his family they are genuinely in love. Upon arriving in Sitka, Margaret struggles to adapt to Richard's eccentric family and small-town life, while Mr. Gilbertson, an Immigration and Naturalization Service agent, begins investigating their relationship. As Margaret and Richard spend more time together, they develop genuine feelings for each other, culminating in a real proposal and wedding ceremony, but Margaret ultimately confesses the truth to the family and leaves.

Writer
Pete Chiarelli
IMDb ID (imdb_id)
tt1041829
Script date
June 16, 2006
89Scenes
17Characters
85Pages
8Dialogue samples

Save the Cat beat sheet

THE PROPOSAL Save the Cat analysis

Margaret, a high-powered book editor, and her assistant Richard fake a romance to appease her Alaskan grandmother.

Open full beat sheet
70

Key characters

MARGARET MILLS

MARGARET MILLS is listed as Editor in Chief. 37, ambitious, professional, Canadian, high-powered executive. In the parsed data, MARGARET MILLS is connected to 68 scenes, 174 dialogue lines, 174 text mentions, first appearing around scene 7.

68 scenes / 174 dialogue lines

RICHARD PAXTON

RICHARD PAXTON is listed as Assistant. 26, Margaret's assistant, from Sitka, Alaska, comes from a wealthy family. In the parsed data, RICHARD PAXTON is connected to 67 scenes, 172 dialogue lines, 172 text mentions, first appearing around scene 2.

67 scenes / 172 dialogue lines

DEBBIE

DEBBIE is listed as Richard's Mother. 60, sweet, loves her son. In the parsed data, DEBBIE is connected to 19 scenes, 17 dialogue lines, 19 text mentions, first appearing around scene 32.

19 scenes / 17 dialogue lines

GEOFFREY

GEOFFREY is listed as Richard's Father. 60, wealthy, runs Paxton Seafoods. In the parsed data, GEOFFREY is connected to 18 scenes, 38 dialogue lines, 42 text mentions, first appearing around scene 46.

18 scenes / 38 dialogue lines

GRANDMA ANNIE

GRANDMA ANNIE is listed as Richard's Grandmother. 89, sharp, wants to see Richard married. In the parsed data, GRANDMA ANNIE is connected to 16 scenes, 34 dialogue lines, 34 text mentions, first appearing around scene 33.

16 scenes / 34 dialogue lines

MR. GILBERTSON

MR. GILBERTSON is listed as INS Agent. 48, intense, investigating Margaret's immigration status. In the parsed data, MR. GILBERTSON is connected to 10 scenes, 20 dialogue lines, 20 text mentions, first appearing around scene 22.

10 scenes / 20 dialogue lines

GERTRUDE THURMAN

GERTRUDE THURMAN is listed as Teacher. 26, Richard's high school sweetheart. In the parsed data, GERTRUDE THURMAN is connected to 9 scenes, 35 dialogue lines, 35 text mentions, first appearing around scene 47.

9 scenes / 35 dialogue lines

HANDSOME MAN

HANDSOME MAN is listed as Passenger / Air Marshall. Travels for work, turns out to be an Air Marshall. In the parsed data, HANDSOME MAN is connected to 8 scenes, 7 dialogue lines, 7 text mentions, first appearing around scene 28.

8 scenes / 7 dialogue lines

RAMONE

RAMONE is listed as Dancer / Shop Teacher. Middle-aged, male dancer, Richard's former shop teacher. In the parsed data, RAMONE is connected to 6 scenes, 11 dialogue lines, 15 text mentions, first appearing around scene 56.

6 scenes / 11 dialogue lines

MRS. WHITING

MRS. WHITING is listed as Principal. Principal at Baranoff Elementary. In the parsed data, MRS. WHITING is connected to 2 scenes, 5 dialogue lines, 6 text mentions, first appearing around scene 59.

2 scenes / 5 dialogue lines

SIMONE

SIMONE is listed as Model. A model Richard was dating. In the parsed data, SIMONE is connected to 2 scenes, 4 dialogue lines, 4 text mentions, first appearing around scene 2.

2 scenes / 4 dialogue lines

BOB

BOB is listed as Editor. 42, wears a bow tie, fired by Margaret. In the parsed data, BOB is connected to 2 scenes, 2 dialogue lines, 5 text mentions, first appearing around scene 19.

2 scenes / 2 dialogue lines

JILLIAN

JILLIAN is listed as Barista. A lovely barista at Starbucks. In the parsed data, JILLIAN is connected to 1 scene, 2 dialogue lines, 3 text mentions, first appearing around scene 9.

