Scripts
THE BEST EXOTIC MARIGOLD HOTEL poster

Screenplay data

THE BEST EXOTIC MARIGOLD HOTEL script

A group of British retirees, seeking an affordable and luxurious retirement, arrive at the Best Exotic Marigold Hotel in Jaipur, India, only to find it a dilapidated shell managed by the overly optimistic Sonny Kapoor. As the guests navigate culture shock and the hotel's shortcomings, they embark on unexpected journeys of self-discovery and romance, while Sonny struggles to keep the hotel financially afloat amidst his mother's disapproval of his relationship with Sunaina. The group rallies around Sonny, with Muriel revealing herself as an investor to save the hotel, and Evelyn encouraging Sonny to pursue Sunaina, leading to Graham finding peace with a past love before his passing, and Jean leaving Douglas. The film concludes with the hotel thriving, Sonny and Sunaina together, and the remaining guests, including Douglas and Evelyn exploring their connection, finding a renewed sense of purpose and belonging in their new Indian home.

Writer
Ol Parker
IMDb ID (imdb_id)
tt1412386
Script date
10/01/11
121Scenes
11Characters
95Pages
8Dialogue samples

Save the Cat beat sheet

THE BEST EXOTIC MARIGOLD HOTEL Save the Cat analysis

A group of British retirees, each facing personal crises, travel to India to start anew at the dilapidated Marigold Hotel.

Open full beat sheet
25

Key characters

Evelyn Greenslade

Evelyn Greenslade is listed as Protagonist. Elegant woman in her 70's, recently widowed, seeking a new start. In the parsed data, Evelyn Greenslade is connected to 42 scenes, 36 dialogue lines, 36 text mentions, first appearing around scene 1.

42 scenes / 36 dialogue lines

Graham Dashwood

Graham Dashwood is listed as Retired Judge. Retired High Court Judge returning to India after 40 years. In the parsed data, Graham Dashwood is connected to 36 scenes, 44 dialogue lines, 44 text mentions, first appearing around scene 3.

36 scenes / 44 dialogue lines

Muriel Donnelly

Muriel Donnelly is listed as Patient. Elderly woman with a hip injury, initially prejudiced. In the parsed data, Muriel Donnelly is connected to 30 scenes, 16 dialogue lines, 16 text mentions, first appearing around scene 5.

30 scenes / 16 dialogue lines

Jean Ainslie

Jean Ainslie is listed as Wife. Wife of Douglas, unhappy and resistant to change. In the parsed data, Jean Ainslie is connected to 29 scenes, 23 dialogue lines, 23 text mentions, first appearing around scene 7.

29 scenes / 23 dialogue lines

Douglas Ainslie

Douglas Ainslie is listed as Husband. Husband of Jean, optimistic and adventurous. In the parsed data, Douglas Ainslie is connected to 27 scenes, 9 dialogue lines, 9 text mentions, first appearing around scene 45.

27 scenes / 9 dialogue lines

Madge Hardcastle

Madge Hardcastle is listed as Retiree. Vibrant woman looking for a husband. In the parsed data, Madge Hardcastle is connected to 23 scenes, 23 dialogue lines, 23 text mentions, first appearing around scene 9.

23 scenes / 23 dialogue lines

Sonny Kapoor

Sonny Kapoor is listed as Hotel Manager. Young, ambitious, and chaotic manager of the Marigold Hotel. In the parsed data, Sonny Kapoor is connected to 22 scenes, 50 dialogue lines, 50 text mentions, first appearing around scene 34.

22 scenes / 50 dialogue lines

Norman Cousins

Norman Cousins is listed as Retiree. Dapper man in his 70's looking for romance. In the parsed data, Norman Cousins is connected to 22 scenes, 21 dialogue lines, 21 text mentions, first appearing around scene 8.

22 scenes / 21 dialogue lines

Sunaina

Sunaina is listed as Call Centre Worker. Sonny's girlfriend, works in a call centre. In the parsed data, Sunaina is connected to 9 scenes, 19 dialogue lines, 23 text mentions, first appearing around scene 53.

