Scripts
PURPLE RAIN poster

1984

PURPLE RAIN script

Prince, a gifted but troubled musician, navigates a volatile home life and a rivalry with Morris Day while struggling with his bandmates and a tumultuous relationship with singer Vanity. His controlling behavior alienates his band, mirroring his parents' abusive dynamic, until a violent confrontation with Vanity and the discovery of his father's suicide attempt and hidden music lead to a profound realization. Prince performs a heartfelt set at the club, incorporating his father's music into a new song, which reconciles him with his band and wins back Vanity. He embraces his artistic vision, finding peace with his past and performing with newfound confidence and connection to his music and loved ones.

Writer
Albert Magnoli
IMDb ID (imdb_id)
tt0087957
Script date
1984
124Scenes
11Characters
89Pages
8Dialogue samples

Save the Cat beat sheet

PURPLE RAIN Save the Cat analysis

Prince’s rise as a musical star is set against his tumultuous personal life and romance with Vanity.

Open full beat sheet
25

Key characters

Prince

Prince is listed as Musician. Talented, brooding, and intense musician struggling with his family life and career. In the parsed data, Prince is connected to 84 scenes, 76 dialogue lines, 83 text mentions, first appearing around scene 21.

84 scenes / 76 dialogue lines

Vanity

Vanity is listed as Singer/Dancer. Beautiful, ambitious, and vulnerable newcomer to the city. In the parsed data, Vanity is connected to 60 scenes, 97 dialogue lines, 101 text mentions, first appearing around scene 16.

60 scenes / 97 dialogue lines

Morris Day

Morris Day is listed as Musician/Bandleader. Charismatic, arrogant, and manipulative leader of The Time. In the parsed data, Morris Day is connected to 34 scenes, 88 dialogue lines, 89 text mentions, first appearing around scene 15.

34 scenes / 88 dialogue lines

Jerome

Jerome is listed as Valet/Chauffeur. Morris's loyal, smooth-talking sidekick and shadow. In the parsed data, Jerome is connected to 30 scenes, 29 dialogue lines, 35 text mentions, first appearing around scene 35.

30 scenes / 29 dialogue lines

Billy Sparks

Billy Sparks is listed as Club Manager. Fast-talking, opportunistic manager of the club. In the parsed data, Billy Sparks is connected to 15 scenes, 15 dialogue lines, 16 text mentions, first appearing around scene 73.

15 scenes / 15 dialogue lines

Prince's Mother

Prince's Mother is listed as Prince's Mother. Faded beauty struggling with alcoholism and a volatile marriage. In the parsed data, Prince's Mother is connected to 10 scenes, 10 dialogue lines, 10 text mentions, first appearing around scene 21.

10 scenes / 10 dialogue lines

Prince's Father

Prince's Father is listed as Prince's Father. Frustrated, abusive, and failed musician. In the parsed data, Prince's Father is connected to 10 scenes, 9 dialogue lines, 9 text mentions, first appearing around scene 20.

10 scenes / 9 dialogue lines

Jill

Jill is listed as Waitress. Young, naive waitress at the club with a crush on Prince. In the parsed data, Jill is connected to 9 scenes, 17 dialogue lines, 17 text mentions, first appearing around scene 17.

9 scenes / 17 dialogue lines

Wendy

Wendy is listed as Musician. Member of Prince's band, talented and outspoken. In the parsed data, Wendy is connected to 8 scenes, 3 dialogue lines, 6 text mentions, first appearing around scene 68.

8 scenes / 3 dialogue lines

Lisa

Lisa is listed as Musician. Member of Prince's band, talented and creative. In the parsed data, Lisa is connected to 7 scenes, 2 dialogue lines, 5 text mentions, first appearing around scene 68.

7 scenes / 2 dialogue lines

Chick

Chick is listed as Bouncer. Large, imposing bouncer at the club. In the parsed data, Chick is connected to 3 scenes, 3 dialogue lines, 3 text mentions, first appearing around scene 16.

3 scenes / 3 dialogue lines

Scene outline

  1. 1. INT. CLUB (1ST AVE. ST. BAR) - NIGHT

    Prince performs on stage at the club while the crowd dances.

    Prince
  2. 2. EXT. STREETS #1 - NIGHT

    Vanity arrives in a taxi, pays the driver, and runs away.

    Vanity
  3. 3. INT. SHOWER, MORRIS' APT. - NIGHT

    Morris Day prepares himself in the shower.

