Scripts
FRANCES poster

1982

FRANCES script

Frances Farmer, a rebellious and talented actress, challenges societal norms with her atheistic views and independent spirit, clashing with her controlling mother, Lillian, and conservative authorities like Judge Hillier. Frances finds success in Hollywood but rejects the studio system's superficiality, leading to a tumultuous affair with playwright Clifford Odets and a growing disdain for her manufactured public image. After a series of public outbursts and arrests, Frances is institutionalized at Meadow Wood Convalescent Home, where she endures insulin shock treatments and escapes with the help of her loyal friend and love interest, Harry York. Her brief freedom ends with Harry's arrest and her forced return home, culminating in a violent confrontation with Lillian that leads to Frances's commitment to Western State Hospital. There, Frances is subjected to electroshock therapy, hydrotherapy, and sexual assault, ultimately undergoing a lobotomy that leaves her a shadow of her former self, though she later appears on a television show and reunites with Harry, who remains a steadfast presence in her life.

Writer
Eric Bergren, Christopher De Vore & Nicholas Kazan
IMDb ID (imdb_id)
tt0083967
Script date
1982
105Scenes
9Characters
99Pages
8Dialogue samples

Save the Cat beat sheet

FRANCES Save the Cat analysis

Young Frances struggles with her loss of faith and her mother’s strict control, then finds unexpected fame and romance before descending into Hollywood exploitation and mental breakdown.

Open full beat sheet
70

Key characters

Frances Farmer

Frances Farmer is listed as Protagonist. A talented, rebellious actress who challenges societal norms and suffers institutional abuse. In the parsed data, Frances Farmer is connected to 94 scenes, 254 dialogue lines, 256 text mentions, first appearing around scene 1.

94 scenes / 254 dialogue lines

Lillian Farmer

Lillian Farmer is listed as Antagonist. Frances' mother, a dietician who is obsessed with her daughter's image and control. In the parsed data, Lillian Farmer is connected to 29 scenes, 53 dialogue lines, 53 text mentions, first appearing around scene 15.

29 scenes / 53 dialogue lines

Harry York

Harry York is listed as Supporting. A political activist and Frances' loyal friend/love interest. In the parsed data, Harry York is connected to 26 scenes, 80 dialogue lines, 83 text mentions, first appearing around scene 6.

26 scenes / 80 dialogue lines

Ernest Farmer

Ernest Farmer is listed as Supporting. Frances' father, a lawyer who is often absent and struggles to support his daughter against Lillian. In the parsed data, Ernest Farmer is connected to 16 scenes, 15 dialogue lines, 15 text mentions, first appearing around scene 3.

16 scenes / 15 dialogue lines

Clifford Odets

Clifford Odets is listed as Supporting. A playwright and director who has a romantic relationship with Frances. In the parsed data, Clifford Odets is connected to 9 scenes, first appearing around scene 35.

9 scenes / 0 dialogue lines

Dr. Symington

Dr. Symington is listed as Antagonist. A psychiatrist at Meadow Wood who abuses his power over Frances. In the parsed data, Dr. Symington is connected to 8 scenes, 38 dialogue lines, 39 text mentions, first appearing around scene 67.

8 scenes / 38 dialogue lines

Alma Styles

Alma Styles is listed as Antagonist. An attorney and associate of Lillian who helps orchestrate Frances' institutionalization. In the parsed data, Alma Styles is connected to 7 scenes, 13 dialogue lines, 14 text mentions, first appearing around scene 77.

7 scenes / 13 dialogue lines

Judge Benjamin Hillier

Judge Benjamin Hillier is listed as Antagonist. A conservative judge who views Frances as a threat to law and order. In the parsed data, Judge Benjamin Hillier is connected to 7 scenes, 7 dialogue lines, 7 text mentions, first appearing around scene 78.

7 scenes / 7 dialogue lines

Mr. Bebe

Mr. Bebe is listed as Antagonist. A powerful studio executive who treats Frances as a commodity. In the parsed data, Mr. Bebe is connected to 5 scenes, 2 dialogue lines, 4 text mentions, first appearing around scene 18.