9 scenes / 19 dialogue lines

Mrs Kapoor

Mrs Kapoor is listed as Sonny's Mother. Stern and traditional mother of Sonny. In the parsed data, Mrs Kapoor is connected to 6 scenes, 14 dialogue lines, 14 text mentions, first appearing around scene 63.

6 scenes / 14 dialogue lines

Carol

Carol is listed as Travel Agent. Local boutique travel agent who meets Norman. In the parsed data, Carol is connected to 4 scenes, 15 dialogue lines, 20 text mentions, first appearing around scene 74.

4 scenes / 15 dialogue lines

Scene outline

  1. 1. INT. MANSION FLAT, LONDON - DAY

    Evelyn struggles with an automated phone system while trying to manage her late husband's account.

    Evelyn Greenslade
  2. 2. INT. CORRIDOR/JUDGES CHAMBERS. INNS OF COURT - NIGHT

    Giles informs Graham they are late for a retirement party.

    Graham Dashwood
  3. 3. INT. CORRIDOR. INNS OF COURT - NIGHT

    Graham and Giles walk to the hall, discussing retirement parties.

    Graham Dashwood
  4. 4. INT. HALL. INNS OF COURT - CONTINUOUS

    Graham abruptly interrupts a dull speech and walks out.

    Graham Dashwood
  5. 5. INT. HOSPITAL - DAY

    Muriel complains about the hospital care and demands an English doctor.

    Muriel Donnelly
  6. 6. EXT. NEW HOUSING ESTATE - DAY

    A brief look at a new retirement facility.

  7. 7. INT. NEW HOUSING DEVELOPMENT - DAY

    Douglas and Jean view a small bungalow.

    Douglas Ainslie, Jean Ainslie
  8. 8. INT. BAR - NIGHT

    Norman participates in a speed dating event.

    Norman Cousins
  9. 9. INT/EXT. FAMILY HOUSE - DAY

    Madge decides to leave her daughter's home to find a husband.

    Madge Hardcastle
  10. 10. INT/EXT. TAXI - DAY

    Madge gets into a taxi with no destination in mind.

    Madge Hardcastle
  11. 11. INT. MANSION FLAT - DAY

    Evelyn refuses to move in with her son after her husband's death.

    Evelyn Greenslade
  12. 12. INT. HOSPITAL - DAY

    Muriel is offered an out-sourced surgery option.

    Muriel Donnelly
  13. 13. INT. EVELYN'S FLAT/CHRISTOPHER'S OFFICE - NIGHT

    Evelyn shows her son the website for the Marigold Hotel.

    Evelyn Greenslade
  14. 14. INT. INTERNET CAFE - DAY

    Madge researches the Marigold Hotel.

    Madge Hardcastle
  15. 15. INT. SALON - DAY

    Jean reads about the hotel at the hairdresser.

    Jean Ainslie
  16. 16. EXT. GOLF COURSE - DAY

    Douglas discusses the retirement home with a friend.

    Douglas Ainslie
  17. 17. INT. JUDGES CHAMBERS - DAY

    Graham prepares to leave for India.

    Graham Dashwood
  18. 18. INT. BASEMENT BEDSIT - DAY

    Norman says goodbye to his dog.

    Norman Cousins
  19. 19. EXT. HOUSING ESTATE - DAY

    Muriel is pushed to her flat by an ambulance driver.

    Muriel Donnelly
  20. 20. EXT. PASSENGER DROP-OFF. STANSTED AIRPORT - EVENING

    Evelyn arrives at the airport with her son.

    Evelyn Greenslade
  21. 21. INT. CHECK-IN AREA. AIRPORT - EVENING

    Madge checks in for her flight.

    Madge Hardcastle
  22. 22. INT. SECURITY AREA. AIRPORT - EVENING

    Muriel is stopped for her food items.

    Muriel Donnelly, Norman Cousins
  23. 23. INT. BOARDING GATE. AIRPORT - EVENING/NIGHT

    The group waits to board, unaware of their shared destination.

