Scripts
Disturbia poster

2006

Disturbia script

Under house arrest, Kale Brecht becomes obsessed with spying on his neighbors and, with friends Ronnie and Ashley, suspects Robert Giles is a serial killer. Their suspicions escalate after observing Giles's strange behavior and a violent confrontation with a woman he brings home. After police dismiss their claims, Giles attacks Ronnie in Kale's kitchen, confirming their fears. A brutal struggle ensues, ending with Giles's death, the discovery of his victims, and Kale finding closure with Ashley and a miraculously alive Ronnie.

Writer
Christopher Landon, Carl Ellsworth
IMDb ID (imdb_id)
tt0486822
Script date
March 2006
124Scenes
8Characters
84Pages
8Dialogue samples

Save the Cat beat sheet

Disturbia Save the Cat analysis

After Kale loses his father in a tragic accident, he’s sentenced to house arrest and begins spying on his mysterious neighbor, Robert Giles.

Open full beat sheet
85

Key characters

Kale Brecht

Kale Brecht is listed as Protagonist. 17-year-old, clean-cut, all-American kid, struggling with the death of his father and house arrest. In the parsed data, Kale Brecht is connected to 114 scenes, 198 dialogue lines, 198 text mentions, first appearing around scene 1.

114 scenes / 198 dialogue lines

Ashley

Ashley is listed as Love Interest. 17-year-old, blonde, new neighbor, intelligent and observant. In the parsed data, Ashley is connected to 32 scenes, 68 dialogue lines, 75 text mentions, first appearing around scene 48.

32 scenes / 68 dialogue lines

Ronnie

Ronnie is listed as Kale's Best Friend. 16-year-old, scrawny, Korean, loyal friend with a sense of humor. In the parsed data, Ronnie is connected to 24 scenes, 63 dialogue lines, 72 text mentions, first appearing around scene 11.

24 scenes / 63 dialogue lines

Robert Giles

Robert Giles is listed as Antagonist. 43-year-old, neighbor, clean-cut, fit, serial killer. In the parsed data, Robert Giles is connected to 22 scenes, 28 dialogue lines, 30 text mentions, first appearing around scene 65.

22 scenes / 28 dialogue lines

Julie Brecht

Julie Brecht is listed as Kale's Mother. 40-year-old, hardworking, trying to support Kale after the accident. In the parsed data, Julie Brecht is connected to 19 scenes, 34 dialogue lines, 34 text mentions, first appearing around scene 4.

19 scenes / 34 dialogue lines

Jeff Brecht

Jeff Brecht is listed as Kale's Father. 45-year-old, deceased, appears in flashbacks. In the parsed data, Jeff Brecht is connected to 9 scenes, 17 dialogue lines, 17 text mentions, first appearing around scene 1.

9 scenes / 17 dialogue lines

Janet Parker

Janet Parker is listed as Case Officer. 35-year-old, no-nonsense juvenile case officer. In the parsed data, Janet Parker is connected to 5 scenes, 8 dialogue lines, 8 text mentions, first appearing around scene 13.

5 scenes / 8 dialogue lines

Senor Gutierrez

Senor Gutierrez is listed as Teacher. Rotund, 50-year-old Spanish teacher. In the parsed data, Senor Gutierrez is connected to 1 scene, 8 dialogue lines, 8 text mentions, first appearing around scene 11.

1 scenes / 8 dialogue lines

Scene outline

  1. 1. EXT. BISHOP LAKE - DAY

    Kale and his father Jeff are fishing on a boat when they encounter a large bass, leading to a playful struggle before the line snaps.

    Kale Brecht, Jeff Brecht
  2. 2. EXT. HIGHWAY 395 - EVENING

    Jeff drives his SUV with Kale in the passenger seat.

    Kale Brecht, Jeff Brecht
  3. 3. INT. SUV - EVENING

    Kale calls his mother while Jeff drives, leading to a car accident.

    Kale Brecht, Jeff Brecht, Julie Brecht
  4. 4. INT. KALE'S HOUSE - KITCHEN - DAY

    Julie prepares dinner while on the phone with Kale.

    Julie Brecht
  5. 5. EXT. VACANT CLIFFSIDE PULLOFF - EVENING

    The SUV crashes and hangs precariously over a ravine.

    Kale Brecht, Jeff Brecht
  6. 6. INT. SUV - EVENING

    Kale and Jeff struggle to escape the wrecked SUV.

    Kale Brecht, Jeff Brecht
  7. 7. INT. SUV - EVENING

    Kale tries to save his father as the SUV begins to fall.

    Kale Brecht, Jeff Brecht
  8. 8. INT. SUV - EVENING

    Jeff helps Kale escape.

    Kale Brecht, Jeff Brecht
  9. 9. EXT. SUV - EVENING

    The SUV falls into the ravine, and Jeff dies.

