Scripts
MAN TROUBLE poster

1991

MAN TROUBLE script

Soprano Joan Spruance navigates criticism from her ex-husband and the ransacking of her apartment, suspecting either him or a mysterious dog trainer, Harry Bliss, while her sister Andy's involvement with dangerous billionaire Red Layls brings further harassment. Harry, secretly married, begins a romance with Joan and trains his dog Duke to protect her, but their relationship is complicated by his continued involvement with Layls and the search for a document after Joan and her friend are attacked. Joan discovers Harry's marriage while attempting to help Andy escape Layls, leading to their breakup, though Harry continues to pursue Joan, confronting her and a choir member on a dirt road. The film concludes with Joan's ex-husband conducting the chorus, leaving Joan's future unresolved.

Writer
Carole Eastman (a.k.a. Adrien Joyce)
IMDb ID (imdb_id)
tt0104804
Script date
April 5, 1991
89Scenes
10Characters
99Pages
8Dialogue samples

Save the Cat beat sheet

MAN TROUBLE Save the Cat analysis

Joan Spruance, a chorus singer, faces a series of threatening incidents at her apartment while reconnecting with security expert Harry Bliss.

Open full beat sheet
35

Key characters

Joan Spruance

Joan Spruance is listed as Soprano / Protagonist. A woman in the process of a divorce, currently feeling vulnerable and paranoid. In the parsed data, Joan Spruance is connected to 68 scenes, 133 dialogue lines, 133 text mentions, first appearing around scene 1.

68 scenes / 133 dialogue lines

Eugene Earl Axline

Eugene Earl Axline is listed as Dog Trainer / Security. A man living under an alias, running a dog security business. In the parsed data, Eugene Earl Axline is connected to 51 scenes, 108 dialogue lines, 108 text mentions, first appearing around scene 2.

51 scenes / 108 dialogue lines

Duke

Duke is listed as Attack Dog. A German Shepherd trained for protection. In the parsed data, Duke is connected to 16 scenes, 8 text mentions, first appearing around scene 4.

16 scenes / 0 dialogue lines

June Huff

June Huff is listed as Harry's assistant. Works at the House of Bliss, often lazy or sarcastic. In the parsed data, June Huff is connected to 14 scenes, 7 dialogue lines, 7 text mentions, first appearing around scene 20.

14 scenes / 7 dialogue lines

Eddy Revere

Eddy Revere is listed as Choral Member. A friend of Joan's who becomes increasingly erratic. In the parsed data, Eddy Revere is connected to 12 scenes, 8 dialogue lines, 9 text mentions, first appearing around scene 26.

12 scenes / 8 dialogue lines

Lewis Duart

Lewis Duart is listed as Choral Conductor. Joan's ex-husband, demanding and critical. In the parsed data, Lewis Duart is connected to 10 scenes, 18 dialogue lines, 18 text mentions, first appearing around scene 1.

10 scenes / 18 dialogue lines

Helen Dextra

Helen Dextra is listed as Choral Member. Joan's friend, often seen on crutches. In the parsed data, Helen Dextra is connected to 9 scenes, 11 dialogue lines, 11 text mentions, first appearing around scene 33.

9 scenes / 11 dialogue lines

Redmon Layls

Redmon Layls is listed as Billionaire. Extremely wealthy, powerful, and dangerous. In the parsed data, Redmon Layls is connected to 7 scenes, first appearing around scene 43.

7 scenes / 0 dialogue lines

Antonia Ellerman

Antonia Ellerman is listed as Joan's sister. A woman with a complex romantic history, currently involved with Red Layls. In the parsed data, Antonia Ellerman is connected to 6 scenes, 12 dialogue lines, 12 text mentions, first appearing around scene 37.

6 scenes / 12 dialogue lines

Adele Watanabe Bliss

Adele Watanabe Bliss is listed as Harry's wife. Emotionally volatile, unhappy with her marriage. In the parsed data, Adele Watanabe Bliss is connected to 6 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 2.

