KATE
KATE is identified from the parsed character and dialogue data. In the parsed data, KATE is connected to 24 scenes, 138 dialogue lines, 270 text mentions, first appearing around scene 1.
24 scenes / 138 dialogue lines65Scenes
25Characters
40Pages
8Dialogue samples
Save the Cat beat sheet
Lost: Pilot Save the Cat analysis
After a plane crashes on a mysterious island, Dr.
Open full beat sheetKey characters
JACK
JACK is identified from the parsed character and dialogue data. In the parsed data, JACK is connected to 23 scenes, 146 dialogue lines, 333 text mentions, first appearing around scene 1.
23 scenes / 146 dialogue linesCHARLIE
CHARLIE is identified from the parsed character and dialogue data. In the parsed data, CHARLIE is connected to 21 scenes, 83 dialogue lines, 154 text mentions, first appearing around scene 1.
21 scenes / 83 dialogue linesHURLEY
HURLEY is identified from the parsed character and dialogue data. In the parsed data, HURLEY is connected to 13 scenes, 47 dialogue lines, 83 text mentions, first appearing around scene 1.
13 scenes / 47 dialogue linesBOONE
BOONE is identified from the parsed character and dialogue data. In the parsed data, BOONE is connected to 12 scenes, 50 dialogue lines, 86 text mentions, first appearing around scene 1.
12 scenes / 50 dialogue linesSAYID
SAYID is identified from the parsed character and dialogue data. In the parsed data, SAYID is connected to 11 scenes, 68 dialogue lines, 111 text mentions, first appearing around scene 1.
11 scenes / 68 dialogue linesSHANNON
SHANNON is identified from the parsed character and dialogue data. In the parsed data, SHANNON is connected to 11 scenes, 64 dialogue lines, 99 text mentions, first appearing around scene 1.
11 scenes / 64 dialogue linesMICHAEL
MICHAEL is identified from the parsed character and dialogue data. In the parsed data, MICHAEL is connected to 10 scenes, 28 dialogue lines, 57 text mentions, first appearing around scene 1.
10 scenes / 28 dialogue linesSAWYER
SAWYER is identified from the parsed character and dialogue data. In the parsed data, SAWYER is connected to 8 scenes, 55 dialogue lines, 85 text mentions, first appearing around scene 1.
8 scenes / 55 dialogue linesWALT
WALT is identified from the parsed character and dialogue data. In the parsed data, WALT is connected to 7 scenes, 21 dialogue lines, 54 text mentions, first appearing around scene 1.
7 scenes / 21 dialogue linesCLAIRE
CLAIRE is identified from the parsed character and dialogue data. In the parsed data, CLAIRE is connected to 7 scenes, 21 dialogue lines, 41 text mentions, first appearing around scene 1.
7 scenes / 21 dialogue linesJIN
JIN is identified from the parsed character and dialogue data. In the parsed data, JIN is connected to 6 scenes, 16 dialogue lines, 37 text mentions, first appearing around scene 1.
6 scenes / 16 dialogue linesROSE
ROSE is identified from the parsed character and dialogue data. In the parsed data, ROSE is connected to 5 scenes, 8 dialogue lines, 20 text mentions, first appearing around scene 16.
5 scenes / 8 dialogue linesFLIGHT ATTENDANT #1
FLIGHT ATTENDANT #1 is identified from the parsed character and dialogue data. In the parsed data, FLIGHT ATTENDANT #1 is connected to 4 scenes, 11 dialogue lines, 11 text mentions, first appearing around scene 16.
4 scenes / 11 dialogue linesPILOT
PILOT is identified from the parsed character and dialogue data. In the parsed data, PILOT is connected to 3 scenes, 13 dialogue lines, 47 text mentions, first appearing around scene 1.
3 scenes / 13 dialogue linesSUN
SUN is identified from the parsed character and dialogue data. In the parsed data, SUN is connected to 3 scenes, 4 dialogue lines, 23 text mentions, first appearing around scene 1.
3 scenes / 4 dialogue linesFLIGHT ATTENDANT'S VOICE
FLIGHT ATTENDANT'S VOICE is identified from the parsed character and dialogue data. In the parsed data, FLIGHT ATTENDANT'S VOICE is connected to 3 scenes, 3 dialogue lines, 4 text mentions, first appearing around scene 1.
