Scripts
THE DOORS poster

1991

THE DOORS script

Jim Morrison, a charismatic poet and aspiring filmmaker, forms the rock band The Doors with Ray Manzarek, John Densmore, and Robbie Krieger in Los Angeles. As the band achieves massive fame, Jim descends into a self-destructive spiral fueled by alcohol, drugs, and his increasingly erratic, shamanic stage persona. His volatile relationship with his muse, Pamela Courson, and his legal troubles following a controversial performance in Miami further alienate him from his bandmates and reality. Seeking an escape from his public image and personal demons, Jim moves to Paris, where he eventually dies of heart failure in a bathtub, leaving behind a legacy as a troubled musical icon.

Writer
Randall Jahnson and Oliver Stone
IMDb ID (imdb_id)
tt0101761
Script date
1991
100Scenes
7Characters
128Pages
8Dialogue samples

Save the Cat beat sheet

THE DOORS Save the Cat analysis

The Doors traces Jim Morrison’s rise from an unstable film student to rock icon, interweaving his personal demons, poetic obsessions, and turbulent relationship with Pamela.

Open full beat sheet
48

Key characters

James Douglas Morrison

James Douglas Morrison is listed as Protagonist. Lead singer of The Doors, poet, and shamanic figure. In the parsed data, James Douglas Morrison is connected to 70 scenes, 160 dialogue lines, 160 text mentions, first appearing around scene 1.

70 scenes / 160 dialogue lines

Ray Manzarek

Ray Manzarek is listed as Musician. Keyboardist for The Doors. In the parsed data, Ray Manzarek is connected to 35 scenes, 3 dialogue lines, 3 text mentions, first appearing around scene 53.

35 scenes / 3 dialogue lines

Pamela Courson

Pamela Courson is listed as Partner. Jim's long-term girlfriend and muse. In the parsed data, Pamela Courson is connected to 33 scenes, 44 dialogue lines, 44 text mentions, first appearing around scene 5.

33 scenes / 44 dialogue lines

Robbie Krieger

Robbie Krieger is listed as Musician. Guitarist for The Doors. In the parsed data, Robbie Krieger is connected to 28 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 23.

28 scenes / 2 dialogue lines

John Densmore

John Densmore is listed as Musician. Drummer for The Doors. In the parsed data, John Densmore is connected to 28 scenes, 1 dialogue line, 1 text mention, first appearing around scene 31.

28 scenes / 1 dialogue lines

Paul Rothchild

Paul Rothchild is listed as Producer. Record producer for The Doors. In the parsed data, Paul Rothchild is connected to 10 scenes, 7 dialogue lines, 7 text mentions, first appearing around scene 1.

10 scenes / 7 dialogue lines

Patricia Kennealy

Patricia Kennealy is listed as Journalist/Witch. Music journalist and practitioner of the craft who marries Jim. In the parsed data, Patricia Kennealy is connected to 6 scenes, 15 dialogue lines, 15 text mentions, first appearing around scene 54.

6 scenes / 15 dialogue lines

Scene outline

  1. 1. INT/EXT. INT. RECORDING STUDIO (LAST SESSION) - NIGHT

    Jim Morrison records a session in a dark studio, engaging with an engineer while intoxicated and reflecting on his past.

    James Douglas Morrison
  2. 1. INT/EXT. INT. UCLA SCREENING ROOM - DAY

    Jim shows his student film to an audience of faculty and students; the screening is met with hostility, prompting Jim to quit the program.

    James Douglas Morrison, Ray Manzarek
  3. 1. INT/EXT. INT. DRESSING ROOM - NIGHT

    The band discusses Jim's increasingly unstable behavior and the chaotic atmosphere surrounding their performances.

    John Densmore, Ray Manzarek, Robbie Krieger
  4. 1. INT/EXT. EXT. MIAMI COURTROOM - DAY

    Jim Morrison faces a crowd of protesters and press while awaiting his trial for public exposure.

    James Douglas Morrison
  5. 1. INT/EXT. INT. RAY'S HOUSE - DAY

    Jim arrives at Ray's house and interacts with Dorothy.

    James Douglas Morrison
  6. 2. INT/EXT. EXT. ARIZONA DESERT - DAY

    A flashback to Jim's childhood memory of witnessing a fatal car accident involving Indians in the desert.

  7. 2. INT/EXT. EXT. TURKEY JOINT WEST - NIGHT

    Jim and his friends argue about his decision to quit film school.