    Morris Day
  4. 4. INT. BASEMENT, PRINCE'S HOME - NIGHT

    Prince finishes his makeup and leaves his home through a window.

    Prince
  5. 5. EXT. CORNER, STREETS #1 - NIGHT

    Vanity interacts with a businessman near a police car.

    Vanity
  6. 6. INT. MORRIS' BEDROOM - NIGHT

    Morris gets dressed in his bedroom.

    Morris Day
  7. 7. EXT. CLUB (1ST AVE. ST. BAR) - NIGHT

    Prince arrives at the club on his motorcycle.

    Prince
  8. 8. EXT. STREETS #2 - NIGHT

    Vanity exits a car and heads to an alley.

    Vanity
  9. 9. EXT. MORRIS' APARTMENT - NIGHT

    Morris and Jerome depart for the club.

    Morris Day, Jerome
  10. 10. INT. DRESSING ROOM, CLUB - NIGHT

    Prince and his band prepare to go on stage.

    Prince, Wendy, Lisa
  11. 11. INT. MOTEL ROOM - NIGHT

    Vanity checks into a rundown motel room.

    Vanity
  12. 12. EXT. CLUB - NIGHT

    Vanity views the club from her motel window.

    Vanity
  13. 13. INT. VANITY'S HALLWAY - NIGHT

    Vanity leaves her motel room.

    Vanity
  14. 14. EXT. CLUB (1ST AVE. ST. BAR) - NIGHT

    Morris and Jerome arrive at the club.

    Morris Day, Jerome
  15. 15. INT. CLUB (1ST AVE. ST. BAR) - NIGHT

    Prince performs while Morris and his band watch.

    Prince, Morris Day, Jerome
  16. 16. EXT. CLUB - NIGHT

    Vanity tries to enter the club.

    Vanity, Chick
  17. 17. INT. CLUB - UPPER BAR AREA - NIGHT

    Vanity encounters Jill.

    Vanity, Jill
  18. 18. INT. CLUB - NEAR STAGE - NIGHT

    Morris performs and Prince leaves.

    Prince, Vanity, Morris Day, Jill
  19. 19. EXT. CLUB - NIGHT

    Vanity tries to catch Prince as he leaves.

    Prince, Vanity
  20. 20. EXT. PRINCE'S HOUSE - NIGHT

    Prince arrives home to hear his parents fighting.

    Prince, Prince's Mother, Prince's Father
  21. 21. INT. PRINCE'S LIVING ROOM - NIGHT

    Prince intervenes in his parents' fight.

    Prince, Prince's Mother, Prince's Father
  22. 22. INT. BASEMENT - NIGHT

    Prince retreats to his basement bedroom.

    Prince
  23. 23. INT. CLUB - EARLY MORNING

    Prince and Jill talk at the club.

    Prince, Jill
  24. 24. INT. REHEARSAL HALL - DAY

    Morris directs his band and dancers.

    Morris Day, Jerome
  25. 25. EXT. STREETS AND ALLEY - DAY

    Morris and Jerome discuss finding a new singer.

    Morris Day, Jerome
  26. 26. INT. SHOESHINE STAND - DAY

    Morris and Jerome discuss a plan for the club.

    Morris Day, Jerome
  27. 27. EXT. Store Window and Mall Shops - AFTERNOON

    Vanity window shops, sees a woman in a bridal gown, then encounters Prince who takes her gold chain.

    Vanity, Prince
  28. 28. EXT. Highway - DUSK

    Prince and Vanity ride a motorcycle out of the city.

    Prince, Vanity
  29. 29. EXT. Countryside / Lakeside - DUSK

    Prince and Vanity arrive at a lake. Prince challenges Vanity to purify herself in Lake Minnetonka; she dives in, but he reveals it is not the lake.

    Prince, Vanity
  30. 30. INT. Club (1st Ave. St. Bar) - NIGHT

    Prince arrives at the club. Jill and other waitresses discuss Prince.

    Prince, Jill, Wendy, Lisa
  31. 31. INT/EXT. Club Money Window - NIGHT

    Vanity arrives at the club and is confronted by Chick.

    Vanity, Chick, Jerome
  32. 32. INT. Club Upper Level - NIGHT

    Billy Sparks meets Vanity. Jerome intervenes to help Vanity escape.

    Vanity, Billy Sparks, Jerome
  33. 33. INT. Dressing Room - NIGHT

    Wendy and Lisa confront Prince about his refusal to use their music.

