Scripts
SENSE AND SENSIBILITY poster

1800

SENSE AND SENSIBILITY script

After their father's death leaves them impoverished, the Dashwood women—Mrs. Dashwood and her daughters Elinor, Marianne, and Margaret—are forced to leave their home, Norland Park, and relocate to the modest Barton Cottage. Elinor, the eldest, quietly harbors feelings for Edward Ferrars, her sister-in-law Fanny's brother, but their potential attachment is complicated by his family's disapproval and a secret engagement to Lucy Steele. Marianne, the romantic middle sister, falls passionately in love with the dashing John Willoughby, but he abruptly abandons her for a wealthier marriage, leaving her heartbroken and ill. Through these trials, Elinor maintains her composure, while Marianne learns to temper her impulsive nature, ultimately finding a more stable love with the steadfast Colonel Brandon, and Elinor is finally free to marry Edward after Lucy breaks their engagement to marry his wealthier brother.

Writer
Emma Thompson
IMDb ID (imdb_id)
tt0114388
Script date
1800
87Scenes
18Characters
95Pages
8Dialogue samples

Save the Cat beat sheet

SENSE AND SENSIBILITY Save the Cat analysis

Sense and Sensibility follows the Dashwood sisters as they cope with loss, financial hardship, and romantic upheaval after their father’s death.

Open full beat sheet
45

Key characters

Elinor Dashwood

Elinor Dashwood is listed as Eldest daughter. Sensible, reserved, and responsible. In the parsed data, Elinor Dashwood is connected to 64 scenes, 121 dialogue lines, 121 text mentions, first appearing around scene 3.

64 scenes / 121 dialogue lines

Marianne Dashwood

Marianne Dashwood is listed as Middle daughter. Romantic, passionate, and impulsive. In the parsed data, Marianne Dashwood is connected to 60 scenes, 81 dialogue lines, 82 text mentions, first appearing around scene 5.

60 scenes / 81 dialogue lines

Mrs. Dashwood

Mrs. Dashwood is listed as Matriarch. Devoted mother, emotional and protective. In the parsed data, Mrs. Dashwood is connected to 32 scenes, 48 dialogue lines, 48 text mentions, first appearing around scene 1.

32 scenes / 48 dialogue lines

Mrs. Jennings

Mrs. Jennings is listed as Mother-in-law to Sir John. Gossip-loving, meddlesome, and kind-hearted. In the parsed data, Mrs. Jennings is connected to 26 scenes, 37 dialogue lines, 37 text mentions, first appearing around scene 13.

26 scenes / 37 dialogue lines

Margaret Dashwood

Margaret Dashwood is listed as Youngest daughter. Adventurous, tomboyish, and curious. In the parsed data, Margaret Dashwood is connected to 26 scenes, 10 dialogue lines, 10 text mentions, first appearing around scene 4.

26 scenes / 10 dialogue lines

Colonel Brandon

Colonel Brandon is listed as Friend of Sir John. Melancholy, honorable, and wealthy. In the parsed data, Colonel Brandon is connected to 22 scenes, 35 dialogue lines, 50 text mentions, first appearing around scene 14.

22 scenes / 35 dialogue lines

Lucy Steele

Lucy Steele is listed as Cousin to Mrs. Jennings. Calculating, ambitious, and secretive. In the parsed data, Lucy Steele is connected to 16 scenes, 29 dialogue lines, 32 text mentions, first appearing around scene 29.

16 scenes / 29 dialogue lines

John Willoughby

John Willoughby is listed as Suitor. Charming, handsome, and ultimately fickle. In the parsed data, John Willoughby is connected to 15 scenes, 36 dialogue lines, 38 text mentions, first appearing around scene 21.

15 scenes / 36 dialogue lines

Charlotte Palmer

Charlotte Palmer is listed as Daughter of Mrs. Jennings. Talkative and somewhat oblivious. In the parsed data, Charlotte Palmer is connected to 12 scenes, 22 dialogue lines, 22 text mentions, first appearing around scene 29.

