Scripts
Dances With Wolves poster

1989

Dances With Wolves script

Union Lieutenant John J. Dunbar, posted to an abandoned frontier fort, gradually integrates into a local Sioux tribe, learning their ways and marrying Stands With A Fist, a white woman raised by the Sioux. Now known as Dances With Wolves, he fully embraces tribal life, participating in hunts and defending them from rival tribes. After being captured and nearly executed by Union soldiers who mistake him for a renegade, he is rescued by the Sioux. Realizing his presence endangers the tribe, Dances With Wolves and Stands With A Fist depart to protect them from the encroaching U.S. Army, leaving their Sioux family behind as Union troops continue their search.

Writer
Michael Blake
IMDb ID (imdb_id)
tt0099348
Script date
MAY 23, 1989
113Scenes
10Characters
95Pages
8Dialogue samples

Save the Cat beat sheet

Dances With Wolves Save the Cat analysis

Civil War officer John Dunbar arrives at an abandoned frontier fort and finds purpose living among the Lakota Sioux.

Open full beat sheet
80

Key characters

Lieutenant John J. Dunbar

Lieutenant John J. Dunbar is listed as Protagonist. A young, handsome Union officer who seeks the frontier and eventually integrates into Sioux culture. In the parsed data, Lieutenant John J. Dunbar is connected to 88 scenes, 75 dialogue lines, 75 text mentions, first appearing around scene 3.

88 scenes / 75 dialogue lines

Stands With A Fist

Stands With A Fist is listed as Supporting. A white woman raised by the Sioux who becomes Dunbar's wife. In the parsed data, Stands With A Fist is connected to 30 scenes, 20 dialogue lines, 24 text mentions, first appearing around scene 33.

30 scenes / 20 dialogue lines

Kicking Bird

Kicking Bird is listed as Supporting. A wise and mature Sioux medicine man who seeks to understand the white man. In the parsed data, Kicking Bird is connected to 29 scenes, 21 dialogue lines, 24 text mentions, first appearing around scene 14.

29 scenes / 21 dialogue lines

Wind In His Hair

Wind In His Hair is listed as Supporting. A fierce and proud Sioux warrior who eventually becomes Dunbar's friend. In the parsed data, Wind In His Hair is connected to 24 scenes, 16 dialogue lines, 19 text mentions, first appearing around scene 15.

24 scenes / 16 dialogue lines

Ten Bears

Ten Bears is listed as Supporting. The elderly, respected head man of the Sioux band. In the parsed data, Ten Bears is connected to 14 scenes, 5 dialogue lines, 5 text mentions, first appearing around scene 14.

14 scenes / 5 dialogue lines

Smiles A Lot

Smiles A Lot is listed as Supporting. A young, eager Sioux boy who admires Dunbar. In the parsed data, Smiles A Lot is connected to 14 scenes, 1 dialogue line, 1 text mention, first appearing around scene 18.

14 scenes / 1 dialogue lines

Timmons

Timmons is listed as Supporting. A foul-smelling, crude wagon driver who transports Dunbar to Fort Sedgewick. In the parsed data, Timmons is connected to 7 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 9.

7 scenes / 2 dialogue lines

Major Fambrough

Major Fambrough is listed as Antagonist. An unstable, mentally deteriorating army officer at Fort Hays. In the parsed data, Major Fambrough is connected to 6 scenes, 3 dialogue lines, 3 text mentions, first appearing around scene 5.

6 scenes / 3 dialogue lines

Captain Cargill

Captain Cargill is listed as Supporting. The weary, tooth-aching commander of the abandoned Fort Sedgewick. In the parsed data, Captain Cargill is connected to 4 scenes, first appearing around scene 8.

4 scenes / 0 dialogue lines

General Tide

General Tide is listed as Supporting. A distinguished Union General. In the parsed data, General Tide is connected to 1 scene, first appearing around scene 4.

1 scenes / 0 dialogue lines

Scene outline

  1. 1. INT. FIELD HOSPITAL TENT - DAY

    Dunbar, wounded, wakes up in a field hospital and decides to leave after seeing the grim conditions.