    Prince, Wendy, Lisa
  34. 34. INT. Hallway - NIGHT

    Band members discuss Prince's behavior.

  35. 35. INT/EXT. Backstage Entrance - NIGHT

    Morris and Jerome discuss the password and see Vanity.

    Morris Day, Jerome, Vanity
  36. 36. INT. Dressing Room - NIGHT

    Prince listens to the tape from Jill.

    Prince
  37. 37. INT. Backstage - NIGHT

    Prince prepares to go on stage and spots Vanity.

    Prince, Vanity, Morris Day, Jerome
  38. 38. INT. Club - NIGHT

    Morris tries to woo Vanity. Prince performs on stage.

    Morris Day, Jerome, Vanity, Prince
  39. 39. INT. Backstage Hallway - NIGHT

    Billy Sparks confronts Prince.

    Prince, Billy Sparks
  40. 40. INT. Dressing Room - NIGHT

    Jill surprises Prince with a dog.

    Prince, Jill, Wendy
  41. 41. EXT. Alleyway - NIGHT

    Prince and Vanity meet and leave on his motorcycle.

    Prince, Vanity
  42. 42. EXT. Prince's House - NIGHT

    Prince takes Vanity to his house.

    Prince, Vanity
  43. 43. INT. Living Room - NIGHT

    Prince's parents are in the living room.

    Prince's Mother, Prince's Father
  44. 44. EXT. Backyard - NIGHT

    Prince and Vanity watch his parents.

    Prince, Vanity
  45. 45. INT. Living Room - NIGHT

    Prince's parents kiss and fight.

    Prince's Mother, Prince's Father
  46. 46. EXT. Backyard - NIGHT

    Prince and Vanity enter the house through the basement.

    Prince, Vanity
  47. 47. INT. BASEMENT, PRINCE'S HOME - NIGHT

    Prince brings Vanity to his basement studio where they share an intimate moment and discuss his music.

    Prince, Vanity
  48. 48. INT. BEDROOM - LATER - NIGHT

    Prince and Vanity engage in sexual intimacy.

    Prince, Vanity
  49. 49. INT. BEDROOM - LATER - NIGHT

    Vanity wakes up to the sound of fighting upstairs and flees the house.

    Prince, Vanity, Prince's Mother, Prince's Father
  50. 50. EXT. PRINCE'S HOUSE AND STREET - NIGHT

    Vanity is grabbed by Morris Day outside the house and leaves with him and Jerome.

    Vanity, Morris Day, Jerome
  51. 51. EXT. HIGHWAY - NIGHT

    The Caddy drives down the highway.

    Vanity, Morris Day, Jerome
  52. 52. INT/EXT. CADDY - NIGHT

    Morris attempts to seduce Vanity in the car while Jerome drives.

    Vanity, Morris Day, Jerome
  53. 53. EXT. MOTEL/CADDY - TWILIGHT

    Morris gives Vanity a camisole before she exits the car.

    Vanity, Morris Day, Jerome
  54. 54. EXT. VANITY'S MOTEL - TWILIGHT

    Prince watches Vanity return to her motel.

    Prince, Vanity
  55. 55. INT. HALLWAY/VANITY'S MOTEL - DAWN

    Prince visits Vanity at her motel room.

    Prince, Vanity
  56. 56. EXT. HIGHWAY - DAWN

    Prince and Vanity ride his motorcycle.

    Prince, Vanity
  57. 57. EXT. ANOTHER HIGHWAY - DAWN

    They continue their ride through the countryside.

    Prince, Vanity
  58. 58. EXT. COUNTRY ROAD - DAWN

    Prince navigates the bike toward a valley.

    Prince, Vanity
  59. 59. EXT. WOODS AND STREAM - DAWN

    Prince and Vanity argue by a stream.

    Prince, Vanity
  60. 60. EXT. GLADE AND BARN - DAWN

    They arrive at an old barn.

    Prince, Vanity
  61. 61. INT. BARN - DAWN

    Prince and Vanity prepare for intimacy in the barn.

    Prince, Vanity
  62. 62. INT. BARN - DAY

    Prince and Vanity engage in sexual intimacy.

    Prince, Vanity
  63. 63. EXT. BARN - DAY

    They leave the barn.

    Prince, Vanity
  64. 64. EXT. STREETS, VANITY'S MOTEL - MORNING

    Prince drops Vanity off at her motel.

