Scripts
TAKING SIDES poster

1988

TAKING SIDES script

In post-WWII Berlin, American Major Steve Arnold, a former insurance assessor, investigates world-renowned German conductor Wilhelm Furtwängler for Nazi collaboration. As Steve aggressively seeks evidence of complicity, his team uncovers files suggesting Furtwängler protected Jewish musicians and resisted Nazi cultural policies. The investigation intensifies with a confrontation with a Russian officer and a growing rift between Steve and his liaison, who believes in Furtwängler's innocence. Furtwängler is ultimately cleared, but archive footage of him conducting for Nazi officials leaves the audience to ponder the complexities of his wartime actions.

Writer
Ronald Harwood
IMDb ID (imdb_id)
tt0260414
Script date
1988
53Scenes
9Characters
58Pages
8Dialogue samples

Save the Cat beat sheet

TAKING SIDES Save the Cat analysis

Major Steve Arnold is tasked with interrogating famed conductor Wilhelm Furtwängler on his wartime associations.

Open full beat sheet
60

Key characters

Major Steve Arnold

Major Steve Arnold is listed as Investigator. An American major and former insurance claims assessor tasked with denazifying Furtwängler. In the parsed data, Major Steve Arnold is connected to 34 scenes, 137 dialogue lines, 137 text mentions, first appearing around scene 7.

34 scenes / 137 dialogue lines

Lieutenant David Wills

Lieutenant David Wills is listed as Liaison Officer. A young Jewish-German refugee serving as a liaison officer. In the parsed data, Lieutenant David Wills is connected to 32 scenes, 37 dialogue lines, 38 text mentions, first appearing around scene 13.

32 scenes / 37 dialogue lines

Emmi Straube

Emmi Straube is listed as Secretary. Steve's secretary, daughter of a German officer executed for the plot against Hitler. In the parsed data, Emmi Straube is connected to 29 scenes, 23 dialogue lines, 24 text mentions, first appearing around scene 13.

29 scenes / 23 dialogue lines

Wilhelm Furtwängler

Wilhelm Furtwängler is listed as Conductor. A world-renowned conductor accused of collaborating with the Nazi regime. In the parsed data, Wilhelm Furtwängler is connected to 19 scenes, 79 dialogue lines, 82 text mentions, first appearing around scene 2.

19 scenes / 79 dialogue lines

Helmuth Rode

Helmuth Rode is listed as Violinist. A second violinist in the Berlin Philharmonic. In the parsed data, Helmuth Rode is connected to 6 scenes, 15 dialogue lines, 15 text mentions, first appearing around scene 14.

6 scenes / 15 dialogue lines

Colonel Dymshitz

Colonel Dymshitz is listed as Russian Officer. An art historian and Russian officer interested in Furtwängler. In the parsed data, Colonel Dymshitz is connected to 4 scenes, 7 dialogue lines, 7 text mentions, first appearing around scene 11.

4 scenes / 7 dialogue lines

Rudolf Werner

Rudolf Werner is listed as Oboist. A member of the Berlin Philharmonic wind section. In the parsed data, Rudolf Werner is connected to 2 scenes, 1 dialogue line, 1 text mention, first appearing around scene 9.

2 scenes / 1 dialogue lines

Schlee

Schlee is listed as Timpani Player. A member of the Berlin Philharmonic percussion section. In the parsed data, Schlee is connected to 2 scenes, 1 dialogue line, 1 text mention, first appearing around scene 10.

2 scenes / 1 dialogue lines

General Wallace

General Wallace is listed as Military Officer. Steve's superior officer. In the parsed data, General Wallace is connected to 1 scene, 1 dialogue line, 2 text mentions, first appearing around scene 4.

1 scenes / 1 dialogue lines

Scene outline

  1. 1. INT. BERLIN CONCERT HALL - NIGHT

    Wilhelm Furtwängler conducts Beethoven during an air raid until the power fails.

    Wilhelm Furtwängler
  2. 2. INT. BACKSTAGE CORRIDOR, CONCERT HALL - NIGHT

    An attendant leads Nazi officials to Furtwängler's room.

    Wilhelm Furtwängler
  3. 3. INT. CONDUCTOR'S ROOM - NIGHT

    The Reichsminister visits Furtwängler to apologize for the power failure and warn him about the war.

    Wilhelm Furtwängler
  4. 4. INT. RUINED CINEMA - DAY

    General Wallace briefs Major Steve Arnold on Furtwängler's case using archive footage.

