Scripts
Lost Horizon poster

1937

Lost Horizon script

British diplomat Robert Conway and other refugees crash-land in the Himalayas and are led to Shangri-La, a hidden valley where inhabitants live for centuries in peace. Robert falls in love with Sondra and is chosen by the dying High Lama to succeed him, while his brother George and others grow restless and wish to leave. Influenced by the deceptive Maria, George convinces Robert and the others to depart Shangri-La, but Maria rapidly ages and dies during their harsh journey, revealing the valley's power. Robert, suffering memory loss, eventually escapes England and embarks on a determined quest to find his way back to the lost horizon of Shangri-La.

Writer
Robert Riskin
IMDb ID (imdb_id)
tt0029162
Script date
1937
68Scenes
9Characters
105Pages
8Dialogue samples

Save the Cat beat sheet

Lost Horizon Save the Cat analysis

A group of refugees led by Robert Conway escapes a war zone by plane only to crash-land in a mysterious Himalayan valley.

Open full beat sheet
80

Key characters

Robert Conway

Robert Conway is listed as Protagonist. A British diplomat, soldier, and public hero. In the parsed data, Robert Conway is connected to 50 scenes, 183 dialogue lines, 185 text mentions, first appearing around scene 1.

50 scenes / 183 dialogue lines

George Conway

George Conway is listed as Supporting. Robert's younger, vigorous brother. In the parsed data, George Conway is connected to 34 scenes, 112 dialogue lines, 112 text mentions, first appearing around scene 8.

34 scenes / 112 dialogue lines

Alexander P. Lovett

Alexander P. Lovett is listed as Supporting. A paleontologist, nervous and fussy. In the parsed data, Alexander P. Lovett is connected to 25 scenes, 58 dialogue lines, 59 text mentions, first appearing around scene 7.

25 scenes / 58 dialogue lines

Barnard

Barnard is listed as Supporting. An American businessman and embezzler. In the parsed data, Barnard is connected to 24 scenes, 63 dialogue lines, 67 text mentions, first appearing around scene 7.

24 scenes / 63 dialogue lines

Chang

Chang is listed as Supporting. An elderly Chinese man, guide to Shangri-La. In the parsed data, Chang is connected to 19 scenes, 65 dialogue lines, 91 text mentions, first appearing around scene 17.

19 scenes / 65 dialogue lines

Gloria Stone

Gloria Stone is listed as Supporting. A surly, wan-looking prostitute. In the parsed data, Gloria Stone is connected to 18 scenes, 16 dialogue lines, 16 text mentions, first appearing around scene 4.

18 scenes / 16 dialogue lines

Sondra

Sondra is listed as Supporting. A statuesque woman of rare beauty living in Shangri-La. In the parsed data, Sondra is connected to 8 scenes, 27 dialogue lines, 29 text mentions, first appearing around scene 44.

8 scenes / 27 dialogue lines

Maria

Maria is listed as Supporting. A young woman who arrived in Shangri-La in 1888. In the parsed data, Maria is connected to 6 scenes, 20 dialogue lines, 24 text mentions, first appearing around scene 26.

6 scenes / 20 dialogue lines

High Lama

High Lama is listed as Supporting. The ancient, wise leader of Shangri-La. In the parsed data, High Lama is connected to 3 scenes, 23 dialogue lines, 33 text mentions, first appearing around scene 39.

3 scenes / 23 dialogue lines

Scene outline

  1. 1. EXT. Baskul Flying Field - NIGHT

    Conway and George evacuate refugees from the war-torn city of Baskul under fire.

    Robert Conway, George Conway, Gloria Stone, Barnard, Alexander P. Lovett
  2. 2. INT. Large Office Room - NIGHT

    Conway and George manage the panicking refugees inside the office building.

    Robert Conway, George Conway
  3. 3. INT. Radio Room - NIGHT

    Conway attempts to coordinate more planes via radio.

    Robert Conway, George Conway
  4. 4. INT. Office Room - NIGHT

    Conway organizes the final group of refugees for evacuation.

    Robert Conway, Gloria Stone
  5. 5. INT. Hangar - NIGHT

    Conway and George burn the hangar to provide light for landing planes.

    Robert Conway, George Conway
  6. 6. EXT. Baskul Flying Field - NIGHT

    Conway and George board the final plane as bandits approach.

    Robert Conway, George Conway, Alexander P. Lovett, Gloria Stone, Barnard
  7. 7. INT. Plane - NIGHT

    The passengers discuss their escape and Lovett's fossil discovery.

