Scripts
HELLRAISER III: HELL ON EARTH poster

1991

HELLRAISER III: HELL ON EARTH script

Wealthy club owner JP Monroe frees the Cenobite Pinhead from a mysterious pillar, leading to a killing spree at his club and the city. Reporter Joey Summerskill investigates the murders, discovering Pinhead's human half, Elliott Spenser, and that Pinhead, now without conscience, is transforming club-goers into new Cenobites. Guided by Elliott's ghost, Joey confronts Pinhead and his Cenobites, using the Lament Configuration to trap them and merge Pinhead with Elliott, restoring his humanity. In the aftermath, Joey, now a successful businesswoman, keeps the Lament Configuration in her office, remaining vigilant against the Cenobites' return.

Writer
Peter Atkins
IMDb ID (imdb_id)
tt0104409
Script date
July 1 1991
46Scenes
8Characters
63Pages
8Dialogue samples

Save the Cat beat sheet

HELLRAISER III: HELL ON EARTH Save the Cat analysis

Hellraiser III follows reporter Joey Summerskill as she uncovers the deadly origins of a mysterious puzzle box and the Cenobite Pinhead.

Open full beat sheet
72

Key characters

JOANNE SUMMERSKILL

JOANNE SUMMERSKILL is listed as TV Newsperson. 23, attractive, clever brunette, quiet sadness in her eyes. In the parsed data, JOANNE SUMMERSKILL is connected to 31 scenes, 125 dialogue lines, 127 text mentions, first appearing around scene 3.

31 scenes / 125 dialogue lines

PINHEAD

PINHEAD is listed as Antagonist. Demon from Hell, ossified visage, calm cruelty, dark wisdom. In the parsed data, PINHEAD is connected to 15 scenes, 39 dialogue lines, 39 text mentions, first appearing around scene 2.

15 scenes / 39 dialogue lines

TERRI

TERRI is listed as Club-goer. 18 or 19, pale-faced blonde, glitz-meets-sleaze look. In the parsed data, TERRI is connected to 13 scenes, 65 dialogue lines, 73 text mentions, first appearing around scene 3.

13 scenes / 65 dialogue lines

JP MONROE

JP MONROE is listed as Club Owner. 24, rich, handsome, spoiled, slick hair, wears expensive leather jackets. In the parsed data, JP MONROE is connected to 11 scenes, 34 dialogue lines, 37 text mentions, first appearing around scene 2.

11 scenes / 34 dialogue lines

ELLIOTT SPENSER

ELLIOTT SPENSER is listed as Ghost. World War I Captain, lost soul, explorer of forbidden vices. In the parsed data, ELLIOTT SPENSER is connected to 7 scenes, 22 dialogue lines, 23 text mentions, first appearing around scene 24.

7 scenes / 22 dialogue lines

DOC FISHER

DOC FISHER is listed as Cameraman. 45, weight problem, nicotine addiction, cynical attitude. In the parsed data, DOC FISHER is connected to 4 scenes, 6 dialogue lines, 6 text mentions, first appearing around scene 3.

4 scenes / 6 dialogue lines

SANDY

SANDY is listed as Club-goer. Pretty teenage girl, frail, vulnerable. In the parsed data, SANDY is connected to 3 scenes, 20 dialogue lines, 20 text mentions, first appearing around scene 17.

3 scenes / 20 dialogue lines

MAMA CARDUCCI

MAMA CARDUCCI is listed as Antique Store Owner. Ancient, eccentric Italian-American woman. In the parsed data, MAMA CARDUCCI is connected to 2 scenes, 14 dialogue lines, 14 text mentions, first appearing around scene 14.

2 scenes / 14 dialogue lines

Scene outline

  1. 1. EXT. DERELICT STREET - TWILIGHT

    JP Monroe arrives at a derelict street to visit an antique store.

    JP MONROE
  2. 2. INT. CARDUCCI'S ANTIQUES - NIGHT

    JP Monroe finds and purchases a mysterious black pillar from a strange bum.

    JP MONROE, PINHEAD
  3. 3. INT. HOSPITAL EMERGENCY ROOM - NIGHT

    Joey Summerskill reports on the empty ER, then witnesses a boy brought in with chains embedded in his skin.

    JOANNE SUMMERSKILL, DOC FISHER, TERRI
  4. 4. INT. CROSS-TOWN BUS - NIGHT

    Joey rides a bus home, shaken by the events at the hospital.

    JOANNE SUMMERSKILL
  5. 5. INT. TV STATION, EDITING SUITE - DAY

    Joey argues with Brad about her professional direction.

    JOANNE SUMMERSKILL, DOC FISHER
  6. 6. INT. UNDER THE UNDERGROUND - NIGHT

    Joey visits a nightclub to find Terri and discovers the pillar.

    JOANNE SUMMERSKILL, TERRI
  7. 7. EXT. DENSE JUNGLE - DAY

    Joey has a dream about a jungle war.