1 scenes / 2 dialogue lines

CO-WORKER #1

CO-WORKER #1 is listed as Co-worker. Frustrated employee at Royce Publishing. In the parsed data, CO-WORKER #1 is connected to 1 scene, 2 dialogue lines, 2 text mentions, first appearing around scene 10.

1 scenes / 2 dialogue lines

DOORMAN

DOORMAN is listed as Doorman. 60, works at Margaret's apartment building. In the parsed data, DOORMAN is connected to 1 scene, 1 dialogue line, 1 text mention, first appearing around scene 7.

1 scenes / 1 dialogue lines

MR. MAGUIRE

MR. MAGUIRE is listed as Family Friend. 60s, owns an airline. In the parsed data, MR. MAGUIRE is connected to 1 scene, 1 dialogue line, 1 text mention, first appearing around scene 45.

1 scenes / 1 dialogue lines

RECEPTIONIST

RECEPTIONIST is listed as Receptionist. Works at Royce Publishing. In the parsed data, RECEPTIONIST is connected to 1 scene, first appearing around scene 15.

1 scenes / 0 dialogue lines

Scene outline

  1. 1. INT. MARGARET'S APARTMENT - EARLY MORNING

    Margaret exercises on a treadmill while reading a manuscript.

    MARGARET MILLS
  2. 2. INT. WOMAN'S APARTMENT - EARLY MORNING

    Richard wakes up hungover in Simone's apartment and tries to end their relationship.

    RICHARD PAXTON, SIMONE
  3. 3. INT. MARGARET'S APARTMENT - EARLY MORNING

    Margaret gets ready for work.

    MARGARET MILLS
  4. 4. INT. WOMAN'S APARTMENT - EARLY MORNING

    Richard finishes getting dressed and leaves Simone.

    RICHARD PAXTON, SIMONE
  5. 5. INT. MARGARET'S KITCHEN - EARLY MORNING

    Margaret eats breakfast while reading.

    MARGARET MILLS
  6. 6. EXT. NEW YORK STREET - MORNING

    Richard rushes through the street.

    RICHARD PAXTON
  7. 7. INT. MARGARET'S LOBBY - MORNING

    Margaret leaves her apartment building while on a call.

    MARGARET MILLS, DOORMAN
  8. 8. INT. SKYSCRAPER LOBBY - MORNING

    Richard enters the skyscraper.

    RICHARD PAXTON
  9. 9. INT. STARBUCKS - MORNING

    Richard gets coffee from Jillian.

    RICHARD PAXTON, JILLIAN
  10. 10. INT. SKYSCRAPER LOBBY - MORNING

    Richard tries to catch an elevator.

    RICHARD PAXTON, CO-WORKER #1
  11. 11. EXT. NEW YORK STREET - MORNING

    Margaret walks and talks on the phone.

    MARGARET MILLS
  12. 12. INT. ROYCE PUBLISHING - MORNING

    Richard arrives at work and prepares for Margaret.

    RICHARD PAXTON
  13. 13. INT. SKYSCRAPER LOBBY - MORNING

    Margaret enters the lobby.

    MARGARET MILLS
  14. 14. INT. MARGARET'S OFFICE - MORNING

    Richard prepares Margaret's office.

    RICHARD PAXTON
  15. 15. INT. ROYCE PUBLISHING - RECEPTION - MORNING

    Margaret arrives at the office.

    MARGARET MILLS, RECEPTIONIST
  16. 16. INT. ROYCE PUBLISHING - MORNING

    Margaret walks through the office.

    MARGARET MILLS
  17. 17. INT. MARGARET'S OFFICE - MORNING

    Margaret and Richard discuss the day's schedule.

    MARGARET MILLS, RICHARD PAXTON
  18. 18. INT. RICHARD'S DESK - MORNING

    Margaret confronts Richard about his personal life.

    MARGARET MILLS, RICHARD PAXTON
  19. 19. INT. BOB'S OFFICE - MORNING

    Margaret fires Bob.

    MARGARET MILLS, RICHARD PAXTON, BOB
  20. 20. INT. ROYCE PUBLISHING - MORNING

    Bob reacts to being fired.

    MARGARET MILLS, RICHARD PAXTON, BOB
  21. 21. INT. RICHARD'S DESK - DAY

    Richard talks to his mother.

    MARGARET MILLS, RICHARD PAXTON
  22. 22. INT. MARGARET'S OFFICE - DAY

    Margaret meets with Mr. Gilbertson.

