Scripts
LIVING IN OBLIVION poster

1995

LIVING IN OBLIVION script

Independent filmmaker Nick faces technical mishaps and eccentric cast members while attempting to shoot a low-budget dream sequence, including a malfunctioning smoke machine and an arrogant actor's dismissal. His efforts are further complicated by his mother, Cora, who unexpectedly arrives on set and repeatedly interrupts takes. Against all odds, Nick casts his mother in the dream sequence, leading to a successful take and a moment of unexpected harmony. The film concludes with imagined futures for the characters, including Nick winning an award, Nicole working as a waitress, and various romantic entanglements among the crew.

Writer
Tom DiCillo
IMDb ID (imdb_id)
tt0113677
Script date
1995
86Scenes
16Characters
68Pages
8Dialogue samples

Save the Cat beat sheet

LIVING IN OBLIVION Save the Cat analysis

A chaotic indie film shoot becomes a test of the director’s patience, as technical mishaps, temperamental actors, and personal relationships collide.

Open full beat sheet
70

Key characters

Nick

Nick is listed as Director. Stressed, perfectionist director struggling to complete a scene. In the parsed data, Nick is connected to 50 scenes, 179 dialogue lines, 219 text mentions, first appearing around scene 8.

50 scenes / 179 dialogue lines

Nicole

Nicole is listed as Actress. Lead actress, emotionally vulnerable, struggling with the scene. In the parsed data, Nicole is connected to 50 scenes, 100 dialogue lines, 119 text mentions, first appearing around scene 3.

50 scenes / 100 dialogue lines

Wanda

Wanda is listed as Assistant Director. Efficient, no-nonsense AD managing the set chaos. In the parsed data, Wanda is connected to 40 scenes, 83 dialogue lines, 104 text mentions, first appearing around scene 12.

40 scenes / 83 dialogue lines

Wolf

Wolf is listed as Cameraman. Pretentious, beret-wearing cameraman with a difficult personality. In the parsed data, Wolf is connected to 31 scenes, 61 dialogue lines, 91 text mentions, first appearing around scene 2.

31 scenes / 61 dialogue lines

Chad Palomino

Chad Palomino is listed as Actor. Young, arrogant, handsome actor with a big ego. In the parsed data, Chad Palomino is connected to 25 scenes, 104 dialogue lines, 106 text mentions, first appearing around scene 16.

25 scenes / 104 dialogue lines

AC

AC is listed as Assistant Cameraman. Camera assistant. In the parsed data, AC is connected to 22 scenes, 23 dialogue lines, 23 text mentions, first appearing around scene 10.

22 scenes / 23 dialogue lines

Gaffer

Gaffer is listed as Gaffer. Lighting technician with aspirations of making his own movie. In the parsed data, Gaffer is connected to 19 scenes, 23 dialogue lines, 23 text mentions, first appearing around scene 18.

19 scenes / 23 dialogue lines

Boom

Boom is listed as Sound Department. Boom operator. In the parsed data, Boom is connected to 18 scenes, 14 dialogue lines, 14 text mentions, first appearing around scene 12.

18 scenes / 14 dialogue lines

Cora

Cora is listed as Actress. Older actress playing the mother, prone to memory lapses. In the parsed data, Cora is connected to 17 scenes, 7 dialogue lines, 10 text mentions, first appearing around scene 7.

17 scenes / 7 dialogue lines

Tito

Tito is listed as Actor. A dwarf actor hired for the dream sequence. In the parsed data, Tito is connected to 15 scenes, 14 dialogue lines, 26 text mentions, first appearing around scene 44.

15 scenes / 14 dialogue lines

Script

Script is listed as Script Supervisor. Script supervisor. In the parsed data, Script is connected to 14 scenes, 18 dialogue lines, 21 text mentions, first appearing around scene 12.

14 scenes / 18 dialogue lines

Jeff

Jeff is listed as Intern. Young intern assigned as a driver. In the parsed data, Jeff is connected to 9 scenes, 8 dialogue lines, 8 text mentions, first appearing around scene 15.

9 scenes / 8 dialogue lines

Bert

Bert is listed as Craft Service Manager. Sleep-deprived craft service worker. In the parsed data, Bert is connected to 5 scenes, 1 dialogue line, 1 text mention, first appearing around scene 1.

5 scenes / 1 dialogue lines

Cybil

Cybil is listed as Craft Service Manager. Sleep-deprived craft service worker. In the parsed data, Cybil is connected to 5 scenes, 1 dialogue line, 1 text mention, first appearing around scene 1.

5 scenes / 1 dialogue lines

Sachiko

Sachiko is listed as Costume Designer. Costume designer. In the parsed data, Sachiko is connected to 1 scene, 2 dialogue lines, 2 text mentions, first appearing around scene 45.