12 scenes / 22 dialogue lines

Thomas

Thomas is listed as Manservant. Loyal servant to the Dashwood family. In the parsed data, Thomas is connected to 12 scenes, 8 dialogue lines, 15 text mentions, first appearing around scene 1.

12 scenes / 8 dialogue lines

Mr. Palmer

Mr. Palmer is listed as Husband of Charlotte. Cynical, dry-witted, and often annoyed. In the parsed data, Mr. Palmer is connected to 11 scenes, 10 dialogue lines, 10 text mentions, first appearing around scene 29.

11 scenes / 10 dialogue lines

Sir John Middleton

Sir John Middleton is listed as Cousin to Mrs. Dashwood. Boisterous, hospitable, and loud. In the parsed data, Sir John Middleton is connected to 10 scenes, 6 dialogue lines, 8 text mentions, first appearing around scene 16.

10 scenes / 6 dialogue lines

Fanny Dashwood

Fanny Dashwood is listed as John's wife. Selfish, manipulative, and status-conscious. In the parsed data, Fanny Dashwood is connected to 10 scenes, 5 dialogue lines, 5 text mentions, first appearing around scene 2.

10 scenes / 5 dialogue lines

John Dashwood

John Dashwood is listed as Son of Mr. Dashwood. Pompous, anxious, and easily influenced by his wife. In the parsed data, John Dashwood is connected to 8 scenes, 8 dialogue lines, 8 text mentions, first appearing around scene 1.

8 scenes / 8 dialogue lines

Edward Ferrars

Edward Ferrars is listed as Fanny's brother. Kind, reserved, and honorable. In the parsed data, Edward Ferrars is connected to 7 scenes, 28 dialogue lines, 32 text mentions, first appearing around scene 4.

7 scenes / 28 dialogue lines

Betsy

Betsy is listed as Maid. Hardworking servant. In the parsed data, Betsy is connected to 5 scenes, 2 dialogue lines, 4 text mentions, first appearing around scene 82.

5 scenes / 2 dialogue lines

Robert Ferrars

Robert Ferrars is listed as Brother of Edward. Vain, vacuous, and arrogant. In the parsed data, Robert Ferrars is connected to 3 scenes, 8 dialogue lines, 11 text mentions, first appearing around scene 57.

3 scenes / 8 dialogue lines

Mr. Dashwood

Mr. Dashwood is listed as Patriarch. Dying man, concerned for his wife and daughters. In the parsed data, Mr. Dashwood is connected to 1 scene, 8 dialogue lines, 8 text mentions, first appearing around scene 1.

1 scenes / 8 dialogue lines

Scene outline

  1. 1. INT. Norland Park - Mr Dashwood's Bedroom - NIGHT

    Mr Dashwood is dying and asks his son John to look after his wife and daughters.

    Mr. Dashwood, Mrs. Dashwood, John Dashwood, Thomas
  2. 2. INT. John and Fanny's Town House - Dressing Room - DAY

    John and Fanny discuss how much money to give the Dashwood women.

    John Dashwood, Fanny Dashwood
  3. 3. INT. Norland Park - Mrs Dashwood's Bedroom - DAY

    Mrs Dashwood and Elinor discuss their impending eviction.

    Mrs. Dashwood, Elinor Dashwood
  4. 4. INT. Norland Park - Library - DAY

    Edward helps Margaret come out of hiding by playing a game about geography.

    Edward Ferrars, Elinor Dashwood, Margaret Dashwood
  5. 5. INT. NORLAND PARK - MORNING ROOM - DAY

    Mrs. Dashwood receives a letter from Sir John Middleton offering them a cottage, while discussing Edward and Elinor's potential attachment.

    Mrs. Dashwood, Marianne Dashwood
  6. 6. INT. NORLAND PARK - ELINOR'S BEDROOM - NIGHT

    Marianne teases Elinor about Edward and questions her feelings for him.