5 scenes / 2 dialogue lines

Scene outline

  1. 1. EXT. PUGET SOUND - DAY

    Frances swims in the Puget Sound and reflects on her loss of faith in God.

    Frances Farmer
  2. 2. EXT. PUGET SOUND - LATER

    Frances writes in her diary while sitting in a tree.

    Frances Farmer
  3. 3. INT. FARMER HOME - FAMILY ROOM - EVENING

    Frances reads her diary to Lillian; Ernest leaves for the week.

    Frances Farmer, Lillian Farmer, Ernest Farmer
  4. 4. INT. AUDITORIUM - DAY

    Frances delivers her essay on atheism at a school competition, causing a stir.

    Frances Farmer, Lillian Farmer, Ernest Farmer, Judge Benjamin Hillier, Alma Styles
  5. 5. EXT. SEATTLE STREETS - DAY

    A political rally for Kaminski occurs with Harry York leading the crowd.

    Harry York
  6. 6. EXT. SUBURBAN STREET (SEATTLE) - DAY

    Harry York approaches Frances to warn her about the political fallout of her essay.

    Frances Farmer, Harry York
  7. 7. INT. COURTROOM - LATE AFTERNOON

    Judge Hillier and Alma Styles discuss the need to suppress Frances's publicity.

    Judge Benjamin Hillier, Alma Styles
  8. 8. INT. FARMER HOUSE - DINING ROOM - NIGHT

    Tension at dinner between Ernest, Lillian, and Frances regarding the essay prize money.

    Frances Farmer, Lillian Farmer, Ernest Farmer
  9. 9. INT. STUDY - NIGHT

    Lillian reviews her scrapbook while listening to the conversation in the dining room.

    Lillian Farmer
  10. 10. EXT. BACK GARDEN - NIGHT

    Lillian and Ernest argue about his political affiliations and their marriage.

    Lillian Farmer, Ernest Farmer
  11. 11. EXT. FRONT PORCH - NIGHT

    Ernest leaves the house while Frances watches.

    Frances Farmer, Ernest Farmer
  12. 12. INT. UNIVERSITY THEATRE STAGE - NIGHT

    Frances performs in 'Uncle Vanya'.

    Frances Farmer, Lillian Farmer, Ernest Farmer, Harry York
  13. 13. INT. UNIVERSITY READING ROOM - NIGHT

    Celebration after the play; Frances is encouraged to enter a contest to go to Moscow.

    Frances Farmer, Harry York
  14. 14. EXT. WEST POINT BEACH - NIGHT

    Frances and Harry talk in a car at the beach.

    Frances Farmer, Harry York
  15. 15. INT. FARMER HOUSE - DAY

    Lillian confronts Frances about her planned trip to Russia, leading to a heated argument about Frances' independence and Lillian's control.

    Frances Farmer, Lillian Farmer, Ernest Farmer
  16. 16. EXT. SEATTLE BUS STATION - DAY

    Frances departs for her trip while Lillian creates a public scene with reporters and a strange man.

    Frances Farmer, Lillian Farmer, Ernest Farmer
  17. 17. INT. FARMER STUDY - DAY

    Lillian updates her scrapbook with clippings of Frances' travels and career.

    Lillian Farmer
  18. 18. INT. PHOTOGRAPHY STUDIO - HOLLYWOOD - DAY

    Frances undergoes a photoshoot where a publicist tries to manufacture a persona for her.

    Frances Farmer, Mr. Bebe
  19. 19. INT. STUDIO ACTING CLASS - DAY

    Frances observes an acting class and notices a student named Dick.

    Frances Farmer
  20. 20. INT. COTTAGE - DAY

    Frances talks to her mother on the phone while playing with Dick.

    Frances Farmer, Lillian Farmer
  21. 21. INT. HOLLYWOOD SCREENING ROOM - DAY

    Frances laughs at her own performance during a screening, confusing the studio executives.

    Frances Farmer
  22. 22. EXT. CATWALK - DAY

    Frances reunites with Harry at the studio.

    Frances Farmer, Harry York
  23. 23. EXT. STUDIO LOT - DAY

    Frances and Harry discuss their lives and Frances reveals she is seeing someone.