    Kale Brecht, Jeff Brecht
  10. 10. INT. MORROW HIGH SCHOOL - HALLWAY - DAY

    A bell rings, marking one year since the accident.

    Ronnie
  11. 11. INT. CLASSROOM - DAY

    Ronnie gives a speech in Spanish, and Kale is caught sleeping in class.

    Kale Brecht, Ronnie, Senor Gutierrez
  12. 12. INT. JUVENILE COURTROOM - DAY

    Kale is sentenced to house arrest.

    Kale Brecht, Julie Brecht
  13. 13. INT. KALE'S HOUSE - KITCHEN - DAY

    Kale is fitted with an electronic monitoring bracelet.

    Kale Brecht, Julie Brecht, Janet Parker
  14. 14. INT. KALE'S BEDROOM - NIGHT

    Kale plays video games until the server goes down.

    Kale Brecht
  15. 15. INT. ENTRY HALL - NIGHT

    Kale walks downstairs.

    Kale Brecht
  16. 16. INT. KALE'S HOUSE - KITCHEN - NIGHT

    Kale and Julie have a tense dinner.

    Kale Brecht, Julie Brecht
  17. 17. INT. KALE'S BEDROOM - NIGHT

    Kale tries to fix his Xbox.

    Kale Brecht
  18. 18. INT. KALE'S BEDROOM - MORNING

    Kale wakes up in his messy room.

    Kale Brecht
  19. 19. INT. KITCHEN - MORNING

    Kale finds a notice that his Xbox subscription was canceled.

    Kale Brecht
  20. 20. INT. LIVING ROOM - MORNING

    Kale watches TV.

    Kale Brecht
  21. 21. INT. 2ND FL HALL OUTSIDE BATHROOM - DAY

    Kale leaves the bathroom.

    Kale Brecht
  22. 22. INT. 2ND FL HALL OUTSIDE DAD'S OFFICE - DAY

    Kale looks into his father's office.

    Kale Brecht
  23. 23. INT. KALE'S BEDROOM - NIGHT

    Kale tries to buy music online but is blocked.

    Kale Brecht
  24. 24. INT. KALE'S BEDROOM - DAYS LATER

    Julie cuts the power cord to Kale's TV.

    Kale Brecht, Julie Brecht
  25. 25. INT. LAUNDRY ROOM - DAY

    Kale does laundry.

    Kale Brecht
  26. 26. INT. KITCHEN - DAY

    Kale does the dishes.

    Kale Brecht
  27. 27. INT. KALE'S BEDROOM - DAY

    Kale watches neighbors from his window.

    Kale Brecht
  28. 28. INT. KALE'S BEDROOM - DAY

    Kale builds a tower out of Twinkies.

    Kale Brecht
  29. 29. INT. KALE'S BEDROOM - DAY

    Kale talks to Ronnie on the phone.

    Kale Brecht, Ronnie
  30. 30. INT. KALE'S BEDROOM - DAY

    Kale practices bouncing a racketball against his bedroom walls with a racket.

    Kale Brecht
  31. 31. INT. KALE'S BEDROOM - DAY

    Kale falls asleep in his chair and is jolted awake by a loud noise.

    Kale Brecht
  32. 32. INT. 2ND FLOOR HALLWAY/WINDOW - DAY

    Kale observes his new neighbors moving in and accidentally hits his head.

    Kale Brecht, Ashley, Robert Giles
  33. 33. INT. ENTRY HALL - DAY

    Kale goes to answer the door.

    Kale Brecht
  34. 34. EXT. KALE'S HOUSE - FRONT PORCH - DAY

    Kale stomps on a burning bag and discovers it contains dog feces.

    Kale Brecht
  35. 35. EXT. KALE'S YARD - DAY

    Kale confronts neighborhood kids.

    Kale Brecht
  36. 36. EXT. STREET / KALE'S FRONT YARD - DAY

    Kale chases the kids but is stopped by his ankle monitor.

    Kale Brecht
  37. 37. INT. KALE'S BEDROOM - EVENING

    Kale talks to his case officer on the phone.

    Kale Brecht, Janet Parker
  38. 38. INT. KALE'S HOUSE - ENTRY HALL - NIGHT

    Kale receives legal papers.

    Kale Brecht
  39. 39. EXT. KALE'S BACK YARD - DAY

    Kale constructs a perimeter boundary.

    Kale Brecht
  40. 40. EXT. KALE'S FRONT YARD - DAY

    Kale continues his boundary construction and watches the neighbor's dog.

    Kale Brecht, Ashley
  41. 41. INT. 2ND FL HALL OUTSIDE DAD'S OFFICE - DAY

    Kale enters his father's office.

    Kale Brecht
  42. 42. INT. DAD'S OFFICE - DAY

    Kale spies on Ashley from his father's office.