    Robert Conway, George Conway, Alexander P. Lovett, Gloria Stone, Barnard
  8. 8. INT. PLANE - NIGHT

    Barnard attempts to engage Gloria in conversation, but she rejects him. George finds a bottle of whiskey and celebrates with Conway, who is being sent to England as Foreign Secretary.

    Robert Conway, George Conway, Gloria Stone, Barnard
  9. 9. INT. PLANE - NIGHT

    Conway, intoxicated, discusses his cynical views on politics and war with George while they fly.

    Robert Conway, George Conway
  10. 10. INT. PLANE - DAWN

    The passengers wake up and realize the plane is flying in the wrong direction. They discover a mysterious pilot in the cockpit.

    Robert Conway, George Conway, Alexander P. Lovett, Barnard
  11. 11. INT/EXT. PLANE / MOUNTAINOUS COUNTRY - DAY

    The plane lands in a remote, mountainous area surrounded by strange natives.

    Robert Conway, George Conway
  12. 12. INT. PLANE - UNKNOWN

    The plane crashes, and the passengers survive the impact. Conway and George discover the pilot is dead and realize they are in unexplored territory.

    Robert Conway, George Conway, Alexander P. Lovett, Gloria Stone, Barnard
  13. 13. INT. PLANE - DAY

    Gloria expresses her bitterness about her terminal illness while the group sits in silence.

    Robert Conway, George Conway, Alexander P. Lovett, Gloria Stone, Barnard
  14. 14. EXT. MOUNTAINS - DAY

    The plane is covered in snow; Lovett and Barnard wait for the Conway brothers.

    Alexander P. Lovett, Barnard
  15. 15. INT. PLANE - DAY

    Lovett and Barnard discuss the missing brothers.

    Alexander P. Lovett, Barnard
  16. 16. INT. PLANE - DAY

    Conway and George return with mountain grass and a plan.

    Robert Conway, George Conway, Alexander P. Lovett, Gloria Stone, Barnard
  17. 17. EXT. PLANE - DAY

    The group spots a caravan of natives.

    Robert Conway, George Conway, Alexander P. Lovett, Barnard, Chang
  18. 18. EXT. MOUNTAIN TOP - DAY

    The group arrives at the entrance to Shangri-La.

    Robert Conway, George Conway, Alexander P. Lovett, Gloria Stone, Barnard, Chang
  19. 19. INT. DINING ROOM - DAY

    The group gathers for a meal in the Lamasery.

    Robert Conway, George Conway, Alexander P. Lovett, Barnard
  20. 20. INT. GLORIA'S ROOM - NIGHT

    Gloria suffers from her illness and is visited by Chang.

    Gloria Stone, Chang
  21. 21. INT. CORRIDOR - UNKNOWN

    Chang hears Gloria coughing in her room and goes to check on her.

    Chang, Gloria Stone
  22. 22. INT. GLORIA'S ROOM - UNKNOWN

    Chang attempts to comfort a sick and hostile Gloria, who demands a doctor.

    Chang, Gloria Stone
  23. 23. INT. DINING ROOM - EVENING

    Chang joins the group for dinner; they discuss their desire to leave.

    Chang, Robert Conway, George Conway, Alexander P. Lovett, Barnard
  24. 24. EXT. BALCONY - NIGHT

    Conway and George discuss their situation and the mystery of Shangri-La.

    Robert Conway, George Conway
  25. 25. EXT. VALLEY - DAY

    Chang shows Conway the valley and discusses the nature of Shangri-La.

    Chang, Robert Conway
  26. 26. INT. A ROOM - DAY

    George explores the tower and meets Maria.

    George Conway, Maria
  27. 27. INT. LIBRARY - DAY

    Chang explains the philosophy of moderation to Conway.

    Chang, Robert Conway
  28. 28. INT. Music Room - DAY

    Conway and Chang observe a man and a girl playing music; Chang promises Conway a future meeting.

    Robert Conway, Chang, Sondra
  29. 29. INT. Corridor - DAY

    Conway and Chang discuss the logistics and history of Shangri-La.

    Robert Conway, Chang
  30. 30. INT. A Room - DAY

    Chang tells Conway the story of Father Perrault and the founding of Shangri-La.

    Robert Conway, Chang
  31. 31. EXT. Garden - DAY

    Barnard tells Gloria about his discovery of gold and his plans.

    Gloria Stone, Barnard
  32. 32. INT. Lovett's Room - DAY

    Lovett writes in his journal about the mystery of Shangri-La.

    Alexander P. Lovett
  33. 33. EXT. Shangri-La Stables/Stream - DAY

    Conway chases Sondra on horseback and later finds her swimming.