    Lieutenant John J. Dunbar
  2. 2. EXT. FIELD HOSPITAL TENT - DAY

    Surgeons return to the tent to find Dunbar gone.

    Lieutenant John J. Dunbar
  3. 3. EXT. CIVIL WAR HILL - DAY

    Dunbar returns to his unit at the front lines.

    Lieutenant John J. Dunbar
  4. 4. EXT. BATTLEFIELD - DAY

    Dunbar rides his horse across the battlefield, triggering a Union charge.

    Lieutenant John J. Dunbar, General Tide
  5. 5. INT. FORT HAYS HEADQUARTERS - DAY

    Dunbar meets the unstable Major Fambrough to receive his orders.

    Lieutenant John J. Dunbar, Major Fambrough
  6. 6. EXT. FORT HAYS - DAY

    Major Fambrough commits suicide.

    Major Fambrough
  7. 7. EXT. PRAIRIE - DAY

    Dunbar travels toward Fort Sedgewick with Timmons.

    Lieutenant John J. Dunbar, Timmons
  8. 8. EXT. SEDGEWICK BLUFF - DAWN

    Captain Cargill abandons Fort Sedgewick.

    Captain Cargill
  9. 9. EXT. PRAIRIE - DAY

    Dunbar and Timmons discuss the lack of buffalo and Indians while traveling to Fort Sedgewick.

    Lieutenant John J. Dunbar, Timmons
  10. 10. EXT. SEDGEWICK - DAY

    Dunbar and Timmons arrive at the deserted Fort Sedgewick; Dunbar insists on staying.

    Lieutenant John J. Dunbar, Timmons
  11. 11. INT. QUARTERS - NIGHT

    Dunbar writes in his journal and hears a wolf howl.

    Lieutenant John J. Dunbar
  12. 12. EXT. RIVER - DAY

    Dunbar cleans up the river bank by removing animal carcasses.

    Lieutenant John J. Dunbar
  13. 13. EXT. PRAIRIE - DAY

    Pawnee warriors spot Timmons' campfire smoke and attack him.

    Timmons
  14. 14. INT. TEN BEARS' LODGE - DAY

    Ten Bears and Kicking Bird discuss the sighting of a white man.

    Kicking Bird, Ten Bears
  15. 15. INT. TEN BEARS' LODGE - NIGHT

    Sioux leaders debate the significance of the white man.

    Kicking Bird, Wind In His Hair, Ten Bears, Smiles A Lot
  16. 16. INT. TEN BEARS' LODGE - NIGHT

    The Sioux council discusses the white man at the fort; Ten Bears advises caution.

    Kicking Bird, Wind In His Hair, Ten Bears
  17. 17. EXT. TEN BEARS' LODGE - NIGHT

    The meeting breaks up and Smiles A Lot sneaks off.

    Smiles A Lot
  18. 18. EXT. PRAIRIE - NIGHT

    Smiles A Lot, Worm, and Otter ride toward the fort to steal the horse.

    Smiles A Lot
  19. 19. INT. QUARTERS - NIGHT

    Dunbar is woken by the boys and knocks himself unconscious.

    Lieutenant John J. Dunbar
  20. 20. EXT. PRAIRIE - NIGHT

    The boys attempt to steal Cisco, but the horse escapes.

    Smiles A Lot
  21. 21. INT. QUARTERS - DAWN

    Dunbar wakes up with a head injury.

    Lieutenant John J. Dunbar
  22. 22. EXT. RIVER - DAY

    Dunbar shaves while being watched by Two Socks.

    Lieutenant John J. Dunbar
  23. 23. EXT. CORRAL - DAY

    Wind In His Hair confronts Dunbar.

    Lieutenant John J. Dunbar, Wind In His Hair
  24. 24. EXT. INDIAN CAMP - DUSK

    Stands With A Fist mourns a dead warrior.

    Stands With A Fist
  25. 25. EXT. SEDGEWICK - NIGHT

    Dunbar decides to ride to the Indians.

