Scripts
Seven poster

1992

Seven script

Cynical Detective Somerset and idealistic Detective Mills investigate a series of gruesome murders inspired by the seven deadly sins. The killer, John Doe, meticulously plans his crimes, leaving cryptic clues and targeting victims representing gluttony, greed, sloth, and lust. Doe surrenders after orchestrating the final two sins: envy, by revealing he coveted Mills' life, and wrath, by confessing to murdering Mills' pregnant wife, Tracy. Consumed by rage, Mills shoots Doe, completing the killer's twisted plan, while Somerset leaves the city and Mills faces the devastating consequences.

Writer
Andrew Kevin Walker
IMDb ID (imdb_id)
tt0114369
Script date
January 27, 1992
90Scenes
11Characters
100Pages
8Dialogue samples

Save the Cat beat sheet

Seven Save the Cat analysis

Veteran detective Somerset and newcomer Mills team up to hunt a serial killer who stages murders around the seven deadly sins.

Open full beat sheet
78

Key characters

Mike O'Donnell

Mike O'Donnell is listed as Protagonist. 36-year-old man who transforms back into his 17-year-old self. In the parsed data, Mike O'Donnell is connected to 66 scenes, 105 dialogue lines, 105 text mentions, first appearing around scene 3.

66 scenes / 105 dialogue lines

Ed Freedman

Ed Freedman is listed as Supporting. Mike's wealthy, eccentric best friend. In the parsed data, Ed Freedman is connected to 59 scenes, 83 dialogue lines, 83 text mentions, first appearing around scene 7.

59 scenes / 83 dialogue lines

Scarlet O'Donnell

Scarlet O'Donnell is listed as Supporting. Mike's estranged wife, a landscape designer. In the parsed data, Scarlet O'Donnell is connected to 22 scenes, 17 dialogue lines, 17 text mentions, first appearing around scene 11.

22 scenes / 17 dialogue lines

Alex O'Donnell

Alex O'Donnell is listed as Supporting. Mike and Scarlet's son. In the parsed data, Alex O'Donnell is connected to 14 scenes, 33 dialogue lines, 33 text mentions, first appearing around scene 23.

14 scenes / 33 dialogue lines

Maggie O'Donnell

Maggie O'Donnell is listed as Supporting. Mike and Scarlet's daughter. In the parsed data, Maggie O'Donnell is connected to 9 scenes, 25 dialogue lines, 25 text mentions, first appearing around scene 17.

9 scenes / 25 dialogue lines

Coach Harvey

Coach Harvey is listed as Supporting. Basketball coach at Fitch Senior High School. In the parsed data, Coach Harvey is connected to 6 scenes, 12 dialogue lines, 12 text mentions, first appearing around scene 14.

6 scenes / 12 dialogue lines

Julie Goodwin

Julie Goodwin is listed as Supporting. Principal of Fitch Senior High School. In the parsed data, Julie Goodwin is connected to 4 scenes, 11 dialogue lines, 11 text mentions, first appearing around scene 44.

4 scenes / 11 dialogue lines

Stan

Stan is listed as Antagonist. High school bully and Maggie's boyfriend. In the parsed data, Stan is connected to 3 scenes, 16 dialogue lines, 16 text mentions, first appearing around scene 20.

3 scenes / 16 dialogue lines

Janitor

Janitor is listed as Mysterious. An enigmatic school janitor who appears to know more than he says. In the parsed data, Janitor is connected to 3 scenes, 5 dialogue lines, 5 text mentions, first appearing around scene 21.

3 scenes / 5 dialogue lines

char_11

char_11 is identified from the parsed character and dialogue data. In the parsed data, char_11 is connected to 2 scenes, 1 dialogue line, 1 text mention, first appearing around scene 77.

2 scenes / 1 dialogue lines

Dom Johnson

Dom Johnson is listed as Supporting. Mike's high school rival, now a nursery owner. In the parsed data, Dom Johnson is connected to 1 scene, 1 dialogue line, 1 text mention, first appearing around scene 48.

1 scenes / 1 dialogue lines

Scene outline

  1. 1. EXT. COUNTRY CHURCH - DAY

    Mass ends at a small country church.

