Scripts
Spanglish poster

Screenplay data

Spanglish script

Flor Moreno, a Mexican mother, moves to the U.S. with her daughter Cristina and becomes a housekeeper for the wealthy, dysfunctional Clasky family. Despite a language barrier, Flor bonds with chef John Clasky and his children, but Deborah's erratic behavior and attempts to Americanize Cristina create tension, especially when Cristina is enrolled in a private school. A rift grows between Flor and Cristina as Cristina embraces the Clasky lifestyle, leading Flor to confront John about his family's influence, which deepens their connection amidst their marital problems. After a heated argument with Deborah, Flor decides to leave, taking Cristina with her, and they reflect on their journey while riding a bus away from the Claskys' home.

Writer
James L. Brooks
IMDb ID (imdb_id)
tt0371246
Script date
SHOOTING DRAFT
152Scenes
8Characters
101Pages
8Dialogue samples

Save the Cat beat sheet

Spanglish Save the Cat analysis

Spanglish follows Flor’s journey from Mexico City to working for an affluent American family, balancing her daughter Cristina’s education hopes with her demanding job.

Open full beat sheet
70

Key characters

Flor Moreno

Flor Moreno is listed as Protagonist / Housekeeper. A gorgeous, vital, and temperamental Latin woman who moves to the U.S. to provide for her daughter. In the parsed data, Flor Moreno is connected to 94 scenes, 44 dialogue lines, 45 text mentions, first appearing around scene 6.

94 scenes / 44 dialogue lines

John Clasky

John Clasky is listed as Employer / Chef. A talented, successful, and upbeat chef who loves his family. In the parsed data, John Clasky is connected to 51 scenes, 77 dialogue lines, 79 text mentions, first appearing around scene 34.

51 scenes / 77 dialogue lines

Deborah Norwich Clasky

Deborah Norwich Clasky is listed as Employer / Mother. A cool, hyper-anxious, and meticulous woman struggling with her marriage and self-image. In the parsed data, Deborah Norwich Clasky is connected to 48 scenes, 97 dialogue lines, 97 text mentions, first appearing around scene 25.

48 scenes / 97 dialogue lines

Cristina Moreno

Cristina Moreno is listed as Flor's daughter. A bright, bilingual girl who is the center of her mother's life. In the parsed data, Cristina Moreno is connected to 46 scenes, 44 dialogue lines, 44 text mentions, first appearing around scene 3.

46 scenes / 44 dialogue lines

Evelyn Norwich

Evelyn Norwich is listed as Deborah's mother. A former singer, now a lush, who is observant and often critical of her daughter. In the parsed data, Evelyn Norwich is connected to 24 scenes, 20 dialogue lines, 21 text mentions, first appearing around scene 30.

24 scenes / 20 dialogue lines

Bernice Clasky

Bernice Clasky is listed as Deborah and John's daughter. A 14-year-old girl struggling with her mother's expectations and her own self-image. In the parsed data, Bernice Clasky is connected to 18 scenes, 38 dialogue lines, 38 text mentions, first appearing around scene 29.

18 scenes / 38 dialogue lines

Georgie Clasky

Georgie Clasky is listed as Deborah and John's son. A 9-year-old boy who is a talented singer. In the parsed data, Georgie Clasky is connected to 10 scenes, 10 dialogue lines, 10 text mentions, first appearing around scene 38.

10 scenes / 10 dialogue lines

Monica

Monica is listed as Flor's aunt. Manager of the apartment complex where Flor and Cristina live. In the parsed data, Monica is connected to 8 scenes, 7 dialogue lines, 7 text mentions, first appearing around scene 29.

8 scenes / 7 dialogue lines

Scene outline

  1. 1. INT. BEDROOM - LATE AFTERNOON

    A couple in Mexico City engages in a massage that devolves into a domestic argument.

    Flor Moreno
  2. 2. INT/EXT. BEDROOM / DUSTY ROAD - LATE AFTERNOON

    The woman sees her daughter's school bus and rushes out to meet her, ignoring her husband.

    Flor Moreno, Cristina Moreno
  3. 3. EXT. DUSTY ROAD - LATE AFTERNOON

    Cristina arrives home from school and narrates her life story to Princeton admissions.

    Cristina Moreno
  4. 4. INT/EXT. HOUSE - LATE AFTERNOON

    Flor shields Cristina from the sight of her father being arrested.

    Flor Moreno, Cristina Moreno
  5. 5. INT. KITCHEN / HUSBAND'S ROOM - LATE AFTERNOON

    Flor creates a distraction to cover the sound of a gunshot during her husband's arrest.

    Flor Moreno, Cristina Moreno
  6. 6. INT/EXT. KITCHEN - LATE AFTERNOON

    Cristina says 'Hi' in English, and Flor teaches her to handle her emotions.

