Opening Image
Scene 1 / Page 1 / 1% target
Introduces Luka on the phone about a London job, setting the heist thriller tone.
GLASS script analysis
A small-time thief is recruited by a charismatic criminal to join an international jewel heist. As she integrates into the crew, she discovers she’s pregnant and begins to question her life of crime. When the operation spirals into violence and betrayal, she faces imprisonment before her partner stages a daring jailbreak.
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Scene 1 / Page 1 / 1% target
Introduces Luka on the phone about a London job, setting the heist thriller tone.
Scene 14 / Page 14 / 5% target
Sofija and Luka discuss “slowing down,” directly questioning the cost of their criminal lifestyle.
You ever think about slowing down?
Scenes 2-5 / Pages 2-5 / 10% target
We see Zora’s border woes and Sofija’s struggles with work, rent, and petty theft, establishing stakes and world.
Scene 6 / Page 6 / 12% target
Luka formally recruits Sofija for a jewelry-store recon job, upending her life.
I need you to walk into a jewelry store. Tell me the layout.
Scene 7 / Page 7 / 20% target
Sofija meets the crew and negotiates pay, hesitating over risks versus reward.
Scenes 8-9 / Pages 8-9 / 25% target
The team executes the Graff store heist, marking their descent into Act Two action.
Down on the ground! Now!
Scenes 13-14 / Pages 13-14 / 30% target
Sofija’s pregnancy reveal and conversations with Luka deepen their personal relationship subplot.
Scenes 15-16 / Pages 15-16 / 40% target
The crew plans and prepares high-stakes safe cracking at Zubkov’s penthouse, showcasing heist craft.
Scene 19 / Page 19 / 50% target
Giordano watches Sofija’s evidence burn, raising the stakes and marking irreversible jeopardy.
Just give me a little more time.
Scenes 20-21 / Pages 20-21 / 65% target
Police close in on the Bologna apartment while Daro cracks the safe, tightening pressure.
Scene 27 / Page 27 / 75% target
The countryside hand-off explodes into a disastrous shootout and Luka is shot, the lowest point.
Luka? I think... I think I’m shot.
Scene 28 / Page 28 / 80% target
Imprisoned and pregnant, Sofija faces interrogation and despair in the Italian jail.
Which is why you have to take it.
Scene 29 / Page 29 / 85% target
Luka breaks Sofija out of prison, providing the solution and momentum for the finale.
Scene 29 / Page 29 / 95% target
The jailbreak completes and they escape, resolving the central conflict through direct action.
Scene 29 / Page 29 / 99% target
The final escape shot contrasts the opening, showing the couple united in freedom but changed.