    Robert Conway, Sondra
  34. 34. INT. Dining Room - NIGHT

    The group gathers for dinner; Barnard notices Gloria's appearance.

    Robert Conway, George Conway, Alexander P. Lovett, Gloria Stone, Barnard
  35. 35. INT. Dining Room - UNKNOWN

    Barnard reveals his true identity as a disgraced businessman, causing a confrontation with Lovett and triggering George's outburst about being prisoners.

    Robert Conway, George Conway, Alexander P. Lovett, Gloria Stone, Barnard
  36. 36. INT. Corridor - UNKNOWN

    George attempts to find Chang by force, leading to a physical altercation with Conway.

    Robert Conway, George Conway, Barnard, Alexander P. Lovett, Gloria Stone
  37. 37. INT. Conway's Room - UNKNOWN

    Conway revives George and confronts Chang, demanding answers about their captivity.

    Robert Conway, George Conway, Alexander P. Lovett, Gloria Stone, Barnard, Chang
  38. 38. INT. High Lama's Quarters Corridor - UNKNOWN

    Conway and Chang travel to the High Lama's chamber.

    Robert Conway, Chang
  39. 39. INT. High Lama's Chamber - NIGHT

    Conway meets the High Lama, who explains the purpose of Shangri-La and why Conway was brought there.

    Robert Conway, High Lama
  40. 40. INT. UPPER CHAMBER - NIGHT

    Conway leaves the High Lama's chambers in a trance-like state.

    Robert Conway
  41. 41. INT. LOWER CORRIDOR - NIGHT

    Conway is intercepted by his companions who demand information about the porters.

    Robert Conway, George Conway, Alexander P. Lovett
  42. 42. EXT. GARDEN - NIGHT

    Conway walks away from his companions into the garden.

    Robert Conway, George Conway
  43. 43. EXT. VALLEY - DAY

    Conway wanders through the peaceful valley, interacting with locals.

    Robert Conway
  44. 44. EXT. GARDEN SPOT - DAY

    Conway encounters Sondra conducting a children's choir.

    Robert Conway, Sondra
  45. 45. INT. PIGEON HOUSE - DAY

    Conway and Sondra discuss his life and his presence in Shangri-La.

    Robert Conway, Sondra
  46. 46. EXT. HILLTOP - DUSK

    Conway and Sondra discuss her history and his feeling of belonging.

    Robert Conway, Sondra
  47. 47. EXT. VALLEY - DAY

    Barnard drags a reluctant Lovett on an excursion.

    Alexander P. Lovett, Barnard
  48. 48. EXT. WATERFALL - DAY

    Barnard is entertained by local girls while Lovett catches up.

    Alexander P. Lovett, Barnard
  49. 49. EXT. A CLEARING - DAY

    Lovett entertains native children with a story while Barnard watches, impatient.

    Alexander P. Lovett, Barnard
  50. 50. INT. LOVETT'S BEDROOM - DAY

    Lovett writes in his journal, feeling happy and confident.

    Alexander P. Lovett
  51. 51. EXT. GARDEN - DAY

    George meets Maria in the garden; she pleads for him to visit her.

    George Conway, Maria
  52. 52. INT. ELSEWHERE IN THE GARDEN - DAY

    Conway and Sondra discuss the nature of the outside world and their feelings.

    Robert Conway, Sondra
  53. 53. INT. LIVING ROOM - DAY

    Lovett expresses his appreciation for Shangri-La to Chang and offers to teach geology.

    Alexander P. Lovett, Chang
  54. 54. EXT. GARDEN - DAY

    Barnard discusses his plumbing project with Conway; Conway tries to talk to George.

    Robert Conway, George Conway, Barnard
  55. 55. INT. LIVING ROOM - NIGHT

    Conway and Chang discuss Maria's history and the nature of aging in Shangri-La.

    Robert Conway, George Conway, Chang, Maria
  56. 56. INT. Unknown Room - DAY

    Conway questions Chang about his age, followed by an angry confrontation with George regarding the porters.

    Robert Conway, Chang, George Conway
  57. 57. INT. High Lama's Chamber - DAY

    The High Lama informs Conway that he is dying and bequeaths the leadership of Shangri-La to him.

    Robert Conway, High Lama
  58. 58. INT. Barnard's Room - DAY

    George tries to convince Barnard and Lovett to leave Shangri-La with him.

    Barnard, Gloria Stone, George Conway, Alexander P. Lovett
  59. 59. INT. Conway's Room - NIGHT

    Conway and George have a final confrontation about staying in Shangri-La.

