Scripts
SING SING poster

2024

SING SING script

John "Divine G" Whitfield, a long-term inmate and leader of the RTA theater program, invites new inmate Clarence "Divine Eye" Maclin to join the group. Divine Eye struggles with rehearsals, leading to a tense confrontation with Divine G about their lives and the purpose of the theater program. Divine G mentors Divine Eye for his parole hearing, but Divine G's own clemency is denied, causing him to break down during rehearsal. After Divine Eye is granted parole, Divine G is eventually released from prison, and Divine Eye picks him up, signifying their shared transformation.

Writer
Clint Bentley & Greg Kwedar
IMDb ID (imdb_id)
tt28479262
Script date
2024
65Scenes
11Characters
52Pages
6Dialogue samples

Save the Cat beat sheet

SING SING Save the Cat analysis

A seasoned inmate-actor, Divine G, leads a prison theater troupe, mentoring a reluctant newcomer, Divine Eye.

Open full beat sheet
75

Key characters

John "Divine G" Whitfield

John "Divine G" Whitfield is listed as Protagonist, Writer, Actor. A long-term inmate at Sing Sing, writer, and leader of the RTA program. In the parsed data, John "Divine G" Whitfield is connected to 56 scenes, 17 dialogue lines, 17 text mentions, first appearing around scene 1.

56 scenes / 17 dialogue lines

Clarence "Divine Eye" Maclin

Clarence "Divine Eye" Maclin is listed as Supporting, Actor. A broad-shouldered, muscular inmate who joins the RTA program. In the parsed data, Clarence "Divine Eye" Maclin is connected to 35 scenes, 5 dialogue lines, 5 text mentions, first appearing around scene 37.

35 scenes / 5 dialogue lines

Brent

Brent is listed as Director. The civilian volunteer director of the RTA theater program. In the parsed data, Brent is connected to 22 scenes, 1 dialogue line, 1 text mention, first appearing around scene 29.

22 scenes / 1 dialogue lines

Mike Mike

Mike Mike is listed as Supporting, Steering Committee Member. A close friend and fellow inmate of Divine G. In the parsed data, Mike Mike is connected to 15 scenes, 1 dialogue line, 1 text mention, first appearing around scene 31.

15 scenes / 1 dialogue lines

Dap

Dap is listed as Supporting, Steering Committee Member. A member of the RTA Steering Committee. In the parsed data, Dap is connected to 7 scenes, first appearing around scene 7.

7 scenes / 0 dialogue lines

Big E

Big E is listed as Supporting. A member of the RTA theater group. In the parsed data, Big E is connected to 6 scenes, 1 dialogue line, 1 text mention, first appearing around scene 29.

6 scenes / 1 dialogue lines

JJ

JJ is listed as Supporting, Steering Committee Member. A member of the RTA Steering Committee. In the parsed data, JJ is connected to 5 scenes, first appearing around scene 7.

5 scenes / 0 dialogue lines

Dino

Dino is listed as Supporting. A member of the RTA theater group. In the parsed data, Dino is connected to 4 scenes, first appearing around scene 12.

4 scenes / 0 dialogue lines

Mosi

Mosi is listed as Supporting. A member of the RTA theater group. In the parsed data, Mosi is connected to 3 scenes, 1 dialogue line, 1 text mention, first appearing around scene 29.

3 scenes / 1 dialogue lines

Clay

Clay is listed as Minor. A young, new prisoner who interacts with Divine Eye. In the parsed data, Clay is connected to 2 scenes, first appearing around scene 9.

2 scenes / 0 dialogue lines

Charlie

Charlie is listed as Supporting. A former inmate and RTA member who returns to visit. In the parsed data, Charlie is connected to 1 scene, first appearing around scene 59.

1 scenes / 0 dialogue lines

Scene outline

  1. 1. INT. THEATER - DAY

    A man performs a monologue from A Midsummer Night's Dream on stage to a standing ovation.

    John "Divine G" Whitfield
  2. 2. INT. BACKSTAGE - A LITTLE LATER

    The cast changes into jumpsuits and is counted by corrections officers.

    John "Divine G" Whitfield
  3. 3. EXT. SING SING CORRECTIONAL FACILITY - MORNING

    Establishing shots of the prison facility.

  4. 4. INT. B BLOCK - EARLY MORNING

    Divine G works on his writing in his cell.

    John "Divine G" Whitfield
  5. 5. INT. MESS HALL - LATER

    Divine G signs a book for a fan who recognizes him from his performance.

    John "Divine G" Whitfield
  6. 6. EXT. YARD - AFTERNOON

    Divine G feeds geese in the yard before a siren forces everyone to the ground.

    John "Divine G" Whitfield
  7. 7. INT. CLASSROOM - ANOTHER DAY

    The Steering Committee discusses the previous production and reviews the waitlist, considering Divine Eye.