    Lieutenant John J. Dunbar
  26. 26. EXT. PRAIRIE - DAY

    Dunbar finds an injured Stands With A Fist.

    Lieutenant John J. Dunbar, Stands With A Fist
  27. 27. EXT. VILLAGE - DAY

    Dunbar returns the injured woman to the Sioux.

    Lieutenant John J. Dunbar, Wind In His Hair
  28. 28. INT. TEN BEARS' LODGE - NIGHT

    Council decides to talk to the white man.

    Kicking Bird, Wind In His Hair, Ten Bears
  29. 29. EXT. SEDGEWICK - DAY

    Dunbar hosts Kicking Bird and Wind In His Hair.

    Lieutenant John J. Dunbar, Kicking Bird, Wind In His Hair
  30. 30. EXT. PRAIRIE - DAY

    Dunbar converses with Kicking Bird and Wind In His Hair via sign language; Dunbar waves to the escort, surprising them.

    Lieutenant John J. Dunbar, Kicking Bird, Wind In His Hair
  31. 31. INT. QUARTERS - NIGHT

    Dunbar draws portraits of Wind In His Hair and Kicking Bird.

    Lieutenant John J. Dunbar
  32. 32. EXT. KICKING BIRD'S LODGE - DAY

    Kicking Bird approaches Stands With A Fist to talk.

    Kicking Bird, Stands With A Fist
  33. 33. INT. KICKING BIRD'S LODGE - DAY

    Kicking Bird urges Stands With A Fist to remember her English to help communicate with Dunbar.

    Kicking Bird, Stands With A Fist
  34. 34. EXT. KICKING BIRD'S LODGE - DAY

    Black Shawl questions Kicking Bird about Stands With A Fist.

    Kicking Bird, Stands With A Fist
  35. 35. EXT. RIVER - DAY

    Stands With A Fist experiences a traumatic flashback to her childhood.

    Stands With A Fist
  36. 36. INT. QUARTERS - NIGHT

    Dunbar hears the earth trembling from the buffalo herd.

    Lieutenant John J. Dunbar
  37. 37. EXT. INDIAN VILLAGE - NIGHT

    Dunbar arrives at the village to warn them about the buffalo.

    Lieutenant John J. Dunbar, Kicking Bird
  38. 38. EXT. COLUMN - DAY

    The tribe marches; Dunbar interacts with the children.

    Lieutenant John J. Dunbar, Smiles A Lot
  39. 39. EXT. KILLING GROUND - DAY

    The tribe discovers a site where white men have slaughtered buffalo.

    Lieutenant John J. Dunbar, Kicking Bird
  40. 40. EXT. TEMPORARY CAMP - DAY

    Dunbar is called to join the buffalo scouts.

    Lieutenant John J. Dunbar, Kicking Bird, Stands With A Fist
  41. 41. EXT. PRAIRIE - DAY

    Dunbar prepares for the buffalo hunt; Stands With A Fist speaks English.

    Lieutenant John J. Dunbar, Wind In His Hair, Stands With A Fist
  42. 42. EXT. PRAIRIE - DAY

    The buffalo hunt takes place; Dunbar saves Smiles A Lot.

    Lieutenant John J. Dunbar, Wind In His Hair, Smiles A Lot
  43. 43. EXT. PRAIRIE - DAY

    The ritual consumption of the buffalo liver.

    Lieutenant John J. Dunbar, Wind In His Hair
  44. 44. INT. FEASTING FIRE - NIGHT

    Dunbar and Wind In His Hair trade clothing items.

    Lieutenant John J. Dunbar, Wind In His Hair
  45. 45. EXT. FEASTING FIRE - NIGHT

    Dunbar trades for his hat with a Big Warrior during a feast.

    Lieutenant John J. Dunbar, Wind In His Hair
  46. 46. EXT. TEMPORARY CAMP - NIGHT

    Kicking Bird questions Wind In His Hair about the tunic.

