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THE HAUNTING OF HILL HOUSE poster

Screenplay data

THE HAUNTING OF HILL HOUSE script

Eleanor Vance joins Dr. Marrow's study at Hill House, believing it's for insomnia, but soon discovers the house's dark history and supernatural activity alongside fellow subjects Theo and Luke. As the house's influence grows, Nell uncovers Hugh Crain's disturbing past and confronts Marrow, who reveals his true intentions for the fear experiment, leaving her feeling betrayed and isolated. The house intensifies its attacks, trapping the group and killing Luke, prompting Nell to sacrifice herself to save Marrow and Theo, becoming one with the house's tormented spirits. Marrow and Theo escape, forever changed, as Hill House remains a monument to evil, with Marrow publishing his book and Theo later returning to call out for Nell.

Writer
David Self (Revisions by Michael Tolkin)
IMDb ID (imdb_id)
tt0171363
Script date
11/10/98
91Scenes
13Characters
84Pages
8Dialogue samples

Save the Cat beat sheet

THE HAUNTING OF HILL HOUSE Save the Cat analysis

Eleanor “Nell” Vance leaves her unresolved past and uncertain future behind to join a paranormal study at Hill House, where eerie warnings and unsettling discoveries challenge her grip on reality.

Open full beat sheet
75

Key characters

Eleanor Vance

Eleanor Vance is listed as Protagonist / Research Subject. 20s, small, plain, sensitive, recently cared for her invalid mother for eleven years. In the parsed data, Eleanor Vance is connected to 71 scenes, 111 dialogue lines, 113 text mentions, first appearing around scene 1.

71 scenes / 111 dialogue lines

Theo

Theo is listed as Research Subject. 20s, exotic, sophisticated, worldly, artist. In the parsed data, Theo is connected to 53 scenes, 69 dialogue lines, 79 text mentions, first appearing around scene 8.

53 scenes / 69 dialogue lines

James Marrow

James Marrow is listed as Psychologist / Researcher. Ambitious, manipulative, obsessed with his study on fear. In the parsed data, James Marrow is connected to 38 scenes, 71 dialogue lines, 71 text mentions, first appearing around scene 3.

38 scenes / 71 dialogue lines

Luke Sanderson

Luke Sanderson is listed as Research Subject. 20s, charming, cynical, insomniac. In the parsed data, Luke Sanderson is connected to 29 scenes, 32 dialogue lines, 34 text mentions, first appearing around scene 19.

29 scenes / 32 dialogue lines

Mr. Dudley

Mr. Dudley is listed as Caretaker. Ex-hippie, rough, dirty, massive, cryptic. In the parsed data, Mr. Dudley is connected to 10 scenes, 11 dialogue lines, 12 text mentions, first appearing around scene 4.

10 scenes / 11 dialogue lines

Mary Lambretta

Mary Lambretta is listed as Marrow's T.A.. Late 20s, pretty, wears glasses, believes in the paranormal. In the parsed data, Mary Lambretta is connected to 6 scenes, first appearing around scene 3.

6 scenes / 0 dialogue lines

Todd Aubochon

Todd Aubochon is listed as Research Subject. Insomniac. In the parsed data, Todd Aubochon is connected to 5 scenes, first appearing around scene 19.

5 scenes / 0 dialogue lines

Mrs. Dudley

Mrs. Dudley is listed as Caretaker. Sallow, unsmiling, keeps strict hours. In the parsed data, Mrs. Dudley is connected to 4 scenes, 3 dialogue lines, 4 text mentions, first appearing around scene 6.

4 scenes / 3 dialogue lines

Hugh Crain

Hugh Crain is listed as Historical Figure. 19th-century mill owner, brutal, obsessed, builder of Hill House. In the parsed data, Hugh Crain is connected to 4 scenes, 8 text mentions, first appearing around scene 11.

4 scenes / 0 dialogue lines

Malcolm Keogh

Malcolm Keogh is listed as Department Chairman. 50s, graying professor, ethical, skeptical of Marrow's methods. In the parsed data, Malcolm Keogh is connected to 2 scenes, 1 dialogue line, 1 text mention, first appearing around scene 3.