    Evelyn Greenslade, Graham Dashwood, Muriel Donnelly, Douglas Ainslie, Jean Ainslie, Norman Cousins
  24. 24. EXT. RUNWAY. INDIA - DAWN

    The plane lands in Delhi.

  25. 25. INT. AIRPORT TERMINAL, DELHI - DAY

    The group meets at the baggage carousel.

    Evelyn Greenslade, Graham Dashwood, Muriel Donnelly, Douglas Ainslie, Jean Ainslie, Norman Cousins
  26. 26. INT. AIRPORT. DELHI - DAY

    The group decides on a plan after their flight is cancelled.

    Graham Dashwood
  27. 27. INT. DELHI AIRPORT - DAY

    The group moves through the airport.

    Muriel Donnelly, Jean Ainslie, Norman Cousins
  28. 28. EXT. DELHI BUS STATION - EVENING

    The group faces the chaos of the bus station.

    Evelyn Greenslade, Graham Dashwood, Douglas Ainslie, Jean Ainslie, Madge Hardcastle
  29. 29. EXT. HIGHWAY - EVENING

    The bus ride is chaotic and dangerous.

    Norman Cousins
  30. 30. INT. BUS - EVENING

    The group experiences the bus ride.

    Evelyn Greenslade, Muriel Donnelly, Douglas Ainslie, Jean Ainslie, Norman Cousins, Madge Hardcastle
  31. 31. INT. BUS - NIGHT

    The group travels on a bus at night; Evelyn and Graham discuss their pasts and fears.

    Evelyn Greenslade, Graham Dashwood, Muriel Donnelly, Madge Hardcastle
  32. 32. EXT. BUS - DAWN

    The bus arrives at the gates of Jaipur at dawn.

  33. 33. EXT. JAIPUR STREET - DAWN

    The group travels through Jaipur in tuk-tuks.

    Evelyn Greenslade, Douglas Ainslie
  34. 34. EXT. MARIGOLD HOTEL GARDEN PATH - MORNING

    The group arrives at the dilapidated Marigold Hotel.

    Evelyn Greenslade, Graham Dashwood, Muriel Donnelly, Douglas Ainslie, Jean Ainslie, Norman Cousins
  35. 35. EXT. MARIGOLD HOTEL STAIRWAY - MORNING

    Sonny welcomes the guests to the hotel.

    Sonny Kapoor
  36. 36. INT. MARIGOLD HOTEL COURTYARD - DAY

    Sonny shows Madge to her room, which lacks a door.

    Madge Hardcastle, Sonny Kapoor
  37. 37. EXT. MARIGOLD HOTEL UPPER COURTYARD - DAY

    Douglas and Jean find birds in their room.

    Douglas Ainslie, Jean Ainslie
  38. 38. INT. MARIGOLD HOTEL BEDROOM - DAY

    Sonny removes sheets from Evelyn's room.

    Evelyn Greenslade, Sonny Kapoor
  39. 39. INT. MARIGOLD HOTEL BEDROOM - DAY

    Muriel finds a male nurse in her room.

    Graham Dashwood, Muriel Donnelly
  40. 40. EXT. MARIGOLD HOTEL TERRACE - DAY

    Ajit explains his role as a physiotherapist to Muriel.

    Muriel Donnelly
  41. 41. EXT. MARIGOLD HOTEL ROOF - DAY

    Norman settles into his penthouse cabin.

    Norman Cousins
  42. 42. INT. MARIGOLD HOTEL RECEPTION - DAY

    Jean demands a refund from Sonny.

    Jean Ainslie, Sonny Kapoor
  43. 43. INT. GRAHAM'S ROOM - DAY

    Graham unpacks his belongings.

    Graham Dashwood
  44. 44. INT. EVELYN'S ROOM - DAY

    Douglas helps Evelyn fix her phone.

    Evelyn Greenslade, Douglas Ainslie
  45. 45. EXT. MARIGOLD HOTEL COURTYARD - NIGHT

    The guests have dinner; Norman faints.

