Scripts
THE ASSIGNMENT poster

1996

THE ASSIGNMENT script

Carlos, a ruthless international terrorist, is pursued by CIA agent Jack Shaw after a series of bombings and a hostage crisis. When US Navy Lieutenant Commander Annibal Ramirez, who bears a striking resemblance to Carlos, is mistakenly captured by Israeli intelligence, Jack sees an opportunity. Jack recruits Ramirez for a dangerous mission to impersonate Carlos, undergoing intense physical and psychological training with Israeli intelligence officer Amos to fully embody the terrorist's persona. Ramirez's first mission in Libya, intended to bait the KGB into killing Carlos, goes awry when he is betrayed by Carlos's former lover, Agnieska Kozinski, leading to a violent escape and Agnieska's subsequent assassination by Carlos's lieutenant, Koj.

Writer
Dan Gordon & Sabi H. Shabtai
IMDb ID (imdb_id)
tt0118647
Script date
7/2/1996
101Scenes
8Characters
95Pages
8Dialogue samples

Save the Cat beat sheet

THE ASSIGNMENT Save the Cat analysis

Ex–Navy man Annibal Ramirez is recruited by CIA agent Jack Shaw to impersonate terrorist Carlos in a high‐stakes bait operation.

Open full beat sheet
72

Key characters

Annibal Ramirez

Annibal Ramirez is listed as US Navy Lieutenant Commander. A US Naval officer who bears a striking physical resemblance to Carlos and is recruited by the CIA. In the parsed data, Annibal Ramirez is connected to 64 scenes, 142 dialogue lines, 144 text mentions, first appearing around scene 10.

64 scenes / 142 dialogue lines

Jack Shaw

Jack Shaw is listed as CIA Agent. A tall, husky American CIA operative in his late thirties, obsessed with capturing Carlos. In the parsed data, Jack Shaw is connected to 51 scenes, 115 dialogue lines, 118 text mentions, first appearing around scene 7.

51 scenes / 115 dialogue lines

Carlos

Carlos is listed as Terrorist. A ruthless, cunning, and highly skilled international terrorist. In the parsed data, Carlos is connected to 27 scenes, 58 dialogue lines, 124 text mentions, first appearing around scene 1.

27 scenes / 58 dialogue lines

Amos

Amos is listed as Israeli Intelligence Officer. A professional and cold-blooded Israeli intelligence operative. In the parsed data, Amos is connected to 23 scenes, 58 dialogue lines, 65 text mentions, first appearing around scene 10.

23 scenes / 58 dialogue lines

Maura Ramirez

Maura Ramirez is listed as Wife of Annibal Ramirez. Annibal's wife, mother of his children. In the parsed data, Maura Ramirez is connected to 10 scenes, 17 dialogue lines, 17 text mentions, first appearing around scene 25.

10 scenes / 17 dialogue lines

Koj

Koj is listed as Terrorist. A Japanese terrorist and Carlos's most trusted lieutenant. In the parsed data, Koj is connected to 7 scenes, 9 dialogue lines, 11 text mentions, first appearing around scene 67.

7 scenes / 9 dialogue lines

Agnieska Kozinski

Agnieska Kozinski is listed as Former lover of Carlos. A French-Polish woman used as bait by the CIA. In the parsed data, Agnieska Kozinski is connected to 4 scenes, 12 dialogue lines, 12 text mentions, first appearing around scene 60.

4 scenes / 12 dialogue lines

Carla

Carla is listed as Former lover of Carlos. A neurotic and bitter Venezuelan woman who seeks revenge against Carlos. In the parsed data, Carla is connected to 3 scenes, 7 dialogue lines, 9 text mentions, first appearing around scene 1.

3 scenes / 7 dialogue lines

Scene outline

  1. 1. INT. Hotel Room, Paris - Early Morning

    Carlos wakes up with a woman, kills a spider, and dismisses her coldly before preparing his disguise.

    Carlos, Carla
  2. 2. EXT/INT. Sidewalk Cafe, St. Germain-des-Pres - Day

    Carlos bombs a cafe while Jack Shaw watches, helpless to stop him.

    Carlos, Jack Shaw
  3. 3. EXT. Sidewalk Cafe, Paris - Day

    Jack Shaw is questioned by Du Foltiere about the attack.

    Jack Shaw
  4. 4. EXT/INT. OPEC HQ, Vienna - Day

    Carlos and his team seize the OPEC headquarters.