6 scenes / 2 dialogue lines

Scene outline

  1. 1. INT. CAMPUS REHEARSAL ROOM - NIGHT

    Lewis Duart conducts a rehearsal of a Bach Cantata, criticizing Joan Spruance's performance while Helen Dextra and other chorus members watch.

    Joan Spruance, Lewis Duart, Helen Dextra, Eddy Revere
  2. 2. INT. CAMPUS PSYCHOLOGY BUILDING - NIGHT

    Adele Watanabe Bliss and Harry Bliss attend a therapy session to discuss their marital issues.

    Adele Watanabe Bliss, Eugene Earl Axline
  3. 3. EXT. CAMPUS/AUDITORIUM BUILDING - NIGHT

    Joan leaves the rehearsal building.

    Joan Spruance
  4. 4. INT. CAMPUS PARKING STRUCTURE - NIGHT

    Joan finds a flyer on her car and notices a threatening dog in a nearby van.

    Joan Spruance, Duke
  5. 5. EXT. CAMPUS - NIGHT

    Harry and Adele walk toward their van.

    Adele Watanabe Bliss, Eugene Earl Axline
  6. 6. INT. CAMPUS/PARKING STRUCTURE - NIGHT

    Harry and Adele get into their van.

    Adele Watanabe Bliss, Eugene Earl Axline
  7. 7. EXT. SUNSET BOULEVARD - NIGHT

    Joan sees a movie poster while driving.

    Joan Spruance
  8. 8. INT. JOAN'S APARTMENT - NIGHT

    Joan discovers her apartment has been ransacked.

    Joan Spruance
  9. 9. INT. JOAN'S APARTMENT - DAY

    A detective investigates the break-in while Joan's sister Andy arrives.

    Joan Spruance, Helen Dextra, Antonia Ellerman
  10. 10. INT. HOUSE OF BLISS - DAY

    Harry and his assistant June discuss business and personal issues.

    Eugene Earl Axline, June Huff, Duke
  11. 11. INT. ANDY'S HOUSE - DAY

    Joan tries to figure out why the housekeeper is leaving.

    Joan Spruance
  12. 12. INT. ANDY'S HOUSE/BEDROOM - NIGHT

    Joan is harassed by a man named Butch outside the bedroom window.

    Joan Spruance
  13. 13. INT. Andy's House/Bedroom - NIGHT

    Joan is harassed by Butch outside her window, then watches him leave.

    Joan Spruance
  14. 14. INT/EXT. Andy's House/Living Room - NIGHT

    Joan watches Butch drive away.

    Joan Spruance
  15. 15. INT. Andy's House/Bedroom - NIGHT

    Joan finds a flyer for the House of Bliss.

    Joan Spruance
  16. 16. EXT. Andy's House - DAY

    Harry demonstrates Duke's training to Joan.

    Joan Spruance, Eugene Earl Axline, Duke
  17. 17. EXT. Andy's House/Garden - DAY

    Harry conducts a mock attack drill with June.

    Joan Spruance, Eugene Earl Axline, June Huff, Duke
  18. 18. INT. Andy's House/Den - DAY

    Harry and Joan discuss her sister's connections.

    Joan Spruance, Eugene Earl Axline
  19. 19. EXT. Andy's House/Front Door - DAY

    Harry leaves, promising to return.

    Joan Spruance, Eugene Earl Axline, June Huff
  20. 20. EXT. Andy's House/Harry's Van - DAY

    Harry and June argue about the client.

    Eugene Earl Axline, June Huff
  21. 21. INT. Andy's House/Bedroom - NIGHT

    Joan checks her answering machine.

    Joan Spruance, Duke
  22. 22. INT. Andy's House/Bathroom - NIGHT

    Joan hears music from the bedroom.

    Joan Spruance
  23. 23. INT. Andy's House/Bedroom - NIGHT

    Joan hears a threatening message.

    Joan Spruance
  24. 24. EXT. Street/Joan's Car - NIGHT

    A man harasses Joan at a stoplight.