    JOANNE SUMMERSKILL
  8. 8. INT. BEDROOM, JOEY'S APARTMENT - NIGHT

    Joey wakes up to a phone call from Terri.

    JOANNE SUMMERSKILL, TERRI
  9. 9. INT. JOEY'S APT - NIGHT

    Joey and Terri discuss the box and their dreams while drinking coffee.

    JOANNE SUMMERSKILL, TERRI
  10. 10. INT. UNDER THE UNDERGROUND - NIGHT

    JP Monroe discovers the damage to the pillar and is bitten by a rat, causing blood to activate the pillar.

    JP MONROE, PINHEAD
  11. 11. INT. KITCHEN, JOEY'S APT - DAY

    Terri attempts to cook breakfast, resulting in a mess.

    JOANNE SUMMERSKILL, TERRI
  12. 12. INT. MAIN ROOM, JOEY'S APT - DAY

    Joey and Terri look out the window and discuss a neighbor, then decide to visit the antique store.

    JOANNE SUMMERSKILL, TERRI
  13. 13. EXT. DERELICT STREET - DAY

    Joey and Terri arrive at the antique store.

    JOANNE SUMMERSKILL, TERRI
  14. 14. INT. CARDUCCI'S ANTIQUES - DAY

    Joey and Terri question Mama Carducci about the pillar.

    JOANNE SUMMERSKILL, TERRI, MAMA CARDUCCI
  15. 15. INT. Antique Store - DAY

    Joey and Terri search through folders of old papers and find a box that reacts to sunlight and dust.

    JOANNE SUMMERSKILL, TERRI, MAMA CARDUCCI
  16. 16. INT. Joey's Apartment - EARLY EVENING

    Joey makes phone calls to secure information about the Channard Institute.

    JOANNE SUMMERSKILL
  17. 17. INT. Under The Underground - NIGHT

    JP Monroe seduces Sandy at his club.

    JP MONROE, SANDY
  18. 18. INT. JP's Private Room - NIGHT

    JP and Sandy have sex while Pinhead watches from the pillar.

    JP MONROE, PINHEAD, SANDY
  19. 19. INT. Joey's Apartment - NIGHT

    Joey returns home to find Terri sleeping.

    JOANNE SUMMERSKILL, TERRI
  20. 20. INT. JP's Private Room - NIGHT

    Pinhead kills Sandy and begins to manifest.

    JP MONROE, PINHEAD, SANDY
  21. 21. EXT. Outside Club - DAY

    JP returns to the club with a shotgun.

    JP MONROE
  22. 22. INT. JP's Private Room - DAY

    JP attempts to kill Pinhead but is persuaded to join him.

    JP MONROE, PINHEAD
  23. 23. INT. TV Station Editing Suite - NIGHT

    Joey watches a video of Kirsty describing the box.

    JOANNE SUMMERSKILL
  24. 24. INT. TV STATION, EDITING SUITE - NIGHT

    Joey watches a video of Kirsty describing the Cenobites, then witnesses a ghostly apparition of Elliott on the monitors.

    JOANNE SUMMERSKILL, DOC FISHER, PINHEAD, ELLIOTT SPENSER
  25. 25. INT. 24-HOUR DINER - NIGHT

    Terri waits at a diner and meets JP.

    JP MONROE, TERRI
  26. 26. INT. MAIN ROOM, JOEY'S APT. - NIGHT

    Joey returns home to find Terri missing and a note left behind.

    JOANNE SUMMERSKILL
  27. 27. EXT. DENSE JUNGLE / FLANDERS FIELD - DAY

    Joey experiences a nightmare about a battlefield.

    JOANNE SUMMERSKILL
  28. 28. INT. JOEY'S BEDROOM - NIGHT

    Joey wakes from her nightmare and sees a ghostly message from Elliott on her TV.

    JOANNE SUMMERSKILL, ELLIOTT SPENSER
  29. 29. INT. JP'S PRIVATE ROOM - NIGHT

    JP brings Terri to his room to sacrifice her to Pinhead.

    JP MONROE, TERRI, PINHEAD
  30. 30. INT. MAIN ROOM, JOEY'S APT. - NIGHT

    Joey discovers a radio in her closet that broadcasts paranormal signals and voices from the past.

    JOANNE SUMMERSKILL
  31. 31. INT. QUONSET HUT - NIGHT

    Joey encounters a frozen Elliott Spenser inside the Quonset hut.

    JOANNE SUMMERSKILL, ELLIOTT SPENSER
  32. 32. EXT. FLANDERS FIELD - DAY

    Joey meets the living Elliott Spenser on a WWI battlefield.

    JOANNE SUMMERSKILL, ELLIOTT SPENSER
  33. 33. INT. QUONSET HUT - NIGHT

    Elliott explains his past and the threat of Pinhead.