    Carlos, Koj
  5. 5. INT. American Embassy, Vienna - Night

    Jack Shaw argues with his superior, Carl Mickens, about intervening.

    Jack Shaw
  6. 6. INT. Men's Room, Vienna Airport - Night

    Jack prepares a hidden weapon on his arm.

    Jack Shaw
  7. 7. EXT. Vienna Airport Tarmac - Night

    Carlos confronts Jack Shaw before boarding the plane.

    Carlos, Jack Shaw
  8. 8. EXT. Jerusalem - Day

    Carlos is spotted in Jerusalem, followed by mysterious men.

    Carlos
  9. 9. EXT. SUQ - JERUSALEM - DAY

    Carlos is chased through the Jerusalem Suq by Arabs, creates obstacles, and is eventually tackled and beaten in an alley.

    Carlos
  10. 10. INT. WINDOWLESS CELL - DAY

    Amos interrogates Carlos, who initially denies his identity, claiming to be Annibal Ramirez, a US Navy officer.

    Carlos, Amos
  11. 11. INT. CORRIDOR OUTSIDE RAMIREZ'S CELL - RUSSIAN COMPOUND - DAY

    Amos leaves the cell, looking concerned as Ramirez shouts threats of lawsuits.

    Carlos, Amos
  12. 12. INT. AMOS' OFFICE - JERUSALEM - DAY

    Amos tasks Yoni with searching for the ID Ramirez claimed to have ditched.

    Amos
  13. 13. EXT. ALLEY OF OLD CITY JERUSALEM - DAY

    Yoni and agents search the alleyways for the ID.

  14. 14. INT. AMOS' OFFICE - JERUSALEM - DAY

    Yoni returns with the U.S. Navy ID, confirming Ramirez's story.

    Amos
  15. 15. INT. CIA HEADQUARTERS - TERRORISM SITUATION ROOM - DAY

    Jack Shaw and CIA officials discuss the capture of Ramirez, with Jack realizing the significance of the case.

    Jack Shaw
  16. 16. EXT. T-BALL FIELD - NORFOLK, VA - DAY

    Ramirez returns home to his family in Norfolk.

    Annibal Ramirez, Maura Ramirez
  17. 17. EXT. RAMIREZ'S HOUSE - NORFOLK - DAY

    Jack Shaw visits Ramirez at his home to discuss the Israel incident.

    Jack Shaw, Annibal Ramirez
  18. 18. EXT. RAMIREZ HOUSE - BACKYARD - NORFOLK - DAY

    Jack attempts to recruit Ramirez for a mission against Carlos.

    Jack Shaw, Annibal Ramirez
  19. 19. INT. OFFICERS' CLUB - NAVAL BASE - NORFOLK - EVENING

    Jack confronts Ramirez at a reception, continuing his recruitment efforts.

    Jack Shaw, Annibal Ramirez, Maura Ramirez
  20. 20. EXT. RAMIREZ HOUSE - NORFOLK - DAY

    Jack forces Ramirez to comply with an order to accompany him.

    Jack Shaw, Annibal Ramirez
  21. 21. INT. BETHESDA NAVAL HOSPITAL - DOCTOR'S LOUNGE - DAY

    Jack forces Ramirez to pose as a doctor to see a victim of a terrorist attack.

    Jack Shaw, Annibal Ramirez
  22. 22. INT. INTENSIVE CARE - HOSPITAL - DAY

    Ramirez sees the young victim of a terrorist attack, which angers him.

    Jack Shaw, Annibal Ramirez
  23. 23. INT. HOSPITAL CORRIDOR - DAY

    Ramirez confronts Jack about his manipulative tactics.

    Jack Shaw, Annibal Ramirez
  24. 24. INT. HOSPITAL CORRIDOR - DAY

    Ramirez and Jack walk down a hospital corridor; Jack shows Ramirez photos of Carlos's victims to manipulate him.

    Annibal Ramirez, Jack Shaw
  25. 25. INT. RAMIREZ HOUSE - STUDY - NIGHT

    Ramirez reviews the victim photos; his wife Maura enters, attempting to initiate intimacy.

    Annibal Ramirez, Maura Ramirez
  26. 26. INT. CHILDREN'S ROOM - RAMIREZ HOUSE - NIGHT

    Ramirez checks on his sleeping children.

    Annibal Ramirez
  27. 27. EXT. NEW LONDON, CONNECTICUT - SUBMARINE BASE - DAY

    Ramirez says goodbye to his family before leaving for his mission.