2 scenes / 1 dialogue lines

Jane

Jane is listed as Nell's sister. 30s, dark-haired, practical, somewhat cold and dismissive of Nell. In the parsed data, Jane is connected to 1 scene, 1 dialogue line, 1 text mention, first appearing around scene 1.

1 scenes / 1 dialogue lines

Lou

Lou is listed as Jane's husband. Bored, materialistic, focused on money. In the parsed data, Lou is connected to 1 scene, 1 dialogue line, 1 text mention, first appearing around scene 1.

1 scenes / 1 dialogue lines

Richie

Richie is listed as Jane and Lou's son. Young boy, insolent, destructive. In the parsed data, Richie is connected to 1 scene, first appearing around scene 1.

1 scenes / 0 dialogue lines

Scene outline

  1. 1. INT. Living Room, Nell's Apartment - DAY

    Jane and Lou confront Nell about her future and her mother's estate while their son Richie causes chaos.

    Eleanor Vance, Jane, Lou, Richie
  2. 2. INT. Nell's Kitchen - DAY

    Nell cries, finds her mother's necklace, and decides to leave.

    Eleanor Vance
  3. 3. INT. Psych Observation Lab - DAY

    Dr. Marrow defends his unethical research methods to Malcolm Keogh.

    Malcolm Keogh, James Marrow, Mary Lambretta
  4. 4. EXT. Gas Station - DAY

    Nell stops for gas and is warned by the attendant not to go to Hill House.

    Eleanor Vance, Mr. Dudley
  5. 5. EXT. Hill House Gate - DAY

    Nell arrives at the gate and meets Mr. Dudley.

    Eleanor Vance, Mr. Dudley
  6. 6. INT. Hill House Interior - DAY

    Nell enters the house and meets Mrs. Dudley.

    Eleanor Vance, Mrs. Dudley
  7. 7. INT. 2ND FLOOR HALLWAY, NORTH WING - DAY

    Nell explores the hallway, hears a whisper and laughter, and discovers Theo and Mrs. Dudley.

    Eleanor Vance, Mr. Dudley, Theo
  8. 8. INT. BACK STAIRWAY - DAY

    Nell meets Theo and Mrs. Dudley while they are moving luggage.

    Eleanor Vance, Mr. Dudley, Theo
  9. 9. INT. THEO'S ROOM - DAY

    Mrs. Dudley shows Theo and Nell to the room; Theo and Nell discuss their backgrounds.

    Eleanor Vance, Mr. Dudley, Theo
  10. 10. INT. 2ND FLOOR HALLWAY - DUSK

    Nell and Theo walk through the hallway, admiring the carvings.

    Eleanor Vance, Theo
  11. 11. INT. RED PARLOR - DUSK

    Nell and Theo explore the Red Parlor; Nell notices a painting of Hugh Crain.

    Eleanor Vance, Theo, Hugh Crain
  12. 12. INT. MEZZANINE - DUSK

    Nell and Theo stand before the painting of Hugh Crain and choose a hallway to explore.

    Eleanor Vance, Theo, Hugh Crain
  13. 13. INT. SMALL PARLOR - DUSK

    Theo and Nell enter a small parlor and discuss the Dudleys.

    Eleanor Vance, Theo
  14. 14. INT. STATUARY HALL - DUSK

    Theo and Nell run through the Statuary Hall.

    Eleanor Vance, Theo
  15. 15. INT. HALL OF MIRRORS - DUSK

    Nell and Theo dance in the Hall of Mirrors.

    Eleanor Vance, Theo
  16. 16. INT. 1ST FLOOR HALLS - DUSK

    Nell and Theo get lost in the house.

    Eleanor Vance, Theo
  17. 17. INT. HALLWAY OUTSIDE LOCKED ROOM - DUSK

    Nell and Theo encounter a disturbing set of doors.

    Eleanor Vance, Theo
  18. 18. INT. NARROW STAIRCASE - DUSK

    Nell and Theo flee down a staircase.

    Eleanor Vance, Theo
  19. 19. INT. GRAND ENTRY - NIGHT

    The group meets in the Grand Entry.

