Opening Image
Scene 1 / Page 1 / 1% target
An elderly Colonel collapses listening to the radio, establishing the present-day frame and stakes.
I know what you're thinking... who the hell is this Colonel fellow?
ELVIS script analysis
ELVIS follows Colonel Tom Parker’s retrospective narration as he recounts discovering and shaping Elvis Presley’s meteoric rise, his struggles with fame, and eventual fall-out. Through carnival recruitment, Sun Records breakthroughs, Hollywood detours, and 1968 comeback, the story tracks key turning points in Elvis’s career and the Colonel’s influence, culminating in their bitter parting onstage.
Save the Cat is referenced as a story-analysis framework. SlugDB is not affiliated with Save the Cat or its rights holders.
Scene 1 / Page 1 / 1% target
An elderly Colonel collapses listening to the radio, establishing the present-day frame and stakes.
I know what you're thinking... who the hell is this Colonel fellow?
Scene 6 / Page 1 / 5% target
The Colonel reflects, “I didn’t kill him… I loved him,” foreshadowing themes of loyalty and exploitation.
No!... It's not true. I didn't kill him... I loved him. I didn't kill him. But I know...
Scenes 7-11 / Pages 2-4 / 10% target
We see the Colonel’s carnival hustling, Hank Snow encounter, and Elvis’s early Louisiana Hayride performances setting character roles and relationships.
Scenes 13-14 / Pages 4-5 / 12% target
Colonel isolates and recruits Elvis in the Hall of Mirrors and carnival, marking the opportunity that launches Elvis’s career.
Scene 15 / Page 5 / 20% target
On the Ferris wheel Elvis and Parker discuss career sacrifices, as Elvis hesitates at the cost of fame.
Your future, Mr. Presley, blazing before you. Recording contracts, television, even Hollywood.
Scenes 16-18 / Pages 6-7 / 25% target
Flash forwards to RCA contract and Presley Enterprises signing mark Act Two’s journey into professional show business.
Scenes 28-29 / Page 9 / 30% target
Elvis’s relationship with B.B. King and Dixie introduces the personal subplot around artistic integrity and romance.
Scenes 31-36 / Pages 10-12 / 40% target
Hollywood life montage: bus narration, wedding, films, showcasing Elvis’s successes and excesses.
Thanks to me, his life became one big Hollywood movie!
Scene 42 / Page 12 / 50% target
Priscilla’s line, “I’m so tired of playing Elvis Presley,” signals a false victory turning point in their marriage and career.
I'm so tired of playing Elvis Presley.
Scenes 54-58 / Pages 13-14 / 65% target
During the ’68 NBC special rehearsals and ghostly Vegas reflections, Colonel’s insecurity and industry pressures mount against Elvis.
Those know-it-all hippies poisoned Elvis. And now my boy, mocking me!
Scene 73 / Page 17 / 75% target
Colonel convinces Elvis to cancel international tour, symbolizing a major career setback.
Hulett's security is not what it needs to be and he knows it. An international tour is out...
Scenes 76-77 / Page 18 / 80% target
Priscilla leaves Elvis and takes Lisa Marie, representing his lowest emotional point.
Scene 80 / Page 19 / 85% target
Jerry exposes Colonel’s fraudulent past to Elvis (“There never was a Colonel Tom Parker”), prompting dramatic shift toward confrontation.
There never was a Colonel Tom Parker.
Scenes 81-84 / Pages 19-20 / 95% target
Elvis fires the Colonel onstage and they clash in a parking garage, resolving their arc in public and personal fallout.
Scene 86 / Page 20 / 99% target
Elvis’s final concert performance closes the circle back to showmanship and legacy.