    JOANNE SUMMERSKILL, ELLIOTT SPENSER
  34. 34. INT. UNDER THE UNDERGROUND - NIGHT

    Pinhead emerges into the club, causing chaos.

    PINHEAD
  35. 35. INT. MAIN ROOM, JOEY'S APT. - NIGHT

    Joey returns to her apartment and receives a call from Doc.

    JOANNE SUMMERSKILL, DOC FISHER
  36. 36. EXT. ALLEYWAY - NIGHT

    Pinhead kills two corrupt police officers.

    PINHEAD
  37. 37. INT. INNER-CITY CHURCH - NIGHT

    Pinhead approaches a priest in a church.

    PINHEAD
  38. 38. EXT. INNER-CITY CHURCH - NIGHT

    Establishing shot of the church on a hill.

  39. 39. INT. INNER-CITY CHURCH - NIGHT

    A priest is confronted by Pinhead inside the church.

    PINHEAD
  40. 40. INT/EXT. JOEY'S CAR/CITY STREETS - NIGHT

    Joey drives to the burning church and discovers the crucified priest.

    JOANNE SUMMERSKILL, PINHEAD
  41. 41. EXT. CITY STREETS - NIGHT

    Joey drives back to her apartment.

    JOANNE SUMMERSKILL
  42. 42. INT. CORRIDOR, JOEY'S APT. BLDG. - NIGHT

    Joey enters her apartment.

    JOANNE SUMMERSKILL
  43. 43. INT. MAIN ROOM, JOEY'S APT. - NIGHT

    Joey is confronted by Pinhead in her apartment.

    JOANNE SUMMERSKILL, PINHEAD
  44. 44. INT. QUONSET HUT - NIGHT

    Elliott pulls Pinhead into the 1921 reality to destroy him.

    JOANNE SUMMERSKILL, PINHEAD, ELLIOTT SPENSER
  45. 45. INT. MAIN ROOM, JOEY'S APT. - NIGHT

    Joey returns to her apartment and faces the Cenobites.

    JP MONROE, JOANNE SUMMERSKILL, TERRI, PINHEAD
  46. 46. INT. MS. SUMMERSKILL'S OFFICE - DAY

    Joey is now a powerful businesswoman with the box on display.

    JOANNE SUMMERSKILL

Dialogue examples

I don't know his name ... I saw the whole story. A wounded bird was on his roof. I could hear its cries from here. He went straight to it. I couldn't've. I'd be frozen between pity and fear. But he wasn't. Its pain spoke directly to him. He picked it up. Nursed it. Fed it. And it got better. Everyday he'd watch the pigeon. Everyday the pigeon would watch him. I saw him learn. Learn that there was one more thing he had to do to make the rescue complete. And one day, just as afternoon became evening, he leaned over, opened the cage, and walked away. Didn't look back. But he heard the sound of its wings.

JOANNE SUMMERSKILL / Scene 12

The war pulled poetry out of some of us. Others it affected differently. This is me a few years later. We're in India, by the way, and it's 1921. I was like many survivors. Lost souls with nothing left to believe in but gratification. We'd seen God fail, you see. So many dead. For us God, too, fell at Flanders. We adjusted to the loss. And if we mourned, we mourned in silence. Thousands drank themselves to death. Others went further. I went further. I thought I was a lost soul. But, until this frozen moment, I didn't even know what the phrase meant.

ELLIOTT SPENSER / Scene 33

No ... I mean, it's not like great about your dad or anything. It's just I don't dream. Never have. ... Maybe it'd help if I slept sometime ... Just kidding ... No, so it's always neat for me to hear about dreams. I'm jealous. It's like everybody has another world except me. You know what I mean?

TERRI / Scene 9

Because you want to. You've always wanted to. Look at your pictures. Look at your sculptures. Look at those tawdry representations and then ... Imagine. Imagine a world of the body as canvas. The body as clay. Your will and mine as the brush and the knife. Oh, I have such sights to show you.

PINHEAD / Scene 22

Don't do that! Don't put yourself down. If you have a quality, be proud of it... Let it define you. Whatever it is. Most of the roses die behind the bar. This is the first I've given out for nearly a month.

JP MONROE / Scene 17

God, no! Nothing like that. No, he died before I was born. He died in Vietnam. I never knew him. Never met him. We don't even know the details. I dream of battlefields. Of searching. Of trying to find out.

JOANNE SUMMERSKILL / Scene 9

I was downtown looking for a ... a friend. A guy I know. Anyway, there was this store. Like real old? Lotsa weird shit in there. I saw this statue. Pillar. Thing. I knew he'd love it. You've seen the club.

TERRI / Scene 12

This is his first night on Earth. He wants to close the door behind him. Like all Lieutenants, he covets command. There's a gateway to Hell through which he can be taken back. He has to destroy it.

ELLIOTT SPENSER / Scene 33

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