    Frances Farmer, Harry York
  24. 24. INT. SOUND STAGE - DAY

    Mr. Bebe confronts Frances about her attitude and name.

    Frances Farmer, Mr. Bebe
  25. 25. EXT. THEATRE MARQUEE - NIGHT

    The premiere of Frances' film in Seattle.

    Frances Farmer, Lillian Farmer, Ernest Farmer, Harry York
  26. 26. INT. LIMOUSINES - NIGHT

    Lillian and Dick pose for reporters while Frances watches the city's poor.

    Frances Farmer, Lillian Farmer, Ernest Farmer
  27. 27. INT. LOBBY - NIGHT

    Frances arrives at the theatre lobby for the premiere.

    Frances Farmer, Lillian Farmer
  28. 28. INT. LOBBY - NIGHT

    Frances attends a premiere event in Seattle, where she is confronted by Judge Hillier's wife and expresses her disdain for the superficiality of the event.

    Frances Farmer, Judge Benjamin Hillier, Mr. Bebe
  29. 29. EXT. THEATRE - NIGHT

    Frances storms out of the theatre, encounters a beggar, and gives him the key to the city.

    Frances Farmer
  30. 30. EXT. WEST POINT BEACH - NIGHT

    Frances and Harry discuss her career, her mother, and her desire to do something meaningful.

    Frances Farmer, Harry York
  31. 31. EXT. STUDIO - HOLLYWOOD - DAY

    Frances arrives at the studio in her old car.

    Frances Farmer
  32. 32. EXT. STUDIO LOT - DAY

    Claire confronts Frances about her appearance and car.

    Frances Farmer
  33. 33. INT. FRANCES' DRESSING ROOM - DAY

    Frances tells Claire to relay a message to Mr. Bebe about focusing on scripts rather than her life.

    Frances Farmer
  34. 34. INT. FRANCES AND DICK'S COTTAGE - NIGHT

    Dick confronts Frances about her plans to leave and her secret affair.

    Frances Farmer
  35. 35. INT. THEATRE LOBBY - NIGHT

    Frances is performing in a play in Mt. Kisco.

    Frances Farmer, Clifford Odets
  36. 36. INT. DRESSING ROOM - NIGHT

    Clifford Odets and Clurman try to recruit Frances for their theatre group.

    Frances Farmer, Clifford Odets
  37. 37. EXT. BELASCO THEATRE MARQUEE - NIGHT

    Frances and Odets sit outside the theatre and discuss her acting.

    Frances Farmer, Clifford Odets
  38. 38. INT. WORKING CLASS BAR - LATER

    Odets continues to coach Frances on her acting.

    Frances Farmer, Clifford Odets
  39. 39. EXT. PLATFORM - SPANISH EMBASSY - DAY

    Clurman gives a speech while Odets and Frances talk.

    Frances Farmer, Clifford Odets
  40. 40. EXT. NEW YORK CITY STREETS - NIGHT

    Odets pushes Frances to show her true soul.

    Frances Farmer, Clifford Odets
  41. 41. INT. ODETS' APARTMENT - NIGHT

    Frances and Odets go to his apartment.

    Frances Farmer, Clifford Odets
  42. 42. INT. BEBE'S PANELLED OFFICE - HOLLYWOOD - DAY

    Mr. Bebe plots against Frances.

    Mr. Bebe
  43. 43. EXT. BACKSTAGE DOOR - ALLEY - NIGHT

    Frances talks to a young fan who wants to go to Hollywood.

    Frances Farmer
  44. 44. INT. WORKING CLASS BAR - NIGHT

    Frances meets Odets at a bar to discuss her performance and emotional state.

    Frances Farmer, Clifford Odets
  45. 45. INT. ODETS' APARTMENT - DAY

    Clurman informs Frances that she has been replaced in the play.

    Frances Farmer, Clifford Odets
  46. 46. INT. BOOKIE JOINT - DAY

    Harry York is at a bookie joint when he receives a call from Frances.

    Harry York
  47. 47. INT. ODETS' APARTMENT - NIGHT

    Frances calls Harry in a drunken, distraught state.