    Flor Moreno, Cristina Moreno
  7. 7. INT. MOTHER'S BEDROOM - NIGHT

    Flor cries in bed with her daughter.

    Flor Moreno, Cristina Moreno
  8. 8. INT. GIRL'S ROOM - DAY

    Cristina studies while Flor manages their life.

    Flor Moreno, Cristina Moreno
  9. 9. INT. SERIES OF SHOTS - DAY

    Montage of Cristina growing up and Flor working.

    Flor Moreno, Cristina Moreno
  10. 10. INT. MOTHER'S BEDROOM - NIGHT

    Flor and Cristina share intimate moments.

    Flor Moreno, Cristina Moreno
  11. 11. INT/EXT. MONTAGE - DAY

    Flor secures their move to the U.S.

    Flor Moreno
  12. 12. INT. SMALL AIRPLANE - MAGIC HOUR

    Flor and Cristina fly to the U.S.

    Flor Moreno, Cristina Moreno
  13. 13. EXT. AERIAL SHOT - DAY

    The plane crosses the Rio Grande.

  14. 14. INT. SMALL PLANE - DAY

    The pilot is attracted to Flor.

    Flor Moreno
  15. 15. EXT. FIELD - NIGHT

    The plane lands.

  16. 16. EXT. FIELD - NIGHT

    Flor and Cristina arrive in Texas.

    Flor Moreno, Cristina Moreno
  17. 17. EXT. HIGHWAY - DAY

    Flor and Cristina wait for a bus.

    Cristina Moreno
  18. 18. EXT. HIGHWAY - DUSK

    They leave Texas.

    Cristina Moreno
  19. 19. EXT. NORTH VALLEY STREET - EARLY EVENING

    They arrive at their new destination.

    Flor Moreno, Cristina Moreno
  20. 20. EXT. APT. COMPLEX - DAY

    They move into an apartment managed by Monica.

    Monica
  21. 21. INT. APT. - DAY

    Flor enters the apartment.

    Flor Moreno
  22. 22. INT. APT. KITCHEN - DAY

    Cristina manages household tasks.

    Cristina Moreno
  23. 23. EXT. APT. COMPLEX - DAY

    A wedding reception takes place.

    Flor Moreno, Cristina Moreno
  24. 24. INT. BUS - DAY

    Flor and Monica head to a job interview.

    Flor Moreno, Monica
  25. 25. INT. BUS - DAY

    The bride gives directions.

    Flor Moreno
  26. 26. EXT. STONE CANYON - DAY

    Flor and Monica walk through the neighborhood.

    Flor Moreno, Monica
  27. 27. EXT. HOUSE SECURITY GATE - DAY

    They arrive at the house.

    Monica
  28. 28. EXT. HOUSE - DAY

    The house exterior.

  29. 29. INT/EXT. HOUSE - DAY

    Flor and Monica meet Deborah, Evelyn, and Bernice.

    Flor Moreno, Deborah Norwich Clasky, Bernice Clasky, Evelyn Norwich, Monica
  30. 30. EXT. HOUSE BACKYARD - DAY

    The job interview.

    Flor Moreno, Deborah Norwich Clasky, Bernice Clasky, Evelyn Norwich, Monica
  31. 31. EXT. CLASKY HOUSE - DAY

    Flor and Monica leave.

    Flor Moreno, Monica
  32. 32. EXT. STONE CANYON - EVENING

    John Clasky arrives home.

    John Clasky
  33. 33. EXT. CLASKY HOUSE - EVENING

    John arrives at the house.

    John Clasky
  34. 34. INT. CLASKY HOUSE - EVENING

    John enters the kitchen.

    John Clasky
  35. 35. INT/EXT. CLASKY HOUSE - BACKYARD - NIGHT

    Deborah and caterers finish rolling sod in the backyard; John observes and they discuss the lawn and their relationship.

    John Clasky, Deborah Norwich Clasky
  36. 36. INT. OLIVE GARDEN TYPE RESTAURANT - NIGHT

    Flor and Cristina celebrate at a restaurant, navigating the menu and attention from other diners.

    Flor Moreno, Cristina Moreno
  37. 37. EXT. STONE CANYON - 6:30 A.M.

    Flor walks to work while Deborah jogs past, anxious and competitive.

    Flor Moreno, Deborah Norwich Clasky
  38. 38. INT. CLASKY HOUSE - UPSTAIRS - DAY

    John wakes up Georgie.

    John Clasky, Georgie Clasky
  39. 39. INT. CLASKY HOUSE - KITCHEN - DAY

    Bernice prepares French toast.

    Bernice Clasky
  40. 40. INT. CLASKY HOUSE - UPSTAIRS - DAY

    John confirms Georgie is getting up and discusses if he is mad at him.