    Annibal Ramirez, Maura Ramirez
  28. 28. EXT. CEMETERY TO ABANDONED PRISON - MONTREAL - DAY

    Jack and Ramirez arrive at the secret CIA training facility.

    Jack Shaw, Annibal Ramirez
  29. 29. INT. OBSERVATION ROOM - MONTREAL - DAY

    Jack introduces Ramirez to the facility and assigns him the codename Miguel.

    Jack Shaw, Annibal Ramirez
  30. 30. INT. CORRIDOR - OFF OBSERVATION ROOM - DAY

    Jack probes Ramirez's personal history to prepare him for the role.

    Jack Shaw, Annibal Ramirez
  31. 31. INT. COMMAND ROOM - ABANDONED PRISON - DAY

    Jack shows Ramirez the surveillance center.

    Jack Shaw, Annibal Ramirez
  32. 32. INT. PLASTIC COVERED COMMAND CENTER - DAY

    Ramirez meets Amos, who explains the difficulty of catching Carlos.

    Jack Shaw, Annibal Ramirez, Amos
  33. 33. EXT. CEMETERY - MONTREAL - SUNSET

    Amos and Jack begin the psychological training of Ramirez.

    Amos, Jack Shaw, Annibal Ramirez
  34. 34. INT. CAFETERIA - ABANDONED PRISON - MORNING

    Amos forces Ramirez to eat excessive amounts of porridge.

    Amos, Annibal Ramirez
  35. 35. INT. OBSERVATION ROOM - ABANDONED PRISON - DAY

    Amos trains Ramirez to associate his own father with Carlos's father.

    Annibal Ramirez, Amos
  36. 36. EXT. CEMETERY - MONTREAL - DAY

    Ramirez undergoes live-fire training with paint guns.

    Jack Shaw, Annibal Ramirez
  37. 37. INT. KITCHEN SET - PRISON - DAY

    Jack tests Ramirez's observation skills.

    Jack Shaw, Annibal Ramirez
  38. 38. EXT. DIRT ROAD - DAY

    Ramirez practices emergency driving maneuvers.

    Annibal Ramirez, Jack Shaw, Amos
  39. 39. EXT. BELVEDERE - DAY

    Ramirez survives a lethal training exercise involving snowmobiles.

    Annibal Ramirez, Jack Shaw
  40. 40. INT. CAFETERIA - ABANDONED PRISON - DAY

    Ramirez snaps under the pressure of the training.

    Jack Shaw, Amos, Annibal Ramirez
  41. 41. INT. ABANDONED PRISON - LIVING ROOM SET - MONTREAL - DAY

    Ramirez performs a test to deduce if his wife had a man over while she was away.

    Annibal Ramirez, Amos, Jack Shaw
  42. 42. EXT. CEMETERY - DAY

    Ramirez practices shooting with a paint pellet gun.

    Annibal Ramirez, Amos, Jack Shaw
  43. 43. EXT. CEMETERY - DAY

    Jack and Amos explain the plan to use Ramirez to bait the KGB into killing Carlos.

    Annibal Ramirez, Amos, Jack Shaw
  44. 44. INT. CAFETERIA - ABANDONED PRISON - SUNSET

    Ramirez studies Arabic while eating.

    Annibal Ramirez
  45. 45. INT. NEW MONITORING ROOM - ABANDONED PRISON - EVENING

    Amos and Jack monitor Ramirez as he experiences hallucinations.

    Amos, Jack Shaw, Annibal Ramirez
  46. 46. INT. ABANDONED PRISON - CORRIDORS - NIGHT

    Ramirez experiences a series of psychological breakdowns and hallucinations.

    Annibal Ramirez, Jack Shaw
  47. 47. INT. ABANDONED PRISON - CORRIDOR ENTRANCE - MORNING

    Ramirez appears composed after his psychological ordeal.

    Annibal Ramirez, Jack Shaw, Amos
  48. 48. INT. KGB HEADQUARTERS - MOSCOW - NIGHT

    KGB officers discuss the bait set by the CIA.

  49. 49. INT. JEEP - NIGHT

    Ramirez performs a high-stakes driving test.

    Annibal Ramirez, Jack Shaw
  50. 50. INT. PEUGEOT - DEAD SEA - ISRAEL - DAY

    Jack and Amos brief Ramirez on his new identity and the upcoming mission.

    Annibal Ramirez, Jack Shaw, Amos
  51. 51. INT. SAFE HOUSE - DEAD SEA - SUNSET

    Ramirez meets Carla.

