Opening Image
Scene 1 / Page 1 / 1% target
Establishes Jack alone at a remote Swedish lake, setting tone and isolation.
THE AMERICAN script analysis
The screenplay follows Jack, a lone assassin, as he navigates isolation, relationships, and the moral cost of his work. Early scenes establish his solitary life in Sweden and his move to Italy, where he balances a budding romance with Clara against his clandestine assignments. As complications mount—with threats from handlers and unintended victims—Jack faces betrayal and loss, leading to his final escape. The story closes on Jack’s lonely journey back into the unknown.
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Scene 1 / Page 1 / 1% target
Establishes Jack alone at a remote Swedish lake, setting tone and isolation.
Scene 30 / 5% target
Jack mentions his hypersensitivity, hinting at his vulnerability beneath the assassin facade.
Did I forget to mention my electromagnetic hypersensitivity?
Scenes 2-7 / 10% target
Jack’s routine in Sweden—killings, sabotage, packing—shows his methods and survival skills.
Scenes 8-9 / 12% target
Meeting Larry in Rome sets Jack’s next mission in motion.
Jack. What brings you to Rome?
Scenes 28-31 / 20% target
Jack wrestles with local trust—Father Benedetto and townspeople suggest a life beyond killing.
Scenes 34-36 / 25% target
Jack decides to investigate Clara’s world, committing to personal connection over isolation.
Scenes 34-36 / 30% target
Introduction of Clara provides emotional counterpoint to Jack’s professional life.
Scenes 65-74 / 40% target
Jack’s playful yet tense outings with Clara and Mathilde showcase dual personal and professional pursuits.
Scene 93 / 50% target
Jack wakes to find Clara’s gun—stakes rise as his two worlds collide.
Scenes 94-99 / 65% target
Tense calls with Larry reveal betrayal risks; surveillance on Clara escalates danger.
Scene 133 / 75% target
Jack kills Larry—his last connection and hope for normalcy is destroyed.
Scenes 112-113 / 80% target
Father Benedetto reads Jack’s farewell letter, underscoring Jack’s despair.
Dear Father Benedetto. I promised myself that I would write to you- as your friend- to say goodbye...
Scenes 116-119 / 85% target
Jack meets Mathilde to finalize exchange—chooses one last mission over retreat.
Scenes 128-134 / 95% target
Mathilde’s jam, Clara’s escape, Larry’s confrontation—all converge in Jack’s violent resolution and flight.
Scene 141 / 99% target
Bus emerges from tunnel into daylight, mirroring opening’s isolation but hinting at a new path.