  2. 2. INT. OLD HOUSE - DAY

    Somerset inspects an empty house he is mortgaging.

    Mike O'Donnell
  3. 3. EXT. OLD HOUSE - DAY

    Somerset talks to a real estate agent outside the house.

    Mike O'Donnell
  4. 4. INT. AMTRACK TRAIN - DAY

    Somerset travels by train to the city.

    Mike O'Donnell
  5. 5. INT. SOMERSET'S APARTMENT - NIGHT

    Somerset tries to sleep while listening to a metronome.

    Mike O'Donnell
  6. 6. EXT. URBAN STREET - NIGHT

    Mills intervenes in a car break-in and fights two thugs.

    Ed Freedman
  7. 7. INT. TENEMENT APARTMENT - DAY

    Somerset investigates a crime scene and meets his new partner, Mills.

    Mike O'Donnell, Ed Freedman, Coach Harvey
  8. 8. INT. MILLS' APARTMENT - EARLY MORNING

    Tracy and Mills struggle with the transition to the new city.

    Ed Freedman, Scarlet O'Donnell
  9. 9. INT. APARTMENT/CRIME SCENE - MORNING

    Somerset and Mills investigate an obese man found dead in a kitchen.

    Mike O'Donnell, Ed Freedman, Coach Harvey
  10. 10. INT. PRECINCT HOUSE, BASEMENT GYM - DAY

    Mills and Somerset spar and discuss their partnership.

    Mike O'Donnell, Ed Freedman
  11. 11. INT. INDOOR FRUIT STAND - NIGHT

    Tracy and Mills argue while shopping.

    Ed Freedman, Scarlet O'Donnell
  12. 12. INT. INDOOR FRUIT STAND - NIGHT

    Tracy and Mills argue about their new life, but Mills' act of kindness towards an old woman softens Tracy's mood.

    Ed Freedman, Scarlet O'Donnell
  13. 13. INT. MILLS' APARTMENT, BEDROOM - NIGHT

    Mills and Tracy make love, then Mills goes to work on his case files.

    Ed Freedman, Scarlet O'Donnell
  14. 14. INT. AUTOPSY ROOM - EARLY MORNING

    Mills and Somerset examine the obese corpse with Dr. Santiago.

    Mike O'Donnell, Ed Freedman, Coach Harvey
  15. 15. INT. APARTMENT/CRIME SCENE, HALLWAY/KITCHEN - MORNING

    Mills and Somerset investigate the crime scene and find a hidden note.

    Mike O'Donnell, Ed Freedman
  16. 16. INT. LUXURY APARTMENT/CRIME SCENE - MORNING

    Mills and Somerset investigate a second murder scene involving a pound of flesh.

    Mike O'Donnell, Ed Freedman
  17. 17. INT. PRECINCT HOUSE, CAPTAIN'S OFFICE - EARLY EVENING

    Somerset requests to be taken off the case, but the Captain insists Mills stay on it.

    Mike O'Donnell, Ed Freedman, Maggie O'Donnell
  18. 18. INT. PRECINCT HOUSE, SOMERSET'S OFFICE - MORNING

    Somerset prepares to leave while the Captain visits him.

    Mike O'Donnell, Maggie O'Donnell
  19. 19. INT. LUXURY APARTMENT/CRIME SCENE - DAY

    Mills finds a hidden clue in the second crime scene.

    Ed Freedman
  20. 20. INT. JAZZ CLUB / UNDERGROUND ART GALLERY - NIGHT

    Somerset visits William McCracken to seek help with the case.

    Mike O'Donnell, Stan
  21. 21. INT. MILLS' APARTMENT - NIGHT

    Mills watches a news report about himself.

    Ed Freedman, Scarlet O'Donnell
  22. 22. INT. Library/Study - NIGHT

    William and Somerset discuss the connection between the murders and the seven deadly sins using art books.

    Mike O'Donnell, Stan
  23. 23. EXT. City Street, Porno District - NIGHT

    John Doe wanders through the porno district, feeling out of place and agitated by a street preacher.

    Alex O'Donnell
  24. 24. EXT. Another City Street, Porno District - NIGHT

    John observes a massage parlor, bathed in red neon light.