    John "Divine G" Whitfield, Mike Mike, Dap, JJ
  8. 8. EXT. YARD BERM - ANOTHER DAY

    Divine G and Mike Mike spot Divine Eye in the yard.

    John "Divine G" Whitfield, Mike Mike
  9. 9. EXT. YARD COURTYARD, 2ND LEVEL - CONTINUOUS

    Divine G and Mike Mike watch Divine Eye interact with a young prisoner.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Mike Mike, Clay
  10. 10. EXT. YARD COURTYARD, 2ND LEVEL - CONTINUOUS

    Divine G and Mike Mike approach Divine Eye to invite him to the RTA program.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Mike Mike
  11. 11. INT. CLASSROOM - ANOTHER DAY

    Brent leads the new group in a warm-up exercise.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent
  12. 12. INT. CLASSROOM - LATER

    The group discusses what play to perform next; Divine Eye suggests a comedy.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent, Mike Mike, Dap, Dino
  13. 13. INT. DIVINE G'S CELL - LATER

    Divine G and Mike Mike discuss the play choice through the cell walls.

    John "Divine G" Whitfield, Mike Mike
  14. 14. INT. CLASSROOM - ONLY DAYS LATER

    Brent introduces the script for 'Breakin' The Mummy's Code'.

    John "Divine G" Whitfield, Brent, Mike Mike
  15. 15. INT. CLASSROOM - ANOTHER DAY

    The Steering Committee holds auditions.

    John "Divine G" Whitfield, Brent
  16. 16. INT. CLASSROOM - DAY

    Audition montage.

    John "Divine G" Whitfield
  17. 17. INT. CLASSROOM - CONTINUOUS

    Divine G finishes his audition.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent
  18. 18. INT. CORRIDOR - MOMENTS LATER

    Divine G and Divine Eye speak outside the audition room.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin
  19. 19. INT. REC ROOM - DAY

    Divine G and Mike Mike rehearse a scene.

    John "Divine G" Whitfield, Mike Mike
  20. 20. INT. THEATER - LATER

    The company gathers to receive their roles.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent
  21. 21. INT. THEATER / ONSTAGE - LATER

    The group begins rehearsals.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent, Dap, Mosi
  22. 22. INT. THEATER / ONSTAGE - LATER

    Divine G and Mike Mike rehearse.

    John "Divine G" Whitfield, Brent, Mike Mike
  23. 23. INT. THEATER / ONSTAGE - LATER

    Divine Eye struggles through his rehearsal.

    Clarence "Divine Eye" Maclin, Brent
  24. 24. INT. SING SING HALLWAY - LATER

    The Steering Committee discusses the challenges of the production.

    John "Divine G" Whitfield, Mike Mike, Dap, JJ, Dino
  25. 25. INT. THEATER - ANOTHER DAY

    The group does physical acting exercises.

    Clarence "Divine Eye" Maclin
  26. 26. INT. THEATER - LATER

    Divine G confronts Divine Eye about his attitude.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin
  27. 27. INT. THEATER / WINDOW - CONTINUOUS

    Divine G and Divine Eye have a tense conversation in the Steeple.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin
  28. 28. INT. MESS HALL - ANOTHER DAY

    Divine G observes Divine Eye conducting illicit exchanges in the mess hall.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin
  29. 29. INT. THEATER - LATER THAT DAY

    The theater group holds roll call and notes the absence of Divine Eye and Carlos.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent, Big E, Mosi
  30. 30. INT. DIVINE G'S CELL - NIGHT

    A CO conducts a random contraband search of Divine G's cell.

    John "Divine G" Whitfield
  31. 31. INT. THEATER - LATER

    Brent leads a visualization exercise; Divine Eye joins late.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent, Mike Mike
  32. 32. INT. THEATER - ANOTHER DAY

    The group struggles with blocking and Dino shares a traumatic story.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent, Dino
  33. 33. INT. SING SING HALLWAY - ANOTHER DAY

    Divine G waits in a long line in a hallway.

    John "Divine G" Whitfield
  34. 34. INT. THEATER - LATER THAT DAY

    Divine G and Divine Eye discuss life, family, and the theater process.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent
  35. 35. INT. REC ROOM - THE NEXT DAY

    Divine G teaches Divine Eye his method for memorizing lines and organizing goals.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin
  36. 36. INT. THEATER - ANOTHER DAY

    The group practices 'dying' in a creative exercise.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent
  37. 37. INT. THEATER - LATER

    Divine G coaches Divine Eye on how to command the stage.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent
  38. 38. INT. THEATER - ANOTHER DAY

    The cast discusses props and character motivations.

    Brent, Dap, JJ, Big E, Mike Mike
  39. 39. INT. THEATER - MOMENTS LATER

    The group performs a fight scene for the Superintendent.

