Opening Image
Scene 1 / Page 1 / 1% target
Introduces Paul’s stress and ominous tone in the back office.
I’ve tried that. She won’t go.
LIGHTS OUT script analysis
A grieving Rebecca confronts a malevolent shadow entity that has haunted her stepfamily, uncovering childhood trauma as she fights to protect her loved ones in the darkness. As the supernatural threat escalates, Rebecca must overcome fear, rekindle family bonds, and confront the spirit Diana to save her stepmother and stepson. The story follows a classic horror structure, moving from personal loss to investigation, mounting peril, and final redemption.
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Scene 1 / Page 1 / 1% target
Introduces Paul’s stress and ominous tone in the back office.
I’ve tried that. She won’t go.
Scene 1 / Page 1 / 5% target
Hints at family dysfunction and mental health as central themes.
Rebecca? She’s her own train wreck. And I see her maybe once a year. I can’t expect her...
Scenes 2-3 / Pages 2-3 / 10% target
Shows Paul leaving work and being stalked by the shadow, establishing normal world and threat.
Scene 4 / Page 4 / 12% target
Paul is killed by the shadow, triggering the main conflict.
Scene 5 / Page 5 / 20% target
Rebecca’s childhood flashback reveals her fear and reluctance to face Diana again.
Mom...? Is that you?
Scene 6 / Page 6 / 25% target
Rebecca discovers the carved name Diana, committing to confront the entity.
Scene 7 / Page 7 / 30% target
Rebecca reaches out to Detective Petrucci, starting her emotional investigation arc.
Detective Petrucci? This is Rebecca Lloyd. We spoke a few weeks ago, about my step-father’s murder?
Scenes 8-11 / Pages 8-11 / 40% target
Rebecca researches Diana at Mulberry Hill and experiments with keeping lights out.
Keep the lights out.
Scene 11 / Page 11 / 50% target
In the basement, Diana attacks in darkness but is thwarted by a light source.
Keep the light on me--
Scenes 12-16 / Pages 12-16 / 65% target
Bret’s repeated attempts to help Rebecca lead to violent encounters with Diana.
What are-- okay hang on--
Scene 16 / Page 16 / 75% target
Bret escapes only to be attacked outside, leaving Rebecca isolated.
Scene 17 / Page 17 / 80% target
Rebecca and Martin face despair as they struggle to keep the light alive.
No. He wouldn’t... He wouldn’t do that, would he?
Scene 18 / Page 18 / 85% target
Sophie confronts Diana directly, shifting from defense to attack.
Diana, where are you?
Scenes 19-23 / Pages 19-23 / 95% target
An escalating battle across the house culminates in Sophie’s sacrifice to protect her children.
Diana! You hurt my children and we are never speaking again!
Scene 24 / Page 24 / 99% target
Rebecca finally destroys Diana, signifying her emotional and literal victory.
I thought it was too much for you, and you ran off. But you came back.