    John Clasky, Georgie Clasky
  41. 41. INT. CLASKY HOUSE - KITCHEN - DAY

    Flor arrives; Bernice shares her French toast; Deborah criticizes Bernice and gives Flor instructions.

    Flor Moreno, Deborah Norwich Clasky, Bernice Clasky
  42. 42. INT. CLASKY HOUSE - MASTER BATHROOM - DAY

    John and Deborah argue while she gets ready.

    Deborah Norwich Clasky, John Clasky
  43. 43. INT. CLASKY HOUSE - MASTER BEDROOM - DAY

    Deborah continues the argument with John.

    Deborah Norwich Clasky, John Clasky
  44. 44. INT. CLASKY HOUSE - KITCHEN - DAY

    Flor works in the kitchen while hearing the argument upstairs.

    Flor Moreno
  45. 45. INT. CLASKY HOUSE - MASTER BEDROOM - DAY

    John and Deborah continue their intense discussion about their relationship.

    Deborah Norwich Clasky, John Clasky
  46. 46. INT. CLASKY HOUSE - KITCHEN - DAY

    John meets Flor; Deborah enters and introduces them.

    Flor Moreno, Deborah Norwich Clasky, John Clasky, Georgie Clasky
  47. 47. EXT. CLASKY HOUSE - DRIVEWAY - DAY

    Deborah and Flor drive to school; Georgie sings in the back.

    Flor Moreno, Deborah Norwich Clasky, Georgie Clasky
  48. 48. INT. RESTAURANT KITCHEN - LATE AFTERNOON

    John works in the kitchen and discusses his philosophy on success with his staff.

    John Clasky
  49. 49. INT. CLASKY KITCHEN - DAY

    Evelyn talks to Bernice and Flor; Deborah enters and criticizes Evelyn's drinking.

    Flor Moreno, Deborah Norwich Clasky, Bernice Clasky, Evelyn Norwich
  50. 50. INT. BERNIE'S ROOM - LATE AFTERNOON

    John helps Bernice with homework; Deborah brings new clothes that don't fit.

    Deborah Norwich Clasky, John Clasky, Bernice Clasky
  51. 51. INT. STAIRWELL - EARLY EVENING

    John and Deborah argue; Flor asks to leave.

    Flor Moreno, Deborah Norwich Clasky, John Clasky
  52. 52. EXT. CLASKY HOUSE - DRIVEWAY - DAY

    John offers to drive Flor to the bus stop.

    Flor Moreno, John Clasky
  53. 53. INT. JOHN'S CAR - EARLY EVENING

    John and Flor drive down the canyon.

    Flor Moreno, John Clasky
  54. 54. EXT. BUS STOP - EARLY EVENING

    Flor is dropped off at the bus stop and struggles to shake off the frustration of her day.

    Flor Moreno
  55. 55. INT. FLOR'S APT. - EVENING

    Flor returns home and works with Cristina to learn a specific English phrase.

    Flor Moreno, Cristina Moreno
  56. 56. EXT. BUS STOP - NORTH VALLEY - PRE-DAWN

    Flor catches an empty bus in the early morning.

    Flor Moreno
  57. 57. EXT. STREET - NEAR BUS STOP - FIRST LIGHT

    Deborah runs past UCLA students while Flor walks to work.

    Flor Moreno, Deborah Norwich Clasky
  58. 58. INT. CLASKY HOUSE - EXTREME EARLY MORNING

    Flor enters the sleeping house.

    Flor Moreno
  59. 59. INT. BERNIE'S ROOM - FIRST LIGHT

    Flor retrieves the clothes Deborah gave to Bernice.

    Flor Moreno, Bernice Clasky
  60. 60. EXT. STREET - STEEP INCLINE - DAY

    Deborah struggles but eventually passes runners on a hill.

    Deborah Norwich Clasky
  61. 61. INT. CLASKY MAID'S ROOM - EARLY MORNING

    Flor alters the clothes.

    Flor Moreno
  62. 62. INT. BERNIE'S ROOM - MORNING

    Flor presents the altered clothes to Bernice.

    Flor Moreno, Bernice Clasky
  63. 63. INT. CLASKY HOUSE - KITCHEN - DAY

    Bernice embraces Flor.

    Flor Moreno, Bernice Clasky
  64. 64. INT. CLASKY HOUSE - DAY

    John hears singing.

    John Clasky
  65. 65. INT. DEN - DAY

    John finds Evelyn and Georgie singing.

    John Clasky, Evelyn Norwich, Georgie Clasky
  66. 66. EXT. CLASKY HOUSE - DAY

    John reads a review about himself in the newspaper.

    John Clasky
  67. 67. INT. CLASKY HOUSE - DAY

    John enters the house and asks for Deborah.

