Opening Image
Scene 1 / Page 1 / 1% target
Introduces the brutal, high-altitude world and Rob’s strict turnaround rule at the summit.
If we haven’t summitted by two, we go down. That was the deal.
EVEREST script analysis
EVEREST follows the classic Save the Cat beats as Rob Hall leads his team to the summit, faces increasing dangers on the mountain, and ultimately suffers personal tragedy. The narrative intercuts home-front B-story tension with escalating mountaineering stakes, culminating in a storm that forces life-and-death choices.
Save the Cat is referenced as a story-analysis framework. SlugDB is not affiliated with Save the Cat or its rights holders.
Scene 1 / Page 1 / 1% target
Introduces the brutal, high-altitude world and Rob’s strict turnaround rule at the summit.
If we haven’t summitted by two, we go down. That was the deal.
Scene 24 / 5% target
Climbers around the bonfire discuss why they risk everything, hinting at obsession and human limits.
It’s a girl. I’m gonna have a girl! Jan just faxed me.
Scenes 2-7 / 10% target
Rob organizes logistics and team dynamics in Kathmandu, establishing characters and relationships before the climb.
Scene 27 / 12% target
Helen announces the summit push, crystallizing the goal and starting the expedition’s critical phase.
This is Helen Wilton at Base Camp, Mt. Everest. We are pleased to announce that Rob Hall and...
Scene 29 / 20% target
Beck struggles with his vision and must decide whether to press on or turn back.
Yeah, yeah, just- I’m fine.
Scene 31 / 25% target
The climbers begin their summit assault at dawn, fully entering Act Two on the mountain.
Scene 26 / 30% target
Back home, Jan reads a fax and worries, providing the emotional counterpoint to Rob’s climb.
All team members are in good health and going well. Updates to follow. Go, Rob.
Scenes 21-22 / 40% target
Teams navigate the Icefall’s perils and coordinate schedules—demonstrating the mountain’s unique challenges.
The Taiwanese are in slow motion, man.
Scene 33 / 50% target
Rob discovers Beck’s vision problems at the Balcony, raising the stakes and urgency of the summit push.
Yes, mate. What’s wrong?
Scene 65 / 65% target
Rob urges Doug to keep moving as weather worsens, tension heightens on the Hillary Step.
Come on, Doug. I need you to keep moving, mate.
Scene 67 / 75% target
The storm hits at the Hillary Step, trapping Rob and Doug and marking the darkest moment.
Oh, no. No, no, no... Move, Doug. We’ve got to move!
Scenes 85-86 / 80% target
Jan is panicked at Base Camp with no news, reflecting despair parallel to Rob’s plight.
I haven’t heard from you. It’s after midnight here. Why isn’t anybody calling me?
Scene 90 / 85% target
Harold reaches Rob and recommits to saving him, shifting to Act Three.
You came all this way for me.
Scene 98 / 95% target
Rob radios in from the summit precariously frozen—his final bid for rescue.
Hands are frozen. Harold was here. Leg’s aren’t working too well.
Scene 107 / 99% target
Rob speaks to Jan one last time via radio, mirroring the opening but with devastating stakes.