    Major Steve Arnold, General Wallace
  5. 5. INT. MAJOR STEVE ARNOLD'S BEDROOM - NIGHT

    Steve suffers from a nightmare and later listens to radio warnings about non-fraternization.

    Major Steve Arnold
  6. 6. EXT. STEVE'S OFFICE BUILDING, BERLIN - DAY

    Steve arrives at his office while a swastika is removed from the building.

    Major Steve Arnold
  7. 7. INT. STEVE'S OFFICE - DAY

    Steve meets his secretary Emmi Straube and discusses the Furtwängler case.

    Major Steve Arnold, Emmi Straube
  8. 8. INT. STEVE'S OFFICE - DAY

    Lieutenant David Wills reports to Steve.

    Major Steve Arnold, Emmi Straube, Lieutenant David Wills
  9. 9. INT. STEVE'S OFFICE - DAY

    Steve interrogates Rudolf Werner about Furtwängler.

    Major Steve Arnold, Emmi Straube, Lieutenant David Wills, Rudolf Werner
  10. 10. INT. STEVE'S OFFICE - DAY

    Steve interrogates Schlee about Furtwängler.

    Major Steve Arnold, Emmi Straube, Lieutenant David Wills, Schlee
  11. 11. INT/EXT. CAR AND MANSION - DAY

    Steve and David travel to a mansion to meet Colonel Dymshitz.

    Major Steve Arnold, Lieutenant David Wills, Colonel Dymshitz
  12. 12. INT. WAITING ROOM - DAY

    Rode waits nervously while hearing laughter from Steve's office.

    Helmuth Rode, Lieutenant David Wills
  13. 13. INT. STEVE'S OFFICE SUITE - DAY

    David and Emmi share a lighthearted moment before Steve enters.

    Emmi Straube, Lieutenant David Wills, Major Steve Arnold
  14. 14. INT. STEVE'S OFFICE - DAY

    Steve interrogates Helmuth Rode.

    Major Steve Arnold, Lieutenant David Wills, Emmi Straube, Helmuth Rode
  15. 15. INT. STEVE'S OFFICE - NIGHT

    Steve works alone in his office listening to music.

    Major Steve Arnold
  16. 16. INT/EXT. TRAM, BERLIN - DAY

    Furtwängler is recognized on a crowded tram.

    Wilhelm Furtwängler
  17. 17. INT. HALL, STEVE'S BUILDING - DAY

    Furtwängler arrives at Steve's building.

    Wilhelm Furtwängler, Emmi Straube
  18. 18. INT. STEVE'S OFFICE - DAY

    Steve prepares to keep Furtwängler waiting.

    Major Steve Arnold, Lieutenant David Wills, Emmi Straube
  19. 19. INT. WAITING ROOM - DAY

    Furtwängler waits and interacts briefly with Emmi.

    Wilhelm Furtwängler, Emmi Straube
  20. 20. INT. STEVE'S OFFICE - DAY

    The interrogation of Furtwängler begins.

    Major Steve Arnold, Lieutenant David Wills, Emmi Straube, Wilhelm Furtwängler
  21. 21. INT. STEVE'S OFFICE - DAY

    The interrogation continues with a phone call interruption.

    Major Steve Arnold, Lieutenant David Wills, Emmi Straube, Wilhelm Furtwängler
  22. 22. INT. WAITING ROOM - DAY

    David confronts Furtwängler as he tries to leave.

    Lieutenant David Wills, Wilhelm Furtwängler, Emmi Straube, Major Steve Arnold
  23. 23. INT. BRITISH INTELLIGENCE HQ, ARCHIVE ROOM - DAY

    Steve, David, and Emmi begin working in the archive room to process files on musicians.

    Major Steve Arnold, Emmi Straube, Lieutenant David Wills
  24. 24. INT. BRITISH INTELLIGENCE HQ, ARCHIVE ROOM - NIGHT

    David realizes the archive room was a synagogue and pays his respects.

    Lieutenant David Wills
  25. 25. INT. BRITISH INTELLIGENCE HQ, ARCHIVE ROOM - DAY

    Emmi and David work on files; Steve observes them suspiciously.

    Major Steve Arnold, Emmi Straube, Lieutenant David Wills
  26. 26. EXT. PARTLY RUINED CHURCH - EVENING

    Furtwängler attends a concert in the ruins; Dymshitz approaches him.