    James Douglas Morrison
  8. 2. INT/EXT. INT. AIRPLANE - NIGHT

    Jim and his entourage harass the stewardess and engage in a food fight mid-flight.

    James Douglas Morrison, Paul Rothchild
  9. 2. INT/EXT. INT. COURTROOM - DAY

    Jim is sentenced to jail while his bandmates and staff discuss the band's declining career.

    James Douglas Morrison, Ray Manzarek, John Densmore, Robbie Krieger
  10. 2. INT/EXT. EXT. RAY YARD - DAY

    Jim joins a birthday party for kids and interacts with band members.

    James Douglas Morrison, Ray Manzarek, John Densmore, Robbie Krieger
  11. 3. INT/EXT. EXT. ARIZONA DESERT - DAY

    Jim at age 20 hitches a ride and hears news of the JFK assassination.

    James Douglas Morrison
  12. 3. INT/EXT. INT. TURKEY JOINT WEST - NIGHT

    The band performs while Jim creates a scene on stage.

    James Douglas Morrison, Ray Manzarek, John Densmore, Robbie Krieger
  13. 3. INT/EXT. INT. BACKSTAGE - NIGHT

    The band prepares to go on stage in Miami while arguments erupt regarding the concert conditions and Jim's state.

    James Douglas Morrison, Ray Manzarek, John Densmore, Robbie Krieger
  14. 3. INT/EXT. EXT. CHATEAU MARMONT HOTEL - NIGHT

    Jim dangles from a high ledge while Pam tries to coax him back; the band attempts to record.

    James Douglas Morrison, Pamela Courson, Ray Manzarek
  15. 3. INT/EXT. INT. RAY'S WORK SPACE - DAY

    The band discusses the future and Jim's impending trip to Paris.

    James Douglas Morrison, Ray Manzarek, John Densmore, Robbie Krieger
  16. 4. INT/EXT. EXT. VENICE BOARDWALK - DAY

    Jim arrives in Venice and spots Pamela Courson.

    James Douglas Morrison, Pamela Courson
  17. 4. INT/EXT. INT. RAY'S CAR - NIGHT

    Jim behaves erratically in the car, trying to jump out while moving.

    James Douglas Morrison, Ray Manzarek, John Densmore, Robbie Krieger
  18. 4. INT/EXT. INT. STAGE - NIGHT

    The Doors perform in Miami; Jim goads the crowd and engages in lewd behavior, resulting in chaos.

    James Douglas Morrison, Ray Manzarek, John Densmore, Robbie Krieger
  19. 4. INT/EXT. EXT. DOORS OFFICE / INT. RECORDING STUDIO - DAY

    The band records 'LA Woman' while Jim contributes vocals from a nearby toilet.

    James Douglas Morrison, Pamela Courson, Ray Manzarek, John Densmore, Robbie Krieger
  20. 4. INT/EXT. EXT. GARDEN - LATER DAY

    Jim talks to a child and reflects on his happiness.

    James Douglas Morrison
  21. 5. INT/EXT. EXT. PAMELA'S HOUSE - VENICE CANAL - EVENING

    Jim meets Pamela on her balcony and they share an immediate connection.

    James Douglas Morrison, Pamela Courson
  22. 5. INT/EXT. EXT. SPEEDING CAR - NIGHT

    Jim hangs out of the window as the car speeds through traffic.

    James Douglas Morrison
  23. 5. INT/EXT. INT. MIAMI COURTROOM - DAY

    Jim Morrison is put on trial for his Miami performance.

    James Douglas Morrison
  24. 5. INT/EXT. EXT. RAY'S HOUSE - VENICE - DAY

    Jim arrives at Ray's house.

    James Douglas Morrison, Ray Manzarek
  25. 5. INT/EXT. EXT. RAY'S HOUSE - VENICE - TWILIGHT

    Jim and Ray have a final intense conversation.

    James Douglas Morrison, Ray Manzarek
  26. 6. INT/EXT. EXT./INT. PAMELA'S HOUSE - NIGHT

    Jim finds Pamela and wakes her up to go for a walk.

    James Douglas Morrison, Pamela Courson
  27. 6. INT/EXT. INT. HOTEL ROOM - DAY

    Jim argues with Patricia Kennealy about her pregnancy.

    James Douglas Morrison, Patricia Kennealy
  28. 6. INT/EXT. INT. RECORDING SESSION - DECEMBER

    Jim finishes a final recording session.

