Scripts
Get On Up poster

1988

Get On Up script

James Brown rises from a childhood of poverty and abuse to become a legendary soul musician through his relentless drive and musical innovation. His career is defined by his complex relationship with his lifelong friend and collaborator Bobby Byrd, as well as his demanding leadership style that alienates those closest to him. Despite achieving international fame and using his platform to influence social change, James struggles with personal demons, volatile relationships, and the isolation that comes with his success. The story culminates in a reflection on his enduring legacy, highlighting the man behind the music who transformed his pain into a powerful cultural force.

Writer
Steven Baigelman, Jez Butterworth & John-Henry Butterworth
IMDb ID (imdb_id)
tt2473602
Script date
1988-1993
95Scenes
11Characters
94Pages
4Dialogue samples

Save the Cat beat sheet

Get On Up Save the Cat analysis

Get On Up follows James Brown’s rise from obscurity in Augusta through personal and professional trials to become the Godfather of Soul.

Open full beat sheet
60

Key characters

James Brown

James Brown is listed as Protagonist. A legendary, driven, and complex soul musician who rises from poverty to international fame. In the parsed data, James Brown is connected to 80 scenes, 73 dialogue lines, 81 text mentions, first appearing around scene 7.

80 scenes / 73 dialogue lines

Bobby Byrd

Bobby Byrd is listed as Supporting. James Brown's lifelong friend, musical collaborator, and member of The Famous Flames. In the parsed data, Bobby Byrd is connected to 27 scenes, 19 dialogue lines, 19 text mentions, first appearing around scene 42.

27 scenes / 19 dialogue lines

Ben Bart

Ben Bart is listed as Supporting. President of Universal Attractions and James Brown's manager. In the parsed data, Ben Bart is connected to 9 scenes, 12 dialogue lines, 12 text mentions, first appearing around scene 5.

9 scenes / 12 dialogue lines

Maceo Parker

Maceo Parker is listed as Supporting. Saxophonist in James Brown's band. In the parsed data, Maceo Parker is connected to 8 scenes, 4 dialogue lines, 4 text mentions, first appearing around scene 93.

8 scenes / 4 dialogue lines

Joe Brown

Joe Brown is listed as Supporting. James Brown's father, a laborer who was often absent and abusive. In the parsed data, Joe Brown is connected to 7 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 40.

7 scenes / 2 dialogue lines

Dede

Dede is listed as Supporting. James Brown's wife. In the parsed data, Dede is connected to 6 scenes, 1 dialogue line, 1 text mention, first appearing around scene 76.

6 scenes / 1 dialogue lines

Pee Wee Ellis

Pee Wee Ellis is listed as Supporting. Band leader and saxophonist in James Brown's band. In the parsed data, Pee Wee Ellis is connected to 6 scenes, first appearing around scene 78.

6 scenes / 0 dialogue lines

Susie Brown

Susie Brown is listed as Supporting. James Brown's mother who abandoned him as a child. In the parsed data, Susie Brown is connected to 5 scenes, first appearing around scene 27.

5 scenes / 0 dialogue lines

Teddy Brown

Teddy Brown is listed as Supporting. James Brown's son. In the parsed data, Teddy Brown is connected to 4 scenes, 1 dialogue line, 1 text mention, first appearing around scene 93.

4 scenes / 1 dialogue lines

Aunt Honey

Aunt Honey is listed as Supporting. James Brown's aunt who ran a brothel in Augusta. In the parsed data, Aunt Honey is connected to 4 scenes, first appearing around scene 48.

4 scenes / 0 dialogue lines

Velma

Velma is listed as Supporting. James Brown's first wife and mother of his children.

0 scenes / 0 dialogue lines

Scene outline

  1. 1. EXT. Road, Augusta - DAY

    A pickup truck drives through Augusta in 1988.

    James Brown
  2. 2. INT/EXT. Pickup Truck / Augusta Streets - MOMENTS LATER

    The driver of the pickup truck speeds up to the rhythm of the music.