    Kale Brecht, Ashley
  43. 43. INT. KALE'S HOUSE - ENTRY HALL - DAY

    Ronnie visits Kale.

    Kale Brecht, Ronnie
  44. 44. INT. 2ND FL HALLWAY/WINDOW - DAY

    Kale shows Ronnie his spying setup.

    Kale Brecht, Ronnie
  45. 45. INT. KALE'S BEDROOM - DAY

    Kale shows Ronnie his geometric diagrams.

    Kale Brecht, Ronnie
  46. 46. INT. 2ND FL HALL OUTSIDE DAD'S OFFICE - DAY

    Kale and Ronnie head to the office.

    Kale Brecht, Ronnie
  47. 47. INT. DAD'S OFFICE - DAY

    Kale and Ronnie watch Ashley swim.

    Kale Brecht, Ronnie, Ashley
  48. 48. EXT. KALE'S FRONT YARD - DAY

    Kale meets Ashley.

    Kale Brecht, Ashley
  49. 49. INT. LIVING ROOM - NIGHT

    Kale watches the news about a missing girl.

    Kale Brecht, Julie Brecht
  50. 50. INT. DAD'S OFFICE - NIGHT

    Kale watches Ashley do yoga.

    Kale Brecht, Ashley
  51. 51. INT. DAD'S OFFICE - NIGHT

    Kale wakes up from a bad dream.

    Kale Brecht
  52. 52. INT. KALE'S BEDROOM - NIGHT

    Kale spots Giles' car and is interrupted by his mother.

    Kale Brecht, Julie Brecht, Robert Giles
  53. 53. INT. DAD'S OFFICE - DAY

    Kale and Ronnie watch Ashley swim again.

    Kale Brecht, Ronnie, Ashley
  54. 54. INT. ENTRY HALL - LATE AFTERNOON

    Kale and Ronnie are startled by the doorbell and discover Ashley is at the door. They let her in, and she immediately begins investigating the house.

    Kale Brecht, Ronnie, Ashley
  55. 55. INT. KALE'S BEDROOM - LATE AFTERNOON

    Ashley enters Kale's room, discovers their spying setup, and they discuss the suspicious neighbor, Robert Giles.

    Kale Brecht, Ronnie, Ashley, Robert Giles
  56. 56. INT. KALE'S BEDROOM - EVENING

    The trio organizes their surveillance equipment and researches serial killer traits.

    Kale Brecht, Ronnie, Ashley
  57. 57. INT. KALE'S BEDROOM - NIGHT

    The group conducts surveillance on Giles, who brings a woman home.

    Kale Brecht, Ronnie, Ashley, Robert Giles
  58. 58. EXT. KALE'S BACK YARD - NIGHT

    Kale and Ashley get closer to the fence to spy on Giles and the woman.

    Kale Brecht, Ashley, Robert Giles
  59. 59. INT. DAD'S OFFICE - NIGHT

    Kale returns to his post.

    Kale Brecht
  60. 60. INT. DAD'S OFFICE - NIGHT

    Kale falls asleep and is woken by a noise.

    Kale Brecht
  61. 61. INT. 2ND FL HALL - NIGHT

    Kale investigates the noise.

    Kale Brecht
  62. 62. INT. KALE'S BEDROOM - NIGHT

    Kale witnesses a confrontation at Giles' house and is spotted by him.

    Kale Brecht, Ronnie, Robert Giles
  63. 63. INT. KALE'S BEDROOM - MORNING

    Kale wakes up and checks the driveway to see Giles' car is gone.

    Kale Brecht
  64. 64. INT. ENTRY HALL - LATE MORNING

    Kale walks downstairs.

    Kale Brecht
  65. 65. INT. KITCHEN - DAY

    Kale encounters Giles in his kitchen while Julie is present.

    Kale Brecht, Julie Brecht, Robert Giles
  66. 66. INT. KALE'S BEDROOM - DAY

    Ashley visits Kale and they discuss Giles.

    Kale Brecht, Ashley
  67. 67. INT. DAD'S OFFICE - EARLY EVENING

    Kale monitors Ashley's party and researches killings.

    Kale Brecht
  68. 68. EXT. 2ND FL PORCH - EVENING

    Kale sets up a ladder.

    Kale Brecht
  69. 69. EXT. ROOF - EVENING

    Kale sets up a speaker on the roof.

    Kale Brecht
  70. 70. INT. 2ND FL PORCH - EVENING

    Kale runs wires.

    Kale Brecht
  71. 71. INT. DAD'S OFFICE - EVENING

    Kale plays loud music to annoy Ashley.

    Kale Brecht
  72. 72. INT. ENTRY HALL - EVENING

    Kale is pelted with water balloons.