    James Douglas Morrison
  29. 7. INT/EXT. EXT. VENICE CANALS/BOARDWALK/BEACH - NIGHT

    Jim and Pamela spend the night wandering through Venice.

    James Douglas Morrison, Pamela Courson
  30. 7. INT/EXT. INT. PARIS BEDROOM - NEAR DAWN

    Pam feels Jim's presence.

    Pamela Courson
  31. 8. INT/EXT. EXT. VENICE BUILDING - NIGHT

    Jim and Pamela climb the fire escape.

    James Douglas Morrison, Pamela Courson
  32. 8. INT/EXT. INT. BATHROOM - DAWN

    Pam discovers Jim dead in the bathtub.

    James Douglas Morrison, Pamela Courson
  33. 9. INT/EXT. EXT. PERE LACHAISE CEMETERY - DAY

    Final shots of Jim's tomb.

  34. 21. INT/EXT. VENICE ROOFTOP - NIGHT

    Jim and Pam discuss poetry, shamanism, and death while reading from Jim's notebooks.

    James Douglas Morrison, Pamela Courson
  35. 22. INT/EXT. VENICE BEACH - DAY

    Jim encounters Ray Manzarek meditating and convinces him to form a band.

    James Douglas Morrison, Ray Manzarek
  36. 23. INT/EXT. RAY'S HOUSE - VENICE BEACH - DAY

    The Doors rehearse 'Break on Through' and 'Light My Fire'.

    James Douglas Morrison, Pamela Courson, Ray Manzarek, John Densmore, Robbie Krieger
  37. 24. INT/EXT. EXT. VENICE BEACH - DAY

    The band members wait outside while Ray finishes the arrangement.

    James Douglas Morrison, Ray Manzarek, John Densmore, Robbie Krieger
  38. 25. INT/EXT. INT. RAY'S HOUSE - DAY

    The band records the final version of the 'Light My Fire' intro.

    James Douglas Morrison, Pamela Courson, Ray Manzarek, John Densmore, Robbie Krieger
  39. 26. INT/EXT. INT. LONDON FOG - NIGHT

    The Doors perform at the London Fog.

    James Douglas Morrison, Pamela Courson, Ray Manzarek, John Densmore
  40. 27. INT/EXT. EXT. SUNSET STRIP - NIGHT

    The band navigates the club scene and potential stardom.

    James Douglas Morrison, Pamela Courson, Ray Manzarek, John Densmore, Robbie Krieger
  41. 31. INT/EXT. EXT. DESERT - DAY

    The Doors experience the effects of peyote in the desert, leading to intense philosophical and emotional confessions.

    James Douglas Morrison, Pamela Courson, Ray Manzarek, John Densmore, Robbie Krieger
  42. 32. INT/EXT. INT. CAR - MOVING - DESERT - DAY

    A flashback to Jim's childhood where he witnesses an accident in the desert.

    James Douglas Morrison
  43. 33. INT/EXT. INT. MORRISON HOME - DAY

    A flashback showing young Jim isolated while drawing.

  44. 34. INT/EXT. INT. ROCK PALACE - DAY

    Jim experiences a shamanic vision involving petroglyphs, a lizard, and a ghostly presence.

    James Douglas Morrison
  45. 35. INT/EXT. INT. WHISKY A GO GO - NIGHT

    The Doors perform 'The End', culminating in an act of stage rebellion.

    James Douglas Morrison, Pamela Courson, Ray Manzarek, John Densmore, Robbie Krieger, Paul Rothchild
  46. 36. INT/EXT. INT. BACKSTAGE WHISKY HALLWAY - NIGHT

    Jim is fired by the club manager for his performance.

    James Douglas Morrison, Ray Manzarek, John Densmore
  47. 37. INT/EXT. EXT. ALLEY & STAIRCASE OUTSIDE WHISKY - NIGHT

    The band is approached by a record producer after their set.

    James Douglas Morrison, Ray Manzarek, John Densmore, Robbie Krieger, Paul Rothchild
  48. 38. INT/EXT. INT. SUNSET SOUND RECORDING STUDIO - DAY

    The band records 'Light My Fire' in the studio.

    James Douglas Morrison, Pamela Courson, Paul Rothchild
  49. 41. INT/EXT. EXT. GOLDEN GATE PARK - SAN FRANCISCO - DAY (1967)

    Documentary footage shows the Doors members with their partners in the crowd at the Human Be-In.