    Alex O'Donnell
  25. 25. INT. Mills' Apartment Building, Hallway - NIGHT

    Somerset arrives at Mills' apartment to drop off books and meets Tracy.

    Mike O'Donnell, Scarlet O'Donnell
  26. 26. INT. Mills' Apartment - NIGHT

    Somerset waits for Mills and talks with Tracy about David and their life.

    Mike O'Donnell, Scarlet O'Donnell
  27. 27. EXT. City Morgue - MORNING

    Mills leaves the morgue and struggles to understand the books Somerset gave him.

    Ed Freedman
  28. 28. INT. Precinct House, Somerset's Office - DAY

    Somerset and Mills work in the office, acknowledging the case progress.

    Mike O'Donnell, Ed Freedman
  29. 29. INT. Mills' Apartment - NIGHT

    Somerset has dinner with Mills and Tracy, discussing their lives and the city.

    Mike O'Donnell, Ed Freedman, Scarlet O'Donnell
  30. 30. EXT. Mills' Apartment Building, Rooftop - NIGHT

    Somerset and Mills discuss the case and the killer's motives.

    Mike O'Donnell, Ed Freedman
  31. 31. EXT. Slum Tenements - NIGHT

    John Doe prepares for his next act in a tenement building.

    Alex O'Donnell
  32. 32. INT. Safe House - NIGHT

    Mills and Somerset question Mrs. Gold about the murder scene.

    Mike O'Donnell, Ed Freedman
  33. 33. INT. Mrs. Gold's Apartment - NIGHT

    Mills and Somerset show Mrs. Gold crime scene photos to identify clues; she notices a painting is upside-down.

    Ed Freedman, Mike O'Donnell, Scarlet O'Donnell
  34. 34. INT. Luxury Apartment/Crime Scene - NIGHT

    Somerset and Mills investigate the painting and discover a hidden fingerprint.

    Mike O'Donnell, Ed Freedman
  35. 35. INT. Mills' Apartment - NIGHT

    Tracy is alone and unhappy, reading a book about parenthood.

    Scarlet O'Donnell
  36. 36. INT. Luxury Apartment/Crime Scene - NIGHT

    A forensic expert reveals the fingerprint spells 'HELP ME'.

    Mike O'Donnell, Ed Freedman, Coach Harvey
  37. 37. INT. Precinct House, Print Lab - NIGHT

    Detectives wait for the computer to process the fingerprints.

    Mike O'Donnell, Ed Freedman
  38. 38. INT. Precinct House, Hallway - NIGHT

    Somerset and Mills discuss their cynical views on police work.

    Mike O'Donnell, Ed Freedman
  39. 39. INT. Precinct House, Ready Room - EARLY MORNING

    The Captain briefs the team on the suspect, Zero.

    Maggie O'Donnell, Mike O'Donnell, Ed Freedman
  40. 40. INT. Mills' Car - MORNING

    Mills and Somerset drive to the raid, discussing their past experiences with violence.

    Mike O'Donnell, Ed Freedman
  41. 41. INT. Slum Tenement Building - MORNING

    Police raid the apartment and find Zero, who has been tortured for a year.

    Mike O'Donnell, Ed Freedman
  42. 42. INT. Slum Tenement Building, Stairwell - MORNING

    John Doe, disguised as a reporter, photographs the detectives.

    Mike O'Donnell, Ed Freedman, Alex O'Donnell
  43. 43. INT. Hospital Room - DAY

    Mills checks on Zero, who is barely alive.

    Ed Freedman
  44. 44. INT. Catholic Church, Priest's Quarters - AFTERNOON

    Somerset consults Father Bleeker about religious art and the seven deadly sins.

    Mike O'Donnell, Julie Goodwin
  45. 45. INT. Precinct House, Somerset's Office - AFTERNOON

    Mills researches the killer's literary references.

    Ed Freedman
  46. 46. INT. Central Library - AFTERNOON

    Mills researches at the library.

    Ed Freedman
  47. 47. INT. Inner City Cloister - AFTERNOON

    Somerset and Bleeker discuss Father Stone's past.

    Mike O'Donnell, Julie Goodwin
  48. 48. INT. INNER CITY CLOISTER, STONE'S ROOM - AFTERNOON

    Somerset interviews the frail, wheelchair-bound Father Stone about the seven deadly sins.