1 scenes / 2 dialogue lines

Lorde

Lorde is listed as Makeup Artist. Male makeup artist. In the parsed data, Lorde is connected to 1 scene, 1 dialogue line, 1 text mention, first appearing around scene 19.

1 scenes / 1 dialogue lines

Scene outline

  1. 1. EXT. STREET. NYC - NIGHT

    Bert and Cybil set up breakfast supplies on a craft service table before dawn.

    Bert, Cybil
  2. 2. EXT. STREET. NYC - NIGHT

    The crew arrives and gathers around the craft service table.

    Bert, Cybil, Wolf, Gaffer, AC
  3. 3. INT. CAR - NIGHT

    Nicole and Jeff discuss the upcoming scene while driving to the set.

    Nicole, Jeff
  4. 4. EXT. RESIDENTIAL HOTEL - NIGHT

    Cora rehearses her lines while waiting for her ride.

    Cora, Jeff
  5. 5. INT. CAR - NIGHT

    Nicole and Cora share an awkward ride to the set.

    Nicole, Cora, Jeff
  6. 6. INT. SET - DAWN

    Nick, Wolf, and Wanda discuss the technical approach to the scene.

    Nick, Wolf, Wanda
  7. 7. INT. SET APT - DAY

    The crew attempts to film the scene, facing multiple technical interruptions.

    Nick, Nicole, Wolf, Wanda, Cora, Gaffer
  8. 8. INT. SET APT. THE COUCH - DAY

    Nicole and Cora rehearse a scene on the couch while Nick directs.

    Nick, Nicole, Cora
  9. 9. INT. HOSPITAL ROOM - DAY

    A dream-like sequence where Nicole is in a hospital room with her mother.

    Nicole
  10. 10. INT. SET APT - DAY

    The run-through of the scene begins, but Wolf is missing.

    Nick, Nicole, Wanda, Cora, AC, Boom
  11. 11. INT. BATHROOM - DAY

    Wolf is sick in the bathroom.

    Wolf, Nick
  12. 12. INT. SET APT - DAY

    Nick attempts a pickup shot, but a mysterious beeping interrupts the set.

    Nick, Nicole, Wolf, Wanda, Cora, Bert
  13. 13. INT. BEDROOM - NIGHT

    Nick wakes up from a nightmare at 4:00 AM.

    Nick
  14. 14. INT. WANDA'S APT - DAWN

    Wanda and Wolf discuss the upcoming shoot and Chad Palomino.

    Wanda, Wolf
  15. 15. INT. CAR - DAWN

    Nick and Jeff wait for Chad Palomino.

    Nick, Jeff
  16. 16. INT. HOTEL ROOM - DAWN

    Chad Palomino leaves Nicole in a hotel room.

    Chad Palomino, Nicole
  17. 17. INT. CAR - DAWN

    Nick, Jeff, and Palomino drive to the set.

    Nick, Jeff, Chad Palomino
  18. 18. INT. THE SET - MORNING

    The Gaffer and AC discuss their own film project.

    Gaffer, AC
  19. 19. INT. MAKEUP CORNER - DAY

    Nick and Nicole discuss her late arrival.

    Nick, Nicole, Lorde, Chad Palomino
  20. 20. INT. THE SET - DAY

    The crew prepares for the love scene.

    Nick, Nicole, Wolf, Wanda, Chad Palomino
  21. 21. INT. THE SET - DAY

    The love scene is filmed, but it is lifeless.

    Nick, Nicole, Wolf, Chad Palomino, Script
  22. 22. INT. THE SET - DAY

    Nick directs Chad and Nicole in a love scene, Wanda calls for a take.

    Nick, Nicole, Wanda, Chad Palomino, AC, Boom
  23. 23. INT. THE SCENE - DAY

    Take two of the scene; Chad changes his blocking, causing confusion.

    Nicole, Chad Palomino
  24. 24. INT. THE SET - DAY

    Nick cuts the scene and discusses the failed take with the crew.

    Nick, Nicole, Wolf, Wanda, Chad Palomino, Gaffer
  25. 25. INT. A CORNER - DAY

    Nick confers with the actors about the scene's emotional motivation.

    Nick, Nicole, Chad Palomino
  26. 26. INT. THE SET - DAY

    Take three of the scene; Chad sprawls on the bed.

    Nicole, Chad Palomino
  27. 27. INT. NEAR THE CAMERA - DAY

    Chad flirts with Wanda and the Script Supervisor.

    Wanda, Chad Palomino, Script
  28. 28. INT. THE SET - DAY

    Take four preparation; Chad suggests a new blocking idea.

    Nick, Wolf, Wanda, Chad Palomino, Gaffer
  29. 29. INT. CRAFT SERVICE TABLE - DAY

    Crew members interact while waiting for the light setup.