    Kicking Bird, Wind In His Hair
  47. 47. EXT. TEMPORARY CAMP - NIGHT

    Dunbar is pulled into a dance by the Sioux women.

    Lieutenant John J. Dunbar, Kicking Bird
  48. 48. INT. KICKING BIRD'S LODGE - NIGHT

    Dunbar witnesses Kicking Bird and his wife having sex.

    Lieutenant John J. Dunbar, Kicking Bird, Stands With A Fist
  49. 49. EXT. VILLAGE - DAWN

    Dunbar retrieves his horse, Cisco.

    Lieutenant John J. Dunbar, Smiles A Lot
  50. 50. EXT. SEDGEWICK - DUSK

    Dunbar reflects on his loneliness.

    Lieutenant John J. Dunbar
  51. 51. INT. QUARTERS - DAY

    Dunbar writes in his journal and finds mice.

    Lieutenant John J. Dunbar
  52. 52. EXT. QUARTERS - DAY

    Dunbar finds a dead prairie chicken.

    Lieutenant John J. Dunbar
  53. 53. EXT. QUARTERS - NIGHT

    Dunbar eats and decides to visit the Sioux.

    Lieutenant John J. Dunbar
  54. 54. EXT. BLUFF - NIGHT

    Dunbar dances alone while Two Socks watches.

    Lieutenant John J. Dunbar, Wind In His Hair
  55. 55. EXT. PRAIRIE - DAY

    Dunbar tries to send Two Socks home.

    Lieutenant John J. Dunbar
  56. 56. EXT. PRAIRIE - DAY

    Dunbar meets Kicking Bird, Stone Calf, and Wind In His Hair.

    Lieutenant John J. Dunbar, Kicking Bird, Wind In His Hair
  57. 57. EXT. INDIAN VILLAGE - DAY

    Dunbar arrives at the village.

    Lieutenant John J. Dunbar, Wind In His Hair
  58. 58. INT. KICKING BIRD'S LODGE - DAY

    Dunbar learns the names of Kicking Bird and Stands With A Fist.

    Lieutenant John J. Dunbar, Kicking Bird, Stands With A Fist
  59. 59. INT. DUNBAR'S LODGE - NIGHT

    Dunbar asks to join the war party.

    Lieutenant John J. Dunbar, Kicking Bird, Stands With A Fist
  60. 60. EXT. KICKING BIRD'S LODGE - DAWN

    The war party departs.

    Lieutenant John J. Dunbar, Kicking Bird, Wind In His Hair, Stands With A Fist
  61. 61. INT. ARBOR - DAY

    Dunbar and Stands With A Fist practice English.

    Lieutenant John J. Dunbar, Stands With A Fist
  62. 62. EXT. Arbor - DAY

    Dances With Wolves and Stands With A Fist practice language and share a moment of intimacy.

    Lieutenant John J. Dunbar, Stands With A Fist, Smiles A Lot
  63. 63. INT. Kicking Bird's Lodge - NIGHT

    Black Shawl questions Stands With A Fist about her relationship with Dances With Wolves.

    Stands With A Fist, Kicking Bird, Lieutenant John J. Dunbar
  64. 64. EXT. Kicking Bird's Lodge - DAY

    Dances With Wolves meets Stands With A Fist to go for water.

    Lieutenant John J. Dunbar, Stands With A Fist
  65. 65. EXT. River Trail - DAY

    Dances With Wolves and Stands With A Fist ride to the river.

    Lieutenant John J. Dunbar, Stands With A Fist
  66. 66. EXT. River - DAY

    Stands With A Fist explains how she got her name.

    Lieutenant John J. Dunbar, Stands With A Fist
  67. 67. INT. Kicking Bird's Lodge - DAY

    Stands With A Fist is silent when Black Shawl asks if she is talking.

    Stands With A Fist, Kicking Bird
  68. 68. INT. Arbor - DUSK

    The village settles for the evening.

  69. 69. INT. Dances With Wolves' Lodge - NIGHT

    Dances With Wolves thinks of Stands With A Fist.

