Scripts
Sweet Smell of Success poster

1957

Sweet Smell of Success script

Publicist Sidney Falco schemes to separate J.J. Hunsecker's sister, Susan, from her jazz musician boyfriend, Steve Dallas, to gain favor with the powerful columnist. Sidney orchestrates a smear campaign against Steve and, under J.J.'s further pressure, plants drugs on him, leading to Steve's arrest and Susan's suicide attempt. To protect his image, J.J. frames Sidney for the drug planting, resulting in Sidney being brutally beaten by a corrupt detective. Susan, finally free from her brother's control, leaves J.J. and walks out onto Broadway.

Writer
Clifford Odets, Ernest Lehman
IMDb ID (imdb_id)
tt0051036
Script date
1957
53Scenes
10Characters
127Pages
8Dialogue samples

Save the Cat beat sheet

Sweet Smell of Success Save the Cat analysis

Ambitious press agent Sidney Falco maneuvers through New York’s nightlife seeking power and status under the thumb of media king J.J.

Open full beat sheet
60

Key characters

Sidney Falco

Sidney Falco is listed as Publicity Agent. Ambitious, manipulative, and desperate for success in the Broadway scene. In the parsed data, Sidney Falco is connected to 37 scenes, 102 dialogue lines, 106 text mentions, first appearing around scene 2.

37 scenes / 102 dialogue lines

Susan Hunsecker

Susan Hunsecker is listed as J.J. Hunsecker's sister. Sensitive, tragic, and emotionally stifled by her brother. In the parsed data, Susan Hunsecker is connected to 19 scenes, 19 dialogue lines, 19 text mentions, first appearing around scene 8.

19 scenes / 19 dialogue lines

J.J. Hunsecker

J.J. Hunsecker is listed as Columnist. Powerful, cold, and controlling gossip columnist with a god complex. In the parsed data, J.J. Hunsecker is connected to 16 scenes, 68 dialogue lines, 69 text mentions, first appearing around scene 12.

16 scenes / 68 dialogue lines

Frank D'Angelo

Frank D'Angelo is listed as Band Manager. Pragmatic and protective of his musicians. In the parsed data, Frank D'Angelo is connected to 11 scenes, 4 dialogue lines, 4 text mentions, first appearing around scene 7.

11 scenes / 4 dialogue lines

Steve Dallas

Steve Dallas is listed as Jazz Musician. Intelligent, principled, and in love with Susan. In the parsed data, Steve Dallas is connected to 10 scenes, 15 dialogue lines, 17 text mentions, first appearing around scene 6.

10 scenes / 15 dialogue lines

Harry Kello

Harry Kello is listed as Police Detective. Corrupt, dangerous, and brutal. In the parsed data, Harry Kello is connected to 7 scenes, 16 dialogue lines, 16 text mentions, first appearing around scene 14.

7 scenes / 16 dialogue lines

Otis Elwell

Otis Elwell is listed as Columnist. Malicious and opportunistic rival columnist. In the parsed data, Otis Elwell is connected to 3 scenes, 21 dialogue lines, 23 text mentions, first appearing around scene 15.

3 scenes / 21 dialogue lines

Rita

Rita is listed as Cigarette Girl. Manipulative and seeking career advancement. In the parsed data, Rita is connected to 3 scenes, 18 dialogue lines, 19 text mentions, first appearing around scene 16.

3 scenes / 18 dialogue lines

Sally

Sally is listed as Sidney's Secretary. Loyal, sympathetic, and long-suffering. In the parsed data, Sally is connected to 3 scenes, 1 dialogue line, 2 text mentions, first appearing around scene 27.

3 scenes / 1 dialogue lines

Leo Bartha

Leo Bartha is listed as Columnist. Professional rival of Hunsecker. In the parsed data, Leo Bartha is connected to 1 scene, 13 dialogue lines, 14 text mentions, first appearing around scene 15.

1 scenes / 13 dialogue lines

Scene outline

  1. 1. EXT/INT. Globe Newspaper Building - Dusk

    Newspaper trucks are loaded and depart for distribution.

  2. 2. EXT. Broadway - Night

    Sidney Falco waits for the newspaper delivery at an orange juice stand.