    MARGARET MILLS, RICHARD PAXTON, MR. GILBERTSON
  23. 23. INT. ROYCE PUBLISHING - CONTINUOUS

    Richard quits.

    MARGARET MILLS, RICHARD PAXTON
  24. 24. EXT. CENTRAL PARK - DAY

    Margaret and Richard negotiate.

    MARGARET MILLS, RICHARD PAXTON
  25. 25. EXT. PLANE TO SEATTLE - DAY

    Take off.

  26. 26. INT. PLANE TO SEATTLE - DAY

    Working on the plane.

    MARGARET MILLS, RICHARD PAXTON
  27. 27. INT. SEATTLE AIRPORT - DAY

    Changing planes.

    MARGARET MILLS, RICHARD PAXTON
  28. 28. INT. PLANE TO ALASKA - DAY

    Margaret meets a passenger.

    MARGARET MILLS, HANDSOME MAN
  29. 29. INT. PLANE TO ALASKA - DAY

    Margaret and Richard sit on a plane; Margaret interacts with a handsome man while Richard tries to maintain their cover.

    MARGARET MILLS, RICHARD PAXTON, HANDSOME MAN
  30. 30. EXT. AERIAL OF SITKA - DAY

    Aerial view of the natural beauty of Sitka, Alaska.

  31. 31. INT. JETWAY - DAY

    Margaret and the handsome man walk off the plane followed by Richard.

    MARGARET MILLS, RICHARD PAXTON, HANDSOME MAN
  32. 32. INT. AIRPORT - CONTINUOUS

    Richard and Margaret are greeted by Richard's family with a wedding banner.

    MARGARET MILLS, RICHARD PAXTON, HANDSOME MAN, DEBBIE, GRANDMA ANNIE
  33. 33. EXT. SITKA AIRPORT - CONTINUOUS

    The family reveals plans for a wedding ceremony.

    MARGARET MILLS, RICHARD PAXTON, DEBBIE, GRANDMA ANNIE
  34. 34. INT. PICKUP - DAY

    The group travels to the estate.

    MARGARET MILLS, RICHARD PAXTON, DEBBIE, GRANDMA ANNIE
  35. 35. EXT. DOCK - DAY

    The group arrives at a dock.

    MARGARET MILLS, RICHARD PAXTON
  36. 36. EXT. YACHT - DAY

    The group travels by yacht to the Paxton estate.

    MARGARET MILLS, RICHARD PAXTON
  37. 37. EXT. PAXTON DOCK - DAY

    Arrival at the Paxton estate and meeting Geoffrey.

    MARGARET MILLS, RICHARD PAXTON, GRANDMA ANNIE, GEOFFREY
  38. 38. INT. PAXTON ESTATE - DAY

    Touring the estate and meeting the puppy Balzac.

    MARGARET MILLS, RICHARD PAXTON, DEBBIE, GEOFFREY
  39. 39. INT. PAXTON ESTATE UPSTAIRS - DAY

    Margaret and Richard are shown to their room.

    MARGARET MILLS, RICHARD PAXTON, DEBBIE
  40. 40. INT. MARGARET'S ROOM - CONTINUOUS

    Margaret and Richard argue about the situation.

    MARGARET MILLS, RICHARD PAXTON
  41. 41. INT. PAXTON ESTATE - DAY

    The engagement party is in full swing.

    MARGARET MILLS, RICHARD PAXTON, DEBBIE, GEOFFREY, GERTRUDE THURMAN
  42. 42. EXT. PAXTON BACKYARD - CONTINUOUS

    Margaret takes a call and deals with an eagle.

    MARGARET MILLS, RICHARD PAXTON
  43. 43. INT. PAXTON ESTATE - DAY

    The group prepares to leave for the bachelorette party.

    MARGARET MILLS, RICHARD PAXTON, DEBBIE
  44. 44. EXT. PIONEER BAR - DAY

    The bachelorette party at the Pioneer Bar.

    MARGARET MILLS, DEBBIE, GRANDMA ANNIE, GERTRUDE THURMAN, RAMONE
  45. 45. EXT. PAXTON ESTATE - SHORELINE - DAY

    Richard joins his father and Mr. Maguire for golf; they have an awkward conversation about Richard's career.

    RICHARD PAXTON, GEOFFREY, MR. MAGUIRE
  46. 46. EXT. PAXTON ESTATE - SHORELINE - DAY

    Geoffrey confronts Richard about his career and his relationship with Margaret.

    RICHARD PAXTON, GEOFFREY
  47. 47. EXT. PIONEER BAR - DAY

    Margaret and Gertrude discuss Richard's past and their relationship.

