Scripts
MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD poster

2003

MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD script

Captain Jack Aubrey of the HMS Surprise is tasked with intercepting the French privateer Acheron off the coast of Brazil. The Acheron ambushes the Surprise, severely damaging the ship and forcing the crew to undertake extensive repairs, during which Midshipman Lord Blakeney loses an arm. After a long pursuit through treacherous storms and doldrums, the crew's morale plummets, leading to the suicide of Midshipman Hollom, who was believed to be a Jonah. The Surprise finally reaches the Galapagos Islands, where Stephen Maturin, the ship's surgeon and naturalist, is accidentally shot while exploring.

Writer
John Collee & Peter Weir
IMDb ID (imdb_id)
tt0311113
Script date
2003
140Scenes
20Characters
77Pages
8Dialogue samples

Save the Cat beat sheet

MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD Save the Cat analysis

The film opens by introducing HMS Surprise at sea and its crew, establishing the dual pursuits of naval command and scientific inquiry.

Open full beat sheet
45

Key characters

Jack Aubrey

Jack Aubrey is listed as Captain of the HMS Surprise. Heavy-set man in his thirties, thick blonde hair, unique sense of humor. In the parsed data, Jack Aubrey is connected to 60 scenes, 121 dialogue lines, 121 text mentions, first appearing around scene 2.

60 scenes / 121 dialogue lines

Stephen Maturin

Stephen Maturin is listed as Ship's Surgeon and Naturalist. Keen naturalist, friend to Jack, scientific, philosophical. In the parsed data, Stephen Maturin is connected to 43 scenes, 64 dialogue lines, 64 text mentions, first appearing around scene 5.

43 scenes / 64 dialogue lines

Lord Blakeney

Lord Blakeney is listed as Midshipman. Young officer, loses an arm in battle, brave. In the parsed data, Lord Blakeney is connected to 23 scenes, 25 dialogue lines, 25 text mentions, first appearing around scene 3.

23 scenes / 25 dialogue lines

Killick

Killick is listed as Captain's Servant. Pig-tailed, ear-ringed man of indeterminate age. In the parsed data, Killick is connected to 23 scenes, 11 dialogue lines, 18 text mentions, first appearing around scene 26.

23 scenes / 11 dialogue lines

Hollom

Hollom is listed as Midshipman. Sensitive-looking, older midshipman, plagued by bad luck. In the parsed data, Hollom is connected to 19 scenes, 13 dialogue lines, 24 text mentions, first appearing around scene 17.

19 scenes / 13 dialogue lines

Tom Pullings

Tom Pullings is listed as 1st Lieutenant. Pleasant open face marred by a diagonal sabre scar. In the parsed data, Tom Pullings is connected to 19 scenes, 11 dialogue lines, 12 text mentions, first appearing around scene 4.

19 scenes / 11 dialogue lines

Peter Calamy

Peter Calamy is listed as Midshipman. Young officer, rival and friend to Blakeney. In the parsed data, Peter Calamy is connected to 17 scenes, 18 dialogue lines, 18 text mentions, first appearing around scene 3.

17 scenes / 18 dialogue lines

Mowett

Mowett is listed as 2nd Lieutenant. Short tubular man in his early 20s, poet. In the parsed data, Mowett is connected to 16 scenes, 12 dialogue lines, 18 text mentions, first appearing around scene 18.

16 scenes / 12 dialogue lines

Nagel

Nagel is listed as Carpenter. Skilled carpenter. In the parsed data, Nagel is connected to 14 scenes, 7 dialogue lines, 11 text mentions, first appearing around scene 14.

14 scenes / 7 dialogue lines

Bonden

Bonden is listed as Helmsman. London cockney with a boxer's face. In the parsed data, Bonden is connected to 13 scenes, 9 dialogue lines, 9 text mentions, first appearing around scene 24.

13 scenes / 9 dialogue lines

Joe Plaice

Joe Plaice is listed as Foremast hand. One of the oldest men on board, suffers head injury. In the parsed data, Joe Plaice is connected to 13 scenes, 8 dialogue lines, 10 text mentions, first appearing around scene 7.

13 scenes / 8 dialogue lines

Awkward Davies

Awkward Davies is listed as Foremast hand. Strong, tattooed, loyal crewman. In the parsed data, Awkward Davies is connected to 10 scenes, 3 dialogue lines, 3 text mentions, first appearing around scene 14.

10 scenes / 3 dialogue lines

char_19

char_19 is identified from the parsed character and dialogue data. In the parsed data, char_19 is connected to 9 scenes, 5 dialogue lines, 5 text mentions, first appearing around scene 21.

9 scenes / 5 dialogue lines

Warley

Warley is listed as Maintop Captain. Skilled sailor, dies in storm. In the parsed data, Warley is connected to 8 scenes, 5 dialogue lines, 7 text mentions, first appearing around scene 14.