    Prince, Vanity
  65. 65. INT. STAIRWELL, VANITY'S MOTEL - MORNING

    Vanity finds more carnations on her way to her room.

    Vanity
  66. 66. INT. VANITY'S ROOM - MORNING

    Vanity receives flower deliveries from Morris.

    Vanity, Morris Day, Jerome
  67. 67. EXT. STREET - DAY

    Morris and Jerome watch Vanity's window.

    Morris Day, Jerome
  68. 68. EXT. VANITY'S WINDOW AND STREET - DAY

    Morris tries to convince Vanity to come down.

    Vanity, Morris Day, Jerome
  69. 69. INT. CLUB - DAY

    Prince confronts Wendy and Lisa at the club.

    Prince, Wendy, Lisa
  70. 70. INT. REHEARSAL HALL - DAY

    Morris shows Vanity his band rehearsing.

    Vanity, Morris Day, Jerome
  71. 71. INT. PRINCE'S ANTECHAMBER AND BEDROOM - NIGHT

    Prince's parents fight, and Prince is caught in the middle.

    Prince, Prince's Mother, Prince's Father
  72. 72. INT. PRINCE'S BEDROOM - NIGHT

    Vanity visits Prince, they reconcile, and she gives him a guitar. Later, she reveals she is joining Morris's group, leading to a violent confrontation.

    Prince, Vanity
  73. 73. INT. CLUB - MORNING

    Prince arrives at the club to rehearse, but his bandmates are absent and Chick informs him Billy Sparks wants to see him.

    Prince, Billy Sparks
  74. 74. INT. STAIRWAY AND CLUB - DAY

    Prince and Billy Sparks have a tense encounter.

    Prince, Billy Sparks
  75. 75. EXT. STREETS, CLUB - DAY

    Billy Sparks warns Prince that he might be replaced by Vanity's new group.

    Prince, Billy Sparks
  76. 76. INT. REHEARSAL HALL - DAY

    Prince confronts Vanity during her rehearsal with Morris's group, leading to a physical altercation with Jellybean.

    Prince, Vanity, Morris Day
  77. 77. EXT. ACCESS ROAD, TRAIN TRACKS - DUSK

    Prince engages in a dangerous race against a freight train.

    Prince
  78. 78. EXT. STREETS AND ALLEY -- DOWNTOWN - TWILIGHT

    Prince encounters his mother, who is injured and disoriented.

    Prince, Prince's Mother
  79. 79. EXT. PRINCE'S HOME - NIGHT

    Prince returns home in a rage.

    Prince
  80. 80. INT. PRINCE'S HOME - NIGHT

    Prince searches for his father.

    Prince

Dialogue examples

You're nothing, Prince, absolutely nothing. You think you're so special -- but deep down you're just like all the rest. Your whole life you've been hiding, hiding behind your music. But now you don't even have that, because last night...last night you used it to hurt someone, someone who really cares.

Vanity / Scene 98

Please...it's just... I don't want you around this at all. I just don't want you in my life this way. You don't have to prove anything to me or anybody else. Vanity...? Don't I make you happy? Don.t you like the way we are? Do you know Morris? Do you know what he's about? He doesn't care about you.

Prince / Scene 72

Do you know what is meant by the words, huh, I hate to use them, they're so harsh, so American...I mean, and yet on the other hand, they're exciting words. The words... chili sauce. Oh, Lord.

Morris Day / Scene 52

It won't be The Time -- they're playing backup to Vanity. So it's either you or the Modern Aires. What would You do in my position?

Billy Sparks / Scene 75

You ain't got no business leaving here! All your sneaking around -- you're just a sinner! You're nothing but a low life sinner!

Prince's Father / Scene 70

I like the Modern Aires. They have a good following -- they show up for practice -- and the kids like all their music.

Billy Sparks / Scene 75

I book three acts -- I can't afford four. If they're as good as Morris says they are, one of you will have to go...

Billy Sparks / Scene 75

Morris called me this morning. Seems he's got himself a new group called Vanity Six. You know anything about them?

Billy Sparks / Scene 75

Use this structured screenplay data

SlugDB turns parsed screenplays into scene, character, dialogue, trivia, semantic search, Save the Cat, and API-ready analysis.

Use SlugDB when you need screenplay API data, movie dialogue search, character evidence, scene context, or MCP tools without building a scraper first.

Browse scripts API reference MCP setup Free API key