    Joan Spruance
  25. 25. INT. Campus Rehearsal Room - NIGHT

    Lewie conducts the chorale.

    Joan Spruance, Lewis Duart, Eddy Revere
  26. 26. EXT. Nearby Campus Area - NIGHT

    Joan and Eddy talk while Duke is tied up.

    Joan Spruance, Eddy Revere, Duke
  27. 27. INT. Andy's House/Living Room - LATE DAY

    Harry assesses the house security.

    Joan Spruance, Eugene Earl Axline, Duke
  28. 28. INT. Yamashiro Inn/Pavilion - LATE DAY

    Joan and Harry have drinks.

    Joan Spruance, Eugene Earl Axline
  29. 29. INT. Yamashiro Inn/Restaurant - NIGHT

    Joan and Harry discuss Dante.

    Joan Spruance, Eugene Earl Axline
  30. 30. EXT. Yamashiro Inn/Front Entrance - NIGHT

    Joan and Harry discuss friendship between sexes.

    Joan Spruance, Eugene Earl Axline
  31. 31. EXT. Andy's House/Front Yard - DAY

    Joan finds a threatening letter in the mail.

    Joan Spruance, Duke
  32. 32. EXT. Campus Concession Area - DAY

    Joan and Helen discuss suspects.

    Joan Spruance, Helen Dextra
  33. 33. EXT. CAMPUS CONCESSION AREA - DAY

    Joan and Helen discuss suspects for the burglary and harassment while Lewie watches from afar.

    Joan Spruance, Lewis Duart, Helen Dextra, Eddy Revere
  34. 34. INT. CAMPUS REHEARSAL ROOM - NIGHT

    Lewie confronts Joan about her living situation and asks if she is seeing someone.

    Joan Spruance, Lewis Duart, Helen Dextra, Eddy Revere
  35. 35. INT/EXT. ANDY'S HOUSE - NIGHT

    Joan and Harry dine while Socorro and Duke move about.

    Joan Spruance, Eugene Earl Axline, Duke
  36. 36. INT. ANDY'S HOUSE/LIVING ROOM - NIGHT

    Joan and Harry discuss their relationship and intimacy.

    Joan Spruance, Eugene Earl Axline
  37. 37. INT. ANDY'S HOUSE/BEDROOM - NIGHT

    Joan and Harry are interrupted by a phone call from Andy.

    Joan Spruance, Eugene Earl Axline, Antonia Ellerman
  38. 38. INT. HOSPITAL ROOM - NIGHT

    Andy speaks to Joan from a hospital room.

    Antonia Ellerman
  39. 39. INT. MOUNT HAVEN HOSPITAL/RECEPTION - NIGHT

    Joan and Harry inquire about Andy at the hospital.

    Joan Spruance, Eugene Earl Axline
  40. 40. EXT. MOUNT HAVEN HOSPITAL - NIGHT

    Harry and Joan discuss their next steps regarding Andy.

    Joan Spruance, Eugene Earl Axline
  41. 41. INT. MERYL'S COFFEE SHOP - DAY

    Harry talks to a waitress about finding a private investigator.

    Eugene Earl Axline, June Huff
  42. 42. EXT. HOUSE OF BLISS/PARKING LOT - DAY

    Harry is confronted by Moncrief in a car.

    Eugene Earl Axline, June Huff
  43. 43. EXT. Parking Lot - DAY

    Harry is confronted by Moncrief who tries to bribe him into finding a document for Red Layls. Harry refuses and drives off.

    Eugene Earl Axline, Redmon Layls, Lewis Duart
  44. 44. EXT. Street near Andy's house - DAY

    Joan drives to Andy's house and notices Butch Gable watching her.

    Joan Spruance
  45. 45. EXT. Andy's House/Driveway - DAY

    Joan enters the house while Butch watches.

    Joan Spruance
  46. 46. INT. Andy's House/Den - DAY

    Joan searches for a manuscript and questions Socorro.