    Eleanor Vance, James Marrow, Mary Lambretta, Theo, Luke Sanderson, Todd Aubochon
  20. 20. INT. GREAT HALL - NIGHT

    Marrow explains the history of Hill House.

    Eleanor Vance, James Marrow, Mary Lambretta, Theo, Luke Sanderson, Todd Aubochon
  21. 21. INT. DINING ROOM - NIGHT

    The group has dinner and discusses their insomnia.

    Eleanor Vance, James Marrow, Mary Lambretta, Theo, Luke Sanderson, Todd Aubochon
  22. 22. INT. RED PARLOR - NIGHT

    Mary plays the harp, which snaps and injures her.

    Eleanor Vance, James Marrow, Mary Lambretta, Theo, Luke Sanderson, Todd Aubochon
  23. 23. EXT. HILL HOUSE DRIVEWAY - NIGHT

    Mary is taken to the hospital.

    James Marrow, Mary Lambretta, Luke Sanderson, Todd Aubochon
  24. 24. INT. MEZZANINE - NIGHT

    Luke tells Nell and Theo the dark truth about Hugh Crain.

    Eleanor Vance, Theo, Luke Sanderson, Hugh Crain
  25. 25. INT. MARROW'S BEDROOM - NIGHT

    Marrow records his observations.

    James Marrow
  26. 26. INT. NELL'S ROOM - NIGHT

    Theo visits Nell in her room.

    Eleanor Vance, Theo
  27. 27. INT. NELL'S ROOM - NIGHT

    Nell and Theo share a moment while Theo styles Nell's hair, followed by Nell preparing for bed.

    Eleanor Vance, Theo
  28. 28. INT. NELL'S ROOM - NIGHT

    Nell prepares for bed, noticing the ornate headboard.

    Eleanor Vance
  29. 29. INT. GREAT HALL - NIGHT

    The house seems to breathe in the darkness.

  30. 30. INT. GRAND STAIRWAY - NIGHT

    Carved animal heads on the balusters wait in the darkness.

  31. 31. INT. HALL OUTSIDE LOCKED ROOM - NIGHT

    The house seems to be gathering energy.

  32. 32. INT. NELL'S ROOM - NIGHT

    Nell hears mysterious thumping sounds.

    Eleanor Vance
  33. 33. INT. THEO'S ROOM - NIGHT

    Nell and Theo hide in terror as something bangs on the door.

    Eleanor Vance, Theo
  34. 34. INT. KITCHEN - NIGHT

    Nell and Theo discuss the noises with Marrow and Luke.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson
  35. 35. INT. DINING ROOM - DAY

    Breakfast conversation with tension between Theo and Nell.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson
  36. 36. INT. GREAT HALL - DAY

    Nell experiences a terrifying encounter at the fireplace.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson
  37. 37. EXT. CARRIAGE HOUSE - DAY

    The group searches for the missing guest, David Watts.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson
  38. 38. INT. HALLWAY OUTSIDE LOCKED ROOM - DAY

    Nell and Theo smell something foul near the locked door.

    Eleanor Vance, James Marrow, Theo
  39. 39. EXT. VERANDA - DAY

    Marrow interviews Nell about her experiences.

    Eleanor Vance, James Marrow
  40. 40. INT. GRAND STAIRWAY - DAY

    The group discovers a message written on the wall.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson
  41. 41. INT. RED PARLOR - DAY

    Nell confronts the others about the message.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson
  42. 42. EXT. 2ND FLOOR BALCONY - DAY

    Marrow comforts Nell.

    Eleanor Vance, James Marrow
  43. 43. INT. GREENHOUSE - DAY

    Marrow shows Nell the greenhouse, where they encounter Mr. Dudley who tells the story of Rene Crain's suicide. Nell feels a sense of adventure and connection to the house.

    James Marrow, Eleanor Vance, Mr. Dudley
  44. 44. EXT. REAR LAWN - DAY

    Nell leaves the house, feeling ashamed, and encounters Mr. Dudley again.

