Opening Image
Scene 1 / Page 1 / 1% target
Introduces Matt’s dual existence of intimacy and duty in Ana’s bedroom.
Can’t. Got work and you got class.
SAFE HOUSE script analysis
Matt Weston, a young CIA agent in Rio, balances his covert life with a budding romance before being tasked with escorting double agent Tobin Frost. When mercenaries attack, Matt and Frost flee across the city, forging a tense partnership that culminates in betrayal, loss, and redemption. Ultimately, Matt recovers critical intelligence, confronts his own methods, and reunites with Ana, his civilian anchor.
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Scene 1 / Page 1 / 1% target
Introduces Matt’s dual existence of intimacy and duty in Ana’s bedroom.
Can’t. Got work and you got class.
Scene 5 / Page 1 / 5% target
Matt questions ditching Frost, hinting at the moral compromises agents face.
I need to know right now: can I ditch the guest?
Scenes 2-3 / Pages 1-2 / 10% target
Matt receives Frost in the safe house; moments later, mercenaries attack and he must protect his charge.
I’m Daniel Kiefer, Mr. Frost. I’m here to make you aware of your rights.
Scene 2 / Page 2 / 12% target
The unexpected arrival of notorious operative Tobin Frost disrupts Matt’s routine.
I’m Daniel Kiefer, Mr. Frost. I’m here to make you aware of your rights.
Scenes 3-5 / Pages 2-3 / 20% target
After the attack, Matt hesitates over betraying or saving Frost while evading mercenaries.
Get in the fucking trunk.
Scene 3 / Page 3 / 25% target
Matt chooses to flee with Frost through Rio’s streets, shifting into Act Two.
Get in the fucking trunk.
Scene 13 / Page 6 / 30% target
Matt’s relationship with Ana provides emotional stakes and a counterpoint to his spy life.
She know what you do for a living?
Scenes 12-15 / Pages 5-7 / 40% target
The pair hide, talk, and fight through varied Rio locales—hotel, stadium, security office.
Scene 14 / Page 7 / 50% target
Frost escapes into the stadium crowd, reversing the hunter-hunted dynamic.
Scene 20 / Page 9 / 65% target
Mercenaries ambush Frost’s new identity setup, ratcheting up threats.
This professional enough, for you? Put down the gun -- now.
Scene 29 / Page 14 / 75% target
Frost dies after handing Matt the crucial envelope—a seeming betrayal and final blow.
The window. Hey -- Shit. Come on, come on.
Scene 30 / Page 15 / 80% target
Confronting Vargas and Barlow, Matt grapples with his capacity for violence and failure.
Where are the files, Matt? Where are the fucking files?
Scene 31 / Page 16 / 85% target
Matt meets Whitford, resolving to use recovered files to expose corruption and honor Frost.
We read the files you recovered. Turned up quite a few surprises, not the least of which involved...
Scene 30 / Page 15 / 95% target
Matt fights Vargas and Barlow to protect the intelligence, completing his transformation.
Scene 32 / Page 17 / 99% target
Matt reunites peacefully with Ana at the university, contrasting the opening chaos.
Beautiful enough for a seat?