3 scenes / 3 dialogue linesFEMALE VOICE
FEMALE VOICE is identified from the parsed character and dialogue data. In the parsed data, FEMALE VOICE is connected to 2 scenes, 14 dialogue lines, 16 text mentions, first appearing around scene 1.
2 scenes / 14 dialogue linesLOCKE
LOCKE is identified from the parsed character and dialogue data. In the parsed data, LOCKE is connected to 2 scenes, 12 dialogue lines, 36 text mentions, first appearing around scene 1.
2 scenes / 12 dialogue linesMAN #1
MAN #1 is identified from the parsed character and dialogue data. In the parsed data, MAN #1 is connected to 2 scenes, 3 dialogue lines, 3 text mentions, first appearing around scene 1.
2 scenes / 3 dialogue linesMAN #2
MAN #2 is identified from the parsed character and dialogue data. In the parsed data, MAN #2 is connected to 2 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 1.
2 scenes / 2 dialogue linesWOMAN #2
WOMAN #2 is identified from the parsed character and dialogue data. In the parsed data, WOMAN #2 is connected to 2 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 1.
2 scenes / 2 dialogue linesMAN
MAN is identified from the parsed character and dialogue data. In the parsed data, MAN is connected to 1 scene, 5 dialogue lines, 72 text mentions, first appearing around scene 65.
1 scenes / 5 dialogue linesMALE VOICE
MALE VOICE is identified from the parsed character and dialogue data. In the parsed data, MALE VOICE is connected to 1 scene, 5 dialogue lines, 6 text mentions, first appearing around scene 65.
1 scenes / 5 dialogue linesScene outline
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1. UNKNOWN SCENE
The scene opens with the "LOST" title card, then focuses on Jack's eye as he awakens disoriented in a bamboo forest after a crash. He encounters a white labrador, then struggles to sit up, discovering a wound on his side and pulling a miniature vodka bottle from his pocket before being startled by a loud, revving sound in the distance.
SHRAPNEL MAN / MAN / THE MARSHALL, BOONE, ROSE / PEACH BLOUSE, JACK, WALT, MAN #2 -
2. EXT. BAMBOO FOREST DAY
Jack races through a thick bamboo forest, drawn by an unseen force, until he discovers a white tennis shoe hanging high in a tree. The sound of loud revving grows closer, prompting him to sprint even faster.
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3. EXT. BRUSH DAY
A character runs from bamboo into thick jungle brush, eventually bursting out into more sunlight.
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4. EXT. BEACH DAY
Jack navigates the chaotic aftermath of a plane crash, tending to multiple injured survivors including a pregnant woman and an unconscious woman, all while the damaged plane wing threatens to collapse, forcing him to rescue people from its path.
KOREAN MAN, WOMAN #2, HURLEY, BOONE, MAN #2, MAN #1 -
5. EXT. CRASH SITE DAY
Jack surveys the wreckage of a crash site, which is slowly calming down. He discovers an unconscious man with a severe head injury and a piece of shrapnel in his stomach, prompting Jack to provide immediate care by covering him with a makeshift blanket.
JACK -
6. INT. FUSELAGE DAY
Inside the disorienting, crashed fuselage, Boone brings Jack a handful of pens, and Jack, visibly emotional and overwhelmed by the situation, thanks him before walking off.
BOONE, JACK -
7. EXT. BEACH DAY
Charlie approaches Sawyer, who is smoking near the plane wreckage, and questions his smoking, leading to a tense exchange before Charlie ultimately bums a cigarette from him.
SAWYER, CHARLIE -
8. EXT. CRASH SITE DAY
At a crash site, Jack appears vulnerable as he rummages through strangers' luggage, searching through a suitcase and toiletry bag.
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9. EXT. BEACH WOODS DAY
Jack, severely injured from the plane crash, struggles to sew up a deep gash on his back until he encounters Kate, a distressed survivor, and convinces her to help him while they discuss their pasts and their experiences with fear.
JACK, KATE -
10. EXT. CRASH SITE
At dusk, survivors gather around bonfires on the beach; Sayid recruits Charlie to help with a fire, Jin comforts Sun, Hurley brings food to Claire, and Boone tries to offer Shannon a chocolate bar, but she refuses, convinced rescue is coming.