    Lieutenant John J. Dunbar
  70. 70. INT. Arbor - DAY

    Dances With Wolves waits for Stands With A Fist.

    Lieutenant John J. Dunbar
  71. 71. EXT. Indian Village - DAY

    Dances With Wolves searches for Stands With A Fist.

    Lieutenant John J. Dunbar
  72. 72. EXT. Stone Calf's Lodge - DAY

    Dances With Wolves asks Stone Calf about Stands With A Fist.

    Lieutenant John J. Dunbar, Ten Bears
  73. 73. INT. Kicking Bird's Lodge - DAY

    Black Shawl tells Stands With A Fist that Dances With Wolves is gone.

    Stands With A Fist, Kicking Bird
  74. 74. EXT. Fort - DAY

    Dances With Wolves visits his old fort.

    Lieutenant John J. Dunbar
  75. 75. INT. Quarters - DAY

    Dances With Wolves writes in his journal.

    Lieutenant John J. Dunbar
  76. 76. EXT. Quarters - DAY

    Dances With Wolves feeds Two Socks.

    Lieutenant John J. Dunbar
  77. 77. EXT. Riverside - DAY

    Dances With Wolves and Stands With A Fist reunite.

    Lieutenant John J. Dunbar, Stands With A Fist
  78. 78. EXT. River Path - DAY

    Dances With Wolves and Stands With A Fist encounter the boys.

    Lieutenant John J. Dunbar, Stands With A Fist, Smiles A Lot
  79. 79. INT. Dances With Wolves' Lodge - NIGHT

    Dances With Wolves and Stands With A Fist are together.

    Lieutenant John J. Dunbar, Stands With A Fist
  80. 80. EXT. Indian Village - NIGHT

    Wounded warriors return to camp.

Dialogue examples

The men who wore this came in the time of my grandfather's grandfather. Eventually, we drove them out. Then the Mexicans came. In my own time the whites came... the Texans. They have been like all the others who find something they want in our country. They take it without asking. I have always been a peaceful man, happy to be in my own country and wanting nothing from the white people. Nothing at all. But I think you are right. I think they will keep coming. When I think of that, I look at this bundle. Our country is all that we want. We will fight to keep it.

Ten Bears / Scene 97

Wind In His Hair has spoken straight, his words are strong and I have heard them. It's true the whites are a poor race and it's hard to understand them. But when I see one white man alone, without fear in our country, I do not think he is lost. I think he may have medicine. I see someone who might speak for all the white people who are coming. I think this is a person with which treaties might be struck.

Kicking Bird / Scene 16

I had never been married before. I don't know if all grooms have the same experience. But as Kicking Bird began to speak about what was expected of a Sioux husband, my mind began to swim in a way that shut out everything but her. The tiny details of her costume. The contours of her shape. The light in her eyes. The smallness of her feet. I knew that the love between us would be served.

Lieutenant John J. Dunbar / Scene 95

This white man cannot cover our lodges, or string our bows, or feed our children. I will take some good men... there are many here tonight. We will ride to the soldier fort, we will shoot some arrows into this white man. If he truly has medicine he will not be hurt. If he has no medicine he will be dead.

Wind In His Hair / Scene 16

Can't figger the stinkin' buffalo. Sometimes you don't see 'em for days, sometimes they're thick as curls on a whore.

Timmons / Scene 9

Kicking Bird has been keeping to himself these last few days. I do not like to see our medicine man walking so alone.

Ten Bears / Scene 14

Goddamn Indians you'd jus' as soon not see, lessen the bastards're dead. Nothing but thieves and beggars.

Timmons / Scene 9

This is my post! And these are the post's provisions. Now get your ass off that wagon and help me unload.

Lieutenant John J. Dunbar / Scene 10

Use this structured screenplay data

SlugDB turns parsed screenplays into scene, character, dialogue, trivia, semantic search, Save the Cat, and API-ready analysis.

Use SlugDB when you need screenplay API data, movie dialogue search, character evidence, scene context, or MCP tools without building a scraper first.

Browse scripts API reference MCP setup Free API key