    Joan Spruance, June Huff
  47. 47. INT. Andy's House/Bedroom - DAY

    Joan discovers a break-in attempt at the window.

    Joan Spruance
  48. 48. INT. House of Bliss Office - LATE DAY

    Joan confronts Harry about Red Layls and the harassment.

    Joan Spruance, Eugene Earl Axline
  49. 49. EXT. Street - EVENING

    Harry attempts to mail the voucher but changes his mind.

    Eugene Earl Axline
  50. 50. INT. Andy's House/Kitchen - NIGHT

    Joan instructs Socorro to keep the dog away.

    Joan Spruance, June Huff, Duke
  51. 51. INT. Andy's House/Den - NIGHT

    Joan and Helen watch a talk show and discuss the police document.

    Joan Spruance, Helen Dextra
  52. 52. INT. House of Bliss/Rear Apartment - NIGHT

    Harry and June watch TV and discuss their relationship.

    Eugene Earl Axline, June Huff
  53. 53. EXT. Andy's House/Garage - NIGHT

    Joan and Helen are attacked by a hooded man with an axe.

    Joan Spruance, Helen Dextra
  54. 54. INT. Andy's House/Hallway - NIGHT

    Socorro goes to investigate the dog's barking.

    June Huff
  55. 55. INT. Andy's House/Exercise Room - NIGHT

    Socorro is frightened by Duke.

    June Huff, Duke
  56. 56. INT. Andy's House/Living Room - NIGHT

    Harry arrives and argues with Joan and Helen about the attack.

    Joan Spruance, Helen Dextra, Eugene Earl Axline
  57. 57. INT. Andy's House/Bedroom - NIGHT

    Harry and Joan reconcile and make love.

    Joan Spruance, Eugene Earl Axline
  58. 58. EXT. Andy's House/Driveway - DAY

    Harry leaves and then returns to the house.

    Joan Spruance, Eugene Earl Axline, June Huff
  59. 59. INT. Andy's House/Den - DAY

    Harry searches the house for the document.

    Eugene Earl Axline, Duke
  60. 60. INT. Andy's House/Bedroom - DAY

    Harry finds a gift and a note from Joan.

    Eugene Earl Axline
  61. 61. EXT. ADELE'S FRONT LAWN - LATE DAY

    Harry attempts to leave with a suitcase while Adele confronts him, threatening to change the locks and start a business if he leaves.

    Adele Watanabe Bliss, Eugene Earl Axline, June Huff
  62. 62. INT. ANDY'S HOUSE/LIVING ROOM - NIGHT

    Joan and Harry have dinner; Harry is morose while Joan tries to be affectionate.

    Joan Spruance, Eugene Earl Axline
  63. 63. INT. ANDY'S HOUSE/DEN/KITCHEN AREA - NIGHT

    Socorro interrupts dinner to show Joan and Harry a news report about Andy Ellerman.

    Joan Spruance, Eugene Earl Axline
  64. 64. INT. ANDY'S HOUSE - NIGHT

    Joan and Harry prepare to leave to find Andy.

    Joan Spruance, Eugene Earl Axline
  65. 65. EXT. ANDY'S HOUSE/DRIVEWAY & GARAGE - NIGHT

    Harry tries to dissuade Joan from going to the hospital.

    Joan Spruance, Eugene Earl Axline
  66. 66. EXT. CITY STREETS - NIGHT

    Joan drives toward the freeway.

    Joan Spruance
  67. 67. INT. JOAN'S MERCEDES (FREEWAY) - NIGHT

    Harry and Joan argue in traffic.

    Joan Spruance, Eugene Earl Axline
  68. 68. EXT. MONROE PARK CENTER/PARKING LOT - NIGHT

    Joan and Harry arrive at the hospital.

    Joan Spruance, Eugene Earl Axline
  69. 69. INT. M.P. CENTER/UTILITY AREA - NIGHT

    Harry and Joan sneak into the hospital.