SAYID, JIN, BOONE, SHANNON, CLAIRE, CHARLIE -
11. EXT. SHORE NIGHT
Hurley attempts to offer food to a silent and unresponsive Locke, who is staring out at the night sea from a piece of jet wreckage, before eventually walking away.
HURLEY -
12. EXT. BEACH NIGHT
On the beach at night, Jack tends to a severely injured man, explaining to Kate why he can't remove shrapnel, and then realizes Kate knows the victim.
JACK, KATE -
13. EXT. BEACH
On a cold beach, Michael attempts to comfort his young son, Walt, who is bundled in clothes and appears distant, ultimately telling him he loves him.
MICHAEL, WALT -
14. EXT. NIGHT SKY NIGHT
The scene begins with a description of a breathtaking night sky, as Jack narrates off-screen about an incident at 40,000 feet. A crude model plane made from a banana leaf is then shown, illustrating Jack's continued narration about hitting a pocket of dead air.
JACK -
15. EXT. BEACH NIGHT
Jack and Kate reconstruct the plane crash using a model, with Kate revealing she witnessed the terrifying event, leading them to plan a search for the cockpit until a terrifying, indescribable sound from the jungle causes all the survivors to react in fear.
KATE, MICHAEL, WALT, HURLEY, SHANNON, OTHER SURVIVORS -
16. INT. PLANE FLYING DAY
Jack receives extra vodka from a flight attendant, then attempts to comfort Rose during increasing turbulence before the plane suddenly drops.
FLIGHT ATTENDANT'S VOICE, CHARLIE, JACK, ROSE, FLIGHT ATTENDANT #1 -
17. EXT. BEACH DAWN
On the beach at dawn, survivors discuss the previous night's mysterious event while Kate convinces Jack to let her join his search for the cockpit, a journey they embark on with Charlie despite Sawyer's skepticism.
KATE, MICHAEL, JACK, WALT, SAYID, BOONE -
18. EXT. JUNGLE THE HIKE MORNING LATER
While hiking through the jungle, Charlie reveals to Kate that he was the bassist for the band Drive Shaft, much to her surprise, as they are unknowingly observed by the white lab from the opening scene.
KATE, CHARLIE -
19. EXT. JUNGLE
Charlie, Jack, and Kate enter a new area of the jungle where the sky suddenly darkens, wind picks up, and a torrential rainstorm begins, forcing them to hurry away.
CHARLIE -
20. EXT. "BASE CAMP" CRASH SITE
In the midst of a heavy rainstorm at the crash site, survivors scramble for shelter, with Jin directing others, Hurley warning against entering the plane, Locke finding solace, and Sayid setting up a tarp before a tense confrontation with Sawyer.
JIN, SAWYER, SAYID, HURLEY -
21. EXT. JUNGLE VALLEY OF TREES RAINSTORM
Claire and Rose shelter from a rainstorm in a jungle valley, where Claire points out something in the distance and Rose indicates the direction the doctor went, before the scene transitions to black and the end of Act Two.
ROSE, CLAIRE -
22. EXT. JUNGLE
Jack, Kate, and Charlie hike through a rainstorm and discover the crashed cockpit and front section of the plane, taking in the horrible sight.
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23. EXT. JUNGLE
In a jungle rainstorm, Jack, Kate, and Charlie arrive at a massive piece of fuselage, and after searching for an entry, Kate finds a tight opening at ground level and crawls inside.
KATE -
24. INT. FRONT SECTION OF THE PLANE
Kate, Jack, and Charlie navigate the front section of the crashed plane amidst a rainstorm, observing the damage and bodies, as Charlie expresses his dismay at the horrific scene.
CHARLIE -
25. INT. FRONT SECTION OF THE PLANE
Jack struggles to open the locked cockpit door, eventually breaking the knob with a fire extinguisher, only for the copilot's body to fall out, startling Kate and Charlie.
JACK, KATE, CHARLIE -
26. INT. FRONT SECTION OF THE PLANE COCKPIT
Jack and Kate enter the plane's cockpit, where they discover the pilot's body, who then jolts awake and reveals critical information about the plane's crash, including that they are a thousand miles off course and their transponder was not working. They find a damaged transceiver, but it's not working, and Jack asks about Charlie.