    Evelyn Greenslade, Graham Dashwood, Muriel Donnelly, Douglas Ainslie, Jean Ainslie, Norman Cousins
  46. 46. INT. EVELYN'S ROOM - DAWN

    Evelyn writes her blog.

    Evelyn Greenslade
  47. 47. INT. PUBLIC RECORDS OFFICE - DAY

    Graham fills out forms.

    Graham Dashwood
  48. 48. INT. HOSPITAL - DAY

    Sonny takes Muriel to the hospital.

    Muriel Donnelly, Sonny Kapoor
  49. 49. EXT. STREET - DAY

    Evelyn asks for directions and is followed by children.

    Evelyn Greenslade
  50. 50. INT. DOUGLAS AND JEAN'S ROOM - DAY

    Douglas and Jean argue about going out.

    Douglas Ainslie, Jean Ainslie
  51. 51. EXT. BUILDING SITE - DAY

    Graham watches boys playing cricket.

    Graham Dashwood
  52. 52. INT. CALL CENTRE - DAY

    Evelyn interviews for a job at a call centre.

    Evelyn Greenslade
  53. 53. INT. Operations Room, Call Centre - DAY

    Evelyn talks to Jay about her work while Sunaina watches and eventually leaves for a break.

    Evelyn Greenslade, Graham Dashwood, Sunaina
  54. 54. EXT. Forecourt, Call Centre - DAY

    Sonny meets Sunaina during her break; Jay interrupts them.

    Sonny Kapoor, Sunaina, Graham Dashwood
  55. 55. EXT. Garden - EVENING

    Graham talks to Jean about her day and offers to help with her food.

    Jean Ainslie, Graham Dashwood
  56. 56. EXT. Terrace, Marigold Hotel - NIGHT

    Muriel sits alone on the terrace with an untouched meal.

    Muriel Donnelly
  57. 57. EXT. Upper Courtyard - NIGHT

    Evelyn and Graham discuss their days; the Ainslies arrive.

    Evelyn Greenslade, Graham Dashwood, Douglas Ainslie, Jean Ainslie
  58. 58. EXT. Courtyard/Upper Verandah, Marigold Hotel - NIGHT

    Graham invites Evelyn to see his room.

    Evelyn Greenslade, Graham Dashwood
  59. 59. INT. Graham's Room - NIGHT

    Graham reveals his past in India to Evelyn.

    Evelyn Greenslade, Graham Dashwood
  60. 60. EXT. Temple/Street - DAY

    Faithful arrive at the temple.

  61. 61. EXT. Upper Verandah/Servants Courtyard - DAY

    Evelyn observes the staff.

    Evelyn Greenslade
  62. 62. INT/EXT. Muriel's Room/Verandah - DAY

    Muriel interacts with her environment and hears Sonny.

    Muriel Donnelly, Sonny Kapoor
  63. 63. EXT. Garden/Courtyard, Marigold Hotel - DAY

    Sonny shows the hotel to an investor; his mother arrives.

    Sonny Kapoor, Muriel Donnelly, Mrs Kapoor
  64. 64. INT. Sonny's Office - DAY

    Sonny and his mother argue about his life and the hotel.

    Sonny Kapoor, Mrs Kapoor
  65. 65. INT. Bathroom, Douglas and Jean's - DAY

    Jean watches Graham from the window.

    Jean Ainslie, Graham Dashwood
  66. 66. EXT. Muriel's Terrace - DAY

    Muriel talks to Graham and Jean.

    Muriel Donnelly, Graham Dashwood, Jean Ainslie
  67. 67. EXT. Viceroy Club - DAY

    Madge tries to join the club.

    Madge Hardcastle
  68. 68. INT. Public Records Office - DAY

    Graham checks on his inquiry.

    Graham Dashwood
  69. 69. INT. Call Centre - DAY

    Evelyn gives advice to the call centre staff.

    Evelyn Greenslade, Graham Dashwood, Sunaina
  70. 70. INT. Madge's Room - EVENING

    Madge prepares for her night out.

    Madge Hardcastle
  71. 71. EXT. Viceroy Club Bar - EVENING

    Madge tries to meet a wealthy man but finds Norman.