    Frances Farmer, Harry York
  48. 48. INT. SOUND STAGE - DAY

    Frances is forced to repeat a scene in the mud for a film.

    Frances Farmer, Mr. Bebe
  49. 49. EXT. ELEGANT BEACHFRONT HOME - NIGHT

    Frances attends a party with Bob Barnes.

    Frances Farmer
  50. 50. INT. HOUSE - NIGHT

    Frances attends the party, feels uncomfortable, and retreats to the bathroom.

    Frances Farmer
  51. 51. EXT. HIGHWAY - NIGHT

    Frances is pulled over by a cop for driving with headlights in a dimout zone.

    Frances Farmer
  52. 52. EXT. BEACH HOUSE BALCONY - DAY

    Harry visits Frances after her arrest.

    Frances Farmer, Harry York
  53. 53. INT. SAN DIEGO BAR - NIGHT

    Frances and Harry get into a fight at a bar.

    Frances Farmer, Harry York
  54. 54. INT. BEACH HOUSE - DAY

    Frances returns to find her house stripped of her belongings.

    Frances Farmer
  55. 55. INT. HOTEL SUITE - DAY

    Frances searches for her diary in her hotel room.

    Frances Farmer
  56. 56. INT. HOTEL SUITE - DAY

    Frances searches her hotel room for her missing diary and calls her contact, Barnes, in a panic.

    Frances Farmer
  57. 57. INT. STAGE - MOVIE SET - DAY

    Frances arrives late to the set of 'No Escape' and antagonizes the Director.

    Frances Farmer
  58. 58. INT. FRANCES' DRESSING ROOM - DAY

    Frances gets into a physical altercation with Tora, the hairdresser, and quits the film.

    Frances Farmer
  59. 59. INT. STAGE - MOVIE SET - DAY

    Frances makes a dramatic exit from the movie set.

    Frances Farmer
  60. 60. INT. FRANCES' HOTEL ROOM - NIGHT

    Police break into Frances' hotel room to arrest her.

    Frances Farmer, Lillian Farmer
  61. 61. INT. SANTA MONICA POLICE STATION - NIGHT

    Frances is booked at the police station, mocking the sergeant.

    Frances Farmer
  62. 62. INT. WOMEN'S JAIL - CELL BLOCK - NIGHT

    Frances is placed in a jail cell while photographers watch.

    Frances Farmer
  63. 63. INT. COURTROOM - DAY

    Frances is sentenced to 180 days in jail by the judge.

    Frances Farmer, Judge Benjamin Hillier
  64. 64. INT. HALLWAY OUTSIDE COURTROOM - DAY

    Frances attempts to escape and call for help, encountering Harry.

    Frances Farmer, Harry York
  65. 65. INT. COURTROOM - DAY

    Lillian and Alma Styles arrange for Frances to be placed under Lillian's care instead of jail.

    Frances Farmer, Lillian Farmer, Alma Styles
  66. 66. EXT. ENTRANCE DRIVE - MEADOW WOOD - DAY

    Frances is driven to Meadow Wood Convalescent Home.

    Frances Farmer, Lillian Farmer
  67. 67. INT. SMALL OFFICE - MEADOW WOOD - DAY

    Frances meets Dr. Symington, who takes charge of her care.

    Frances Farmer, Lillian Farmer, Dr. Symington
  68. 68. INT. FRANCES' ROOM - MEADOW WOOD - DAY

    Lillian is confronted by a matron in Frances' room.

    Frances Farmer, Lillian Farmer
  69. 69. INT. HALLWAY - MEADOW WOOD - DAY

    Frances is led to her room and witnesses the matron harassing Lillian.

    Frances Farmer, Lillian Farmer
  70. 70. INT. FRANCES' ROOM - MEADOW WOOD - DAY

    Frances is subjected to an insulin shock treatment.

    Frances Farmer
  71. 71. EXT. COURTYARD - MEADOW WOOD - DAY

    Lillian visits Frances and shows her fan mail.

    Frances Farmer, Lillian Farmer
  72. 72. INT. SYMINGTON'S OFFICE - DAY

    Frances meets with Dr. Symington again.