    Robert Conway, George Conway
  60. 60. INT. Shangri-La Room - DAY

    Conway and George argue about Maria leaving Shangri-La.

    Robert Conway, George Conway, Maria
  61. 61. EXT. Garden - DAY

    The group departs Shangri-La while Sondra watches.

    Robert Conway, George Conway, Maria, Sondra, Chang
  62. 62. EXT. Mountain Pass - NIGHT

    The group struggles through the journey; Maria ages and dies.

    Robert Conway, George Conway, Maria
  63. 63. EXT. Native Village - DAY

    Conway is found alive.

    Robert Conway
  64. 64. INT. Foreign Office - DAY

    A clerk receives news of Conway's survival.

  65. 65. INT. FOREIGN OFFICE - DAY

    A clerk receives a cablegram from Gainsford regarding Robert Conway's return and memory loss.

  66. 66. INT. OFFICE OF ASSISTANT - DAY

    The Assistant Secretary receives news that Conway has escaped the ship and is heading back to Tibet.

  67. 67. INT. GRILL ROOM OF A FASHIONABLE CLUB - DAY

    Lord Gainsford recounts his ten-month search for Robert Conway to a group of men.

    Robert Conway
  68. 68. EXT. SOMEWHERE IN TIBET - NIGHT

    Robert Conway walks alone through a snowstorm toward a mysterious light on the horizon.

    Robert Conway

Dialogue examples

Look at the world today! Is there anything more pitiful? What madness there is, what blindness, what unintelligent leadership! A scurrying mass of bewildered humanity crashing headlong against each other, propelled by an orgy of greed and brutality. The time must come, my friend, when this orgy will spend itself, when brutality and the lust for power must perish by its own sword. Against that time is why I avoided death and am here, and why you were brought here. For when that day comes, the world must begin to look for a new life. And it is our hope that they may find it here. For here we shall be with their books and their music and a way of life based on one simple rule: Be Kind.

High Lama / Scene 39

I knew there was a reason I hated this place. I'd give half my life to fly over it with a load of bombs just for what they've done to you. How do you know the things they told you are true? Did they show you any proof? All this talk about the Lamas being hundreds of years old. How do you know? Did you see their birth certificates? I can't believe it, Bob. A bunch of decrepit old men sit around and dream about reforming the world. And you, Bob Conway - two-feet-on-the-ground Conway - want to join them. It's horrible.

George Conway / Scene 59

I thought so! He tells everyone I'm old. He wants them to stay away from me. He can't stand it when anyone comes near. He's punished me for every minute I've spent with George. If it weren't for him, I would have been out of here long ago, but he always stops me. Six months ago, I tried to escape and he locked me in a dark room. I nearly went crazy. Look at me, Mr. Conway, do I look like an old woman? Is this the skin of an old woman? Look into my eyes and see if these are the eyes of an old woman?

Maria / Scene 60

I'm sure of it. Just as I'm sure there's a wish for Shangri-La in everyone's heart. I have never seen the outside world. But I understand there are millions and millions of people who are supposed to be mean and greedy. Yet I just know that secretly they are all hoping to find a garden spot where there is peace and security, where there's beauty and comfort, where they wouldn't have to be mean and greedy. Oh, I just wish the whole world might come to this valley.

Sondra / Scene 46

You know, that's what makes the whole thing so funny. A guy like me starts out in life as a plumber - an ordinary, everyday, slew-footed plumber - and by the use of a little brains, mind you, he builds up a gigantic institution, employs thousands of people, becomes a great civic leader. And then the crash comes - and overnight he's the biggest crook the country ever had.

Barnard / Scene 35

A little boy whistling in the dark!? Do you realize that there is a British cruiser waiting at Shanghai, smoke pouring out of its funnels, tugging at its moorings, waiting to take Mr. Conway back to London? Do you know that at this minute there are headlines shrieking all over the world the news that Conway is missing? Does that look like a man whose life is empty?

Robert Conway / Scene 45

The High Lama? Who pays any attention to him? The porters laugh at the High Lama. All they want to know is how much gold he will give them. Well, I gave them more gold. I've been stealing it for a year. I'd do anything to get out of this place. To get away from that High Lama - the one who calls himself Father Perrault! Why, he's been insane for years!

Maria / Scene 60

Of course I have suspected that our being here is no accident. Furthermore, I have a feeling that we're never supposed to leave. But that, for the moment, doesn't concern me greatly. I'll meet that when it comes. What particularly interests me at present is, why was I brought here? What possible use can I be to an already thriving community?

Robert Conway / Scene 39

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