Scripts
ENOUGH poster

Screenplay data

ENOUGH script

Slim marries the abusive Mitch, and after a miscarriage and failed escape attempts, she flees with their daughter Gracie, pursued relentlessly by Mitch. With help from friends, Slim assumes a new identity and trains for self-defense, anticipating Mitch's inevitable tracking. Mitch ambushes Slim at her safe house, but she escapes with Gracie, destroys his vehicle, and infiltrates his warehouse. Slim confronts and kills Mitch in self-defense, finally freeing herself and Gracie from his terror as the police arrive.

Writer
Nicholas Kazan
IMDb ID (imdb_id)
tt0278435
113Scenes
11Characters
11Pages
1Dialogue samples

Save the Cat beat sheet

ENOUGH Save the Cat analysis

Slim’s journey begins in her ordinary world working at a restaurant and yearning for law school.

Open full beat sheet
45

Key characters

Slim

Slim is listed as Protagonist. Waitress, 23, smart, athletic, seeks safety from abusive husband. In the parsed data, Slim is connected to 88 scenes, 22 text mentions, first appearing around scene 1.

88 scenes / 0 dialogue lines

Gracie

Gracie is listed as Supporting. Slim and Mitch's 4-year-old daughter. In the parsed data, Gracie is connected to 51 scenes, 14 text mentions, first appearing around scene 1.

51 scenes / 0 dialogue lines

UNKNOWN

UNKNOWN is identified from the parsed character and dialogue data. In the parsed data, UNKNOWN is connected to 41 scenes, 579 dialogue lines, first appearing around scene 1.

41 scenes / 579 dialogue lines

Mitch

Mitch is listed as Antagonist. Wealthy contractor, charming but psychotically controlling and violent. In the parsed data, Mitch is connected to 23 scenes, 18 text mentions, first appearing around scene 2.

23 scenes / 0 dialogue lines

Joe

Joe is listed as Supporting. Slim's former boyfriend, helps her in Chicago. In the parsed data, Joe is connected to 14 scenes, 3 text mentions, first appearing around scene 3.

14 scenes / 0 dialogue lines

Ginny

Ginny is listed as Supporting. Slim's friend, fellow waitress, experienced in difficult relationships. In the parsed data, Ginny is connected to 13 scenes, first appearing around scene 1.

13 scenes / 0 dialogue lines

Phil

Phil is listed as Supporting. Syrian diner owner, father figure to Slim. In the parsed data, Phil is connected to 9 scenes, 15 text mentions, first appearing around scene 1.

9 scenes / 0 dialogue lines

Robbie

Robbie is listed as Supporting/Villainous. Mitch's associate, fake 'hero' who helps Mitch track Slim. In the parsed data, Robbie is connected to 7 scenes, first appearing around scene 2.

7 scenes / 0 dialogue lines

Jupiter Slakowski

Jupiter Slakowski is listed as Supporting. Slim's estranged biological father, venture capitalist. In the parsed data, Jupiter Slakowski is connected to 4 scenes, first appearing around scene 8.

4 scenes / 0 dialogue lines

Mrs. Tyler

Mrs. Tyler is listed as Supporting. Mitch's wealthy mother. In the parsed data, Mrs. Tyler is connected to 3 scenes, 6 text mentions, first appearing around scene 3.

3 scenes / 0 dialogue lines

Jim Toller

Jim Toller is listed as Supporting. Lawyer consulted by Slim. In the parsed data, Jim Toller is connected to 2 scenes, first appearing around scene 3.

2 scenes / 0 dialogue lines

Scene outline

  1. 1. INT. THE ORCA RESTAURANT

    Slim and Ginny talk about law school and their lives while preparing for the lunch rush. Phil reminds them to work.

    Slim, Ginny, Phil

  2. 1. EXT. COURTHOUSE

    Slim drops off Gracie at the courthouse with instructions to hit the horn if approached.