    Sidney Falco
  3. 3. INT. Sidney's Apartment - Night

    Sidney returns to his office and deals with professional frustrations.

    Sidney Falco, Sally
  4. 4. INT. Robard's Club - Night

    Joe Robard takes a call from Sidney.

    Sidney Falco
  5. 5. INT. Elysian Room - Night

    Sidney visits the club and confronts Frank D'Angelo about Steve Dallas and Susan Hunsecker.

    Sidney Falco, Steve Dallas, Frank D'Angelo, Rita
  6. 6. INT/EXT. Backstage and Courtyard - Night

    Steve and Susan meet in the courtyard.

    Sidney Falco, Susan Hunsecker, Steve Dallas, Frank D'Angelo
  7. 7. INT. BANDSTAND - NIGHT

    Steve talks to D'Angelo about his proposal to Susan and his concerns about her dependency on her brother.

    Steve Dallas, Frank D'Angelo
  8. 8. EXT. OUTSIDE THE ELYSIAN ROOM - NIGHT

    Sidney joins Susan outside the club; they discuss their relationship and Susan's feelings for Steve.

    Sidney Falco, Susan Hunsecker
  9. 9. INT. CAB - NIGHT

    Sidney and Susan discuss Steve and J.J. Hunsecker during a taxi ride.

    Sidney Falco, Susan Hunsecker
  10. 10. EXT. BROADWAY - NIGHT

    Susan leaves the taxi and enters a building; Sidney follows her briefly before returning to his cab.

    Sidney Falco, Susan Hunsecker
  11. 11. EXT. TWENTY ONE CLUB - NIGHT

    Sidney is confronted by Jimmy Weldon outside the club.

    Sidney Falco
  12. 12. INT. TWENTY ONE CLUB - NIGHT

    Sidney attempts to speak with J.J. Hunsecker, who is dining with a Senator and others.

    Sidney Falco, J.J. Hunsecker
  13. 13. EXT. TWENTY ONE CLUB SIDEWALK - NIGHT

    J.J. leaves the club and meets with Lieutenant Kello.

    Sidney Falco, J.J. Hunsecker, Harry Kello
  14. 14. EXT. 52nd Street - NIGHT

    Hunsecker and Sidney discuss the death of a girl with Detective Kello, then Hunsecker pressures Sidney to break up the romance between Susan and Steve.

    Sidney Falco, J.J. Hunsecker, Harry Kello
  15. 15. INT. Toots Shor's Restaurant - NIGHT

    Sidney attempts to blackmail Leo Bartha, fails, and then manipulates Otis Elwell into printing a smear item about Steve Dallas.

    Sidney Falco, Otis Elwell, Leo Bartha
  16. 16. INT. Sidney's Apartment - NIGHT

    Sidney forces Rita to entertain Otis Elwell to secure his favor.

    Sidney Falco, Otis Elwell, Rita
  17. 17. INT. Sidney's Office - DAY

    Sidney, Elwell, and Rita are in the office. Sidney leaves after a tense interaction, and Rita reveals to Elwell that she and Sidney met in Palm Springs.

    Sidney Falco, Otis Elwell, Rita
  18. 18. EXT. Hallway outside Sidney's apartment - DAY

    Sidney leaves his apartment feeling pleased.

    Sidney Falco
  19. 19. EXT. Orange Juice Stand - NIGHT

    Sidney calls J.J. Hunsecker from a payphone to discuss the smear campaign against Steve Dallas.

    Sidney Falco, J.J. Hunsecker
  20. 20. INT. Hunsecker's Penthouse - NIGHT

    J.J. Hunsecker takes Sidney's call and then watches his sister Susan from the terrace.

    J.J. Hunsecker, Susan Hunsecker
  21. 21. EXT. Globe Building - DAY

    Sidney buys a newspaper and enters the Globe building.

    Sidney Falco
  22. 22. INT. Globe Building Office - DAY

    Sidney visits Mary, Hunsecker's secretary, and checks the column proof.

    Sidney Falco, J.J. Hunsecker
  23. 23. EXT. Palace Theatre - DAY

    Sidney forces his way into the Palace Theatre to meet Herbie Temple.