8 scenes / 5 dialogue lines

Padeen

Padeen is listed as Surgeon's Assistant. Giant manservant. In the parsed data, Padeen is connected to 7 scenes, 3 text mentions, first appearing around scene 7.

7 scenes / 0 dialogue lines

char_17

char_17 is identified from the parsed character and dialogue data. In the parsed data, char_17 is connected to 6 scenes, 6 dialogue lines, 6 text mentions, first appearing around scene 83.

6 scenes / 6 dialogue lines

Higgins

Higgins is listed as Assistant Surgeon. Jittery, alcoholic. In the parsed data, Higgins is connected to 6 scenes, 3 dialogue lines, 5 text mentions, first appearing around scene 62.

6 scenes / 3 dialogue lines

char_18

char_18 is identified from the parsed character and dialogue data. In the parsed data, char_18 is connected to 5 scenes, 3 dialogue lines, 3 text mentions, first appearing around scene 16.

5 scenes / 3 dialogue lines

Howard

Howard is listed as Captain of Marines. Big red-faced man, loves sport. In the parsed data, Howard is connected to 5 scenes, 5 text mentions, first appearing around scene 8.

5 scenes / 0 dialogue lines

char_20

char_20 is identified from the parsed character and dialogue data. In the parsed data, char_20 is connected to 2 scenes, 1 dialogue line, 1 text mention, first appearing around scene 125.

2 scenes / 1 dialogue lines

Scene outline

  1. 1. EXT. THE OCEAN - DUSK

    The HMS Surprise is introduced at sea off the coast of Brazil.

  2. 2. INT. THE GREAT CABIN - DUSK

    Captain Jack Aubrey studies charts while Killick serves him.

    Jack Aubrey, Killick
  3. 3. INT. MIDSHIPMAN'S BERTH - NIGHT

    Midshipmen argue over a game of marbles while Hollom plays guitar.

    Lord Blakeney, Peter Calamy, Hollom
  4. 4. INT. QUARTERDECK - NIGHT

    Jack Aubrey discusses the mission with Pullings.

    Jack Aubrey, Tom Pullings, Bonden
  5. 5. INT. STEPHEN'S CABIN - NIGHT

    Jack visits Stephen to discuss his scientific work and future plans.

    Jack Aubrey, Stephen Maturin
  6. 6. EXT. WEATHER DECK - DAWN

    The crew spots an enemy ship in the fog.

    Peter Calamy, Hollom
  7. 7. EXT. THE SIDE OF THE CUTTER - DUSK

    Old Sponge repairs the cutter with Young Sponge's help.

    Joe Plaice, Padeen
  8. 8. INT. WAIST OF THE SHIP - NIGHT

    The crew works on repairs including a new rudder and stern post.

    Nagel, Howard, Awkward Davies
  9. 9. INT. THE SICK BERTH - NIGHT

    Blakeney wakes up from a nightmare about his injury.

    Lord Blakeney, Peter Calamy
  10. 10. INT. SICK BAY - NIGHT

    Stephen examines Blakeney's wound.

    Stephen Maturin, Peter Calamy
  11. 11. INT. THE COCKPIT - NIGHT

    Stephen amputates Blakeney's arm.

    Lord Blakeney, Peter Calamy, Stephen Maturin, Padeen
  12. 12. INT. SICK-BERTH - NIGHT

    Blakeney realizes his arm is gone.

    Lord Blakeney, Peter Calamy
  13. 13. EXT. MIZZEN TOPGALLANT - DAY

    Mowett inspects the ship's repairs.

    Mowett
  14. 14. EXT. BASE OF THE MAINMAST - DAY

    Stephen performs trepanning on Joe Plaice.

    Stephen Maturin, Joe Plaice, Awkward Davies
  15. 15. EXT. THE SURPRISE - DAY

    The ship prepares to weigh anchor.

    Jack Aubrey
  16. 16. EXT. QUARTERDECK - DAY

    Jack orders the ship to weigh anchor.

    Jack Aubrey, char_18
  17. 17. EXT. ON DECK - DAY

    The crew rushes to their stations.

    Hollom
  18. 18. EXT. QUARTERDECK - DAY

    Mowett reports the anchor is ready.

    Mowett
  19. 19. EXT. WAIST OF THE SHIP - DAY

    Men work the capstan.

  20. 20. EXT. BOWS - DAY

    The anchor is raised.

  21. 21. EXT. MASTS OF THE SURPRISE - DAY

    Sails are hoisted.

    char_19
  22. 22. EXT. QUARTERDECK - DAY

    Hollar watches the sails fill.

    char_19
  23. 23. EXT. WIDE SHOT - DAY

    The ship sails.

  24. 24. EXT. QUARTERDECK - LATE AFTERNOON

    Jack checks the ship's speed.