    James Douglas Morrison, Pamela Courson, Ray Manzarek, John Densmore, Robbie Krieger
  50. 42. INT/EXT. INT. FILLMORE WEST STAGE - SAN FRANCISCO - NIGHT (1967)

    The Doors perform 'Light My Fire' while Jim interacts intensely with the crowd.

    James Douglas Morrison, Pamela Courson, Ray Manzarek, John Densmore, Robbie Krieger
  51. 43. INT/EXT. EXT. AIRPORT TARMAC - DAY

    The Doors are swarmed by fans upon arriving at an airport.

    James Douglas Morrison, Pamela Courson, Robbie Krieger
  52. 44. INT/EXT. INT. AIRPLANE - DAY

    Jim and Pamela discuss their views on death during a flight.

    James Douglas Morrison, Pamela Courson
  53. 45. INT/EXT. EXT. CBS - NEW YORK - NIGHT (SUMMER, 1967)

    The Doors arrive at the Ed Sullivan theater amidst a mob of fans.

    James Douglas Morrison, Pamela Courson, Ray Manzarek, John Densmore, Robbie Krieger
  54. 46. INT/EXT. INT. LIMO - NIGHT

    The band watches the fan mob outside the limo.

    James Douglas Morrison, Pamela Courson, Ray Manzarek, John Densmore, Robbie Krieger
  55. 47. INT/EXT. INT. CBS BACKSTAGE - EVENING

    A producer leads Mr. Sullivan through the studio hallways to find the Doors.

  56. 48. INT/EXT. INT. DOORS DRESSING ROOM - EVENING

    The band prepares for the show while tensions rise over lyric changes.

    James Douglas Morrison, Pamela Courson, Ray Manzarek, John Densmore, Robbie Krieger
  57. 49. INT/EXT. INT. STUDIO STAGE - NIGHT

    The Doors perform on the Ed Sullivan Show.

    James Douglas Morrison, Ray Manzarek, John Densmore, Robbie Krieger
  58. 51. INT/EXT. INT. CONTROL BOOTH (SIMULTANEOUS) - NIGHT

    Producers react with panic after Jim Morrison says something controversial on television, while Jim is seen on a monitor finishing his performance.

    James Douglas Morrison
  59. 52. INT/EXT. INT. HOTEL BEDROOM -- NEW YORK - NIGHT

    Jim and Pamela have a volatile and intimate argument about his career, fame, and mental state.

    James Douglas Morrison, Pamela Courson
  60. 53. INT/EXT. INT. PRESS CONFERENCE - HOTEL SUITE NEW YORK - DAY

    The Doors hold a chaotic press conference where Jim behaves erratically and cuts his own hair.

    James Douglas Morrison, Ray Manzarek, Robbie Krieger
  61. 54. INT/EXT. INT. PATRICIA'S SOHO LOFT - DAY

    Jim visits Patricia Kennealy, where they consume drugs and engage in rituals involving blood.

    James Douglas Morrison, Patricia Kennealy
  62. 55. INT/EXT. INT. PHOTOGRAPHIC STUDIO - NEW YORK - DAY

    Gloria Stavers takes photos of Jim, who is on acid and behaving narcissistically.

    James Douglas Morrison
  63. 56. INT/EXT. INT. DOWNTOWN LOFT - NEW YORK - NIGHT

    The Doors attend a crowded party where Jim encounters Andy Warhol and Nico.

    James Douglas Morrison, Ray Manzarek, John Densmore, Robbie Krieger
  64. 57. INT/EXT. INT. BEDROOM (AT PARTY) - NIGHT

    Jim meets Andy Warhol, who gifts him a gold telephone.

    James Douglas Morrison
  65. 58. INT/EXT. EXT. NEW YORK STREET - NIGHT

    Jim throws away the gold telephone in the snow.

    James Douglas Morrison
  66. 59. INT/EXT. INT. HOTEL CORRIDOR (REGENCY) - NIGHT

    Pamela searches for Jim in the hotel corridor.

    Pamela Courson
  67. 61. INT/EXT. INT. ELEVATOR - N/A

    Nico and Jim are together in an elevator; Pamela interrupts them, leading to a chaotic confrontation.

    James Douglas Morrison, Pamela Courson
  68. 62. INT/EXT. INT. NEW HAVEN CONCERT HALL - NIGHT - NIGHT

    The crowd waits for The Doors as the promoter warns of potential cancellation due to the Fire Marshall.