    Annibal Ramirez, Carla
  52. 52. INT. Safe House - UNKNOWN

    Carla and Ramirez engage in a psychologically intense and violent sexual encounter where Carla forces Ramirez to adopt the persona of Carlos.

    Carlos, Annibal Ramirez, Carla
  53. 53. INT. KGB Office - NIGHT

    KGB officers discuss Agnieska Kozinski and her connection to Carlos.

  54. 54. EXT. Agnieska's Apartment - DAY

    Agnieska receives a postcard that affects her deeply.

    Agnieska Kozinski
  55. 55. EXT. Safe House Balcony, Dead Sea - SUNSET

    Jack and Amos brief Ramirez on the mission to Libya to meet Agnieska.

    Jack Shaw, Annibal Ramirez, Amos
  56. 56. EXT. Shore of Dead Sea - SUNSET

    Amos gives Ramirez final psychological preparation for the mission.

    Annibal Ramirez, Amos
  57. 57. INT. Libya International Airport - DAY

    Ramirez arrives in Libya and passes through customs.

    Annibal Ramirez
  58. 58. INT. Hotel Room, Libya - DAY

    Ramirez receives a weapon from a contact posing as a waiter.

    Annibal Ramirez
  59. 59. INT. Agnieska's Apartment, Libya - LATE AFTERNOON

    Ramirez confronts Agnieska in her apartment.

    Annibal Ramirez, Agnieska Kozinski
  60. 60. INT. BEDROOM - APARTMENT IN LIBYA - SUNSET

    Ramirez and Agnieska are in bed; Ramirez discovers a filter-tipped cigarette butt in the trash, leading to a confrontation where he realizes she betrayed him to the DST.

    Annibal Ramirez, Agnieska Kozinski
  61. 61. EXT. FIRE ESCAPE - APARTMENT BUILDING - LIBYA - SUNSET

    Ramirez escapes the apartment under fire from DST agents.

    Annibal Ramirez
  62. 62. INT. APARTMENT - NEXT LEVEL - LIBYA - SUNSET

    Ramirez crashes into an apartment and kills a DST agent in the hallway.

    Annibal Ramirez
  63. 63. EXT. ROOF - APARTMENT HOUSE - LIBYA - SUNSET

    Ramirez escapes across rooftops while being pursued by DST agents.

    Annibal Ramirez
  64. 64. EXT. HARBOR - LIBYA - NIGHT

    Ramirez boards the fishing boat and confronts Jack and Amos.

    Annibal Ramirez, Jack Shaw, Amos
  65. 65. INT. VILLA BEDROOM - LIBYA - NIGHT

    The real Carlos is alerted to the shooting in Libya by Koj.

    Carlos, Koj
  66. 66. INT. FISHING BOAT - LIBYA - NIGHT

    Ramirez argues with Jack and Amos about the botched operation.

    Annibal Ramirez, Jack Shaw, Amos
  67. 67. INT. VILLA - LIBYA - MORNING

    Carlos orders the death of Agnieska and kills his own men for their failure.

    Carlos, Koj
  68. 68. EXT. AGNIESKA'S APARTMENT BUILDING - PARIS - DAY

    Koj assassinates Agnieska in Paris.

    Agnieska Kozinski, Koj
  69. 69. INT. HEATHROW TERMINAL - CAFETERIA - DAY

    Ramirez meets Jack and Amos, but is confronted by Koj.

    Annibal Ramirez, Jack Shaw, Amos, Koj
  70. 70. INT. RESTROOM - HEATHROW AIRPORT - DAY

    A violent confrontation occurs between Ramirez, Amos, and Koj, resulting in the deaths of Koj and Amos.

    Annibal Ramirez, Amos, Koj
  71. 71. INT. CAR - LONDON - DAY

    Jack informs Ramirez that Amos has died.

    Annibal Ramirez, Jack Shaw
  72. 72. INT. Unknown - UNKNOWN

    Jack informs Ramirez that Koj is dead and that the operation is being shut down, ordering Ramirez to return home.

    Carlos, Jack Shaw
  73. 73. EXT. Ramirez Home - Virginia - DAY

    Ramirez returns home and reunites with his family.

    Carlos, Annibal Ramirez, Maura Ramirez
  74. 74. INT. Ramirez House - Study - NIGHT

    Ramirez and Maura have intense, rough sex, followed by a tense conversation where Maura suspects he has been with another woman.

    Carlos, Maura Ramirez
  75. 75. INT. Ramirez House - DAY

    Ramirez and Maura argue about the car and Ramirez's changing attitude.