    Wilhelm Furtwängler, Emmi Straube, Lieutenant David Wills, Colonel Dymshitz
  27. 27. INT. STEVE'S BEDROOM, GRAND HOTEL - NIGHT

    Steve decides to leave his room during a storm.

    Major Steve Arnold
  28. 28. INT. US OFFICERS' CLUB - NIGHT

    Steve confronts David and Emmi at the club.

    Major Steve Arnold, Emmi Straube, Lieutenant David Wills
  29. 29. INT. STRAUBE APARTMENT BLOCK - NIGHT

    David and Emmi share an awkward moment at the stairs.

    Emmi Straube, Lieutenant David Wills
  30. 30. INT. ARCHIVE ROOM - DAY

    Emmi finds a file on Rode; David is called away.

    Major Steve Arnold, Emmi Straube, Lieutenant David Wills, Helmuth Rode
  31. 31. EXT. LAKESIDE, BERLIN - DAY

    Steve meets Rode, who reveals information about Furtwängler.

    Major Steve Arnold, Helmuth Rode
  32. 32. INT. ARCHIVE ROOM - DAY

    Steve finds the file on Karajan.

    Major Steve Arnold
  33. 33. INT. CAFETERIA - DAY

    Captain Martin tasks David with building a defense case.

    Lieutenant David Wills
  34. 34. EXT. BERLIN STREET - DAY

    David meets with orchestra members.

    Lieutenant David Wills, Rudolf Werner, Schlee
  35. 35. INT. DYMSHITZ'S VILLA - NIGHT

    Steve and Dymshitz drink and argue about Furtwängler.

    Major Steve Arnold, Colonel Dymshitz
  36. 36. INT. STEVE'S OFFICE - NIGHT

    Steve watches a military propaganda film while drunk.

    Major Steve Arnold
  37. 37. EXT. FLEA MARKET - DAY

    Emmi and David shop at a flea market and find a tandem bicycle.

    Emmi Straube, Lieutenant David Wills
  38. 38. EXT. WOODLAND - DAY

    Emmi and David ride the tandem bicycle through the hills.

    Emmi Straube, Lieutenant David Wills
  39. 39. INT. BURNT-OUT DEPARTMENT STORE - DAY

    Emmi and David discuss Furtwängler's past choices.

    Emmi Straube, Lieutenant David Wills
  40. 40. INT. STEVE'S OFFICE - DAY

    Steve prepares for Furtwängler's arrival while Emmi and David observe.

    Major Steve Arnold, Emmi Straube, Lieutenant David Wills
  41. 41. INT. STEVE'S OFFICE - DAY

    Furtwängler arrives and is sent back to the waiting room by Steve.

    Wilhelm Furtwängler, Major Steve Arnold, Emmi Straube, Lieutenant David Wills
  42. 42. INT. WAITING ROOM - DAY

    Rode attempts to offer Furtwängler water.

    Wilhelm Furtwängler, Helmuth Rode
  43. 43. INT. STEVE'S OFFICE - DAY

    The interrogation of Furtwängler begins.

    Wilhelm Furtwängler, Major Steve Arnold, Emmi Straube, Lieutenant David Wills, Helmuth Rode
  44. 44. INT. US OFFICERS' CLUB - NIGHT

    Steve and David argue about Furtwängler.

    Major Steve Arnold, Lieutenant David Wills
  45. 45. INT. STRAUBE APARTMENT - EVENING

    David convinces Emmi to return to work.

    Emmi Straube, Lieutenant David Wills
  46. 46. INT. STEVE'S OFFICE - DAY

    Steve continues the interrogation regarding Furtwängler's anti-Semitic remarks.

    Wilhelm Furtwängler, Major Steve Arnold, Emmi Straube, Lieutenant David Wills
  47. 47. INT. STEVE'S OFFICE - DAY

    Steve interrogates Furtwängler about his Nazi associations while David and Emmi observe and provide evidence of his assistance to Jews.

    Wilhelm Furtwängler, Major Steve Arnold, Emmi Straube, Lieutenant David Wills
  48. 48. INT. WAITING ROOM - DAY

    Emmi helps a shaken Furtwängler to a chair.

    Wilhelm Furtwängler, Emmi Straube
  49. 49. INT. STEVE'S OFFICE - DAY

    Steve calls General Wallace while David plays Beethoven's Ninth.