    Jack Aubrey, Bonden
  25. 25. EXT. CLOSE TO THE WATER - DUSK

    The ship powers past.

  26. 26. INT. OUTSIDE THE GREAT CABIN - NIGHT

    Killick prepares food while music plays.

    Killick
  27. 27. INT. INSIDE THE GREAT CABIN - NIGHT

    Jack and Stephen play music.

    Jack Aubrey, Stephen Maturin
  28. 28. EXT. A HIGH POINT OF VIEW - DAY

    The ship fires a broadside.

  29. 29. INT. GUN-DECK - DAY

    The crew practices firing.

    Jack Aubrey, Mowett, Lord Blakeney, Peter Calamy, Hollom
  30. 30. EXT. AND AGAIN - DUSK

    Stephen collects specimens.

    Stephen Maturin, Mowett, Tom Pullings
  31. 31. EXT. AND AGAIN - NIGHT

    The crew continues firing practice.

    Jack Aubrey, Mowett
  32. 32. EXT. THE OCEAN AT NIGHT - NIGHT

    The ship fires at targets.

    Mowett
  33. 33. INT. THE GUNPOWDER ROOM - NIGHT

    Powder-monkeys race to supply the guns.

  34. 34. INT. STEPHEN'S CABIN - NIGHT

    Stephen documents his specimens.

    Stephen Maturin
  35. 35. INT. ON THE GUN-DECK - NIGHT

    Mowett times the firing.

    Mowett
  36. 36. INT. IN THE GREAT CABIN - NIGHT

    Jack has dinner.

    Jack Aubrey, Killick
  37. 37. EXT. MAIN DECK - NIGHT

    The crew celebrates.

    Joe Plaice, Bonden
  38. 38. INT. THE GREAT CABIN - NIGHT

    Jack hosts a dinner for officers.

    Jack Aubrey, Tom Pullings, Mowett, Lord Blakeney, char_18, Stephen Maturin
  39. 39. EXT. MAIN DECK - NIGHT

    Joe Plaice speaks.

    Joe Plaice, Bonden
  40. 40. EXT. QUARTERDECK - NIGHT

    Officers have coffee.

    Stephen Maturin
  41. 41. EXT. IN THE RIGGING - NIGHT

    Midshipmen sing.

    Peter Calamy
  42. 42. EXT. QUARTERDECK - NIGHT

    Jack and Blakeney listen to the singing.

    Jack Aubrey, Lord Blakeney, Hollom, Stephen Maturin
  43. 43. EXT. IN THE WAIST - NIGHT

    Killick and Nagel sing.

    Killick, Nagel
  44. 44. EXT. OCEAN - NIGHT

    The ship sails on.

  45. 45. EXT. OCEAN - DAY

    The ship sails into colder waters.

  46. 46. INT. THE GREAT CABIN - DAY

    Jack and Allen study charts.

    Jack Aubrey, char_18, Killick, Nagel, Warley
  47. 47. EXT. SURPRISE QUARTERDECK - DAY

    The ship communicates with a Spanish merchantman.

    Jack Aubrey, Stephen Maturin
  48. 48. INT. STEPHEN'S CABIN - NIGHT

    Stephen comforts Blakeney.

    Stephen Maturin, Lord Blakeney
  49. 49. EXT. MAIN MAST - DAWN

    Warley spots a sail.

    Warley
  50. 50. INT. GREAT CABIN/LADDER - DAWN

    Jack rushes to the deck.

    Jack Aubrey, Killick
  51. 51. EXT. THE RIGGING - DAWN

    Jack inspects the distant ship.

    Jack Aubrey, Tom Pullings, Warley
  52. 52. EXT. TELESCOPE P.O.V. - DAWN

    View of the distant ship.

  53. 53. EXT. RIGGING - DAWN

    Jack and Pullings return to deck.

    Jack Aubrey, Tom Pullings
  54. 54. EXT. QUARTERDECK - DAWN

    Jack orders the chase.

    Jack Aubrey, Tom Pullings, char_19, Lord Blakeney, Peter Calamy
  55. 55. EXT. WEATHER-DECK - DAY

    The ship gains speed.

    Mowett, Jack Aubrey, Peter Calamy
  56. 56. EXT. THE SURPRISE - DAY

    The ship heels over.

  57. 57. EXT. FORECASTLE - DAY

    The crew watches the captain.

    Warley, Awkward Davies, Joe Plaice
  58. 58. INT. GREAT CABIN - DAY

    Jack decides to chase.

    Jack Aubrey, Tom Pullings, Howard
  59. 59. EXT. QUARTERDECK - DAY

    The wind increases.

    Jack Aubrey, Tom Pullings, Howard
  60. 60. EXT. OCEAN - DAY

    The two ships race.

  61. 61. EXT. QUARTERDECK - DAY

    The ship runs before the sea.