    Mike O'Donnell, Dom Johnson
  49. 49. INT. CENTRAL LIBRARY, OUTSIDE LIBRARIAN'S OFFICE - AFTERNOON

    Mills works with a librarian to cross-reference library records for potential suspects.

    Ed Freedman
  50. 50. EXT. ABANDONED CHURCH/ORPHANAGE - AFTERNOON

    Establishing shot of the neglected church and orphanage.

  51. 51. INT. ABANDONED ORPHANAGE, CLASSROOM - AFTERNOON

    Somerset and Bleeker search the abandoned classroom.

    Mike O'Donnell, Julie Goodwin
  52. 52. INT. ABANDONED CHURCH - AFTERNOON

    Somerset and Bleeker discover the seven deadly sins paintings above the altar.

    Mike O'Donnell, Julie Goodwin
  53. 53. EXT. ABANDONED CHURCH - LATE AFTERNOON

    Police and forensics swarm the church; Mills and Somerset discuss the library lead.

    Mike O'Donnell, Ed Freedman
  54. 54. INT. SOMERSET'S OFFICE - EARLY EVENING

    Somerset and Mills review the library list and discover the name John Doe.

    Mike O'Donnell, Ed Freedman
  55. 55. INT. JOHN DOE'S APARTMENT BUILDING, HALLWAY - EARLY EVENING

    Somerset and Mills confront John Doe, who opens fire and escapes.

    Mike O'Donnell, Ed Freedman
  56. 56. INT. JOHN DOE'S APARTMENT - NIGHT

    Police search the apartment, finding thousands of notebooks and disturbing art.

    Mike O'Donnell, Ed Freedman
  57. 57. INT. APARTMENT 604 - NIGHT

    Somerset and Mills find the victim of the 'Pride' murder.

    Mike O'Donnell, Ed Freedman, Coach Harvey, Maggie O'Donnell
  58. 58. INT. BOOKSTORE - NIGHT

    Somerset encounters Tracy in a bookstore and they discuss their shared love of books and the city.

    Mike O'Donnell, Scarlet O'Donnell
  59. 59. INT. BOOKSTORE - LATER NIGHT

    Somerset and Tracy discuss Somerset's past and his father's influence on his career.

    Mike O'Donnell, Scarlet O'Donnell
  60. 60. EXT. CITY STREET - NIGHT

    Somerset drops Tracy off near her home.

    Mike O'Donnell, Scarlet O'Donnell
  61. 61. INT. SOMERSET'S CAR - NIGHT

    Somerset and Tracy share an intimate moment in the car.

    Mike O'Donnell, Scarlet O'Donnell, Alex O'Donnell
  62. 62. INT. MILLS' APARTMENT - LATER NIGHT

    Mills discovers evidence that John Doe was in his apartment.

    Ed Freedman, Scarlet O'Donnell
  63. 63. INT. SAFE HOUSE - NIGHT

    Mills and Tracy move into a safe house.

    Ed Freedman, Scarlet O'Donnell
  64. 64. INT. PRECINCT HOUSE, SOMERSET'S OFFICE - EARLY MORNING

    Somerset and Mills discuss the next sin, Lust.

    Mike O'Donnell, Ed Freedman
  65. 65. INT. WILD BILL'S LEATHER SHOPPE - AFTERNOON

    Somerset and Mills interview Wild Bill about a custom job for John Doe.

    Mike O'Donnell, Ed Freedman, Stan
  66. 66. INT. THE HOT HOUSE, RED ROOM - AFTERNOON

    Somerset and Mills investigate the Lust murder scene.

    Mike O'Donnell, Ed Freedman
  67. 67. INT. SANATORIUM - AFTERNOON

    Somerset and Mills interview the man forced to commit the murder.

    Mike O'Donnell, Ed Freedman
  68. 68. INT. PRECINCT HOUSE, SOMERSET'S OFFICE - EARLY EVENING

    Somerset receives a threatening photo from John Doe.

    Mike O'Donnell, Ed Freedman
  69. 69. INT. SPORTS BAR - NIGHT

    Somerset and Mills argue about the nature of the city and their work.