    Joan Spruance, Eugene Earl Axline
  70. 70. INT. M.P. CENTER/HALLWAY - NIGHT

    Harry and Joan navigate the hospital.

    Joan Spruance, Eugene Earl Axline
  71. 71. INT. M.P. CENTER/ANDY'S BATHROOM - NIGHT

    Joan finds Andy and they swap clothes.

    Joan Spruance, Antonia Ellerman
  72. 72. INT. M.P. CENTER/HALLWAY - NIGHT

    Harry distracts the nurse while Andy prepares to leave.

    Eugene Earl Axline, Antonia Ellerman
  73. 73. EXT. M.P. CENTER/PARKING LOT - NIGHT

    Andy waits in the car and encounters Red Layls.

    Eugene Earl Axline, Antonia Ellerman, Redmon Layls
  74. 74. INT. M.P. CENTER/ANDY'S HOSPITAL ROOM - NIGHT

    Moncrief enters the room to find Joan.

    Joan Spruance, Redmon Layls
  75. 75. INT. M.P. Center/Andy's Hospital Room - NIGHT

    Moncrief confronts Joan about her book and Andy's whereabouts while Harry watches from outside the window.

    Joan Spruance, Lewis Duart, Eugene Earl Axline, Redmon Layls
  76. 76. EXT. M.P. Park Center/Through Andy's Hospital Window - NIGHT

    Harry argues with Moncrief about a bribe and agreement.

    Joan Spruance, Lewis Duart, Eugene Earl Axline
  77. 77. INT. M.P. Park Center/Andy's Hospital Room - NIGHT

    Andy returns, Red Layls enters, and tensions rise between Joan, Harry, and Red.

    Joan Spruance, Lewis Duart, Adele Watanabe Bliss, Eugene Earl Axline, Redmon Layls
  78. 78. INT. M.P. Center/Andy's Bathroom - NIGHT

    Red confronts Andy about the heart transplant donor.

    Adele Watanabe Bliss, Redmon Layls
  79. 79. INT. M.P. Center/Andy's Hospital Room - NIGHT

    Harry reveals he is married, devastating Joan.

    Joan Spruance, Lewis Duart, Eugene Earl Axline, Redmon Layls
  80. 80. EXT. Andy's House/Driveway - NIGHT

    Joan breaks up with Harry.

    Joan Spruance, Eugene Earl Axline, Duke

Dialogue examples

Believe me, I know what you're up against, being an attractive, and I take it, unattached woman, such as you are... But we're going to remedy that situation right now, and get you to feeling as safe as a little baby, alright? What've we got there so far?

Eugene Earl Axline / Scene 16

Don't make me have to get legal with you, Harry. You sold me the animal, then as a personal favor, I let you borrow him, to demo to some V.I.P.. that probably don't even exist. You haven't been straight with me, man.

June Huff / Scene 81

You know, it's very sad. I look at my sister and all her marriages and affairs, not to mention the mess my own life is in, and I think it's very sad and very bleak that men and women can't manage to be friends.

Joan Spruance / Scene 30

Always trying to connect with me, proposing private rehearsals at his apartment. You know what he asked me yesterday? What my cup size was. Steve Jewel! Who's Steve Jewel?

Helen Dextra / Scene 33

Also, I'd be mildly content if I could have a little less delirious self-appreciation and some small regard for remaining somewhere in the vicinity of the goddamned note.

Lewis Duart / Scene 1

If the attacker is bearing a weapon of any kind, be it a gun, a club, a knife or what-have-you, the dog will, excuse me for saying... automatically go for the testicles.

Eugene Earl Axline / Scene 16

Let me ask you something. I like to get a general picture of the individual situation I'm working with. Are you married, single, living alone or with some other party?

Eugene Earl Axline / Scene 16

No kidding. Your sister's involved with Red Layls? This guy's gotta be one of the five or ten richest men in the country, with business connections all over the place.

Eugene Earl Axline / Scene 18

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