    Sidney Falco
  24. 24. INT. Backstage Palace Theatre - DAY

    Sidney manipulates Herbie Temple and his agent Al Evans into accepting his publicity services.

    Sidney Falco
  25. 25. INT. Sidney's Office - DAY

    Steve Dallas and Frank D'Angelo confront Sidney about the smear in Elwell's column.

    Sidney Falco, Steve Dallas, Frank D'Angelo, Sally
  26. 26. INT. Sidney's Apartment - DAY

    Sidney and Hunsecker discuss the smear campaign over the phone; Sidney remains confident while Hunsecker is tense about Susan.

    Sidney Falco, J.J. Hunsecker, Susan Hunsecker
  27. 27. INT. Sidney's Apartment - DAY

    Sidney prepares to leave, feeling smug and superior to Hunsecker.

    Sidney Falco, Sally
  28. 28. INT. Cigar Stand / Lobby - DAY

    Susan buys a paper and heads to the elevator.

    Susan Hunsecker
  29. 29. INT. Hunsecker's Living Room - DAY

    Hunsecker confronts Susan about the smear and their relationship.

    J.J. Hunsecker, Susan Hunsecker
  30. 30. EXT. TV Theatre - DAY

    Susan and Sidney arrive at the TV theatre separately.

    Susan Hunsecker, Sidney Falco
  31. 31. INT. TV Station - DAY

    Hunsecker rehearses his show while Sidney and the others arrive.

    J.J. Hunsecker, Sidney Falco, Steve Dallas, Frank D'Angelo, Susan Hunsecker
  32. 32. INT. TV Theatre Foyer - NIGHT

    Sidney follows Susan out of the theatre, attempting to drive her home as instructed by J.J. Hunsecker. Susan rejects him, and in the ensuing struggle at the taxi, Sidney is injured.

    Sidney Falco, Susan Hunsecker
  33. 33. INT. Twenty One Club Washroom - NIGHT

    Sidney and Hunsecker wash up. Hunsecker pressures Sidney to take action against Steve Dallas, eventually offering him the column as a reward.

    Sidney Falco, J.J. Hunsecker
  34. 34. INT. Dining Room - 21 Club - NIGHT

    Hunsecker and Sidney dine. Hunsecker manipulates Sidney into agreeing to frame Steve Dallas using Detective Kello, promising Sidney his column in exchange.

    Sidney Falco, J.J. Hunsecker
  35. 35. INT. Cigar Stand and Phone Booth - EVENING

    Steve Dallas meets Susan to discuss their relationship. They realize they must break up due to the pressure from Hunsecker.

    Susan Hunsecker, Steve Dallas, Frank D'Angelo
  36. 36. EXT. Brill Building - NIGHT

    Steve and D'Angelo leave the building. Steve is deeply pained by the breakup.

    Steve Dallas, Frank D'Angelo
  37. 37. INT. Hunsecker's Penthouse - NIGHT

    Susan returns home, enters the dark apartment, and steps out onto the terrace, looking down at the city.

    Susan Hunsecker
  38. 38. INT/EXT. Robard's Club - NIGHT

    Sidney arrives at the club to frame Steve. He plants evidence in Steve's coat while D'Angelo informs him that Steve and Susan have broken up.

    Sidney Falco, Steve Dallas, Frank D'Angelo, Harry Kello
  39. 39. EXT. Street near Robard's Club - NIGHT

    Sidney and Kello argue on the street while Kello intimidates Sidney.

    Sidney Falco, Harry Kello
  40. 40. INT. Robard's Club - NIGHT

    Steve finishes his set and is approached by D'Angelo.

    Steve Dallas, Frank D'Angelo
  41. 41. EXT. Street outside Robard's Club - NIGHT

    Steve is intercepted and arrested by Kello and Murphy.

    Steve Dallas, Harry Kello
  42. 42. INT. Bar - NIGHT

    Sidney waits in a bar, listening for news.

    Sidney Falco
  43. 43. INT/EXT. Robard's Club - NIGHT

    D'Angelo and Robard realize Steve has been arrested.