    Elinor Dashwood, Marianne Dashwood
  7. 7. INT. NORLAND PARK - BREAKFAST ROOM - DAY

    Fanny manipulates Mrs. Dashwood into believing Edward's marriage to Elinor would be his ruin.

    Mrs. Dashwood, Fanny Dashwood
  8. 8. INT. NORLAND PARK - MRS DASHWOOD'S DRESSING ROOM - DAY

    Mrs. Dashwood retrieves the letter from Sir John, now anxious.

    Mrs. Dashwood
  9. 9. INT. NORLAND PARK - DINING ROOM - EVE

    Mrs. Dashwood announces the family's move to Barton Cottage.

    John Dashwood, Mrs. Dashwood, Elinor Dashwood, Marianne Dashwood, Margaret Dashwood, Fanny Dashwood
  10. 10. INT/EXT. NORLAND PARK - STABLES - DAY

    Edward attempts to speak to Elinor before being interrupted by Fanny.

    Elinor Dashwood, Fanny Dashwood, Edward Ferrars
  11. 11. INT. THE LADIES' CARRIAGE - EVE

    The Dashwoods travel to Barton Cottage in the rain.

    Elinor Dashwood, Marianne Dashwood, Margaret Dashwood
  12. 12. EXT. BARTON COTTAGE - GARDEN PATH - DAY

    The Dashwoods arrive at Barton Cottage and meet Sir John and Mrs. Jennings.

    Mrs. Dashwood, Elinor Dashwood, Marianne Dashwood, Margaret Dashwood, Thomas, Betsy
  13. 13. INT. BARTON PARK - DINING ROOM - EVE

    The Dashwoods dine with Sir John and Mrs. Jennings, who tease them about suitors.

    Mrs. Dashwood, Elinor Dashwood, Marianne Dashwood, Margaret Dashwood, Sir John Middleton, Mrs. Jennings
  14. 14. INT. BARTON PARK - MUSIC ROOM - EVE

    Marianne plays the piano; Colonel Brandon arrives and is captivated.

    Elinor Dashwood, Marianne Dashwood, Margaret Dashwood, Sir John Middleton, Mrs. Jennings, Colonel Brandon
  15. 15. EXT. POND NEAR BARTON PARK - DAY

    The Dashwood family is on a picnic. Marianne struggles to cut bulrushes until Colonel Brandon assists her.

    Mrs. Dashwood, Elinor Dashwood, Marianne Dashwood, Margaret Dashwood, Thomas, Sir John Middleton
  16. 16. INT. KEEPER'S LODGE - BARTON PARK - DAY

    Sir John questions Colonel Brandon about his interest in Marianne Dashwood.

    Sir John Middleton, Colonel Brandon
  17. 17. EXT. POND NEAR BARTON PARK - ANOTHER DAY

    Colonel Brandon observes the bulrushes and cuts one as a memento.

    Colonel Brandon
  18. 18. EXT. BARTON PARK - GARDENS - DAY

    Mrs. Jennings gossips to Elinor about Colonel Brandon's tragic past.

    Mrs. Dashwood, Elinor Dashwood, Marianne Dashwood, Margaret Dashwood, Sir John Middleton, Mrs. Jennings
  19. 19. INT. BARTON COTTAGE - PARLOUR - LATE AFTERNOON

    The Dashwoods return home to find a parcel from Edward Ferrars.

    Mrs. Dashwood, Elinor Dashwood, Marianne Dashwood, Margaret Dashwood, Betsy
  20. 20. EXT. DOWNS NEAR BARTON COTTAGE - DAY

    Marianne and Margaret go for a walk in the rain; Marianne falls and twists her ankle.

    Marianne Dashwood, Margaret Dashwood, John Willoughby
  21. 21. INT. BARTON COTTAGE - PARLOUR - DAY

    Willoughby carries the injured Marianne into the cottage.

    Mrs. Dashwood, Elinor Dashwood, Marianne Dashwood, Margaret Dashwood, John Willoughby
  22. 22. INT. BARTON COTTAGE - PARLOUR - MORNING

    Sir John and Colonel Brandon visit; Willoughby arrives shortly after.