    MARGARET MILLS, GERTRUDE THURMAN
  48. 48. EXT. PAXTON ESTATE - DAY

    Richard chops wood in a rage while the women return from the yacht.

    RICHARD PAXTON, DEBBIE, GRANDMA ANNIE
  49. 49. INT. PAXTON ESTATE FAMILY ROOM - DAY

    The women confront Geoffrey about Richard's behavior.

    MARGARET MILLS, DEBBIE, GRANDMA ANNIE, GEOFFREY
  50. 50. INT. MARGARET'S ROOM - DAY

    Margaret and Richard have a chaotic encounter in the bathroom and bedroom.

    MARGARET MILLS, RICHARD PAXTON
  51. 51. INT. MARGARET'S ROOM - LATER

    Richard and Margaret prepare to sleep in the same room.

    MARGARET MILLS, RICHARD PAXTON
  52. 52. INT. PAXTON ESTATE - OFFICE - DAY

    Geoffrey makes a secret phone call.

    GEOFFREY
  53. 53. INT. MARGARET'S ROOM - DAY

    Debbie brings breakfast to Margaret and Richard.

    MARGARET MILLS, RICHARD PAXTON, DEBBIE
  54. 54. INT. SLIME LINE - DAY

    Richard shows Margaret the family business and they discuss their motivations.

    MARGARET MILLS, RICHARD PAXTON
  55. 55. INT. SITKA GENERAL STORE - DAY

    Richard and Margaret visit the general store.

    MARGARET MILLS, RICHARD PAXTON, RAMONE
  56. 56. EXT. SITKA GENERAL STORE - DAY

    Margaret and Richard shop for supplies and encounter Ramone.

    MARGARET MILLS, RICHARD PAXTON, RAMONE
  57. 57. EXT. SITKA GENERAL STORE - CONTINUOUS

    Richard reveals the store is owned by his family.

    MARGARET MILLS, RICHARD PAXTON
  58. 58. INT. FISHERMAN'S NET INTERNET CAFE - DAY

    Margaret tries to get computer access from a pirate-themed clerk.

    MARGARET MILLS, RICHARD PAXTON
  59. 59. INT. BARANOFF ELEMENTARY SCHOOL OFFICE - DAY

    Margaret uses the school computer while Richard reconnects with his principal.

    MARGARET MILLS, RICHARD PAXTON, MRS. WHITING
  60. 60. INT. BARANOFF ELEMENTARY SCHOOL HALL - DAY

    Richard sees his former sweetheart, Gertrude.

    RICHARD PAXTON, GERTRUDE THURMAN, MRS. WHITING
  61. 61. INT. BARANOFF ELEMENTARY SCHOOL CLASSROOM - DAY

    Richard and Gertrude reminisce and discuss their past.

    RICHARD PAXTON, GERTRUDE THURMAN
  62. 62. INT. BARANOFF ELEMENTARY SCHOOL OFFICE - DAY

    Margaret finishes her email and encounters a student.

    MARGARET MILLS
  63. 63. INT. BARANOFF ELEMENTARY SCHOOL CLASSROOM - DAY

    Richard and Gertrude continue their conversation, interrupted by Margaret.

    MARGARET MILLS, RICHARD PAXTON, GERTRUDE THURMAN
  64. 64. EXT. PAXTON DOCK - DAY

    Richard and Margaret return to the estate.

    MARGARET MILLS, RICHARD PAXTON
  65. 65. EXT. PAXTON TRAIL - DAY

    Margaret encounters Geoffrey performing a shamanic ritual.

    MARGARET MILLS, GEOFFREY
  66. 66. EXT. PAXTON TRAIL - DAY

    Debbie and Annie interrupt the ritual.

    MARGARET MILLS, DEBBIE, GRANDMA ANNIE, GEOFFREY
  67. 67. INT. PAXTON MASTER BEDROOM - DAY

    Margaret tries on the family wedding dress.

    MARGARET MILLS, DEBBIE, GRANDMA ANNIE
  68. 68. EXT. PAXTON ESTATE - DAY

    Margaret demands to leave with Richard.

    MARGARET MILLS, RICHARD PAXTON
  69. 69. EXT. PAXTON SPEED BOAT - DAY

    Richard and Margaret take a boat out to a glacier.

    MARGARET MILLS, RICHARD PAXTON
  70. 70. EXT. GLACIER - DAY

    Margaret falls into an ice crevasse.