    Slim, Gracie

  3. 1. INT. ELECTRONICS STORE

    Slim purchases an item and leaves while making a phone call.

    Slim

  4. 2. INT. THE ORCA RESTAURANT

    Slim meets a customer ('Our Hero') and Mitch intervenes in a confrontation.

    Slim, Mitch, Ginny, Robbie

  5. 2. INT. COURTHOUSE

    Slim asks a county recorder clerk for a lawyer recommendation.

    Slim

  6. 2. EXT. SAN FRANCISCO STREET

    Slim calls the Tyler residence and speaks to the butler.

    Slim

  7. 3. EXT. OLD PASADENA ESTATE

    Slim and Mitch get married. Guests socialize.

    Slim, Mitch, Ginny, Phil, Joe, Mrs. Tyler

  8. 3. INT. NICE LAWYER'S OFFICE. RECEPTION AREA

    Slim bypasses the receptionist to enter Jim Toller's office.

    Slim, Gracie, Jim Toller

  9. 3. INT. BAGEL PLACE

    Alex meets Slim to tell her she is ready to graduate.

    Slim

  10. 4. EXT. SPANISH-STYLE HOUSE

    Mitch coerces a homeowner into selling his property.

    Slim, Mitch

  11. 4. INT. JIM TOLLER'S OFFICE

    Slim begs Jim Toller for help; Toller warns her about the custody hearing being a trap.

    Slim, Jim Toller

  12. 4. EXT. DOWNTOWN L.A. STREET

    Slim practices picking a lock while Alex watches for threats.

    Slim

  13. 5. INT. HOUSE KITCHEN

    Slim suffers a miscarriage.

    Slim

  14. 5. INT. OLDSMOBILE

    Slim promises to protect Gracie.

    Slim, Gracie

  15. 5. INT. BEAUTY SALON

    Slim calls Mrs. Tyler while getting a manicure.

    Slim, Mrs. Tyler

  16. 6. INT. MITCH'S OFFICE

    Slim informs Mitch she lost another pregnancy.

    Slim, Mitch

  17. 6. INT. AIRPORT

    Slim instructs Ginny via phone to travel to Reno.

    Slim, Ginny

  18. 6. EXT. BEAUTY PARLOR

    Slim notices she is being followed by a man in a green trenchcoat.

    Slim

  19. 7. INT. HOSPITAL

    Slim gives birth. Mitch is distant during the baby's arrival.

    Slim, Mitch

  20. 7. INT. AIRPORT PARKING GARAGE. RENT-A-CAR AREA

    Slim hands off Gracie to Ginny for protection.

    Slim, Ginny, Gracie

  21. 7. EXT. SLIM'S HOTEL

    Slim enters her hotel while the man in the green trenchcoat watches.

    Slim

  22. 8. EXT. HILLSIDE

    Slim and her daughter share a moment, isolating Mitch.

    Slim, Mitch, Gracie

  23. 8. INT. GYM

    Slim trains with an instructor to defend herself against Mitch.

    Slim

  24. 8. INT. HOTEL ROOM

    Slim meets Tova to establish a decoy strategy.

    Slim, Jupiter Slakowski

  25. 9. INT. BATHROOM/BEDROOM

    Slim attempts to connect with Mitch, but he dismisses her for work.

    Slim, Mitch

  26. 9. INT. JUPITER'S OFFICE

    Slim asks Jupiter for assistance in finding a lookalike.

    Slim, Jupiter Slakowski

  27. 9. INT. HOTEL. HALL

    Slim exits the hotel via the service elevator.

    Slim

  28. 10. EXT. HOTEL. REAR ENTRANCE

    Slim departs the hotel through the alley.

    Slim

  29. 11. INT. KITCHEN

    Slim discovers Mitch is having an affair via a pager and phone call.

    Slim, Mitch

  30. 12. INT. KITCHEN

    Mitch discovers Slim on the floor and they discuss the infidelity.