    Frank D'Angelo
  44. 44. INT. Susan's Apartment - NIGHT

    D'Angelo informs Susan about Steve's arrest.

    Susan Hunsecker, Frank D'Angelo
  45. 45. INT. Hunsecker's Penthouse - NIGHT

    Sidney confronts Susan in the penthouse.

    Sidney Falco, Susan Hunsecker, J.J. Hunsecker
  46. 46. INT. Hunsecker's Living Room - NIGHT

    Hunsecker manipulates Susan into agreeing to sacrifice Sidney to clear Steve Dallas, then calls Lieutenant Kello to set a trap for Sidney.

    J.J. Hunsecker, Susan Hunsecker, Sidney Falco
  47. 47. INT. Bedroom - NIGHT

    Sidney urges Susan to leave her brother and go to Steve Dallas.

    Susan Hunsecker, Sidney Falco
  48. 48. INT. Hunsecker's Living Room - NIGHT

    Hunsecker confirms the trap for Sidney with Kello while Sidney watches.

    J.J. Hunsecker, Sidney Falco
  49. 49. EXT. Cafe on Broadway - NIGHT

    Kello receives the call from Hunsecker and prepares to intercept Sidney.

    Harry Kello
  50. 50. INT. Hunsecker's Living Room / Bedroom - NIGHT

    Hunsecker tries to act normal with Susan, but she prepares to leave.

    J.J. Hunsecker, Susan Hunsecker
  51. 51. EXT. Duffy's Square - NIGHT

    Kello and his partner intercept and brutally beat Sidney.

    Harry Kello, Sidney Falco
  52. 52. INT. Hunsecker's Apartment - NIGHT

    Hunsecker discovers Susan has left the apartment.

    J.J. Hunsecker
  53. 53. EXT. Broadway - MORNING

    Susan walks out onto Broadway, free from her brother.

    Susan Hunsecker

Dialogue examples

Your friend Hunsecker - you can tell him for me - he's a disgrace to his profession. Never mind my bilious private life - I print a decent, responsible column - that's the way it stays! Your man - there's nothing he won't print if it satisfies his vanity or his spite! He'll use any spice to pepper up his daily garbage! Tell him I said so and that, like yourself, he's got the morals of a guinea pig and the scruples of a gangster!

Leo Bartha / Scene 15

Dallas, your mouth is as big as a basket and twice as empty! I don't like you, comma, but neither do I go along with this column saying you smoke marijuana and belong with the Reds. Also, since we're talking repulsive, J.J. won't like this for two cents! Don't give me that look, Dallas - J.J. believes in fair play. And secondly, this could splatter his sister with rotten egg by implication - your her boyfriend!

Sidney Falco / Scene 25

Why? Because I don't like the way you toy with human lives? - Your contempt and malice? Because I won't be the accomplice of your sick ego - and the way it's crippled Susie...? You think of yourself - you and your column - you see yourself as a national glory...but to me, and thousands of others like me, you and your slimy scandal, your phony patriotics - to me, Mr. Hunsecker, you are a national disgrace!

Steve Dallas / Scene 31

Mind you, not that one true fact didn't come out of Sidney's mouth tonight: self-admittedly, he committed a vicious crime of jealousy against Steve Dallas! Now we have to clear Dallas, don't we?...But I'll have to sacrifice him... to do it. Am I doing right?

J.J. Hunsecker / Scene 46

He never would have killed himself if I hadn't gone through with the annulment. Don't you see that made all the rumors seem true? I should have stood up for him...not run out.

Susan Hunsecker / Scene 29

J.J...Sidney!...How are you, sweetheart? Listen, I know it's late, J.J., but is it too late to add something important to the column? No, not a relative, but important...

Sidney Falco / Scene 24

It would be nice if you mentioned R-O-B-A-R-D - Robard's jazz joint -- it's his 20th anniversary. Don't begrudge it to me, J.J. - I owe him lots of favors.

Sidney Falco / Scene 19

I'll do it, J.J. - don't get me wrong - in for a penny, in for a pound. I'll see it through, but stop beating me around the head. Let me make a living!

Sidney Falco / Scene 14

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