Save the Cat rankings

Inside Llewyn Davis script analysis

Inside Llewyn Davis script - Save the Cat beat sheet analysis

Folk singer Llewyn Davis struggles to find his place in the 1960s Greenwich Village scene, battling setbacks both personal and professional. After a brutal beating, he juggles odd jobs, relationships, and obligations, including caring for a friend’s cat, as he chases a break in his music career. His journey culminates in a cyclical confrontation with violence and self-doubt, mirroring his opening plight.

40 Save the Cat fit score 12% analysis confidence / 28 parsed scenes

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1

Opening Image

Scene 1 / Page 1 / 1% target

20%

Llewyn performs at The Gaslight, establishing his folk musician identity and the club’s intimate, unforgiving world.

Thank you. You’ve probably heard that one before, but what the hell. . .
2

Theme Stated

Scene 3 / Page 2 / 5% target

18%

Waking up locked out on the Gorfeins’ couch hints at Llewyn’s failure to ‘belong’ and the film’s theme of persistence amid rejection.

3

Set-Up

Scenes 1-3 / Pages 1-2 / 10% target

25%

Scenes 1–3 introduce Llewyn’s performance, immediate dangers, and domestic displacement, outlining his precarious life.

4

Catalyst

Scene 2 / Page 1 / 12% target

30%

Llewyn is beaten in the alley, an unexpected blow that propels him into crisis.

5

Debate

Scenes 3-6 / Pages 2-3 / 20% target

22%

He debates what to do with the Gorfeins’ cat, his living situation, and how to sustain himself.

6

Break into Two

Scene 7 / Page 4 / 25% target

20%

Visiting Mel Novikoff marks his active pursuit of recording work, moving from reactive to proactive.

Do you owe me anything? You have to owe me something.
7

B Story

Scene 10 / Page 5 / 30% target

18%

His coffee-shop talk with Jean introduces a personal, emotional thread distinct from his career struggles.

God damn. I am one lucky bastard. Thank you for suggesting this place.
8

Fun and Games

Scenes 8-12 / Pages 4-6 / 40% target

20%

Llewyn negotiates relationships, retrieves the cat, argues about his talent, and learns of Diane’s pregnancy—moments of comedic and poignant trial.

9

Midpoint

Scene 13 / Page 6 / 50% target

25%

Returning the cat and sitting through an awkward dinner underscores his liminal status: he cares but remains an outsider.

This is bullshit. I don’t do this. I do this for a living, you know? I’m a musician....
10

Bad Guys Close In

Scenes 15-19 / Pages 7-8 / 65% target

22%

Financial desperation (dues at the union), family conflict, and professional stagnation tighten the pressure around Luiwyn.

11

All Is Lost

Scene 21 / Page 9 / 75% target

30%

Failing to reclaim union dues represents a low point where his attempts to gain stability collapse.

12

Dark Night of the Soul

Scene 22 / Page 9 / 80% target

25%

He heckles a performer in despair, openly rejecting the music he once loved—his darkest emotional moment.

I hate fucking folk music.
13

Break into Three

Scene 26 / Page 11 / 85% target

20%

Spotting a movie poster alludes to a new idea or final push, shifting his outlook toward a last attempt.

14

Finale

Scenes 27-28 / Page 12 / 95% target

28%

He performs again and is beaten by the same man, completing the arc of repeated failure and resilience.

15

Final Image

Scene 28 / Page 12 / 99% target

30%

The alley beating mirrors the opening’s violence, bookending the story with cyclical struggle.