    Slim, Mitch

  31. 13. INT. HOUSE, KITCHEN

    The confrontation escalates and Mitch assaults Slim.

    Slim, Mitch

  32. 14. EXT. PASADENA ESTATE

    Slim visits Mrs. Tyler and reveals her bruised face.

    Slim, Mrs. Tyler

  33. 15. INT. ORCA DINER, KITCHEN

    Slim talks to Ginny and Phil about her situation.

    Slim, Ginny, Phil

  34. 16. EXT. PRE-SCHOOL

    Slim discovers Mitch has taken Gracie.

    Slim

  35. 17. INT. HER HOME

    Slim calls Mitch and hears him with Gracie.

    Slim, Mitch, Gracie

  36. 18. INT. DINING ROOM

    Mitch threatens Slim during dinner.

    Slim, Mitch, Gracie

  37. 19. INT. MASTER BEDROOM

    Slim prepares to escape while Mitch sleeps.

    Slim, Mitch

  38. 21. BATHROOM

    Slim disguises the sound of a toilet by running water while she gets dressed to leave.

    Slim

  39. 22. BEDROOM

    Slim checks on the sleeping Mitch before heading to the hall.

    Slim, Mitch

  40. 23. GRACIE'S ROOM

    Slim collects her daughter to leave.

    Slim, Gracie

  41. 24. HALL

    Slim attempts to exit the house with Gracie.

    Slim, Gracie

  42. 25. EXT. SLIM'S HOUSE

    Ginny, Phil, and Teddy wait outside for Slim to emerge.

    Ginny, Phil

  43. 26. HOUSE

    Slim is caught by Mitch at the front door.

    Slim, Mitch, Gracie

  44. 27. EXT. HOUSE

    The rescuers observe a signal and force their way inside.

    Ginny, Phil

  45. 28. HOUSE

    Mitch confronts the rescuers, threatening them at gunpoint.

    Slim, Mitch, Ginny, Gracie, Phil

  46. 29. VAN

    The group flees with Slim and Gracie.

    Slim, Gracie

  47. 30. AIRPLANE

    Slim and Gracie travel by plane.

    Slim, Gracie

  48. 31. EXT. NAVY PIER (CHICAGO)

    Slim, Gracie, and Joe enjoy time at Navy Pier.

    Slim, Gracie, Joe

  49. 32. INT. JOE'S CAR

    Joe drives Slim and Gracie to his apartment basement garage.

    Slim, Gracie, Joe

  50. 33. INT. JOE'S 4-PLEX

    Slim and Gracie hide while Joe confronts intruders posing as FBI agents.

    Slim, Gracie, Joe, Robbie

  51. 34. INT. JOE'S 4-PLEX

    Joe receives a threatening call from Mitch.

    Slim, Gracie, Joe, Mitch

  52. 35. INT. JOE'S 4-PLEX

    Slim calls Ginny.

    Slim, Ginny

  53. 41. INT. ORCA RESTAURANT

    Ginny and Phil are working at the restaurant when Slim calls and warns them they are in danger from Mitch, urging them to evacuate.

    Ginny, Phil, Slim

  54. 42. EXT. ORCA RESTAURANT

    Ginny and Phil escape the pier-side restaurant just before it explodes.

    Ginny, Phil

  55. 43. INT. JOE'S APARTMENT

    Slim realizes her connection to the restaurant is severed after the call goes dead; she spots surveillance outside.

    Slim, Joe

  56. 44. EXT. CITY STREET / INT. OFFICE LOFT

    Slim visits her estranged father, Jupiter Slakowski, to ask for help; he rejects her, offering only a small amount of money.

    Slim, Gracie, Jupiter Slakowski

  57. 45. EXT. SAN FRANCISCO ALLEY

    Slim breaks down crying in an alley with Gracie.

    Slim, Gracie

  58. 46. EXT. TRAIN STATION, SANTA BARBARA

    Slim and Gracie are collected by mysterious associates of Phil.