    Eleanor Vance, Mr. Dudley
  45. 45. EXT. FAMILY CEMETERY - DAY

    Nell enters the Crain family cemetery and reads the epitaphs on the graves of Crain's children.

    Eleanor Vance
  46. 46. INT. CRAIN'S SECRET STUDY - DAY

    Nell finds Crain's secret study and discovers ledgers documenting the deaths of children.

    Eleanor Vance
  47. 47. INT. NELL'S ROOM - NIGHT

    Nell and Theo discuss the ledger and Theo gives Nell a pedicure.

    Eleanor Vance, Theo
  48. 48. INT. NELL'S ROOM - NIGHT

    Nell experiences supernatural phenomena in her room.

    Eleanor Vance
  49. 49. INT. NELL'S ROOM / BATHROOM - NIGHT

    Nell wakes to find her feet covered in gore and experiences a terrifying encounter with a presence.

    Eleanor Vance, Theo
  50. 50. INT. GREENHOUSE - DAY

    Nell, Theo, and Luke discuss the events of the previous night.

    Eleanor Vance, Theo, Luke Sanderson
  51. 51. INT. DINING ROOM - DAY

    Nell discovers Marrow's recording of his assessment of her.

    Eleanor Vance, James Marrow
  52. 52. INT. GREAT HALL - DAY

    Nell attempts to leave the house but is locked in by the Dudleys.

    Eleanor Vance, Mr. Dudley, Mrs. Dudley
  53. 53. INT. CRAIN'S SECRET STUDY - DAY

    Nell finds a photo album that reveals more about the Crain family.

    Eleanor Vance
  54. 54. INT. GREAT HALL - DAY

    Nell enters the Great Hall, investigates the fireplace, and discovers human skulls inside the ash drop.

    Eleanor Vance
  55. 55. INT. GROUND HALLWAY FLOOR - DUSK

    Nell runs through the hallway calling for help but hears children's voices instead.

    Eleanor Vance, Theo, James Marrow
  56. 56. INT. CONFUSING SERIES OF ROOMS (THE MAZE) - NIGHT

    Nell is led through the dark, shifting hallways by the voices.

    Eleanor Vance
  57. 57. INT. HALLWAY OUTSIDE LOCKED ROOM - NIGHT

    Nell reaches the locked room and realizes the house is a trap designed by Crain.

    Eleanor Vance, Hugh Crain
  58. 58. INT. PICTURE GALLERY - DUSK

    Nell confronts Marrow, Theo, and Luke with her findings, leading to Marrow revealing the experiment.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson
  59. 59. INT. NELL'S ROOM - NIGHT

    Theo comforts Nell as she falls asleep, while a face begins to form in the frost on the window.

    Eleanor Vance, Theo
  60. 60. INT. KITCHEN - NIGHT

    Marrow, Luke, and Theo discuss the experiment and Nell's condition.

    James Marrow, Luke Sanderson, Theo
  61. 61. INT. GREAT HALL - NIGHT

    Marrow checks the fireplace and receives a phone call about a missing person.

    James Marrow
  62. 62. INT. HALLWAY OUTSIDE KITCHEN - NIGHT

    Luke and Theo discuss the haunting and their situation.

    Luke Sanderson, Theo
  63. 63. INT. NELL'S ROOM - NIGHT

    Nell is terrorized by unseen forces and breaks the window.

    Eleanor Vance
  64. 64. INT. NELL'S BATHROOM - NIGHT

    Nell runs from her room in a fury.

    Eleanor Vance
  65. 65. INT. THEO'S ROOM - NIGHT

    Theo finds Nell's room empty and smashed.

    Theo
  66. 66. INT. CROSS HALL - NIGHT

    Nell encounters a distorted reflection in a mirror.

    Eleanor Vance
  67. 67. INT. HALL OF PILLARS - NIGHT

    Nell is chased by banging sounds.

    Eleanor Vance
  68. 68. INT. HALL OF MIRRORS - NIGHT

    Nell confronts her reflections and is told to welcome home.

    Eleanor Vance
  69. 69. INT. GREENHOUSE - NIGHT

    Nell climbs the spiral staircase while Marrow, Luke, and Theo attempt to rescue her.