JACK, KATE, PILOT -
27. INT. FRONT SECTION OF THE PLANE RAINSTORM
Kate and Charlie are interrupted by a monstrous roar, leading to the Pilot being violently dragged from the cockpit by an unseen entity, as Jack, Kate, and Charlie struggle to survive before the entire cockpit drops.
JACK, KATE, PILOT, CHARLIE -
28. EXT. FRONT SECTION OF THE PLANE
During a continuous rainstorm, a giant piece of a jet crashes to the ground, followed by a horribly loud cry from an unseen beast.
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29. INT. FRONT SECTION OF THE PLANE
The scene is set in the loud, rain-battered front section of a plane where Jack, Kate, and Charlie are desperately trying to escape.
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30. EXT. FRONT SECTION OF THE PLANE
Kate, Jack, and Charlie frantically run through a rainstorm from an unseen threat; Charlie falls and is helped by Jack, while Kate continues to run, screams, falls, and finds shelter.
JACK, ALL, KATE, CHARLIE -
31. EXT. TREE TRUNK
Kate hides in a tree during a rainstorm, terrified and alone, calling out for Jack but receiving no response. She then whispers a count to herself before the scene cuts to black, marking the end of Act Three and the beginning of Act Four.
KATE -
32. EXT. JUNGLE
Terrified in the jungle rain, Kate is startled by Charlie, and after discussing an unseen threat and Jack's bravery, the rain stops, prompting Kate to insist on returning for Jack, with Charlie reluctantly following.
KATE, CHARLIE -
33. EXT. JUNGLE MOMENTS LATER
Kate and Charlie discover a pilot's wings pin and then the gruesome, torn body of the pilot stuck high in a tree, prompting Charlie to question how such a thing could happen after Jack arrives.
JACK, KATE, CHARLIE -
34. EXT. BEACH DAY
Boone confronts Shannon for sunbathing instead of helping, leading to a tense exchange, after which Shannon has a more pleasant conversation with Claire, who reveals she hasn't felt her baby kick, before the scene cuts to a sea urchin being picked from a tidal pool.
BOONE, SHANNON, CLAIRE -
35. EXT. BEACH SURF LINE DAY
Jin collects sea urchins while his wife, Sun, watches him with an unsettled gaze; Michael approaches Sun asking about his son, but Sun replies in Korean that she doesn't speak English, prompting Jin to angrily tell Sun to button her blouse before Michael apologizes and leaves.
SUN, MICHAEL, JIN -
36. EXT. BEACH ADJACENT JUNGLE
Walt searches for his dog, Vincent, in the jungle and finds a pair of handcuffs, which he examines with curiosity before Michael arrives, scolding Walt for leaving the beach and then noticing the mysterious cuffs.
MICHAEL, WALT -
37. EXT. JUNGLE AFTERNOON
Jack, Kate, and Charlie walk through the jungle, discussing their predicament and Charlie's self-perception as a coward, before the scene abruptly transitions to the sound of an airplane and a flight attendant's voice.
JACK, FLIGHT ATTENDANT #1, KATE, CHARLIE -
38. INT. PLANE
Charlie, visibly distressed on the plane pre-crash, attempts to evade suspicious flight attendants by rushing through the plane in search of a lavatory as the aircraft begins to shake and the "fasten seatbelts" sign illuminates.
ROSE, FLIGHT ATTENDANT #1, FLIGHT ATTENDANT'S VOICE, CHARLIE -
39. INT. PLANE
In a plane lavatory, Charlie frantically attempts to hide a baggie of brown powder from insistent flight attendants knocking on the door. After a moment of internal struggle, he drops the baggie into the toilet just as the flight attendants demand he open the door.
FLIGHT ATTENDANT #2 MALE, FLIGHT ATTENDANT #1 -
40. EXT. "BASE CAMP" CRASH SITE DAY
A brawl between Sawyer and Sayid is broken up by Jack, but tensions rise when handcuffs are found, leading Sawyer to accuse Sayid, until Kate presents a broken transceiver that Sayid offers to fix, while Jack confirms no cockpit survivors and Rose reports a wounded man.