    Nicole, Wanda, Chad Palomino, Script
  30. 30. INT. THE SET - DAY

    Chad interacts with the lighting crew.

    Wolf, Chad Palomino, Gaffer, AC
  31. 31. INT. BATHROOM - DAY

    Nick and Nicole have a private conversation.

    Nick, Nicole
  32. 32. INT. THE SET - DAY

    Tensions rise between Wolf and Wanda; Chad wears an eyepatch.

    Nick, Nicole, Wolf, Wanda, Chad Palomino
  33. 33. INT. THE SCENE - DAY

    Take four of the scene; Nicole jerks away from Chad's hair-stroking.

    Nicole, Chad Palomino
  34. 34. INT. THE SET - DAY

    Nick cuts the scene; Nicole listens to the playback.

    Nick, Nicole, Chad Palomino, Boom
  35. 35. INT. OFF THE SET - DAY

    Chad threatens to quit; Nick tries to keep him.

    Nick, Chad Palomino
  36. 36. INT. THE SET - DAY

    Nicole overhears Nick and Chad's conversation via the boom mic.

    Nick, Nicole, Chad Palomino
  37. 37. INT. THE SET - DAY

    Nicole suggests improvising the scene; Nick and Chad agree.

    Nick, Nicole, Wolf, Wanda, Chad Palomino
  38. 38. INT. THE SCENE - DAY

    Take five; the improv begins.

    Nicole, Chad Palomino
  39. 39. INT. THE SET - DAY

    A chaotic scene where Nicole and Palomino's tension boils over into a physical fight, involving the crew.

    Nick, Nicole, Wolf, Wanda, Chad Palomino, Bert
  40. 40. EXT. THE STREET OUTSIDE THE SET - DAY

    Palomino is escorted out by the crew and given a script by the Gaffer.

    Chad Palomino, Jeff, Gaffer, AC
  41. 41. INT. THE SET - DAY

    Nick and Nicole reconcile after the fight.

    Nick, Nicole
  42. 42. INT. HOTEL ROOM - DAWN

    Nicole wakes up from a dream.

    Nicole
  43. 43. INT. THE SET - DAY

    Wanda manages the set and prepares for the dream sequence.

    Wanda, AC
  44. 44. INT. SET BUILDING, HALLWAY - DAY

    AC encounters Tito in the bathroom.

    AC, Tito
  45. 45. INT. WARDROBE ROOM - DAY

    Nick, Nicole, and Sachiko prepare for the dream sequence.

    Nick, Nicole, Sachiko, Tito
  46. 46. INT. A CORNER OF THE SET - DAY

    Crew attempts to fix the smoke machine.

    Wolf, Gaffer, AC, Boom
  47. 47. INT. THE SET - DAY

    Nick and Wanda coordinate the shoot; Wolf and Wanda end their relationship.

    Nick, Wanda, Wolf
  48. 48. INT. THE SET - DAY

    Nick directs the dream sequence setup.

    Nick, Nicole, Wolf, Tito, AC, Wanda
  49. 49. INT. THE DREAM - DAY

    Filming the dream sequence, take one.

    Nicole, Tito
  50. 50. INT. THE SET - DAY

    Nick reviews the take and gives notes.

    Nick, Nicole, Tito, Wanda
  51. 51. INT. THE DREAM - DAY

    Filming the dream sequence, take two.

    Nicole, Tito
  52. 52. INT. THE SET - DAY

    Nick gets frustrated with the performance and the smoke machine.

    Nick, Nicole, Tito, Wolf, Gaffer, Wanda
  53. 53. INT. A CORNER - DAY

    Nick and Wolf argue in a corner about their professional relationship and Wolf's personal struggles.

    Nick, Wolf, Wanda
  54. 54. INT. A CORNER OF THE SET - DAY

    The crew struggles to operate the smoke machine.

    Bert, Gaffer, AC, Boom
  55. 55. INT. THE SET - DAY

    Nick prepares for another take of the dream sequence.

    Nick, Wanda, Gaffer, AC, Boom, Script
  56. 56. INT. THE DREAM - DAY

    The smoke machine explodes during the take.

    Nicole, Tito
  57. 57. INT. THE SET - DAY

    Chaos ensues as the set fills with smoke, revealing an unexpected visitor.

    Nick, Nicole, Wanda, Cora, Jeff, Gaffer
  58. 58. INT. THE SET PRODUCTION OFFICE - DAY

    Wanda handles the situation with Cora while Nicole and Jeff talk.

    Nicole, Wanda, Jeff
  59. 59. INT. MAKEUP CORNER - DAY

    Nick confronts his mother about her arrival.

    Nick, Nicole, Cora
  60. 60. INT. THE SET - DAY

    Tito paces alone.