    Mrs. Dashwood, Elinor Dashwood, Marianne Dashwood, Margaret Dashwood, Sir John Middleton, Colonel Brandon
  23. 23. EXT. BARTON COTTAGE - GARDEN PATH - DAY

    Willoughby leaves Barton Cottage after visiting Marianne, promising to return.

    John Willoughby, Marianne Dashwood, Elinor Dashwood, Mrs. Dashwood, Margaret Dashwood
  24. 24. INT. BARTON COTTAGE - ELINOR AND MARIANNE'S BEDROOM - DAY

    Elinor cries privately over Edward's handkerchief.

    Elinor Dashwood
  25. 25. INT. BARTON PARK - DRAWING ROOM - EVE

    After dinner, Marianne watches Willoughby draw a silhouette.

    Elinor Dashwood, Colonel Brandon, Mrs. Dashwood, Mrs. Jennings, Marianne Dashwood, John Willoughby
  26. 26. INT. BARTON COTTAGE - PARLOUR - DAY

    Elinor and Mrs. Dashwood discuss household expenses while Willoughby and Marianne flirt.

    Elinor Dashwood, Mrs. Dashwood, John Willoughby, Marianne Dashwood
  27. 27. EXT. BARTON CHURCH - DAY

    Willoughby and Marianne drive past the church, causing gossip.

    Mrs. Jennings, John Willoughby, Marianne Dashwood
  28. 28. EXT. BARTON COTTAGE - GARDEN PATH - DAY

    Colonel Brandon invites the Dashwoods to a picnic at Delaford.

    Marianne Dashwood, Elinor Dashwood, Colonel Brandon, John Willoughby
  29. 29. EXT. BARTON PARK - DRIVE - DAY

    The picnic party gathers, including new arrivals, but is interrupted by a messenger for Colonel Brandon.

    Sir John Middleton, Colonel Brandon, Charlotte Palmer, Mr. Palmer, Lucy Steele, Elinor Dashwood
  30. 30. EXT. MEADOW NEAR BARTON COTTAGE - DAY

    The Dashwoods and Willoughby have an impromptu picnic.

    Mrs. Dashwood, John Willoughby, Marianne Dashwood, Elinor Dashwood, Margaret Dashwood
  31. 31. EXT. BARTON COTTAGE - GARDEN PATH AND GATE - DUSK

    Willoughby asks Marianne for a private interview.

    Marianne Dashwood, John Willoughby
  32. 32. EXT. LONDON TENEMENTS - NIGHT

    Colonel Brandon arrives at a slum in London.

    Colonel Brandon
  33. 33. INT. TENEMENT ROOM - NIGHT

    Brandon meets a pregnant young woman.

    Colonel Brandon
  34. 34. INT. BARTON CHURCH - DAY

    The Dashwoods attend church.

    Elinor Dashwood, Margaret Dashwood, Mrs. Dashwood
  35. 35. EXT. BARTON COTTAGE - GARDEN PATH - DAY

    The family returns from church to find Willoughby's horse.

    Mrs. Dashwood, Elinor Dashwood, Margaret Dashwood, Thomas
  36. 36. INT. BARTON COTTAGE - PARLOUR - DAY

    Willoughby announces he must leave for London immediately.

    Mrs. Dashwood, Elinor Dashwood, Margaret Dashwood, John Willoughby, Marianne Dashwood
  37. 37. INT. BARTON COTTAGE - PARLOUR - DAY

    The family reacts to Willoughby's sudden departure.

    Elinor Dashwood, Mrs. Dashwood, Marianne Dashwood, Margaret Dashwood
  38. 38. INT. Barton Cottage - DAY

    Elinor and Mrs. Dashwood argue about Willoughby's departure; Margaret is rejected by her mother; Marianne is heard sobbing.