    James Brown
  3. 3. INT. Bathroom - SAME TIME

    A woman smokes a cigarette in a bathroom stall.

  4. 4. EXT. Parking Lot - MOMENTS LATER

    The pickup truck screeches to a stop in a parking lot.

    James Brown
  5. 5. INT. Adjacent Office / Insurance Seminar - DAY

    A seminar presenter discusses dental insurance while the truck is visible outside.

  6. 6. INT/EXT. Pickup Truck / Parking Lot - DAY

    James Brown exits his truck in the parking lot.

    James Brown
  7. 7. INT. Nondescript Office - DAY

    James Brown searches for people in his office and encounters Mavis.

    James Brown
  8. 8. INT/EXT. Adjacent Office / Parking Lot - DAY

    James Brown confronts the insurance seminar attendees about using his bathroom.

    James Brown
  9. 9. EXT. Country Road - DAY

    James Brown leads police on a high-speed chase.

    James Brown
  10. 10. INT. Pickup Truck - DAY

    James Brown drives while being pursued by police.

    James Brown
  11. 11. EXT. On Ramp - I-20 - DAY

    The chase continues onto the interstate.

    James Brown
  12. 12. EXT. Street Level - DAY

    James rams a police car.

    James Brown
  13. 13. EXT. I-20 - DAY

    Police set up a roadblock.

    James Brown
  14. 14. INT. Pickup Truck - DAY

    James smashes through the roadblock.

    James Brown
  15. 15. INT/EXT. Pickup Truck / Gravel Pitts - DAY

    James loses control of the truck.

    James Brown
  16. 16. EXT. Gravel Pitts - DAY

    Police surround the truck.

    James Brown
  17. 17. INT. Pickup Truck - DAY

    James surrenders.

    James Brown
  18. 18. EXT. Augusta Country Club - NIGHT

    Young James participates in a Battle Royale.

    James Brown
  19. 19. EXT. Close Up - DAY

    Look Magazine cover featuring James Brown.

    James Brown
  20. 20. EXT. Plane, Vietnam - DUSK

    James Brown's plane is under fire in Vietnam.

    James Brown
  21. 21. INT. Plane, Vietnam - DUSK

    The band and soldiers react to the attack.

    James Brown, Bobby Byrd, Maceo Parker
  22. 22. INT. Hanger - SAME TIME

    Journalist interviews soldiers.

  23. 23. INT. Plane, Cockpit - DUSK

    The plane begins to go down.

    James Brown
  24. 24. EXT. Tan Son Nhut Airfield - DUSK

    The plane makes a hard landing.

    James Brown
  25. 25. EXT. Airfield - MOMENTS LATER

    James confronts the USO liaison.

    James Brown, Bobby Byrd
  26. 26. INT. Hangar - CONTINUOUS

    James takes the stage.

    James Brown, Bobby Byrd
  27. 27. EXT. Pine Wood - DAY

    Young James plays with his mother.

    James Brown, Susie Brown
  28. 28. EXT. Wooded Path - DAY

    James and his mother walk through the woods.

    James Brown, Susie Brown
  29. 29. EXT. Shack, Brown Family Home - DAY

    Joe returns home and argues with Susie.

    James Brown, Susie Brown, Joe Brown
  30. 30. INT. Cabin - CONTINUOUS

    Joe and Susie are intimate while James watches.

    James Brown, Susie Brown, Joe Brown
  31. 31. EXT. Forest, Barnwell - DAY

    James discovers a lynched man.

    James Brown
  32. 32. INT. Dark Corridor - DAY

    Ben Bart visits James Brown backstage.

    James Brown, Bobby Byrd, Ben Bart
  33. 33. INT. SHACK - NIGHT

    Young James seeks shelter from the wind in the shack.

    James Brown
  34. 34. EXT. SHACK - NIGHT

    Time lapse of the night.

  35. 35. EXT. SHACK - DAY

    James attempts to fetch water.

