Opening Image
Scene 1 / Page 1 / 1% target
The film opens on a tranquil autumn countryside and the school, establishing the Jarrett family’s outwardly serene suburban life.
ORDINARY PEOPLE script analysis
Ordinary People follows the Jarrett family coping with Conrad’s return from a psychiatric hospital and the residual trauma of his brother’s death. The film explores themes of grief, guilt, and emotional disconnection as Conrad struggles to reintegrate, his parents grow further apart, and he forms new connections. Through therapy sessions, strained family interactions, and a tentative romance, Conrad gradually confronts his pain. Ultimately, the family faces a turning point when Beth decides to leave, forcing Calvin and Conrad to reckon with their loss and each other.
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Scene 1 / Page 1 / 1% target
The film opens on a tranquil autumn countryside and the school, establishing the Jarrett family’s outwardly serene suburban life.
Scene 2 / Pages 1-2 / 5% target
During choir rehearsal, the theme of seeking inner peace and freedom from anxiety is introduced.
Free from all the world's desires Free of fear and all anxiety Ooooh. Ooooh Ooooh. Ooooh. Alleluia Alleluia...
Scenes 3-11 / Pages 2-5 / 10% target
We see Conrad’s nightmares, the cold dynamic between his parents Beth and Calvin, and his isolation at breakfast and school.
Scene 24 / Page 8 / 12% target
Conrad secretly calls Dr. Berger from school, setting his healing journey in motion.
Hi. This is Conrad Jarrett calling.
Scenes 28-33 / Pages 9-11 / 20% target
Conrad continues to have nightmares and hesitates before his first appointment with Dr. Berger, reflecting his inner conflict about therapy.
Scene 35 / Page 11 / 25% target
Conrad arrives at Dr. Berger’s office and officially begins his therapy sessions, marking his step into Act Two.
Ha! Hi! Come in. It's OK, they all do that.
Scene 38 / Page 12 / 30% target
Conrad’s interactions with peers and meeting Jeannine introduce the emotional subplot of new relationships.
Scenes 53-56 / Pages 17-19 / 40% target
Conrad explores social and therapeutic scenarios—meeting Karen, awkward family exchanges, and gardening with Beth—showing his tentative steps toward recovery.
Let's have a great Christmas! Okay? Let's have... a great year.
Scene 61 / Page 22 / 50% target
Conrad’s suicide attempt forces the family’s crisis to a head, creating a false defeat that raises the stakes.
Watch your back. Cuts are vertical. He really meant business.
Scenes 64-66 / Pages 23-25 / 65% target
Conrad faces pressure to quit swimming, confrontations with friends and coach, and tense therapy sessions heighten his struggles.
What it is you want? I don't know what else to do for you.
Scene 94 / Page 31 / 75% target
Conrad learns of Karen’s suicide, which plunges him into deep guilt and despair.
Yes, hello. Is Karen there? This is Conrad Jarrett, calling. I'm a friend of hers.
Scenes 95-98 / Pages 31-34 / 80% target
Flashbacks of Buck’s death and therapy breakthrough highlight Conrad’s internal reckoning with guilt and loss.
...Hang on!, and then you let go!
Scene 99 / Page 35 / 85% target
Conrad seeks out Jeannine early morning, signaling his decision to reconnect and move forward.
Hi. I was gonna call but I didn't want to wake anyone.
Scenes 102-103 / Pages 36-37 / 95% target
Conrad returns home and hugs his mother, then Calvin and Beth confront the state of their marriage, leading to resolution steps.
Scene 105 / Page 38 / 99% target
At dawn, Calvin tells Conrad that Beth has left, echoing the opening’s quiet landscape with a changed family dynamic.
Your mother's going away for a while.