KATE, MICHAEL, SAYID, VOICES, HURLEY, BOONE -
41. EXT. BEACH AT FUSELAGE DAY
Hurley and Sayid bond over their shared experiences and frustrations with other survivors, but their newfound connection is immediately complicated when Sayid reveals he fought in the Gulf War as part of the Republican Guard.
HURLEY, SAYID -
42. EXT. LAGOON DAY
Kate privately cleans herself in a lagoon, allowing herself to cry and find catharsis before regaining her resolve, only to be interrupted by Sun who tells her the others need her.
SUN -
43. EXT. BEACH DAY
Kate and Sayid test a radio, finding it can transmit but not receive, leading Sayid to propose broadcasting from high ground, which reveals the daunting task of climbing the massive mountains nearby.
KATE, SAYID -
44. EXT. BEACH
Jack explains the critical condition of Shrapnel Man and the dangerous options for treatment, while Kate decides to go on a hike to find a signal, despite Jack's concerns for her safety and his need to stay with the injured man.
JACK, KATE -
45. EXT. BEACH DAY
On a beach, Sun and Jin prepare food, with Jin asserting dominance over Sun by slapping her hand. After Jin walks away, Sun subtly defies him by unbuttoning her blouse.
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46. EXT. OCEAN - DAY
Jin offers Hurley sea urchin to eat, but Hurley politely yet firmly refuses the unusual food. The scene then cuts to an insert of a comic book page written in Spanish.
JIN, HURLEY -
47. EXT. BEACH DAY
On the beach, Michael attempts to connect with his angry son, Walt, who is reading a Spanish comic. Michael's efforts to talk and his offer of a new dog only upset Walt further, making him realize his current dog is dead, and Walt storms off.
MICHAEL, WALT -
48. EXT. BEACH DAY
Sayid and Kate discuss the pilot's message and the group's fear, with Sayid expressing his curiosity and unease about Kate's intense determination to return to the crash site after her experience, followed by an insert shot of a baggie with brown powder.
KATE, SAYID -
49. EXT. BEACH ADJACENT JUNGLE DAY
Charlie secretly uses a powder to calm himself, while Shannon sits by a dead flight attendant, leading to an argument with Boone about her perceived uselessness, after which she decides to join Kate and Sayid on their hike.
BOONE, SHANNON -
50. EXT. BEACH DAY
Shannon argues with Boone and insists on joining Kate and Sayid on their hike, eventually convincing Kate to allow everyone to come along. The group then departs, with Charlie making a quiet observation about Kate.
BOONE, SHANNON, KATE, CHARLIE -
51. EXT. FUSELAGE DAY
Sawyer sits alone on the plane wreckage, smoking a cigarette, and reads a mysterious letter from his wallet, which causes him to become visibly emotional and vulnerable before he quickly rejoins the other survivors.
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52. EXT. JUNGLE
Sawyer unexpectedly joins Kate and the group in the jungle, leading to a brief, tense exchange where Kate questions his presence and Sawyer gives a dismissive response before taking the lead.
KATE, SAWYER -
53. EXT. MOUNTAIN BASE DAY
Six hikers trudge up a hot and scary mountain base, where Charlie and Shannon discuss the band Drive Shaft, which Shannon finds horrible.
SHANNON, CHARLIE -
54. EXT. BEACH DAY
Jack asks Hurley to help him search through luggage for prescription antibiotics, and Hurley questions the request. Jack then unzips a shaving kit and pulls out a disposable razor.
JACK, HURLEY -
55. EXT. BEACH DAY
Jack and Michael discuss Michael's son, Walt, and his dog, which Jack reveals he saw in the jungle, leaving Michael burdened with the task of searching for it. The scene concludes with an insert shot of a backgammon set being prepared.
JACK, MICHAEL -
56. EXT. BEACH DAY
Locke introduces Walt to the ancient game of Backgammon on the beach, sharing its history and symbolism, which captivates Walt and leads to a mysterious offer from Locke.
LOCKE, WALT -
57. EXT. BEACH DAY
On the beach, a sad Claire reluctantly eats sea urchins offered by Jin, but her mood dramatically shifts to joy and relief when she feels her baby kick, prompting her to excitedly share the moment with a hesitant Jin.