    James Brown
  36. 36. EXT. PRODUCE STAND - DAY

    James gets a tomato from a produce seller.

    James Brown
  37. 37. EXT. WOODS - DAY

    James discovers music on a dilapidated cabin.

    James Brown
  38. 38. EXT. WOODS - DAY

    Time lapse of leaves changing.

  39. 39. INT. SHACK - DAY

    Joe returns home.

    James Brown, Joe Brown
  40. 40. INT. SHACK KITCHEN TABLE - DAY

    Father and son make music, then Joe turns abusive.

    James Brown, Joe Brown
  41. 41. INT/EXT. SHACK - DAY

    James runs away from home.

    James Brown, Joe Brown
  42. 42. INT. HOLLYWOOD SOUND STAGE - DAY

    James films a scene for a movie and talks to Bobby.

    James Brown, Bobby Byrd
  43. 44. INT. CAR - DAY

    James steals a suit.

    James Brown
  44. 45. EXT. RURAL ROAD - DAY

    James is caught by the police.

    James Brown
  45. 46. EXT. RICHMOND COUNTY JAIL - NIGHT

    James talks to Big Junior through the bars.

    James Brown
  46. 47. INT. CELL - NIGHT

    James practices his moves in his cell.

    James Brown
  47. 48. INT. PAROLE REVIEW BOARD - DAY

    James is denied parole.

    James Brown, Aunt Honey
  48. 49. INT. HALL, ALTO - DAY

    James fights in the reform school.

    James Brown, Bobby Byrd
  49. 50. INT. INFIRMARY, ALTO - DAY

    James and Bobby meet in the infirmary.

    James Brown, Bobby Byrd
  50. 51. EXT. TOCCOA STREET - DAY

    Establishing shot of the Byrd house.

  51. 52. INT. BYRD HOUSE KITCHEN - DAY

    Bobby tries to convince his mother to take James in.

    Bobby Byrd
  52. 53. INT. BYRD HOUSE - DAY

    James has dinner with the Byrds.

    James Brown, Bobby Byrd
  53. 54. INT. BYRD HOUSE - DAY

    Grandpa Byrd gives James a suit.

    James Brown, Bobby Byrd
  54. 55. INT. BYRD HOUSE - DAY

    Bobby catches James with Sarah.

    James Brown, Bobby Byrd
  55. 56. INT. ST. STEPHENS CHURCH - DAY

    The group sings in church.

    James Brown, Bobby Byrd
  56. 57. INT. SHACK - DAY

    Flashback to Joe and James leaving.

    James Brown, Joe Brown
  57. 58. EXT. AUNT HONEY'S HOUSE - DAY

    Joe and James arrive at Aunt Honey's.

    James Brown, Joe Brown, Aunt Honey
  58. 59. EXT. TWIGG STREET - DAY

    James meets Big Junior.

    James Brown, Aunt Honey
  59. 60. EXT. THE TERRY - DAY

    Big Junior teaches James how to hustle.

    James Brown
  60. 61. EXT. BUS STOP - DAY

    James dances for soldiers.

    James Brown
  61. 62. INT. AUNT HONEY'S PARLOR - NIGHT

    The brothel is busy.

    James Brown, Aunt Honey
  62. 62. INT. BARBERSHOP - DAY

    James and his band get haircuts and discuss their musical identity as a gospel group versus R&B.

    James Brown, Bobby Byrd
  63. 63. INT. BIG BILL'S RENDEZVOUS - NIGHT

    James and his band watch Little Richard perform, then take the stage themselves, leading to a confrontation.

    James Brown, Bobby Byrd
  64. 64. EXT. MALT SHOP - NIGHT

    James and Little Richard discuss the music business and the price of success.

    James Brown
  65. 70. INT. ELITE RESTAURANT - DAY

    James and Ben Bart discuss James's plan to book the Apollo Theater himself, leading to a tense confrontation about their business relationship.

    James Brown, Ben Bart
  66. 71. INT/EXT. CAR/APOLLO THEATER - NIGHT

    James and Ben arrive at the Apollo Theater to find a massive crowd waiting.

