Opening Image
Scene 1 / Page 1 / 1% target
A child’s sandbox scene establishes the film’s theme of misread signals from the very first image.
He's Just Not That Into You script analysis
He’s Just Not That Into You weaves together multiple storylines about love and dating miscommunications. Gigi’s romantic misadventures with Conor and Alex serve as the A story, while Anna’s affair with married Ben forms the B story. Meanwhile Beth and Neil explore their commitment issues, and Janine deals with her husband’s infidelity. The film culminates in each character discovering the truth about relationships and finding their own form of happy ending.
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Scene 1 / Page 1 / 1% target
A child’s sandbox scene establishes the film’s theme of misread signals from the very first image.
Scenes 1-2 / Pages 1-2 / 5% target
The mother’s line about teasing meaning affection states the theme that we misinterpret romantic signals.
Scenes 3-10 / Pages 2-10 / 10% target
We meet the main characters—Gigi, Conor, Alex, Anna, and Ben—and their dating frustrations in a series of vignettes leading up to Gigi’s first date with Conor.
So, Janine told me you're a real estate agent.
Scene 10 / Page 10 / 12% target
Gigi and Conor’s date at Brewer’s Art sparks her obsession when Conor doesn’t follow up immediately.
Yeah. But don't worry - not one of the cheesy ones who puts his headshot on bus benches...
Scenes 11-15 / Pages 10-15 / 20% target
Gigi debates what Conor’s silence means as she calls Janine, and Conor worries about Anna; similarly Anna hesitates to call Ben.
Yeah. It was really nice meeting you.
Scene 16 / Page 15 / 25% target
Gigi ignores Conor’s call and decides to engineer an encounter, marking her active pursuit in Act Two.
Sorry. What was I saying?
Scenes 13-14 / Pages 12-14 / 30% target
Anna’s subplot with Ben begins when Conor calls her but she’s with Ben, establishing the B story of an affair.
Do you want to go ahead?
Scenes 19-27 / Pages 16-27 / 40% target
A montage of Gigi obsessing, seeking advice, leaving awkward voicemails and stalking leads to comic “dating games.”
Mom, I gotta call you back.
Scene 38 / Page 27 / 50% target
Anna arrives at Conor’s loft after being rejected by Ben, shifting her story and raising stakes for Conor.
I had sort of given up on you when you didn't call me back the other night.
Scene 46 / Page 30 / 65% target
Beth reveals her breakup with Neil at the bridesmaid dress fitting, and Janine’s marriage problems escalate.
It's OK. Neil and I are actually - done - anyway.
Scene 76 / Page 38 / 75% target
Ben and Janine’s tense confrontation at Home Depot climaxes when she realizes he’s cheated.
That one isn't real hardwood floor?
Scene 93 / Page 44 / 80% target
Janine discovers Anna in Ben’s office closet, epitomizing the emotional low point for all involved.
Do you know who it is?
Scenes 114-115 / Page 61 / 85% target
Conor proposes a future by showing a house to Anna, but she turns him down—leading to a new understanding of their relationship.
Weird - it totally reminds me of the house I grew up in. I bet there is a...
Scene 123 / Page 63 / 95% target
Alex shows up at Gigi’s to confess his feelings, and they finally connect, resolving her arc.
I thought I better come up with some excuse to get over here. Isn't that how it's done?
Scenes 127-131 / Pages 65-66 / 99% target
We end with the various couples paired off—Beth married, Mary with Conor at Pride, Gigi with Alex, and Janine moving on—echoing the opening image’s lesson.