    John "Divine G" Whitfield, Brent, Mike Mike
  40. 40. INT. THEATER - ANOTHER DAY

    Divine Eye expresses doubts about the theater's impact on his life.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin
  41. 41. INT. THEATER - ANOTHER DAY

    The cast performs a dance for their curtain call.

    Clarence "Divine Eye" Maclin, Brent
  42. 42. INT. THEATER - LATER

    The cast rehearses with set pieces.

  43. 43. INT. THEATER - LATER

    Divine Eye performs his soliloquy.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent, Mike Mike
  44. 44. EXT. YARD - ANOTHER DAY

    Divine G tries to help Divine Eye prepare for his parole hearing.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin
  45. 45. INT. DIVINE G'S CELL - NIGHT

    Divine G and Mike Mike talk across their cells.

    John "Divine G" Whitfield, Mike Mike
  46. 46. INT. DIVINE G'S CELL - NEXT MORNING

    Divine G hears Mike Mike's cell being cleared out.

    John "Divine G" Whitfield
  47. 47. INT. THEATER - SOME TIME LATER

    The group mourns the loss of Mike Mike.

    John "Divine G" Whitfield, Big E
  48. 48. INT. THEATER - A LITTLE LATER

    Divine G and Divine Eye discuss the loss of Mike Mike.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin
  49. 49. INT. PAY PHONE - DAY

    Divine G has an emotional phone call with his mother while waiting in line.

    John "Divine G" Whitfield
  50. 50. INT. PAROLE BOARD HEARING - DAY

    Divine G attends a clemency hearing with three commissioners.

    John "Divine G" Whitfield
  51. 51. INT. PACKAGE ROOM - DAY

    Divine G receives a thick letter from the Parole Board.

    John "Divine G" Whitfield
  52. 52. INT. THEATER / WINDOW - DAY

    Divine G and Divine Eye share a moment after Divine Eye receives parole.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin
  53. 53. INT. THEATER - DAY

    The group celebrates Divine Eye's parole with a cupcake.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin
  54. 54. INT. THEATER - DAY

    The cast tries on costumes for the upcoming play.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Big E
  55. 55. INT. ONSTAGE - LATER

    Divine G has a breakdown during rehearsal.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent
  56. 56. INT. CLASSROOM - DAY

    The cast discusses Divine G's behavior.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin, Brent, Dap, JJ, Dino
  57. 57. INT. MESS HALL - DAY

    Clay gives money to Divine Eye.

    Clarence "Divine Eye" Maclin, Clay
  58. 58. INT. DIVINE EYE'S CELL - NIGHT

    Divine Eye rehearses his lines.

    Clarence "Divine Eye" Maclin
  59. 59. INT. CLASSROOM - LATER

    Charlie visits the group.

    Charlie, Brent
  60. 60. EXT. YARD / STAIRCASE - AFTERNOON

    Divine G and Divine Eye talk about their pasts.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin
  61. 61. INT. THEATER - EVENING

    The cast welcomes Divine G back.

    John "Divine G" Whitfield
  62. 62. INT. DIVINE EYE'S CELL - LATER

    Divine G visits Divine Eye before his release.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin
  63. 63. INT. CLASSROOM - LATER

    The Steering Committee discusses future plays.

    John "Divine G" Whitfield, Dap, JJ, Big E
  64. 64. INT. DIVINE G'S CELL - DAY

    Divine G is released from prison.

    John "Divine G" Whitfield
  65. 65. EXT. SUV / COUNTRY ROAD - DAY

    Divine Eye picks up Divine G.

    John "Divine G" Whitfield, Clarence "Divine Eye" Maclin

Dialogue examples

...No, that's not what I'm saying but-- But you need to tell them that they can't talk to you like-- I hear you, Mama, but-- Well why are we even talking about then? If you don't want to do anything about it, then you're just wasting your time by-- I'm sorry, I just... No, I'm not nervous, I just want to have it done already. Maybe I'm a little nervous. Yes ma'am. I know. I'm just-- I'm just ready to see you, Mama. I'm ready to come home.

John "Divine G" Whitfield / Scene 49

We the willing, led by the unknowing, have been doing the impossible for the ungrateful for so long, with so little, that now we are qualified to do anything with nothing. I love yall man. Every one of you. Now come up here and get some of this. Everyone gets a taste, even if its just a little one.

Clarence "Divine Eye" Maclin / Scene 53

If I gotta be stuck somewhere. This is where I'd be here. Right here with yall. This spot. This is perfect.

Mike Mike / Scene 31

Carlos is on A Block. They've been on keeplock all day.

Mosi / Scene 29

What about Divine Eye? Is he on A Block?

Brent / Scene 29

Nope. He's B Block. No idea where he is.

Big E / Scene 29

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