    Paul Rothchild
  69. 63. INT/EXT. INT. BACKSTAGE CORRIDOR - NIGHT - NIGHT

    Jim and Patricia Kennealy move towards a shower room to escape the noise.

    James Douglas Morrison, Patricia Kennealy
  70. 64. INT/EXT. INT. SHOWER ROOM - NIGHT - NIGHT

    Jim and Patricia argue about his family and his truthfulness; Jim is maced by a cop.

    James Douglas Morrison, Patricia Kennealy
  71. 65. INT/EXT. INT. BACKSTAGE CORRIDOR - NIGHT - NIGHT

    Jim is attended to by his entourage after being maced.

    James Douglas Morrison, Ray Manzarek, Patricia Kennealy
  72. 66. INT/EXT. INT. NEW HAVEN STAGE - NIGHT - NIGHT

    The Doors perform while Jim recounts the backstage altercation, leading to his arrest.

    James Douglas Morrison, Ray Manzarek, John Densmore, Robbie Krieger
  73. 67. INT/EXT. INT. BACKSTAGE STAIRCASE - NIGHT - NIGHT

    Jim is dragged off stage.

    James Douglas Morrison
  74. 68. INT/EXT. EXT. ARENA PARKING LOT - NIGHT - NIGHT

    Jim is placed under arrest in the parking lot.

    James Douglas Morrison
  75. 69. INT/EXT. INT. HOLDING ROOM - POLICE STATION - NIGHT - NIGHT

    Police harass Jim at the station.

    James Douglas Morrison
  76. 70. INT/EXT. EXT. POLICE STATION - NIGHT - NIGHT

    Jim is released; the crowd cheers for him.

    James Douglas Morrison, Ray Manzarek, Robbie Krieger
  77. 71. INT/EXT. INT. MUG SHOT - LIMBO - UNKNOWN

    Morrison is seen in a police mug shot sequence.

    James Douglas Morrison
  78. 72. INT/EXT. INT. RECORDING STUDIO - (LAST SESSION) - LOS ANGELES - NIGHT

    Jim reflects on his persona and fame while drinking during a studio session.

    James Douglas Morrison
  79. 73. INT/EXT. EXT. LOS ANGELES - DAWN

    Jim walks the streets of L.A. as images of 60s turmoil play.

    James Douglas Morrison
  80. 74. INT/EXT. INT. BARNEY'S BEANERY - LOS ANGELES - MONDAY

    Jim drinks with friends and creates chaos.

    James Douglas Morrison, Ray Manzarek

Dialogue examples

It works you know. You drink blood the right time of the moon... they used to dance in the forests naked. I think that's what offended the Puritans and led to the Burnings. They were a sexual threat to their male order like the Bacchae -- five days a year for Dionysus, they used to wander the hills in ancient Greece, the first witches, clans of wild women fucking, looting, eating animals raw, the wine in their blood running hot -- looking for Dionysus... to tear him to pieces -- isn't that wild?

Patricia Kennealy / Scene 54

The movie will begin in five moments. The mindless voice announced. All those unseated will await the next show. We filed slowly, languidly into the hall. The auditorium was fast and silent. As we seated and were darkened. The voice continued: "The program for this evening is not new. You've seen this entertainment. Through and through. You've seen your birth, your life and death. You might recall all the rest. Did you have a good world when you died? Enough to base a movie on?"

James Douglas Morrison / Scene 1

Jim said to me once, the history of rock and roll's like Greek drama or caveman stories. The audience comes to see ancient rituals in ancient caves. Their souls in jeopardy. They're not watching any longer, they're participating -- and everything's in play, your life, your death...

Ray Manzarek / Scene 53

Look, the Fire Marshall's not gonna let the show go on. Either you go back to your seats, you go to the aisle, you don't do that -- no show!

Paul Rothchild / Scene 62

...how many dogs have you fucked! You don't say No to anybody! Drugs, dogs, uglies, you'd fuck a doorknob with butter on it!

Pamela Courson / Scene 52

Part of the clown's wisdom -- it's kinda the American way. You know we spend more on alcohol and tobacco than on education.

James Douglas Morrison / Scene 53

I call it "Light My Fire". I figger if I'm gonna compete with your stuff it's gotta be about earth, fire or snakes.

Robbie Krieger / Scene 23

Listen... I think if you could just put what you did in there on record, we could really have something...

Paul Rothchild / Scene 37

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