JIN, CLAIRE -
58. EXT. OVERGROWN GRASS FIELD DAY
The group hikes through an open grass field where Sawyer insists Sayid check the radio despite Sayid's concerns about battery life and reception. Their argument is cut short by a sudden, loud rumble coming from the field, causing them to freeze in fear as something fast approaches.
KATE, SAYID, BOONE, SHANNON, SAWYER -
59. EXT. TALL GRASS DAY
The scene depicts a fast-moving, blurry beast tearing through tall grass from a side-angle view, followed by a smash cut.
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60. EXT. JUNGLE DAY
Charlie, terrified, describes something big and charging that is rapidly approaching them, kicking up dust in the jungle.
CHARLIE -
61. EXT. TALL GRASS
The scene is set in tall grass during the day, where a fast, loud creature charges past.
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62. EXT. JUNGLE DAY
The survivors flee from an unseen beast until Sawyer confronts it, revealing it to be a giant polar bear, leaving the group in shock and disbelief.
KATE, SAYID, BOONE, SHANNON, CHARLIE -
63. EXT. MAKESHIFT INFIRMARY DAY
Jack prepares to remove shrapnel from an unconscious man, with a reluctant Hurley assisting him, despite Hurley's squeamishness and concerns about infection. Jack ultimately yanks the shrapnel out, leading to a smash cut to black.
HURLEY, JACK -
64. INT. MAKESHIFT INFIRMARY TENT DAY
Jack attempts to treat a patient's wound after removing shrapnel, but Hurley, who is supposed to be assisting, becomes overwhelmed by the gruesome sight and passes out. Jack is left to continue the procedure alone, frustrated by Hurley's inability to help.
HURLEY, JACK -
65. EXT. JUNGLE
The survivors encounter a polar bear, leading to a confrontation where Sawyer's gun and Kate's past as a prisoner are revealed, while a dying U.S. Marshal asks about Kate, and later, the group finds a radio broadcasting a sixteen-year-old distress signal from the island.
THE MARSHAL, KATE, FEMALE VOICE, FLIGHT ATTENDANT #3, MICHAEL, SAYID
Dialogue examples
JACK (CONT'D) It's at the base of the spine, where all the nerves come together. Membrane as thin as tissue. So it ripped open the nerves just spilled out like angel hair pasta-- her spinal fluid flowing out and I just... froze. 'Cause I knew. If I didn't get those nerves back in that sack and sew it up... those thirteen hours were for nothing, that girl would be paralyzed. I had about a minute. And all the assistants were just watching me, I could feel their eyes. And the terror was so... crazy, so real... and I knew I had to deal with it. So I just made a choice. I'd let the fear in. Let it take over. Let it do its thing. But only for five seconds. That's all I was gonna give it. So I started to count to five. I could feel it inside like when you drink a milkshake on a hot day. JACK (CONT'D) One, two, three, four, five. And it was gone. I got back to work. Sewed her up. She was fine.
SAYID I don't like it here. But you... you don't like it here even more than I do. I agree, sending a signal from high ground this is something we need to do. SAYID (CONT'D) But your... willingness to go back in. After you saw... whatever it is you saw. It is either impressive. Brave. SAYID (CONT'D) Or something else... I can't really understand.
SAWYER And this guy was in the back row of business class the whole flight. Never got up. Hands folded under his blanket. And for some crazy reason I'm just pointing this out the guy I saw next to him didn't make it. Do the math SAWYER (CONT'D) You're the prisoner, muchacho.
PILOT Six hours in. Our radio went out. The redundant system... the transponder wasn't functioning. No one could see us. So we turned back. To land in Fiji. When we hit that turbulence... we were over a thousand miles off course They'll be looking in the wrong place.
LOCKE (CONT'D) Backgammon is the oldest game in the world. Much older than chess. Archaeologists found sets when they excavated the ruins of Ancient Mesopotamia. Would you like to guess how old they were?
SAYID yes, but it's a "transceiver" it transmits and receives. Which means you can also read the level of other signals that you are picking up. What you want is to see little bars. Right here.
CHARLIE Pardon me for appearing desperate, but in case you didn't hear the pilot before he was eaten, they're never going to find us unless we get that thing to work. So is there anything?
JACK I need you to help me go through the luggage -- I need any prescription medication you can find especially any drugs that end with "mycin" or "cillin"-- those are antibiotics--
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