Opening Image
Scene 1 / Page 1 / 1% target
A desolate California beach and Fat Sam’s rundown stand set Fletch’s easygoing world.
Fletch script analysis
Independent reporter Fletch is drawn from his laid-back beach life into a high-stakes mystery when wealthy Alan Stanwyk hires him to kill him. As he tailspins through deception, secret identities, and near-misses, he uncovers a web of bigamy and murder. In the end, Fletch outwits the villains and reunites with Gail in Rio.
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Scene 1 / Page 1 / 1% target
A desolate California beach and Fat Sam’s rundown stand set Fletch’s easygoing world.
Scene 2 / Page 1 / 5% target
Fletch’s quip about supply chains hints at the theme of appearances versus reality.
So what do you figure?
Scenes 1-4 / Pages 1-2 / 10% target
We meet Fletch on the beach, see his drug‐supply side gig, and get approached by Alan Stanwyk with a bizarre prologue.
Scene 5 / Page 2 / 12% target
Stanwyk’s shocking request that Fletch murder him flips the story into motion.
I want you to murder me.
Scenes 6-8 / Pages 2-4 / 20% target
Fletch wrestles with Stanwyk’s illness claim, posing as patient and thief to verify he isn’t dying.
Scene 10 / Page 5 / 25% target
Fletch meets Stanwyk’s wife Gail, shifting him into the investigative ‘upside-down world.’
What's he doing in Utah?
Scenes 10-11 / Pages 5-6 / 30% target
The budding rapport with Gail provides the romantic B-story and emotional stakes.
Scenes 6-16 / Pages 2-9 / 40% target
Fletch’s disguises, break-ins, interviews, and goofy cover stories deliver the noir-comedy promise.
Scene 17 / Page 9 / 50% target
The false victory of gathering clues is undercut when Fletch is arrested, raising the stakes.
If you keep nosing around, you make the bad guys just a little bit more cautious. That makes...
Scene 27 / Page 14 / 65% target
Confronted by hired goons in the Provo house, Fletch’s investigation turns dangerous.
Who the hell are you?
Scene 29 / Page 15 / 75% target
A bullet through his car window suggests Fletch is outgunned and outmatched.
Scenes 32-34 / Pages 16-17 / 80% target
In the motel and on the plane, Fletch reflects on dead ends and losing Gail’s trust.
Scene 40 / Page 19 / 85% target
Armed with new proof, Fletch breaks into Stanwyk’s house for the final evidence.
Scene 42 / Page 20 / 95% target
Fletch dramatically exposes Stanwyk’s murder scheme and stops him at gunpoint.
Alan Stanwyk murdered me tonight. The charred remains found by the police in the Jaguar are mine, not...
Scene 43 / Page 21 / 99% target
Fletch and Gail’s reunion in Rio contrasts the opening’s lonely beach.
Not mine, stupid. Yours.