    Major Steve Arnold, Lieutenant David Wills
  50. 50. INT. STEVE'S BUILDING - DAY

    Furtwängler walks down the stairs.

    Wilhelm Furtwängler, Emmi Straube
  51. 51. INT. STEVE'S OFFICE - DAY

    Steve demands the music be turned off.

    Major Steve Arnold, Lieutenant David Wills
  52. 52. EXT. STEVE'S BUILDING - DAY

    Furtwängler hears the music and continues down the stairs.

    Wilhelm Furtwängler
  53. 53. INT. CONCERT HALL (ARCHIVE) - DAY

    Archive footage of Furtwängler conducting for Nazis.

    Wilhelm Furtwängler

Dialogue examples

I wrote an open letter to the newspapers condemning what they were doing to music, making these distinctions between Jews and non-Jews. For my part, the only divide in art is between good and bad. Eventually, Goebbels summoned me and told me I could leave the country if I wanted to but under no condition would I ever be allowed to return. I always believe that you have to fight from the inside not from without. I asked myself, what's the duty of an artist, to stay or to leave? And then Goebbels demanded that I acknowledge Hitler as solely responsible for cultural policy. Well, that was a fact and it seemed pointless to deny it. I simply acknowledged that Hitler and the Minister of Culture appointed by him were solely responsible for the cultural policy of the Reich. What I wanted to express was that I, personally, had no responsibility whatsoever for their cultural policy. I have always had the view that art and politics should... should have nothing to do with each other.

Wilhelm Furtwängler / Scene 20

Have you ever smelled burning flesh? I smelt it four miles away. Four miles away, I smelt it. Have you ever seen the gas chambers, the crematoria? Have you seen the mounds of rotting corpses? You talk to me about culture, art and music? You putting that in the scales, Wilhelm? You setting culture, art and music against the millions put to death by your pals? They had orchestras in the camps. They played Beethoven, Wagner. The hangmen were playing chamber music at home with their families. I don't understand the Germans' relationship with music. What do you need music for? Your pals you could call to save a few Jews when millions of them were being annihilated? Yes, I blame you for not getting hanged, I blame you for your cowardice. You strutted and swaggered, you fucking piece of shit, king-pin in a shithouse. You talk to me about walking a tightrope between exile and the gallows, and I say to you, lies!

Major Steve Arnold / Scene 47

'Please remember that Dr. Furtwängler risked his life to help anyone who asked him. I personally testify to having seen literally hundreds of people lined up outside his dressing room after concerts to ask for his help. He never turned anyone away. After he heard me play... I am a violinist... he gave me money because I was unable to feed myself or my family and then he helped me to escape to Sweden. He helped countless people in similar ways.'

Emmi Straube / Scene 47

This is a transcript of the proceedings at Nuremberg. A Swedish businessman, Birger Dahlerus, testified in cross-examination that he had several meetings with Hermann Goering. 'I first saw Goering,' Dahlerus testified, 'embroiled in a stormy interview with Wilhelm Furtwängler, the famous conductor of the Berlin Philharmonic, who was vainly seeking permission to keep his Jewish concert master.

Lieutenant David Wills / Scene 47

The problem was how could he avoid giving the Devil's salute when Satan was actually sitting there. And, I said, 'Dr. Furtwängler, why not enter with the baton in your right hand? Hitler will be sitting in the front row. If you give the salute with the baton in your right hand it'll look like you're going to poke his eyes out.'

Helmuth Rode / Scene 14

Everybody says what a great benefactor you were to the Jews. But-- I have things here you said and wrote. Listen to this: 'The Jew composer Schonberg is admired by the Jewish International.' And what about this: 'Jewish musicians lack a genuine affinity with our music.' 'Jewish musicians are good businessmen with few scruples,

Major Steve Arnold / Scene 46

When he made his decision, he couldn't have known everything. Especially not the way people like you do, who've returned from exile and feel that you have a right to pass judgement. Because you are blameless, you think you know best who is a sinner and who deserves forgiveness. But you have no idea how people lived here.

Emmi Straube / Scene 39

Well, I tried, you got to admit I tried. I thought I might just trap you there, Wilhelm, but David here was too quick for me. Smart move, David, smart move. No, I don't have the telegram, but I know it exists. And I want you to know, Wilhelm, we're going to keep looking for it because I believe you sent it.

Major Steve Arnold / Scene 43

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