    Flor Moreno, John Clasky, Evelyn Norwich
  68. 67. INT. CLASKY HOUSE - UPSTAIRS - BERNIE'S ROOM - DAY

    John checks on his children.

    John Clasky, Bernice Clasky, Georgie Clasky
  69. 68. INT. GEORGIE'S ROOM - DAY

    John helps Georgie with a card trade.

    John Clasky, Georgie Clasky
  70. 69. INT. KITCHEN - DAY

    Flor and Evelyn hear a sound of exultation.

    Flor Moreno, Evelyn Norwich
  71. 70. INT. BERNIE'S ROOM - DAY

    Bernice reads the review of John's restaurant aloud.

    Flor Moreno, John Clasky, Bernice Clasky, Evelyn Norwich, Georgie Clasky
  72. 71. INT. BEDROOM - LATE AFTERNOON

    Deborah and John are intimate.

    Deborah Norwich Clasky, John Clasky
  73. 72. EXT. NORTH VALLEY - DAY

    Flor buys the New York Times.

    Flor Moreno
  74. 73. INT. FLOR'S APT. - NIGHT

    Cristina translates the review for Flor.

    Flor Moreno, Cristina Moreno
  75. 74. INT. CLASKY MASTER BEDROOM - DAY

    Deborah becomes depressed during intimacy.

    Deborah Norwich Clasky, John Clasky
  76. 75. INT. JOHN'S CAR - DAY

    John and Flor have an awkward encounter.

    Flor Moreno, John Clasky
  77. 76. INT. RESTAURANT - DAY

    John discusses restaurant operations with Victor.

    John Clasky
  78. 77. INT. RESTAURANT KITCHEN - DAY

    Peter asks to talk to John.

    John Clasky
  79. 78. INT. RESTAURANT - COOLING ROOM - DAY

    Peter tells John about a job offer.

    John Clasky
  80. 79. INT. CLASKY BEDROOM - NIGHT

    John and Deborah argue about the restaurant.

    Deborah Norwich Clasky, John Clasky

Dialogue examples

I don't know what to root for.. the thought of one star makes me nauseous..but with four there's no place to go but, "Oh my God, they took away a star." Three..three and a half. That's what you want..No. Wrong! Three and a half you feel disappointed that you just missed out on four. You know what you want? Three and a quarter.. That would be perfect!! It would mean you're good..but you're not good enough to feel disappointed that you just missed out on excellent..but nothing truly bad happened, you still got your three and a quarter stars. Which encourages you to try and improve..And you still get enough respect so that you can get good people to work with you..Business is good but not crazy. You're right there underneath the radar where you get to mind your own business. That's a solid life.

John Clasky / Scene 48

To Princeton University's Director of Admissions: In considering me for a scholarship you have asked for, and have every reason to expect, an essay from me about myself. And, as a clever high school graduate, I of course realize the subtext of this essay about who I am and why I want to enter Princeton, is actually to make clear to you why you should have me. I have gotten tips, from friends who have preceded me to college, that being a Latina, with my grades, list of activities and relative poverty, I am as good as in if I simply do the dance and work in a word like "bipolarization" every so often. And while I love dances -- this dance of self is one I am afraid to master. I prefer to write about my mother.

Cristina Moreno / Scene 3

I helped run a commercial design company until ten months ago when it was downsized to zip. Okay. I have two children. I like the house to be like me in that I'm very loose and meticulous at the same time. It's all about first names and closeness here but I care about the place, you know. It's what they used to call homemaker..

Deborah Norwich Clasky / Scene 30

It's a slant... Hey..I know there's a lot you went through but I knew all along that Grandma was right about you coming back..I mean totally knew it so I wasn't that worried. But still I... I really appreciate it, Dad. Thanks....Stop staring at me..what? You don't know what to say?

Bernice Clasky / Scene 143

Anyway, she said, "aren't you Evelyn Wright?" First of all, that she recognized me from the old covers and then she .... Oh, please her name..it makes the story so much better...She said, "Whenever I think everything is.." a mother hmmmhmmm...I put on one of your records.."

Evelyn Norwich / Scene 49

Don't worry..I'm not mad...I was looking for decoration to put on the glass so people would stop walking into it and instead of taking what they had in stock, which was awful, I special ordered. I'll design something myself which I should have done in the fi...

Deborah Norwich Clasky / Scene 29

Do I ever hope so...I've been seeing another man for the last eleven weeks and it was nothing and I ended it tonight..At first it was just keeping an eye on the real estate market..Then it was...what? Me being insecure and looking for some ridiculous vali...

Deborah Norwich Clasky / Scene 127

Do I ever hope so...I've been seeing another man for the last eleven weeks and it was nothing and I ended it tonight..At first it was just keeping an eye on the real estate market..Then it was...what? Me being insecure and looking for some ridiculous vali...

Deborah Norwich Clasky / Scene 130

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