    MARGARET MILLS, RICHARD PAXTON
  71. 71. EXT. BOAT - DAY

    Richard and Margaret discuss their relationship and decide to call off the wedding.

    MARGARET MILLS, RICHARD PAXTON
  72. 72. EXT. PAXTON ESTATE - DAY

    Richard and Margaret arrive at the estate and are intercepted by Geoffrey.

    MARGARET MILLS, RICHARD PAXTON, GEOFFREY
  73. 73. EXT. PAXTON GUESTHOUSE - DAY

    Geoffrey leads Richard and Margaret to the guesthouse where Gilbertson is waiting.

    MARGARET MILLS, RICHARD PAXTON, MR. GILBERTSON, GEOFFREY
  74. 74. INT. GUESTHOUSE - DAY

    Gilbertson confronts Richard and Margaret in the converted squash court.

    MARGARET MILLS, RICHARD PAXTON, MR. GILBERTSON, GEOFFREY
  75. 75. EXT. PAXTON ESTATE - DAY

    Richard and Margaret walk back to the house; Debbie greets them.

    MARGARET MILLS, RICHARD PAXTON, DEBBIE
  76. 76. INT. MARGARET'S ROOM - DAY

    Grandma Annie visits Margaret as she prepares for the wedding.

    MARGARET MILLS, GRANDMA ANNIE
  77. 77. EXT. PAXTON ESTATE - DAY

    The wedding ceremony takes place.

    MARGARET MILLS, RICHARD PAXTON, MR. GILBERTSON, GRANDMA ANNIE, GEOFFREY, GERTRUDE THURMAN
  78. 78. INT. MARGARET'S ROOM - DAY

    Richard visits Margaret as she packs to leave.

    MARGARET MILLS, RICHARD PAXTON
  79. 79. EXT. BOAT - DAY

    Gilbertson takes Margaret to the airport.

    MARGARET MILLS, MR. GILBERTSON
  80. 80. EXT. PAXTON ESTATE - DAY

    Richard and Gertrude talk by the shore.

    RICHARD PAXTON, GERTRUDE THURMAN

Dialogue examples

I'm an early, early riser and go for a run everyday. Well, it was our six month anniversary and I was out for my normal jog in the park, when who do I see in a horse drawn carriage, wearing a tux, and waiting for me halfway through my run? Richard! So I ran up to the carriage and asked him what was going on, and he put his finger to his lips and says, "shhhh." So there I am in my jogging clothes, next to the most handsome mute in the world - have you seen him in a tux? - riding like a sweaty princess and smiling ear to ear. Couple minutes later, we arrive at Tavern on the Green. Best part, we're the only people in the place because Richard got them to open up early. Well, we go to our table, sit down, and just as the sun starts to peek above the trees, this beautiful man gets down on one knee, and says "I didn't want one more sunrise to go by without you knowing that you are the light of my life, and that I would be the luckiest man in the world if you would be my wife. Margaret Mary Mills, will you marry me?"

MARGARET MILLS / Scene 41

It's hematite. Alaska diamonds. The blue ones like this are very rare. My great grandfather gave it to my great grandmother when they were married. They were quite a scandal, you know. He was Russian and she was Tlingit. Back then, you had to get approval from every person in the tribe before you got married. It almost broke them up.

GRANDMA ANNIE / Scene 67

You're amazing, Gert. And I've thought about being with you for a long time. A long time. When you said those things at the school? I've dreamed about hearing you say those things. But as crazy as this seems. I know now... that we're just not meant to be.

RICHARD PAXTON / Scene 80

Sorry everybody, but protocol says we need to get this unruly passenger off the plane ASAP. Sitka's the closest airport, so if it's OK with you, I'm gonna have the captain turn this bird around.

HANDSOME MAN / Scene 86

You're so beautiful, and such a great match for my Richard. I know I've just met you, but a mother can tell. When he looks at you, I can tell he's in love. I'm so happy I get to share your day.

DEBBIE / Scene 67

I don't want to hear it. It's yours. Grandmothers like to give their stuff away to their grandchildren. Makes us feel like we'll always be a part of your life, even after we're gone. Take it.

GRANDMA ANNIE / Scene 67

We are so lucky to have her. Mr. Megher really left us shorthanded when he ran off in the middle of the school year. He's living out in the forest now with his wolves. Full time.

MRS. WHITING / Scene 60

I'm sorry I lied to you. That was an awful thing to do. But it took this weekend for me to see how funny, and screwed up and perfect Margaret is for me. I think she's... the one.

RICHARD PAXTON / Scene 81

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