    Frances Farmer, Dr. Symington
  73. 73. INT. Symington's Office - DAY

    Frances confronts Dr. Symington about her release, leading to a heated argument and her sedation.

    Frances Farmer, Dr. Symington
  74. 74. EXT. Meadow Wood Convalescent Home - DAY

    Harry York visits Frances at the home and helps her escape.

    Frances Farmer, Harry York
  75. 75. INT. Lincoln Car - DUSK

    Harry and Frances drive toward Idaho, discussing their future and their relationship.

    Frances Farmer, Harry York
  76. 76. INT. Roadhouse - NIGHT

    Harry and Frances drink and dance, discussing marriage.

    Frances Farmer, Harry York
  77. 77. EXT. Farmer House - DAY

    Frances returns home to Lillian, while Harry is arrested by the FBI.

    Frances Farmer, Lillian Farmer, Harry York, Alma Styles
  78. 78. INT. Courtroom - DAY

    Judge Hillier sentences Harry to six months in prison.

    Harry York, Judge Benjamin Hillier
  79. 79. INT. Farmer House - DAY

    Frances plays piano for Lillian and later meets her father at a hotel.

    Frances Farmer, Lillian Farmer, Ernest Farmer
  80. 80. INT. Farmer House - DAY

    Frances tells Lillian she is quitting acting, leading to a final confrontation.

    Frances Farmer, Lillian Farmer

Dialogue examples

Wait, Mama, wait. I have something to tell you. I've decided... well... I'm not going to make movies anymore. I thought that's what I wanted, and I went after it with all my soul, the way you taught me, but I was miserable, Mama, and it nearly killed me. So now... now it's over. I want a different kind of life, something... simple. I want to live someplace quiet and peaceful... in the country maybe, and I'll have dogs and cats -- I feel so light suddenly, so clear for the first time in... It's going to be okay, Mama, I know it. And I love you.

Frances Farmer / Scene 80

Alvin Hanson, a.k.a. Ronald Burns, Thomas Slocum, Harry York... Mr. Hanson, this warrant has been outstanding for many years. Normally that circumstance would prompt me toward leniency, but the crime you committed -- inciting to riot -- and the cause you sought to promote -- a worker's rebellion -- are such anathemas to this court that I feel compelled to mete out the full sentence. I only wish it were longer. Six months in the state penitentiary.

Judge Benjamin Hillier / Scene 78

...From her history, it's apparent the patient suffers from a paranoid reaction with pronounced egotism. Her violent responses have recently included aggression against her mother. In view of the deep-seated nature of her ailments and her failure to respond satisfactorily to insulin shock, it is my opinion she may ultimately require permanent institutional care.

Dr. Symington / Scene 84

They want you back! Your agent called today! Don't you understand? He's sending the scripts. He wants to fly up here in a week with the publicity people! Frances, you can't do this to your fans! Why, they've been praying for you all through this nightmare. You can't turn your back on them now! Look at this fan mail I've been answering!

Lillian Farmer / Scene 80

...Dwayne Steele divorced you, and from this point on, your story takes a darker turn. Shunned by the Hollywood you criticized so harshly, alienated from your family and friends, you turn your back on professional commitments in New York, and alcohol and drugs enter your life. These are sad, desperate times for you.

Harry York / Scene 104

What you have to understand, Francie, is that she... well... she wanted so much for herself too, and for me, and she never really got to... The only time I ever saw her happy was if her name was in the papers... but she could have been... if times were different she could have been a politician or... I don't know.

Ernest Farmer / Scene 79

Salesman says, 'I don't care. I gotta have a martini.' So the bartender fixes him a martini real fast, grabs his money, and runs out the back. Salesman sits there sipping his martini,... he's got the bar all to himself... Then he hears it. This big roaring in the street. RRRAAAAAAA!!!

Frances Farmer / Scene 83

Well, Francie, sometimes after you get your hands on something you want, it just doesn't look the same. Then you have to be real smart to know if you should hold onto it because it's all you've got... or just let it go. This is the way of things, but I guess you already know that.

Ernest Farmer / Scene 79

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