    Elinor Dashwood, Mrs. Dashwood, Margaret Dashwood, Marianne Dashwood
  39. 39. EXT. Barton Cottage - DAY

    The cottage is shown in the rain.

  40. 40. INT. Barton Cottage - Upstairs Corridor - DAY

    Betsy removes an uneaten meal from Marianne's room.

    Betsy
  41. 41. INT. Barton Cottage - Elinor and Marianne's Bedroom - DAY

    Marianne reads sonnets while looking out at the rain.

    Marianne Dashwood
  42. 42. EXT. Barton Park - EVE

    Establishing shot of Barton Park in the rain.

  43. 43. INT. Barton Park - Drawing Room - EVE

    The group gathers; Lucy reveals her secret engagement to Edward Ferrars to Elinor.

    Marianne Dashwood, Mr. Palmer, Sir John Middleton, Margaret Dashwood, Lucy Steele, Charlotte Palmer
  44. 44. INT. Barton Cottage - Elinor/Marianne's Bedroom - NIGHT

    Marianne is excited about London; Elinor struggles with her secret.

    Elinor Dashwood, Marianne Dashwood
  45. 45. EXT. Barton Cottage - Garden Gate - DAY

    The family departs for London.

    Mrs. Dashwood, Margaret Dashwood, Mrs. Jennings, Marianne Dashwood, Elinor Dashwood, Lucy Steele
  46. 46. INT. Mrs. Jennings's Carriage - DAY

    Lucy continues to talk to Elinor about Edward.

    Mrs. Jennings, Marianne Dashwood, Lucy Steele, Elinor Dashwood
  47. 47. EXT. London Street - DAY

    The carriage travels through London.

    Mrs. Jennings, Marianne Dashwood, Lucy Steele, Elinor Dashwood
  48. 48. EXT. Mrs. Jennings's House - London - DAY

    Arrival at the London house.

    Mrs. Jennings, Marianne Dashwood, Lucy Steele, Elinor Dashwood
  49. 49. INT. Mrs. Jennings's House - Hall - DAY

    Arrival and meeting the footman.

    Mrs. Jennings, Marianne Dashwood, Lucy Steele, Elinor Dashwood, Thomas
  50. 50. INT. Mrs. Jennings's House - Drawing Room - DAY

    Elinor and Marianne have tea; Colonel Brandon visits.

    Elinor Dashwood, Marianne Dashwood, Colonel Brandon
  51. 51. EXT. Greenwich Arcade - DAY

    The group walks through the arcade.

    Mr. Palmer, Charlotte Palmer, Mrs. Jennings, John Dashwood, Fanny Dashwood, Lucy Steele
  52. 52. INT. Mrs. Jennings's House - Hall - EVE

    Return from the outing.

    Mrs. Jennings, Lucy Steele, Elinor Dashwood, Marianne Dashwood, Thomas
  53. 53. INT. Mrs. Jennings's House - Bedroom - NIGHT

    Marianne writes a letter.

    Elinor Dashwood, Marianne Dashwood
  54. 54. INT. Mrs. Jennings's House - Morning Room - NIGHT

    Marianne gives the letter to the footman.

    Marianne Dashwood, Thomas
  55. 55. INT. Mrs. Jennings's House - Hall - MORNING

    Marianne checks for messages.

    Mrs. Jennings, Thomas, Marianne Dashwood
  56. 56. EXT. Grand Crescent - NIGHT

    Arrival at the ball.

    Mrs. Jennings, Marianne Dashwood, Elinor Dashwood, Lucy Steele
  57. 57. INT. Grand Ballroom - EVE

    The ball; Robert Ferrars and Willoughby are present.

    Mrs. Jennings, Marianne Dashwood, Elinor Dashwood, Lucy Steele, Mr. Palmer, Charlotte Palmer
  58. 58. EXT. BALLROOM - NIGHT

    Marianne confronts Willoughby at a ball, but he is cold and distant, eventually leaving with his party.