    Tito
  61. 61. INT. A CORNER OF THE SET - DAY

    Nick settles his mother and talks to the crew.

    Nick, Nicole, Wolf, Wanda, Cora, Tito
  62. 62. EXT. STREET. NYC - DAY

    Nick and Nicole argue about the shoot.

    Nick, Nicole, Wanda
  63. 63. INT. THE SET - DAY

    Nick returns to the set to try again.

    Nick, Nicole, Wanda, AC, Boom, Script
  64. 64. INT. THE DREAM. TAKE FOUR - DAY

    The take is interrupted by Cora.

    Nicole, Cora, Tito
  65. 65. INT. THE SET - DAY

    Nick stops the take.

    Nick, Wanda
  66. 66. INT. OFF THE SET - DAY

    Nick secures his mother.

    Nick, Cora
  67. 67. INT. THE SET - DAY

    Nick tries to communicate with Tito.

    Nick, Nicole, Tito
  68. 68. INT. OFF THE SET - DAY

    Wolf and Cora share a moment.

    Wolf, Cora
  69. 69. INT. THE SET - DAY

    Tito quits the production.

    Nick, Nicole, Wolf, Wanda, Tito
  70. 70. INT. BY THE CAMERA - DAY

    Nick decides to shoot the scene with his mother.

    Nick, Wolf, Wanda
  71. 71. INT. THE SET. THE DREAM - DAY

    The final take with Cora.

    Nick, Nicole, Wolf, Cora
  72. 72. INT. THE SET - DAY

    The scene is a success.

    Nick, Nicole, Wolf, Wanda, Cora, AC
  73. 73. INT. THE SET - DAY

    Recording room tone.

    Nick, Nicole, Wolf, Wanda, Cora, Jeff
  74. 74. INT. AN AWARDS CEREMONY - DAY

    Nick imagines winning an award.

    Nick, Chad Palomino
  75. 75. INT. A CHEAP RESTAURANT - DAY

    Nicole imagines a future as a waitress.

    Nicole
  76. 76. INT. WANDA'S APT - DAY

    Wolf imagines a confrontation with Wanda.

    Wolf, Wanda
  77. 77. INT. THE SET - DAY

    Nicole reacts to a thought while the camera captures Wolf and the stopwatch.

    Nicole, Wolf
  78. 78. INT. WANDA'S APT - DAY

    Wanda begs Wolf for forgiveness while dressed in a wedding gown.

    Wanda, Wolf
  79. 79. INT. THE SET - DAY

    Wolf looks hopeful while the camera focuses on Wanda.

    Wolf, Wanda
  80. 80. INT. CHEAP HOTEL ROOM - DAY

    Wanda and Chad share an intimate moment.

    Wanda, Chad Palomino

Dialogue examples

In closing I'd like to say to all the people who told me not to make this movie, who wouldn't meet with me or return a simple phone call. To my favorite professor at Film School whose parting advice to me was to take a job teaching at a women's college. To Delores DelSporto, the girl I loved in high school who left me for a Jr. Varsity football player: to all these people I'd like to say thank you but I can't because what I really feel like saying is go fu --!!

Nick / Scene 85

No. She was in my hotel room and she didn't want you to know it. OK? I'm sorry it had to come out like this but I told her this morning "thanks a lot, it was a lot of fun last night but let's get something straight -- it was just a one-time deal," and she didn't want to hear that. She wanted more, you see what I'm saying? It's rejection.

Chad Palomino / Scene 36

It's called "Tsunami." A Japanese tidal wave hits New York. You've an ex-Navy S.E.A L. frogman, working undercover. You save the city. You'd be perfect for the lead. That's my number; call me, or I'll call you. Either way it's been great working with you, man.

Gaffer / Scene 40

Just need to see a run-through and we're all set. I'm going to make your job easy today, Wanda. Wandaful. Mmm, I'm glad you wore that perfume. And don't worry about Palomino; I'll take you to a jazz club tonight.

Wolf / Scene 47

Nick, it's my fault the scene isn't working. I apologize. Chad, I apologize to you too. I'm completely unfocused here and I think you're absolutely right; what we need to do is loosen the scene up somehow.

Nicole / Scene 37

The more I thought about it the more it didn't seem right. And I'm thinking, watch me here, instead of coming around the bed, what if I just slip here like this and do the whole scene lying down?

Chad Palomino / Scene 24

I got two films coming up right after yours, Nick. One I play a rapist that Michelle Pfeiffer falls in love with. The other I'm kind of a sexy serial killer who shacks up with Winona Ryder.

Chad Palomino / Scene 17

Ellen, come on now; concentrate. Remember; you're marrying Damian tomorrow. You're a little anxious. You have this dream. Let's call it an Anxiety Dream, and Tito represents the anxiety.

Nick / Scene 50

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