    Kale Brecht, Ashley
  73. 73. INT. 2ND FL HALL OUTSIDE DAD'S OFFICE - EVENING

    Ashley storms down the hall.

    Ashley
  74. 74. INT. DAD'S OFFICE - EVENING

    Ashley and Kale fight over the music.

    Kale Brecht, Ashley
  75. 75. INT. 2ND FL HALL OUTSIDE DAD'S OFFICE - EVENING

    Ashley runs.

    Ashley
  76. 76. INT. KALE'S BEDROOM - EVENING

    Kale and Ashley reconcile and kiss.

    Kale Brecht, Ashley
  77. 77. INT. DAD'S OFFICE - NIGHT

    Kale researches murders.

    Kale Brecht
  78. 78. INT. KALE'S BEDROOM - NIGHT

    Kale and Ashley see Giles moving a bag.

    Kale Brecht, Ashley
  79. 79. INT. KALE'S BEDROOM - DAY

    Kale, Ashley, and Ronnie plan to steal Giles' garage code.

    Kale Brecht, Ronnie, Ashley
  80. 80. INT. KALE'S BEDROOM - DAY

    The operation begins.

    Kale Brecht, Ronnie, Ashley

Dialogue examples

Okay -- I've seen how you always pull your kleenex from the box in groups of three. Not two, not four, always three. I've seen you're the only one in the world who eats pizza-flavored Pringles. And you never stuff the chips in, you savor each one by dividing it into four precise bites. I didn't know that was even possible. You're also the first girl I've ever seen who spends more time on her roof than in her own house. And what do you do out there? You don't talk on the phone, you don't paint your nails, you read books. Now one would think with the whole numbers thing you've got going on that you'd put them on your shelf alphabetically, but you don't. Your system's much more perfect. The ones you like go on the bottom, the ones you love go in the middle, and the ones you need, the ones you keep going back to... well they go straight to the top next to the dream encyclopedia. You know what all this tells me? You know how things should be. The world according to Ashley. And guess what? It's a very entertaining and beautiful thing. Even when it takes a hit. When you end up in a place like this... when your parents dump their baggage on you, or just... when it seems like those curveballs are never gonna stop -- It sucks, but just so you know -- I get it. But I've also seen those designer window shades of yours, and guess what? They always go up the next day -- no matter what. And even if no one else has, I've noticed that. And I ain't sorry. The only thing I'll even consider apologizing for is... not dropping the binoculars and telling you this a lot sooner.

Kale Brecht / Scene 76

"Dear Ashley... I killed Ronnie and my mom because... What's wrong? Hey, you're the one who couldn't leave me alone. Truthfully, I'm sick of covering my tracks. You think I like spending my spare time looking over my shoulder for people like you? Word of advice, if you ever need to hurt someone, think everything through. Because you do get a taste for it, don't you? But damned if people aren't just waiting to stand in your way... cops, reporters, determined relatives, nosy fucking neighbors... next thing you know, you're on tilt, you can't think straight, you're clocking your teacher in front of the whole class, me... I'm hitting a damned deer... Man, that was some shitty luck. Anyway, it's pretty clear how we've gotta clean this up. The irony is, you've done all the hard stuff. Whaddaya think: "Troubled youth finally snapped." Maybe because he was jealous of his girlfriend, or maybe he just couldn't deal with the guilt from not saving daddy. Hey, you Googled me.

Robert Giles / Scene 103

And they don't bring blindfolds. It's also tamper proof and waterproof. So don't try sticking your foot in a bucket of water and hopping across the line. It won't work, and you'll look stupid. Now, I'll be checking up on you a lot. Here's my card -- You're set up to pay his incarceration fee, Ms. Brecht?

Janet Parker / Scene 13

Quizás no. Quizás apenas permaneceré en el país. Pero quizás mis padres tomarán la compasión en mi. Quizás harén mi sueño una realidad! Quizás me llevarán a una playa en la riviera francesa de modo que pueda mirar sobre la belleza natural de sus habitantes femeninos...

Ronnie / Scene 11

Y'know, when we're finally free of all this legal stuff with the accident, the other families' lawyers... there might be a little insurance money left... maybe you should go back and see Dr. Phillips?

Julie Brecht / Scene 16

Next to him is Judy Thorp. Dude, she freakin' sneaks over to her neighbors' every morning, steals their newspaper, I guess reads it or swipes the coupons, then puts it back before they even wake up.

Kale Brecht / Scene 45

Maid service. Sorry, you're a felon. And we're broke. I can't do it all, anymore, Kale. This isn't gonna be vacation as usual. I want these washed and the kitchen cleaned by the time I get home.

Julie Brecht / Scene 24

You "guess" not. I don't know who you think you are or who you think you're dealing with. You can't give me a straight answer, fine, give me one good reason why I shouldn't fail you right now?

Senor Gutierrez / Scene 11

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