    Madge Hardcastle, Norman Cousins
  72. 72. EXT. Marigold Hotel - EVENING

    Jean gets information from Muriel.

    Jean Ainslie, Muriel Donnelly
  73. 73. EXT. Well - EVENING

    Sonny and Sunaina talk about their future.

    Sonny Kapoor, Sunaina
  74. 74. INT. Viceroy Club Bar - NIGHT

    Norman and Carol connect.

    Norman Cousins, Madge Hardcastle, Carol
  75. 75. INT. Viceroy Club Bar - NIGHT

    Madge leaves as Norman and Carol laugh together.

    Madge Hardcastle, Norman Cousins, Carol
  76. 76. INT. Evelyn's Room - MORNING

    Evelyn writes in her journal.

    Evelyn Greenslade
  77. 77. EXT. Path/Garden, Marigold Hotel - DAY

    Muriel is pushed to the gate.

    Muriel Donnelly
  78. 78. INT. Supervisor's Office, Call Centre - DAY

    Evelyn receives her first paycheck.

    Evelyn Greenslade, Graham Dashwood
  79. 79. INT. Evelyn's Room, Marigold Hotel - MORNING

    Evelyn types on her computer, reflecting on the past and present.

    Evelyn Greenslade
  80. 80. EXT. Path/Garden, Marigold Hotel - DAY

    Ajit pushes Muriel for her morning walk while Evelyn continues her reflection.

    Muriel Donnelly

Dialogue examples

.You ring in the morning. Let's assume the person answering will be a woman. She will have had her breakfast. Tea or coffee. Semi-skimmed milk, always. If she's under 50 she'll be contemplating yet another diet, over 50 she'll have more or less given up, and be eating toast. The radio may be playing, or more likely daytime TV. A chat show, or a programme with a moderator speaking to a panel of young women whose boyfriends have all slept with their mothers. The girlfriends' mothers, I mean, not their own. Although Anyway, then the boyfriends usually come out, and everybody fights.

Evelyn Greenslade / Scene 69

For me it was bad enough. But I already knew who I was, and I think my family had guessed. For Manoj, the disgrace was absolute; a double taboo. His father was fired, they were sent away, all of them. I don't know what I could've done, but it should've been more than nothing. I put up no fight. I let it happen.

Graham Dashwood / Scene 59

Well, I started in my bedroom, where I had a lovely couple of hours giving all the cockroaches names. Then after a lunch that will long have a place in my heartburn, I came out here and stared blindly at a book waiting for someone - anyone to rescue me. And how glad I am it was you.

Jean Ainslie / Scene 55

You know who'll be there, don't you? Indians. Loads of them, A sea of brown faces and black hearts, all greasy haired and reeking of spices. Never see one on their own, do you? No, becuase they hunt in packs. All the better to rob me blind and -

Muriel Donnelly / Scene 19

Rejected again. Many years ago, that man over there gave me the most extraordinary night of my life. He may seem coarse and uncouth, but that only disguises a tenderness and an exquisite sensitivity to a woman's needs

Madge Hardcastle / Scene 74

I wanted to prolong the anticipation. To spend some time with the knowledge that soon I'm going to eat, drink, and laugh with someone, hold her to me, kiss her softly. Then go back to her place and get my end away.

Norman Cousins / Scene 84

Bloody retirement parties. Hard cheese, soft wine, and endless speeches. Why do people do that? No one ever said about any kind of party: it was a wonderful occasion, just a shame that the speeches were so short.

Graham Dashwood / Scene 3

How can any of us know what Hugh would've wanted? And would he have seen fit to tell us anyway? Obviously the flat has to be sold. And you're very kind. And dear Polly. But no, I won't be coming to live with you.

Evelyn Greenslade / Scene 11

Use this structured screenplay data

SlugDB turns parsed screenplays into scene, character, dialogue, trivia, semantic search, Save the Cat, and API-ready analysis.

Use SlugDB when you need screenplay API data, movie dialogue search, character evidence, scene context, or MCP tools without building a scraper first.

Browse scripts API reference MCP setup Free API key