    Carlos, Maura Ramirez
  76. 76. EXT. Park - Norfolk, VA - DAY

    Ramirez confronts a competitive father, Frank, at a Little League game and brutally beats him.

    Carlos, Maura Ramirez
  77. 77. INT. Police Station - Maryland - DAY

    Jack visits Ramirez in his jail cell.

    Carlos, Jack Shaw
  78. 78. EXT. Police Station - Maryland - DAY

    Jack convinces Ramirez to finish the mission and kill Carlos.

    Carlos, Jack Shaw
  79. 79. INT. Ramirez Home - Kitchen - NIGHT

    Ramirez reveals his true nature and the reality of his work to Maura.

    Carlos, Maura Ramirez
  80. 80. EXT. Berlin Wall - DAY

    Jack briefs Ramirez on the plan to bait Carlos in East Berlin.

    Carlos, Jack Shaw

Dialogue examples

Don't let all this equipment fool you. Carlos still has the home court advantage. He has the best protection in the world... three layers at least at all times. Next and maybe most important... Carlos himself. The French DST came to arrest him once. He was at his apartment, drunk, playing his guitar. He actually had them convinced it was all a mistake. Then he went into his bathroom, took a shave mind you so he would look his best for the interrogation and when he came out managed to shoot each of them through the forehead. Then he got the informer who had betrayed him, put him down on his knees and killed him... Think of it. He took a shave and didn't even nick himself once.

Amos / Scene 32

Annibal, the important thing was it worked! The Russians have to think it was Carlos now... . What did they see? They trail the girl... and then there's a shoot out. Let's make sure they know it was DST... we can make sure they get that information. If they know the DST was there then what were they doing there if it wasn't to get Carlos. She betrayed you, so tomorrow we take her name off the bank account and we set up another place for them to get their pictures. We burned Libya but okay so we'll find another place. The only thing that matters is they've got to believe it now. It's perfect!

Jack Shaw / Scene 66

Per instructions... An American officer on shore leave in the Middle East must travel in mufti, civilian clothes. A bunch of Arabs start chasing me... could be terrorism... could be kidnapping... instructions are to ditch our tags, our ID or anything else that could identify us. That's why I spoke Spanish, that's why I said I was a Cuban, not an American. And you broke my ribs here asshole. I'm gonna sue you, I'm gonna sue your government... I'm gonna sue every fuckin' Jew I can get my hands on you, understand me?!

Annibal Ramirez / Scene 10

[We're just gotten information from our resident in Zurich that the CIA head of station there has deposited letters of credit in the amount of fifty million dollars into the account of a Mister Paulo Ortega... It would appear the Americans are dangling a very impressive bait for what I can only assume is a very juicy fish. I want to know who this Paulo Ortega is and what he's going to give the CIA that is worth so very much money. And then we'll see what we can do about that.]

char_0 / Scene 48

Look, obviously there has been some kind of mistake. I don't know who you think I am, but I am a Lieutenant Commander in the United States Navy, okay? I am Lieutenant Commander Annibal Ramirez of the U.S.S. Yorktown, Sixth Fleet, docked in Haifa. I am not Carlos or Sanchez or Illich or the Jackal or whoever you think you just caught. If you call the U.S. Embassy and ask for the Sixth Fleet Liaison Officer, he'll confirm everything I've said.

Carlos / Scene 10

These are pictures of just some of Carlos' victims. Most of them are children. We haven't had time to get that kid's picture in yet. Up until I heard about you, all we could do about Carlos was take pictures of his victims. I wasn't lying to those people. You are the only one who can do anything about Carlos. I'm not the bad guy, Annibal. Carlos is. I'm just trying to make you see the choices.

Jack Shaw / Scene 24

I'll tell you what the matter is man... I been here twelve mother fuckin' weeks an' all I've had to eat the whole time is this shit! And those dumb ass basketball games... what's that?! You damn near kill me with those fucking snowmobiles... I haven't seen my family in three months and I still don't know what any plan is or what I'm supposed to be doing!

Annibal Ramirez / Scene 40

Your hat's off?! I'll tear your head off! You get on the horn and you call the U.S. Embassy and you call the Sixth Fleet Liaison Office and then motherfucker you go out and find yourself a good lawyer and I'll tell you somethin' Jack, I'm gonna sue your ass so bad that your great great grandchildren will still be shovelin' shit to pay off the debt!

Annibal Ramirez / Scene 10

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