    Eleanor Vance, James Marrow, Luke Sanderson, Theo
  70. 70. INT. THEO'S ROOM - NIGHT

    The group regroups after the staircase collapse.

    James Marrow, Theo, Luke Sanderson, Eleanor Vance
  71. 71. INT. NELL'S ROOM - NIGHT

    The room itself comes alive and attacks Nell.

    Eleanor Vance, Luke Sanderson
  72. 72. INT. NELL'S BATHROOM - NIGHT

    Luke wakes up to see Nell's room convulsing and the door slamming shut.

    Luke Sanderson
  73. 73. INT. NELL'S ROOM - NIGHT

    Nell is pinned by the room's woodwork while Marrow and Luke break in.

    Eleanor Vance, Malcolm Keogh, James Marrow, Theo, Luke Sanderson
  74. 74. INT. GREAT HALL - NIGHT

    The group retreats to the Great Hall where Nell sees faces in the woodwork.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson
  75. 75. EXT. HILL HOUSE DRIVEWAY/GATE - NIGHT

    The group is trapped at the gate and Marrow questions Nell about the ad.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson
  76. 76. INT. NELL'S CAR - NIGHT

    Luke attempts to ram the gate with the car.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson
  77. 77. INT. GRAND ENTRY - NIGHT

    The group re-enters the house to find Nell.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson
  78. 78. INT. GREENHOUSE - NIGHT

    The group finds Watts' body in the greenhouse.

    James Marrow, Theo, Luke Sanderson
  79. 79. INT. LOCKED ROOM - NURSERY - NIGHT

    Nell is found in the nursery, claiming she is family.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson
  80. 80. INT. DINING ROOM - NIGHT

    Luke attempts to break a window and then sets the room on fire.

    Eleanor Vance, James Marrow, Theo, Luke Sanderson

Dialogue examples

I hadn't done a study of how group fear affects individual performance. Mass hysteria is like a story, Nell. A communal story. Someone starts it. Then we all add a little more to it. And then for some reason -- no one knows how -- we start believing it. This story shapes what we see and hear. We interpret everything through it, make it fit the story. I started our story when I gave you the history of Hill House. You've added to it. That's what this experiment has all been about. That's what it was about, the experiment's over. I'm pulling the plug. This is my fault.

James Marrow / Scene 58

I was just thinking how happy I am right now. All my life, I've been waiting for an adventure. And I thought, oh, I'll never have that, adventures are for people who travel long distances, that's for soldiers, that's for the women that the bullfighters fall in love with. And here I am, and something is happening to me. Strange noises in the night. Paintings are calling to me. And all it cost to get there was five gallons of gas. I'm getting my adventure.

Eleanor Vance / Scene 43

Don't tell the Professor; he'd probably throw me out. But test taking is one of the ways I've been supporting myself. I volunteer for every paid study that they offer. Of course straight psych stuff doesn't pay as much as the pharmaceuticals do, or a good wound study. Check it out. A thousand dollars each. Am I sick? Yes. Do you know why I only date freshmen? By the time they're sophomores, they've figured me out.

Luke Sanderson / Scene 50

Marrow said the same thing as last night, he says -- that he checked with Mrs. Dudley. And he says that she told him that all the fireplaces in the West Wing connect to the main chimney. He says that he thinks that the flue was open, and with the windstorm, he says that what probably happened was some kind of freak air current --

Theo / Scene 50

That's a good question. What is it about fences? Sometimes a locked chain makes people on both sides of the fence just a little more comfortable. Why would that be?

Mr. Dudley / Scene 5

I've given you a powerful suggestion that you're in a haunted house. I picked Hill House because it fits the expectations. It was my... it was my theater, my stage.

James Marrow / Scene 58

No. If he's lost somewhere in the house... he'll have to stay lost until tomorrow, until the night is over. What we have to do now is be together, with Nell.

James Marrow / Scene 70

I leave before dark comes. We live in town. Nine miles. So there won't be anyone around if you need help. We couldn't even hear you, in the night.

Mrs. Dudley / Scene 6

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