    Marianne Dashwood, John Willoughby, Mrs. Jennings, Fanny Dashwood, John Dashwood, Lucy Steele
  59. 59. INT. MRS JENNINGS'S HOUSE - BEDROOM - NIGHT

    Marianne and Elinor argue about their lack of mutual confidence.

    Marianne Dashwood, Elinor Dashwood
  60. 60. INT. MRS JENNINGS'S HOUSE - BREAKFAST ROOM - DAY

    Marianne receives a letter from Willoughby; Lucy taunts Elinor about her engagement.

    Marianne Dashwood, Mrs. Jennings, Elinor Dashwood, Lucy Steele
  61. 61. INT. MRS JENNINGS'S HOUSE - BEDROOM - DAY

    Marianne reads Willoughby's rejection letter; Mrs. Jennings reveals he is marrying Miss Grey.

    Elinor Dashwood, Marianne Dashwood, Mrs. Jennings
  62. 62. INT. COFFEE-HOUSE - COVENT GARDEN - DAY

    Fanny and John discuss Marianne's situation and decide not to invite her.

    Fanny Dashwood, John Dashwood, Robert Ferrars
  63. 63. INT. MRS JENNINGS'S HOUSE - DRAWING ROOM - DAY

    Colonel Brandon visits Elinor and reveals Willoughby's history with his ward, Beth.

    Elinor Dashwood, Colonel Brandon
  64. 64. INT. MRS JENNINGS'S HOUSE - DRAWING ROOM - DAY

    Edward Ferrars visits, but the presence of Lucy Steele makes the encounter excruciating.

    Elinor Dashwood, Lucy Steele, Edward Ferrars, Marianne Dashwood
  65. 65. INT. JOHN AND FANNY'S TOWN HOUSE - DRAWING ROOM - DAY

    Lucy reveals her secret engagement to Edward to Fanny.

    Lucy Steele, Fanny Dashwood
  66. 66. INT. MRS JENNINGS'S HOUSE - BEDROOM - DAY

    Mrs. Jennings reveals Edward's engagement to Lucy and his disinheritance.

    Mrs. Jennings, Elinor Dashwood, Marianne Dashwood
  67. 67. INT. Drawing Room - DAY

    Elinor and Marianne argue about Elinor's secret engagement and her stoic nature, leading to an emotional outburst from Elinor.

    Elinor Dashwood, Marianne Dashwood
  68. 68. EXT. Palmer Residence - DAY

    Lucy and Mrs. Jennings arrive at the Palmers' home.

    Lucy Steele, Mrs. Jennings, Charlotte Palmer, Thomas
  69. 69. EXT. Square in front of Mrs. Jennings's house - DAY

    Colonel Brandon offers Elinor a parish for Edward Ferrars.

    Elinor Dashwood, Colonel Brandon
  70. 70. INT. Mrs. Jennings's House - Study - DAY

    Elinor informs Edward of Colonel Brandon's offer.

    Elinor Dashwood, Edward Ferrars
  71. 71. EXT. Mrs. Jennings's House - DAY

    The Palmers depart with Marianne and Elinor.

    Charlotte Palmer, Mr. Palmer, Elinor Dashwood, Marianne Dashwood, Colonel Brandon, Mrs. Jennings
  72. 72. INT. The Palmers' Carriage - DAY

    Charlotte talks incessantly during the journey.

    Charlotte Palmer, Mr. Palmer, Marianne Dashwood, Elinor Dashwood
  73. 73. EXT. Cleveland - AFTERNOON

    The party arrives at Cleveland.

    Elinor Dashwood, Marianne Dashwood, Charlotte Palmer, Mr. Palmer, Colonel Brandon
  74. 74. INT. Cleveland - Drawing Room - DAY

    Elinor worries about Marianne's absence during a storm.

    Elinor Dashwood, Charlotte Palmer, Mr. Palmer, Colonel Brandon
  75. 75. EXT. The Hill - DAY

    Marianne walks in the storm and collapses.

