Opening Image
Scene 1 / Page 1 / 1% target
Dawn ferry arrival at the abbey establishes the isolated, medieval setting and introduces William and Adso.
THE NAME OF THE ROSE script analysis
William of Baskerville and his novice Adso arrive at a remote abbey to investigate a monk’s mysterious death. As a series of gruesome murders unfolds, William’s rational methods clash with religious authority and secret heresies. Adso’s growing bond with a peasant girl provides a counterpoint to the dark investigation. In the end, fire and chaos consume the abbey as knowledge is saved at great cost.
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Scene 1 / Page 1 / 1% target
Dawn ferry arrival at the abbey establishes the isolated, medieval setting and introduces William and Adso.
Scene 4 / 5% target
Ubertino’s warning that “The Devil’s loose in the abbey” hints at the conflict between reason and superstition.
Fellow Franciscans, you might as well go home now! The Devil's loose in the abbey.
Scenes 1-5 / Page 1 / 10% target
William and Adso arrive, meet the Abbot, and William determines Adelmo’s death wasn’t an accident, setting up the mystery.
Scene 7 / 12% target
Venatius is found dead in a jar of blood, revealing that Adelmo’s death was not isolated and raising the stakes.
Well. We may rule out suicide right right away, this time.
Scenes 8-12 / 20% target
William debates the scope of the investigation with other monks and questions whether he can trust Abbey politics and traditions.
Scene 14 / 25% target
Confronting Salvatore about heresy (“Tell us about Penitenziagite!”) marks William’s deeper plunge into forbidden secrets.
Tell us about Penitenziagite!
Scene 17 / 30% target
Adso’s hidden encounter with The Girl introduces a personal, emotional subplot contrasting the main mystery.
Scenes 10-13 / 40% target
William and Adso explore the scriptorium clues and debate missing books, showcasing investigative “fun.”
Scene 20 / 50% target
William reveals the key parchment’s significance, shifting from gathering clues to confident theory.
The key to the entire mystery is written on this piece of parchment. What do you see here?
Scenes 21-25 / 65% target
The Abbot burns the map and Bernardo Gui’s arrival increases institutional pressure on William.
Scene 31 / 75% target
William’s admission of his own inquisitorial past feels like a personal defeat and loss of moral high ground.
I know all about it, Adso. . .I was once an inquisitor myself.
Scene 40 / 80% target
Jorge’s self-sacrifice in the burning library leaves William and Adso trapped and despairing.
You go, Adso! Forestall then -- tell them what has happened and that I'll soon emerge. . .
Scene 49 / 85% target
Adso’s confrontation with Bernardo Gui represents a decisive action born of hope rather than fear.
Scenes 49-51 / 95% target
Adso defeats Gui, William returns with the rescued books, and they avert total loss despite the abbey’s destruction.
Scene 54 / 99% target
In the morning countryside, William and Adso depart, echoing the opening journey but with hard-earned wisdom.