    James Brown, Ben Bart
  67. 72. INT. APOLLO THEATER STAGE - NIGHT

    The band sets up and prepares for the show.

    James Brown, Bobby Byrd
  68. 73. INT. APOLLO THEATER STAGE - NIGHT

    The show begins and James performs to a wild crowd.

    James Brown, Bobby Byrd, Susie Brown, Ben Bart
  69. 74. INT. APOLLO DRESSING ROOM - NIGHT

    After the show, Bobby informs James that his mother is there to see him.

    James Brown, Bobby Byrd
  70. 75. INT. BOARDING HOUSE - NIGHT

    James tells Bobby he is getting married and discusses his purpose.

    James Brown, Bobby Byrd
  71. 75. EXT. JAMES BROWN'S HOME. WALTON WAY. AUGUSTA. - 1967. CHRISTMAS.

    James Brown hosts a Christmas event at his home, handing out money to children while Dede assists.

    James Brown, Dede, Teddy Brown
  72. 76. INT. JAMES BROWN'S HOME. WALTON WAY. AUGUSTA. - LATER THAT DAY.

    James confronts Dede about her attire at the Christmas event and strikes her.

    James Brown, Dede
  73. 77. INT. JAMES BROWN'S HOME. WALTON WAY. AUGUSTA. - CONTINUOUS

    James feels shame after striking Dede and goes to help her.

    James Brown, Dede
  74. 78. EXT. HOTEL POOL. NEW ORLEANS. - 1967. DAY.

    The James Brown revue relaxes by the pool.

    James Brown, Bobby Byrd, Maceo Parker, Pee Wee Ellis
  75. 79. EXT. HOTEL POOL. CHECK IN STAND. - CONTINUOUS

    A racist tourist complains about the band members at the pool.

    Bobby Byrd, Maceo Parker, Pee Wee Ellis
  76. 80. INT. PEACHES DINER - MORNING

    James and Bobby meet Ralph Bass from King Records.

    James Brown, Bobby Byrd
  77. 80. EXT. HOTEL BALCONY - SAME TIME

    James watches the pool area from his balcony.

    James Brown
  78. 81. EXT. HOTEL POOL. - CONTINUOUS

    Pee Wee Ellis imitates James Brown for the band.

    Bobby Byrd, Maceo Parker, Pee Wee Ellis
  79. 82. INT. RECORDING STUDIO - DAY

    The band records 'Please, Please, Please' while Syd Nathan expresses dissatisfaction.

    James Brown, Bobby Byrd
  80. 82. INT. NEW ORLEANS HOTEL REHEARSAL ROOM. - 1967

    James conducts a tense rehearsal and fines Bobby Byrd.

    James Brown, Bobby Byrd, Maceo Parker, Pee Wee Ellis

Dialogue examples

It's like I always say Bobby. You gotta know who you are. You got to know where you are in this world. Five minutes ago, those boys were the best band on the planet. Now they nothing. Now they a bunch of sidemen with their hearts beatin' fast. Maceo comin' in here talking about my taxes. All I've done for this country and they comin' after James Brown? How you gone keep everybody happy? Huh? And stay on top? You along for the ride while everything is groovy and now they gone kick me when I'm down? People either on the bus or they off it.

James Brown / Scene 93

We know you owe the government back taxes. Your restaurant, radio stations, recording studios, labels, all different businesses, Unaccounted cash passing between them. It's a mess, Mr. Brown and if you want us to be a part of it, we gonna need our cash too. Right now.

Maceo Parker / Scene 93

Which brings us on to Dental Insurance. Generally speaking, when you receive care from a participating PDP dentist, your out-of-pocket expenses will typically be lower than if your were to accept care from a dentist outside the group.

Ben Bart / Scene 5

We only done half of it. "Mary Don't You Weep" is an old gospel, man. You ain't heard that before? Everybody be doin' it.

Bobby Byrd / Scene 49

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