    Marianne Dashwood, Colonel Brandon
  76. 76. INT. Cleveland - Bedroom - NIGHT

    Marianne falls ill with a fever.

    Elinor Dashwood, Marianne Dashwood, Mr. Palmer
  77. 77. INT. Cleveland - Bedroom - MORNING

    Marianne recovers, and Mrs. Dashwood arrives.

    Elinor Dashwood, Marianne Dashwood, Mrs. Dashwood, Colonel Brandon
  78. 78. INT. Barton Cottage - Parlour - DAY

    Marianne convalesces while Brandon reads to her.

    Marianne Dashwood, Colonel Brandon, Mrs. Dashwood, Elinor Dashwood
  79. 79. EXT. Fields near Barton Cottage - DAY

    Elinor and Marianne discuss the past and Willoughby.

    Elinor Dashwood, Marianne Dashwood
  80. 80. INT. BARTON COTTAGE - PARLOUR - DAY

    Marianne and Elinor discuss Marianne's past behavior and her resolve to improve herself.

    Elinor Dashwood, Marianne Dashwood

Dialogue examples

What do you know of my heart? What do you know of anything but your own suffering? For weeks, Marianne, I have had this pressing on me without being at liberty to speak of it to a single creature. It was forced upon me by the very person whose prior claims ruined all my hopes. I have had to endure her exultation again and again while knowing myself to be divided from Edward forever. Believe me, Marianne, had I not been bound to silence I could have produced proof enough of a broken heart even for you.

Elinor Dashwood / Scene 67

Because he has threatened me with rain when I wanted it fine, he has found fault with the balance of my curricle and I cannot persuade him to buy my brown mare. If it will be of any satisfaction to you, however, to be told I believe his character to be in all other respects irreproachable, I am ready to confess it. And in return for an acknowledgement that must give me some pain. You cannot deny me the privilege of disliking him as much as I adore...

John Willoughby / Scene 30

I seen him myself, ma'am, and his lady too, Miss Lucy Steele as was--they were stopping in a chaise at the New London Inn. I happened to look up as I passed the chaise and I see it was Miss Steele. So I took off my hat and she inquired after you, ma'am, and all the young ladies, especially Miss Dashwood, and bid me I should give you her and Mr Ferrars's best compliments and service and how they'd be sure to send you a piece of the cake.

Thomas / Scene 82

Elinor! I met Lucy when I was very young. Had I had an active profession, I should never have felt such an idle, foolish inclination. At Norland my behaviour was very wrong. But I convinced myself you felt only friendship for me and it was my heart alone that I was risking. I have come with no expectations. Only to profess, now that I am at liberty to do so, that my heart is and always will be yours.

Edward Ferrars / Scene 85

Oh, you sly thing! It was the Misses Dashwood she wanted to see, not Delaford, Mamma! I have heard nothing but 'Miss Dashwood this, Miss Dashwood that' for I don't know how long! And what do you think of them now you do see them, Lucy? My mother has talked of nothing else in her letters since you came to Barton, Mrs Dashwood. Mr Palmer--are they not the very creatures she describes?

Charlotte Palmer / Scene 29

I was very unwilling to enter into it without his mother's approval but we loved each other with too great a passion for prudence. Though you do nor know him so well as I, Miss Dashwood, you must have seen how capable he is of making a woman sincerely attached to him. I cannot pretend it has not been very hard on us both. We can hardly meet above twice a year.

Lucy Steele / Scene 43

What a stroke of luck for Lucy and Edward to find a parish so close to Barton! You will all be able to meet very often. That will cheer you up, Miss Marianne. I do declare I have never disliked a person so much as I do Mr Willoughby, for your sake. Insufferable man! To think we can see his insufferable house from the top of our hill!

Charlotte Palmer / Scene 72

I shall mend my ways! I shall no longer worry others nor torture myself. I am determined to enter on a course of serious study---Colonel Brandon has promised me the run of his library and I shall read at least six hours a day. By the end of the year I expect to have improved my learning a very great deal.

Marianne Dashwood / Scene 80

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