    Mike O'Donnell, Ed Freedman
  70. 70. INT. SAFE HOUSE - NIGHT

    Mills returns to the safe house and shares an emotional moment with Tracy.

    Ed Freedman, Scarlet O'Donnell
  71. 71. INT. COFFEE CAFE - MORNING

    Tracy meets Somerset to discuss her pregnancy.

    Mike O'Donnell, Scarlet O'Donnell
  72. 72. INT. Cafe - DAY

    Somerset gives advice to Tracy about her pregnancy and marriage before leaving.

    Mike O'Donnell, Scarlet O'Donnell
  73. 73. EXT. City Street - DAY

    Mills and Somerset walk to the precinct; Somerset decides to stay on the case.

    Mike O'Donnell, Ed Freedman
  74. 74. INT. Precinct House - DAY

    John Doe turns himself in at the precinct.

    Mike O'Donnell, Ed Freedman, Alex O'Donnell, Maggie O'Donnell
  75. 75. INT. Precinct House, Observation Room - DAY

    The team discusses Doe's lack of fingerprints and his surrender.

    Mike O'Donnell, Ed Freedman, Alex O'Donnell, Maggie O'Donnell, char_11
  76. 76. INT. Precinct House, Somerset's Office - DAY

    Somerset packs his office while Mills stares at the case board.

    Mike O'Donnell, Ed Freedman, Maggie O'Donnell
  77. 77. INT. Precinct House, Captain's Office - DAY

    Swarr presents a deal from John Doe.

    Mike O'Donnell, Ed Freedman, Maggie O'Donnell, Janitor, char_11
  78. 78. INT. Precinct House, Bathroom - LATE AFTERNOON

    Mills and Somerset prepare for the transport.

    Mike O'Donnell, Ed Freedman
  79. 79. INT. Precinct House, Ready Room - LATE AFTERNOON

    Mills is wired for the transport.

    Mike O'Donnell, Ed Freedman
  80. 80. EXT. City Street - LATE AFTERNOON

    The transport convoy departs.

    Mike O'Donnell, Ed Freedman, Alex O'Donnell, Janitor

Dialogue examples

It was my first one of these. We were a secondary unit, in vice. I was pretty shaky going in. When we busted the door, looking for a junkie, the fucking guy opened fire. One cop was hit in the arm. He went flying... like in slow motion. I remember riding in the ambulance. His arm was like... a piece of meat. I thought, it's just his arm. But, he bled to death right there anyway.

Ed Freedman / Scene 40

But, both gardens were beset by problems. Weeds started to take root, and there were infestations of insects and diseases. The gardens started to turn putrid. And, one man fought to save his garden, because he could never forget how it once was. Everyday he cut the weeds, and killed the insects. Fought the diseases.

Alex O'Donnell / Scene 86

Now, Zero has a long, long history of mental illness. Serious illness. He was all over your television sets two years ago after he raped and killed a seventy-three year old woman. He got off, as the saying goes, on a technicality. So we watched him on the streets, and he went out of circulation about a year ago.

Maggie O'Donnell / Scene 39

Did you read in the paper today, about the man who took his dog for a walk? And how he was mugged? And, his wallet was taken, and his watch. Then, while he was still lying unconscious, his attacker stabbed him with a knife in both eyes. It happened last night. Not far from here.

Mike O'Donnell / Scene 18

I move the lungs over. First, see how big this fat son-of-a-bitch stomach is. Now... here is the strange thing, on the stomach. Stretches. And, here is it distended. Look at the size of that, because of the foods.

Coach Harvey / Scene 14

Don't try to tell me you didn't get that rush tonight... that adrenalin. Like we were getting somewhere. And, don't try to tell me it was because you thought we found something that would play well in a courtroom.

Ed Freedman / Scene 38

The irony, David, is that you policemen and I want the same things. But, you are so short sighted. In this city, where you can see a deadly sin on every street corner... and in every home, we want repentance.

Alex O'Donnell / Scene 86

There was a small orphanage attached to the church, overseen by Father Stone. This was almost thirty years ago. He was an excellent priest, devoted in every way. Many in his parish demanded his return.

Julie Goodwin / Scene 47

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