Opening Image
Scene 1 / Page 1 / 1% target
Introduces the cold, disciplined world of Barton Academy via the boys’ chapel choir.
In the beginning, there was the word. So let's begin with the text, shall we?
THE HOLDOVERS script analysis
History professor Paul Hunham is stuck supervising a handful of students left over Christmas break, notably troubled teen Angus Tully. As they clash and bond through disciplinary drills, late‐night conversations, and a life‐changing injury, both confront their personal failures. A mid‐holiday road trip to Boston tests their trust, leading Paul to honesty about his past and Angus toward self‐acceptance.
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Scene 1 / Page 1 / 1% target
Introduces the cold, disciplined world of Barton Academy via the boys’ chapel choir.
In the beginning, there was the word. So let's begin with the text, shall we?
Scene 2 / Page 1 / 5% target
Paul’s disdainful remark about “Philistines” hints at judgment and the need for understanding.
Philistines. Lazy, vulgar, rancid little Philistines.
Scenes 3-9 / Pages 1-10 / 10% target
We learn Paul’s routine, Mary’s role, and Angus’s canceled trip, establishing stakes.
Are you kidding me? I'm just supposed to stay here? Mom, don't do this. Please.
Scene 6 / Pages 1-12 / 12% target
Dr. Woodrup assigns Paul to supervise the holdovers, shifting him into conflict.
Not for ourselves alone are we born.
Scene 9 / Pages 1-13 / 20% target
Angus reacts to being stranded at school, questioning whether to stay or escape.
Are you kidding me? I'm just supposed to stay here? Mom, don't do this. Please.
Scene 10 / Pages 1-14 / 25% target
Paul formally gathers the holdovers, launching Act Two’s disciplined regime.
The Peloponnesian War awaits, Mr. Kountze, you and Mr. Tully. The rest of you can get a jump...
Scene 12 / Pages 1-15 / 30% target
Paul and Mary share a moment over drinks, establishing the emotional subplot.
Well, I look forward to your fine cooking.
Scenes 21-26 / Pages 2-20 / 40% target
Montage of training runs, study sessions, and campus patrols shows growing rapport and tensions.
Speed! Without sufficient exercise, the body devours itself!
Scene 29 / Pages 2-25 / 50% target
All other boys leave, isolating Angus and marking a point of no return for their relationship.
Guess that just leaves you, huh? Be sure to get all your homework done. Oh, I almost forgot....
Scenes 42-44 / Pages 3-30 / 65% target
Angus injures his arm and Paul risks suspension, external and internal pressures tighten.
Oh fuck! Mr. Hunham!
Scene 45 / Pages 3-31 / 75% target
In the ER, Angus’s lie to protect Paul threatens both their futures—“curtains,” Paul says.
This is the end. They'll inform the school, who will inform your parents, and then it's curtains. You're...
Scenes 48-49 / Pages 3-35 / 80% target
At the tavern, Paul and Angus confront their failures and fears in a quiet, reflective exchange.
Don't be ridiculous, Mr. Tully.
Scene 68 / Pages 4-40 / 85% target
Paul’s spontaneous purchase of a Christmas tree reawakens hope and sets a plan in motion.
Scenes 71-83 / Pages 4-50 / 95% target
Boston trip culminates in honest revelations—Paul admits his past, Angus accepts guidance.
History is not merely the past, Mr. Tully. It's an explanation of the present.
Scene 95 / Pages 5-55 / 99% target
Paul’s final swig of liquor and drive away mirror the opening’s solitude, but now he’s liberated.