    Slim, Gracie

  59. 47. EXT. SANTA BARBARA STREET

    The transport car uses a truck to block potential followers.

  60. 48. INT. CAR

    Slim worries about their destination as they are driven away.

    Slim, Gracie

  61. 49. EXT. MOTEL IN THE WOODS

    Slim reunites with Ginny and Phil, who provide her with money and suggest she kill Mitch for self-defense.

    Slim, Gracie, Ginny, Phil

  62. 50. MONTAGE

    Slim assumes a new identity.

    Slim

  63. 51. INT. LARGE DRAB HOUSE

    Slim and Gracie arrive at a safe house in Colorado, meeting Mustapha.

    Slim, Gracie

  64. 52. INT. DOUBLE A RENT-A-CAR. BACK ROOM

    Slim works at a desk while Gracie plays; Slim expresses her intent to find stability.

    Slim, Gracie

  65. 53. INT. DRAB HOUSE

    Slim and Gracie eat with the others in the house.

    Slim, Gracie

  66. 54. INT. DOUBLE A RENT-A-CAR

    Mustapha gives Slim a FedEx package from her father.

    Slim

  67. 55. INT. JUPITER'S OFFICE

    Jupiter's internal monologue reveals men threatened him for helping Slim.

    Jupiter Slakowski

  68. 56. INT. DOUBLE A RENT-A-CAR

    Slim finds cash in the package from Jupiter.

    Slim

  69. 57. EXT./INT. SMALL PRETTY HOUSE

    Slim and Gracie move into a new place.

    Slim, Gracie

  70. 58. EXT. PRE-SCHOOL

    Slim registers Gracie for pre-school.

    Slim, Gracie

  71. 59. INT. DOUBLE A RENT-A-CAR. BATHROOM

    Slim cuts her hair.

    Slim

  72. 60. INT. DOUBLE A RENT-A-CAR. BACK ROOM

    T.T. comments on Slim's appearance.

    Slim

  73. 61. INT. CAR

    Slim and Gracie discuss being followed while driving.

    Slim, Gracie

  74. 62. EXT. DOUBLE "A" RENT-A-CAR

    Slim has a paranoid confrontation with a stranger named Brad.

    Slim, Gracie

  75. 63. INT. ERIN'S TAURUS

    Slim drives recklessly while discussing phone calls with Gracie.

    Slim, Gracie

  76. 64. EXT. COUNTRY STORE

    Slim calls Mrs. Tyler and allows Gracie to speak with Mitch.

    Slim, Gracie

  77. 65. INT. FANCY OFFICE

    Mitch enlists Robbie to help find Slim.

    Mitch, Robbie

  78. 66. INT. ERIN'S HOUSE KITCHEN

    Slim breaks down while eating dinner with Gracie.

    Slim, Gracie

  79. 67. INT. SANTA FE AIRPORT / ROADSIDE STAND

    Slim coordinates Joe's arrival.

    Slim, Gracie, Joe

  80. 68. INT. SMALL AIRPORT

    Joe arrives and narrowly avoids detection by Robbie.

    Slim, Gracie, Joe, Robbie

Dialogue examples

I gotta make you a solemn promise, Grace. Ever since you were born ... well-one day I started to think of all the awful things that were gonna happen. People you'd love who'd die, or leave you, betray you, break your heart... .Physical injuries: broken bones or sickness or guys who hurt you some way... And I thought that if I could protect you even once, from any of those, if I could absorb any part of that myself... Well... Here goes.

UNKNOWN / Scene 1

Use this structured screenplay data

SlugDB turns parsed screenplays into scene, character, dialogue, trivia, semantic search, Save the Cat, and API-ready analysis.

Use SlugDB when you need screenplay API data, movie dialogue search, character evidence, scene context, or MCP tools without building a scraper first.

Browse scripts API reference MCP setup Free API key