    Jack Aubrey, Killick
  62. 62. INT. BELOW DECKS - DAY

    The crew discusses the chase.

    Higgins, Awkward Davies, Joe Plaice
  63. 63. EXT. ON DECK - DAY

    The storm worsens.

    Jack Aubrey, Stephen Maturin, char_19, Hollom, Warley
  64. 64. EXT. MIZZEN TOPgallant MAST - DAY

    Warley works on the mast.

    Warley, Hollom
  65. 65. EXT. THE SURPRISE - DAY

    The mast breaks.

    Warley, Bonden
  66. 66. EXT. QUARTERDECK - DAY

    Jack tries to save the ship.

    Jack Aubrey, Tom Pullings, Bonden, Awkward Davies, Nagel
  67. 67. INT. ON THE GUN-DECK - DAY

    The ship is flooded.

    char_19
  68. 68. EXT. QUARTERDECK - DAY

    Jack cuts the wreckage free.

    Jack Aubrey, Nagel
  69. 69. INT. OUTSIDE THE GREAT CABIN - NIGHT

    Killick and Black Bill talk.

    Killick
  70. 70. INT. THE GREAT CABIN - NIGHT

    Jack and Stephen have wine.

    Jack Aubrey, Stephen Maturin
  71. 71. EXT. OUTSIDE THE GREAT CABIN - NIGHT

    Killick and Black Bill discuss the 'Jonah' on board.

    Killick
  72. 72. INT. THE GREAT CABIN - NIGHT

    Jack and Stephen discuss the death of Warley and the morale of the crew.

    Jack Aubrey, Stephen Maturin
  73. 73. EXT. MIZZEN-TOP - DAY

    Hollom directs men working on the temporary mizzen mast.

    Hollom, Nagel
  74. 74. EXT. QUARTERDECK - DAY

    Jack and Pullings discuss the ship's course.

    Jack Aubrey, Tom Pullings
  75. 75. EXT. THE SHIP - DAY

    The ship sails south through harsh winds.

  76. 76. EXT. QUARTERDECK - DAWN

    The ship reaches icy waters; Mowett recites poetry.

    Stephen Maturin, Mowett, char_17
  77. 77. EXT. THE SHIP - NIGHT

    The ship sails past icebergs.

  78. 78. INT. BERTH DECK - NIGHT

    Hollar wakes the crew for their watch.

    char_19
  79. 79. INT. THE GREAT CABIN - DAY

    Jack announces the turn northward to the Galapagos.

    Jack Aubrey, Stephen Maturin, Tom Pullings, Killick, char_18
  80. 80. EXT. OPEN OCEAN, DOLDRUMS - DAY

    The ship is becalmed; Jack swims around it.

    Jack Aubrey, Tom Pullings

Dialogue examples

You have every chance. You hear me every chance. Only the other day I heard the captain singing your praises. Your courage, your fortitude in battle, your skill at logarithms and double elevations whatever they may be. And when you are rated lieutenant you shall have someone to tie your bootlaces for you. Aye and help you with your jacket. Here take my handkerchief. I believe we are summonsed to dinner.

Stephen Maturin / Scene 48

You can be as 'satiric' as you like, Stephen, but I have my orders. She is attacking our whalers. For why? Without whales we have no boot polish, nor any soap, nor oil for our lamps, not to oil our sabres and muskets. Destroying our whalers could win the war for Napoleon. Which is why we must catch this Acheron. As a man of learning surely you can see that.

Jack Aubrey / Scene 72

It's the Jonah causing it. That howling thing is a signal to the Phantom-Ship. He's calling it up, don't you see? Every time he's on watch the ship appears. You wait and see, the ghost-ship will appear any time tonight, and take us all straight to the hot-place.

Joe Plaice / Scene 108

Our brotherhood, some old, some new. In blood baptized, in strength renewed. In purpose unified and true. All thoughts of home forsaken. Where duty leads us, there we go. Nor rest nor comfort shall we know. Until the unrepentant foe, is boarded sunk or taken

Mowett / Scene 38

I've tried to get to know the men a bit, Sir, be friendly like, but they've taken a set against me. Always whispering when I go past, giving me looks. But, I'll set that to rights, be tougher on them from now on.

Hollom / Scene 92

That you are not accustomed to defeat Jack. That you have taken it too personally. That chasing this larger, faster ship, with its long guns, is beginning to smack of pride 'which goeth before destruction'?

Stephen Maturin / Scene 72

You know my father was a great fighting captain. It was always his expectation I would follow in his footsteps. I worry that with this arm I will now be good for nothing but book learning and philosophy.

Lord Blakeney / Scene 48

I don't say it will be easy. She's twice the men we have and they'll sell their lives dearly. But every man here is worth three of Boney's privateers, and I know there's not a faint heart among you.

Jack Aubrey / Scene 135

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